Anubis, the first DSType font at MyFonts is back in an improved Pro version. AnubisPro, a slab serif font with a contemporary feel, with Central Europe diacritics, swashes and ligatures, available in OpenType format.

Bold, graphic and with a strong vertical emphasis. Built from simple geometric shapes, Zeno is similar to some of Joseph Albers’ Bauhaus experiments, though with attention paid to normalising the lettershapes to improve readability.

Sterling Script was initially meant to a be digitization/reinterpretation of a copperplate script widely used during what effectively became the last decade of metal type: Stephenson Blake's Youthline, from 1952. The years from 1945 to 1960 saw a heightened demand for copperplate faces, due to post-war market optimism, as well as the banking and insurance industries booming like never before, which triggered the need for design elements that express formal elegance and luxury. The name Sterling Script is a tip of our hat to England, the Stephenson Blake foundry's country of origin. It is also a historical hint about copperplate scripts having been used mainly for banking and bonds in the 19th century. Originally we just wanted to resurrect a gorgeous metal type from the ashes of forgotten history. But after the main font was done we saw that the original s really needed an alternate. We made one. But we felt sorry for the original s and didn't want to see it dropped from use altogether, so we saved it by building a set of ligatures that solve the minor connection problem with the s at large sizes. Before the completion of the ligatures, a few different alternates were also drawn, and we were faced by the fact that the single font we set out to do was now a much larger set than we anticipated. While thinking about how to split up our unexpected bundle of large characters, we drew a few more alternates and some swashes. This abundance "problem" reached a certain point where there was no looking back, so we just decided to go all the way with this font. We added many more alternates, swashes, ligatures, and two full sets of each beginning and ending lowercase letter. The result is over 750 characters of sheer elegance. Sterling Script has many features that set it above and beyond other copperplate scripts: - It has 2 beginning and 2 ending alternates for every single lowercase character. The beginning and ending variants on the vowels are also available in accented form in the appropriate cells of the character map. - Sterling Script is the ultimate elegant font choice for luxury design. Very elegant, but not too soft. Its strong and confident shapes convey a message that is real, comforting and assuring. - One of the eventual purposes of expanding Sterling Script this extensively was to create a script that finds the middle ground between formal and informal without compromising either trait, a script where the degree of formality can be gauged, tweaked, cranked up or toned down depending on the layout's needs. Aside from beginnings and endings, there are multiple variations for the majority of the basic characters. This is a formal script on steroids, where twirls and swashes can be set to come out unexpectedly from any place in the word, which is great for reducing the inherent rigidity of words set in copperplate scripts and "humanizing" them whenever needed. This is especially useful for wedding, postcard and invitation design, where not every viewer of the collateral material has something to do with banking or insurance. - With such an extensive character set, a designer can easily set a word or a sentence in 10 or more different ways, and choose the perfect one for the task at hand. This is particularly useful for work where details are of utmost importance, like logos, slogans, or elegant engravings that consist of one to three words. Let those swashes and twirls intertwine for maximum elegance. The Sterling Script complete package consists of 7 fonts: Sterling Script, Alternates, Beginnings, Endings, Swashes, Swash Alternates, and Ligatures. Sterling Script is available in five different purchase options and price ranges. But with such a massive offering of variation, the Sterling Script complete package is definitely the most value-laden set in its class. Once you use Sterling Script, you will never want to go back to other copperplates.

Hello Molarine is a calligraphic script font that comes with a lovely alternative character. mix of copper calligraphy in a handlettering style. Designed to convey an elegant style. Shocking Script is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very legible. Its classic style is very suitable to be applied to all types of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpresses, romantic novels, magazines, books, greeting / wedding cards, packaging, labels.

Shining Holiday is a calligraphic script font that comes with a lovely alternative character. mix of copper calligraphy in a handlettering style. Designed to convey an elegant style. Shocking Script is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very legible. Its classic style is very suitable to be applied to all types of formal items such as invitations, labels, menus, logos, fashion, make up, stationery, letterpresses, romantic novels, magazines, books, greeting / wedding cards, packaging, labels.

