Mid Mid Sun Sun will help you refine your typography to the extreme. It has a number of alternates, which can change into different expressions.

Finally the light version of Wilhelm Berg’s hot-metal classic which had found its way from Schriftguss to Typoart can be released for nowaday’s use.

A heavy contoured all cap font, great for poster, school and sports, will also work in many other applications where a strong statement is needed.

Filou is a genuine bastard inspired by three different typefaces. It consists of three weights: "Regular", "Medium" and "Extra" which can be easily mixed together.

Varial typefaces are extra-condensed Opentype™ sans-serifs with small caps, extended character set (european languages support) and extra features (fractions, ligatures and alternatives).

The ALDOGIZIO family is a new slab-serifs typefaces family inspired by Aldo Novarese' Egizio. It can be use for text as for titling applications.

A redesign of Typoart's Thannhaeuser Fraktur. You can access the long s either by typing the integral sign [∫] or activating the OpenType feature historical forms.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

Nouveau Eccentrique JNL is a novelty Art Nouveau lettering style found on some 1920s sheet music cheerfully entitled "I'm Glad I Can Make You Cry".

Allnoob Typeface is one of the elegant decorative fonts neatly arranged and cool, you can also use it for business, clothing, movie titles, and more

Loftie is an all caps, condensed sans serif font with beveled corner characters. The font is ideal for headlines, titles, branding, small blocks of text.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benefit from a “spoonful of sugar” visually.

An all-caps titling font designed by the Monotype Drawing Office in 1934, based on an alphabet designed by Veronese calligrapher Felice Feliciano in 1463.

How cute can you get? Cattapilla's open type version has extra ligatures and stylistic alternates, perfect for scrapbooking, greeting cards, announcements or any creative project.

Baby Fun is inspired by the playfulness of hand lettering. This font can be used for comic design, children's books, preschool name tag and more.

Sport Shaded JNL is a classic block font with a cast shadow, perfect for any project for sports teams, college life or high school activities.

This is a connected script font with a trendy flair. You can add little flourishes to the beginning or end letters for a whimsical touch.

Bollatica from Philip Bouwsma is a nice interpretation of the scrittura bollatica. It has a floreal historical lettering and can be used for historical documents.

Adolescent is a cute and playful handwritten font. Use this font to add that special cool touch to any design idea you can think of!

Zumbo is a capital letter font, hand designed. The letters can be freely combined: with or without decoration. 2022 by German typeface designer Joachim Frank.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

Agenor is an all caps display typeface family. It comes in five weights and is suitable for headlines, headings, branding, posters, packaging, titles and logos.

Anjelina is a beautiful and romantic script font. It is PUA encoded which means you can access all of the glyphs and swashes with ease!

This typeface was suggested by a 1930s ad for a product called Plantol, designer unknown. It can be either graceful or playful, depending on context.

Stencil Machine JNL replicates the lettering of a stencil cutting machine. The stencils produced on such machines were primarily used for carton identification and shipping.

Araboto is a simple geometric Arabic typeface, with six weights. You can use it in a variety of uses from printings to web and mobile.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

Redmoon is a cute and playful handwritten font. Use this font to add that special cool touch to any design idea you can think of!

Hey there, cats and kittens. Have you heard the news about the grooviest typeface in town? That’s right, I’m talkin’ about Sinzano—the typeface that’s cool, collected, and interlocking! Now, you might be asking yourself, “What’s so special about Sinzano?” Well, let me tell you, this typeface is a real wild one. It’s got some serious style, with letterforms that interlock like a bunch of jazz cats jammin’ on stage. And don’t even get me started on the ligatures—they’re fascinating, man! Sinzano comes in three different styles, so you can choose the one that’s right for you. Sinzano Regular is a slender, slightly flared headliner, perfect for making a statement. Sinzano Sans is a similar concept, but with straight, flat ends, for a more modern vibe. And if you’re looking for something a little more modest, Sinzano Display is a companion typeface that’s broader and rounder, with just a touch of interlocking. So, if you’re ready to add some serious style to your designs, head on over to Sinzano, baby! This typeface is the real deal, and it’s gonna knock your socks off. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Times with a Human Face: In my article of the same name which appeared in the magazine Font, volume 2000 I described the long and trying story of an order for a typeface for the Czech periodical Lidové noviny (People’s Newspaper). My task was to design a modification of the existing Times. The work, however, finally resulted in the complete re-drawing of the typeface. The assignment, which was on the whole wisely formulated, was to design a typeface which would enable “a smooth flow of information in the reader’s eye”, therefore a typeface without any artistic ambitions, from which everything which obstructs legibility would be eliminated. A year later Lidové noviny had a different manager who in the spring of 2001 decided to resume the cooperation. The typeface itself definitely profited from this; I simplified everything which could be simplified, but it still was not “it”, because the other, and obviously more important, requirement of the investor held: “the typeface must look like Times”. And that is why the above-mentioned daily will continue to be printed by a system version of Times, negligently adjusted to local conditions, which is unfortunately a far cry from the original Times New Roman of Stanley Morison. When I was designing Lido, the cooperation with the head of production of Lidové noviny was of great use to me. Many tests were carried out directly on the newspaper rotary press during which numerous weak points of the earliest versions were revealed. The printing tests have proved that the basic design of this typeface is even more legible and economical than that of Times. The final appearance of Lido STF was, however, tuned up without regard to the original assignment – the merrier-looking italics and the more daring modelling of bold lower case letters have been retained. The typeface is suitable for all periodicals wishing to abandon inconspicuously the hideous system typefaces with their even more hideous accents and to change over to the contemporary level of graphic design. It is also most convenient for everyday work in text editors and office applications. It has a fairly large x-height of lower case letters, shortened serifs and simplified endings of rounded strokes. This is typical of the typefaces designed for use in small sizes. Our typeface, however, can sustain enlargement even to the size appropriate for a poster, an information table or a billboard, as it is not trite and at the same time is moderate in expression. Its three supplementary condensed designs correspond to approximately 80% compression and have been, of course, drawn quite separately. The intention to create condensed italics was abandoned; in the case of serif typefaces they always seem to be slightly strained. I named the typeface dutifully "Lido" (after the name of the newspaper) and included it in the retail catalog of my type foundry. In order to prevent being suspected of additionally turning a rejected work into cash, Lido STF in six designs is available free of charge. I should not like it if the issuing of this typeface were understood as an “act out of spite” aimed against the venerable Times. It is rather meant as a reminder that there really are now alternatives to all fonts in all price categories.

LeopardSkin is an exciting, contemporary display font, incorporating the distinctive markings of one of Africa’s most famous “big cats”. Two versions are available: LeopardSkin Aarde, based on the Aarde Black font, is best used in conjunction with Aarde Black or Aarde Outline. LeopardSkin Umkhonto is based on the best-selling Umkhonto font, and may be used in conjunction with the Umkhonto font collection. The popularity of the “animal skin” look in contmporary clothing and soft furnishing design make LeopardSkin a must for artists on the creative edge of contemporary design.

ReneFont is strong, heavy design which looks quite technical. Originally planned as a caps-only, Breil changed his mind and also drew the lower case alphabet.

Screter is a fresh Blackletter typeface with sharp edges that looks brave. Equipped with lots of ligatures and opentype features. Can be used for various purposes.

A big fat quirky face for big bold weird uses. Inspired by E. McKnight Kauffer and vintage travel posters, both styles have support for multiple languages.

Roughler is brush font with clean and simple font. This font can apply to banner, wallpaper, tees, music theme, cover and party moment with brush style.