Stevens Titling refers to the classic Roman alphabet as it appears on the Trajan column and numerous other monuments. With its realistic brush strokes, it shows the letterforms as they might have been sketched on the marble before the stonecutter reached for his hammer and chisel. The four fonts that constitute the Stevens Titling suite are named after animals — badger, boar, sable and wolf –, each known for the specific character of its hairs when used to make painting brushes. Sable Brush is the most formal and elegant, with solid forms which show no obvious trace of the handdrawn brush stroke; it comes with a set of small capitals for those classical titles preferred by Hollywood. In fact, each of these fonts would do a great job as a film title and poster font. The Badger Brush variant is compact and firm; Boar Brush is dramatic, and in Wolf Brush each part of the letter is made up of realistic, dry strokes.

Apocalyptic - Sans Serif Font Family - Multilingual - 24 Style (2022) Apocalyptic - Sans serif font family is a futuristic-modern font. The emotional integrity it creates due to its structure is suitable for use in technology, science, space and similar subject contents.Apocalyptic - sans serif font family, from Thin to Heavy, offers a full range of expression for interfaces and corporate design; in multiple languages, from print to screen media.It offers rich solutions to your creative projects with its alternative versions.You can easily use the sans serif font feature in many areas.You can create your text with normal characters and highlight Heavy characters and titles. It is functional in many sizes and environments that you can use as a main actor in strong headlines. If you are looking for a font with these features, Apocalyptic sans serif font family may meet your needs. With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Zega Text is a top-heavy sans family, inspired in the imprecisions of letterpress printing. Zega has 14 versions that give to your text (printed or on screen) a delicious sense of old printing. Give an exclusive touch to your text with normal versions, without losing reading clarity. Try the heavier versions and add a nice impact to your titles! The family consists of 14 styles, 7 weights plus their respective italic versions. The fonts are available in OpenType PS and have extended character set to support CE, Baltic, Turkish as well as Western European languages. You can test Zega Text downloading the free trial font in Semibold version (TT only). This trial file supports only Western languages.

AB One is a captivating sans-serif font family that effortlessly blends modern aesthetics with a dynamic, fluid formality inspired by the world of architecture. This versatile typeface offers three distinct weights, each carefully crafted to cater to a range of design needs. Key Features: Dynamic Fluidity: AB One embodies the dynamic essence of architectural forms, showcasing a graceful flow and a sense of movement. The font's letterforms possess an inherent flexibility that adds a touch of vibrancy to your designs, making it an excellent choice for contemporary projects that demand energy and liveliness. Sleek and Modern: The light weight of AB One radiates a modern, minimalist charm, perfect for creating a sleek and refined impression in your design projects. Its clean lines and well-balanced proportions ensure readability while evoking a sense of cutting-edge sophistication. Three Distinct Weights: The AB One font family offers three carefully crafted weights to provide versatility in your design work. Sans-Serif Elegance: As a sans-serif typeface, AB One represents a harmonious marriage of legibility and style. Its straightforward, elegant letterforms make it suitable for a wide range of applications, including branding, advertising, editorial design, and web interfaces. Inspired by Architecture: Drawing inspiration from the world of architecture, AB One captures the essence of structural elegance and sophistication. This font is an ideal choice for projects that require a touch of architectural finesse. Versatile Application: AB One's adaptability allows it to excel in a variety of design contexts. It seamlessly integrates with other design elements, providing a harmonious and engaging visual experience. AB One is a typeface that thrives on the principles of sleek modernity and architectural inspiration, making it a go-to choice for designers who seek to infuse their projects with a touch of dynamic fluid formality.

Large font sizes are often hard for the eyes to see and difficult to read. As a consequence, you have to give a lot of extra effort just to find out the right, legible font type with a great weight for your brand. Restages is a capitalized display serif font with less thickness for an effortless readability. This font type is perfect for formal contents because of its stylish, elegant characters to strengthen the impressions delivered. Furthermore, this font is truly legible due to its simple, regular serif forms to ease readers to recognize each letter correctly. Make use of the font features available here. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Restages fits best for various design projects, such as brandings, posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

A mid-1950s hand lettered ad for Stenso Lettering Guides provided the inspiration for Stencil Company JNL, now available in both regular and oblique versions. The Stenso Lettering Company of Baltimore, Maryland pioneered easy-to-use and inexpensive lettering devices with guide holes for accurate spacing. Originally designed by a school teacher (Ruth Libauer Hormats) around 1940, the company was family run until it was sold in 1962 to Ottenheimer Publishers. They in turn sold the line to the Dennison Manufacturing Company, and it was discontinued in the 1980s after Dennison merged with Avery.

Cast your stars like the ancient Pharaohs. Commonly known as the Zodiac of Dendera, this series is based on the symbols found on the roof of the temple at Dendera. It is believed that the Egyptians likely borrowed the signs of the zodiac from the Greeks, possibly in the Ptolemaic period. Containing 52 unique characters, the series includes the 12 zodiac signs, the 30 phases of the moon in its equatorial position, the Gods of the four winds, and the Gods of the five planets of Venus, Mercury, Mars, Saturn and Jupiter. NOTE: this font comes with an interpretation guide in pdf format.

HWT Artz is the newest wood type to be cut at Hamilton Wood Type and Printing Museum. It was designed by venerable type designer Erik Spiekermann exclusively for his own print studio (P98a in Berlin), specifically to be cut into large size wood type. The digital version is being offered to the general public with proceeds of sales to benefit the museum's ongoing operations. HWT Artz evokes bold early 20th century European poster lettering. The design itself is intended to minimize hand-finishing and thus production time with rounded corners rather than sharp interior corners that would normally have to be hand-finished. In keeping with the tradition of naming new Hamilton designs after key figures from the living history of Hamilton (and following Spiekermann's tradition of four letter font names), Artz is named after Dave Artz- Hamilton Manufacturing retiree and master type trimmer.

Geon Soft is the rounded version of Geon. Geon Soft Family is a modern sans-serif typeface that is clean, simple, soft and highly readable. Letters in this type family are designed with geometric shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Geon Soft is a versatile type family of 54 fonts. Geon Soft family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) & 3 widths (Condensed, Normal & Expanded)with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Eloisa is based on the penmanship of Andrea Stuart's eponymous aunt. The slow, meticulous strokes with which Eloisa writes is the result of formal (and meticulous) instruction in cursive writing back in her secondary education in an exclusive all-girls school. The interesting mix of smooth curves and sharp strokes combined with the slanted orientation make for an elegant yet dynamic visual appeal. Eloisa is perfect for branding, invitations, greetings, or any classy rendering of text you may imagine. Be classy!

Deconstructed JNL is another set of rubber stamp alphabet letters and numbers from a 1930s toy printing set. The original typeface of this set is Cheltenham Open. The stamps were printed out and scanned, creating this limited-character font with dual characteristics. At small point sizes it replicates inked rubber stamp impressions, but in larger format it shows angular lines and erratic character shapes as if made from cut paper or lettering that was intentionally made to look damaged.

Upside is an all caps font. The design of the font is tied to historic golden ages gone by, but with a modern flair giving it a contemporary edge. It is a tall and condensed geometric sans serif, with four unique styles and appearances. Upside is a distinctive display font, perfect for headlines and headings across a range of formats such as graphic design posters, editorial pieces, or anything that needs that extra eye-catching touch.

With its extended sans-serif style, Dienstag boasts a sleek and sophisticated look that's perfect for a wide range of projects. Whether you're designing a website, creating branding materials, or producing print publications, Dienstag's refined elegance is sure to make a lasting impression. Compared to Montag, Dienstag has a slightly more formal feel, thanks to its lack of rounded terminators. But that doesn't mean it's any less versatile – in fact, Dienstag's four original weights have now been expanded to ten, giving you even more flexibility in your designs. With OpenType features that include simplified versions of many characters, you can easily create unique and eye-catching titles that stand out from the crowd. But Dienstag is just one part of the larger Montag superfamily, which also includes Mittwoch, and Donnerstag. Each font in this collection offers its own unique style and flair, giving you a wealth of options to choose from when it comes to your next project. Whether you're looking for a bold and dynamic font or a more refined and understated style, you're sure to find the perfect fit in the Montag family. So why wait? Check out Dienstag and the rest of the Montag superfamily today, and start creating designs that are sure to captivate and inspire! With its elegant style and versatile functionality, Dienstag is the perfect choice for designers who demand the best.

A premier product from insigne, the powerful Aviano redefines its classic lines for the contemporary elegance of Aviano Silk. This modern development of a timeless font, part of insigne's annual tradition in adding to the Aviano family, was elected the clear leader in a poll of insigne design's social media followers. Aviano Silk refers to the smooth flowing feel that the negative space gives the font. This particular example is sort of a hybrid between the stencil and a centerline. It has a certain amount of velocity to it. Extended characters lend formality and a sense of wealth and power. Due to the modifications required for the new look, the Silk family cannot work as an overlay for Aviano, though it pairs nicely with it. There are also 12 Aviano families that work well with Silk. Aviano Silk is particularly suited to high-end luxury applications and especially branding projects. Use Aviano Silk to lend refinement and luxurious elegance to your design.

Rufus Script is a connected script font inspired by Palmer method of business writing (classic commercial lettering of the 1900-1915). The Rufus Script family comes in five weights, with automatically loaded contextual alternates. Character set contain over 500 characters per font for wide range of Latin-based language support. Include proportional and tabular figures, ornaments and popular recycling symbols used for packaging. Rufus Script is great for product packaging, book covers, poster design, editorials and greeting cards. May be also freely used for long inscriptions due to its formal structure and added small irregularities simulate not fully-trained hand.

Fresh Script is a handwritten calligraphy font, free flowing, casual and with an elegant touch. This modern style font is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purpose. Fresh Script has 385 glyphs and 190 alternative characters, including various language support. With OpenType features with alternative styles and elegant ligatures. The OpenType feature does not work automatically, but you can access it manually and for the best results needed for your creativity in combining this Glyph variation.

Marphidy Script is a calligraphic script font that features a beautiful changing character, a classic decorative brass script type with a modern touch, designed with high detail to bring the elegance of style. Marphidy Script is attractive as its typography is soft, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many good letter connections. I also offer some vibrant style alternatives for many letters. The classic style is suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make-up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels.

Introduction to Golane Introducing Golane, a Geometric Sans Serif font, it exemplifies a sleek, modern design. Firstly, its geometric styling enhances visual appeal. Importantly, this font is perfect for lengthy texts, offering remarkable readability. Additionally, its simplicity appeals to a broad audience, from novices to seasoned professionals. Design and Aesthetics Focusing on design, Golane is deeply rooted in geometric principles. Each character is meticulously crafted, ensuring a balanced and harmonious appearance. Furthermore, its clean lines and shapes exude a contemporary vibe. Consequently, the font masterfully combines form and function, making it highly versatile for diverse applications. User-Friendly Features Regarding user experience, Golane stands out for its user-friendly qualities. It’s notably easy to read, which greatly enhances the legibility of extended texts. Moreover, the font’s adaptability is evident, as it fits seamlessly in various contexts. Whether used in print or digital formats, Golane consistently maintains its clarity and effectiveness.

Isabel Condensed and Isabel were made out of necessity to create a new font for children and teenagers, that could be enough friendly and versatile for text in words or even easy-to-read long texts. The purpose of Isabel is to combine all the nice and friendly features of the simple letters that the teachers teach to the pupils at primary school, as they starting to learn to read, together with the normal editorial fonts we read every day. In this way it generates a very joyful serif font, or even friendly font, with some conservative aspects. In other words, Isabel is a font that, despite of being a “classic features” typography, is proud to show its innocent and ingenuous elements, this gives to the font a new point of view. The family is composed of 3 parts: the regular version, the italic version and the unicase version. Each one of them has 5 weights. The italic version has 825 characters; the regular and unicase have 739 and are composed for 220 latin languages, plus cyrilic.

Isabel SemiCondensed, together with Isabel condensed and Isabel were made out of necessity to create a new font for children and teenagers, that could be enough friendly and versatile for text in words or even easy-to- read long texts. The purpose of Isabel is to combine all the nice and friendly features of the simple letters that the teachers teach to the pupils at primary school, as they starting to learn to read, together with the normal editorial fonts we read every day. In this way it generates a very joyful serif font, or even friendly font, with some conservative aspects. In other words, Isabel is a font that, despite of being a “classic features” typography, is proud to show its innocent and ingenuous elements, this gives to the font a new point of view. The family is composed of 3 parts: the regular version, the italic version and the unicase version. Each one of them has 5 weights. The italic version has 825 characters; the regular and unicase have 739 and are composed for 220 latin languages, plus cyrilic.

Mono-Spec is a monospaced family of sans-serif type. At least in default settings, all characters across the typeface share a common width. That fixed setting is condensed, and the aesthetic style of Mono-Spec’s letterforms is very industrial. A sister family, called Mono-Spec Stencil, is also available. Its design strays away from the mechanical nature of Mono-Spec, and it channels the spirit of resistance and street culture. Mono-Spec ships in two different formats. Depending on your preference, you can install the typeface as a single Variable Font or use the family’s five static OpenType font files instead. Those weights run from Light through Bold. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Font have vastly greater control over their text’s stroke width. The Mono-Spec Variable Font’s weight axis allows users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. Whatever format you choose, the Mono-Spec fonts are equipped with several OpenType features. The most striking of these can be activated via a Stylistic Set. That will replace several letters – like “B”, “E”, “F”, “H”, and “I” with double-width alternates. Those alternates take up as much space as two characters placed next to each other otherwise word. The effect of Mono-Spec’s double-width alternates is striking, and their use strikes a strong chord in any display typography applying them.

Glanlen Outline is a very Beautiful, elegant and unique Script font. Expertly designed to become a true favorite, this font has the potential to take your creative ideas to the highest level! Glanlen Outline is appealing because it's sleek, clean, feminine, sensual, glamorous, simple and highly readable, thanks to its many luxurious letter connections. I also offer a number of viable alternative styles for all letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting cards/weddings, packaging, labels or all kinds of advertisements. for your purposes. . . . . . . Contains full set: -4 Type Font -Uppercase -Lowercase -Alternative -Ligature -Punctuation -Number -Multilingual support. Need help or have questions let me know. I'm happy to help. Thank you & Congratulations on the Design.

Erghon is a handwritten font with quick dry strokes and a signature style. It's perfect for branding projects, homeware designs, product packaging or simply as a stylish text overlay to any background image or posters. Erghon has an entire alternate glyph set. This is accessible simply by their own separate font file - just install this as normal and select 'Erghon Swash' , ‘Erghon' or ‘Erghon’ in your text-tool. Erghon includes 2 Font files: 1. Erghon Regular - A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Erghon Swash - A set of 26 hand-drawn swashes, with cool touch to underline your text set in Erghon.

Axial Cut is a sans serif typeface (Latin Extended-A), a contemporary and rounded evolution of geometric fonts for screen, but this time the letters are built on an axial axis that results in trapezoidal counter-shapes, joints with reduced antlers and rounded corners that correct optical effects in small sizes to make the typography more legible, and at the same time, in large sizes it shows its original shapes. The Axial Cut typeface family is made up of four weights: Light, Regular, Medium and Bold, each with 785 characters. I have taken particular care with the metrics and dimensions of each letter or sign, with a very careful and precise kerning configuration to achieve the For maximum readability, these are fonts with slightly higher ascenders than capitals and short descenders to make it more compact. The editing possibilities and unique designs with these complex typefaces are very wide, the fonts have a complete set of uppercase letters and a lowercase set with alternative characters as well as lowercase letters and numbers in different positions (lowercase, denominators, numerals, and uppercase) that They also work as automatic fractions, they also incorporate small capital letters and three sets of alternative numbers (Normal, Old style numbers, Square numbers), etc. Discover other alternative signs, characters and Open Type functions in the PDF: Specimen & The Cheat Sheet.

Introduction to Lamna – Wide Serif Font Lamna is a distinct wide serif font, characterized by its upright and bold appearance. Its design combines traditional elegance with modern simplicity, making it versatile for various applications. This font stands out due to its unique wedge-shaped serifs and strong structure. Design Features The key feature of Lamna is its wedge-shaped serifs. These serifs are not just decorative; they add a sense of stability and formality to the text. The wide structure of the font enhances readability, making it ideal for both print and digital media. Moreover, its upright stance contributes to its authoritative tone, suitable for titles and headings. Versatility and Usage Remarkably, Lamna adapts well to different contexts. Its clear, strong lines make it perfect for headlines and logos, where a commanding presence is needed. Additionally, it performs well in body text, offering a comfortable reading experience. Its versatility extends to various industries, including publishing, advertising, and digital design.

Inspired by the hand-painted paper signs typically seen in grocery stores during the 1920s to 1970s. This is now available in a digital format that still has the appearance and feel of hand-painted letters. Take a look at a few samples in the thumbnails to see what you can do with them. Local Groceries comes with a combination pairing font. It combines both regular and script fonts. Local Groceries is suitable for vintage and contemporary marketing, branding, merchandise, and packaging designs. Features: Uppercase & Lowercase Numerals & Punctuation Alternates and Ligatures Multilanguage Supports 60+ Latin based languages

Auline is Modern Luxury Serif Font is a well-balanced contemporary font with a fancy, unique, and versatile Luxury serif, font that you can combine to get any variations and unique shapes easily just in seconds with choose alternates of them. What's Included: Character set A-Z Normal & Italic Style Numerals & Punctuation Accented Characters (West Europe) Stylistic alternates Works on PC & Mac Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font. :)

Port Play ... Based on Density Slab Serif, now with other styles, Normal and Expand, equipped with alternative letters that are so wide that they give a strong, clear, masculine feel, and have good legibility. Port Play comes in regular, oblique, outline, and outline oblique styles along with regular and oblique variable files. This font is perfect for every project. suitable for branding logo, badge design, or apparel design. This font also comes with multilingual support.

Quant Text is the optimized text version of the Quant family. It comes with a slightly greater width, stronger hairlines and stronger serifs which make it very stable for small text, but also gives it a forceful appearance when used for headlines. Quant is well-equipped for ambitious typography. The Quant family consists of 8 styles, comes in OpenType format with extended language support for more than 40 languages. All weights contain small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.

Broadside is a versatile, authoritative and functional family inspired by the sans serifs seen on ’40s and ’50s patriotic posters and period advertising. It is available in seven weights across condensed, normal and extended widths, each with reweighed italics. The type from this period was very often hand-drawn, and so differs considerably from poster to poster. Many American examples of this period use a Photo-Lettering style called Murray Hill and its derivatives, although their UK counterparts, designed by such luminaries as Abram Games or Tom Eckersley, are more stylistically diverse. Even though no single model is available to base a digitisation on, there are certain recurring stylistic quirks that give the type its unique flavour, and so the most interesting examples from several sources were be combined for the final family. Alternate short descenders, allowing for tighter line spacing, can be toggled on or off in the Opentype panel of Indesign or Illustrator. Tabular and lining numerals and a single-story ‘a’ are also available in all weights and styles.

Introducing, Rolih. Serif typeface with a modern and classic look and feel, this font is made with a variety of unique font alternatives so that it is easy to apply, especially in logos, posters, quotes, invitations, labels, greeting / wedding cards, magazines, books, business cards, fashion, packaging and formal forms or other types of advertising. What's included? Uppercase Characters Lowercase Characters Support 75+ Language FEATURES Rolih (OTF) So what are you waiting for? immediately purchase this font, feel free to comment, or send me my PM or email at khoirtypework@gmail.com Thank you for seeing

Introducing NERMOLA Scripcy Font from alitdesign. The rise of typeface duos in the marketplace made us not want to be left behind so we created a pairing of our own. This font duo launch contains both a sans serif and signature script. NERMOLA Scripcy sans serif has characters that are unique, elegant, formal and assertive. It is suitable for the heading or subheading of any text. The uppercase of the sans looks very unique and elegant. The script letters are also unique and natural in character. Additionally, it has several alternatives that can be replaced using OpenType features. NERMOLA Scripcy fonts are the perfect addition to your font collection library. The designs are elegant and romantic and are equally suitable for logotype design and for any phrase, poem, or quote.

COLÓN is a Slab Serif type family of three weights with matching italics. The typeface design was influenced by the nostalgia for the aesthetic of a typewriter. Colón extended family consists of two sub-families: Colón Mono with monospaced glyphs sets, and Colón (proportional glyphs sets) which is presented in these specimen pages. Colón is released in OpenType format with extended support for most Latin languages, and includes some opentype features – such as proportional/tabular figures, slashed zero, ligatures, fractions, etc.

Introducing, Creeplens, a creepy typeface. This font perfectly made to be applied especially in poster, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.