Astrology signs that had been designed for newspaper and printers purposed in the hotmetal aera from the Monotype caster.

OkraCubo in a distressed font with a cubist bent. This font work nicely for both grunge and modern styles. Used at large point sizes the cubist look really comes out. This font is as strange as Okra is a vegetable????

Cintra font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a sans serif, bold, geometric typeface with subtle rounded angles, which provides a soft, pleasent appearence. Cintra consists of 8 styles.

Sleeping Wild is a signature handwritten font package with a personal charm. With ruling pen texture you can feel different style here. It contains upper and lower case letters, numbers and various complete signs.

Seindah Cinttya results out of a stunning pairing of a brush pen that makes it look incredibly endearing and authentic. Use this gorgeous and unique script font to bring any DIY project to life!

Bolognaise is a relaxed and flowing handwritten font, created with the help of a beautiful brush pen. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs!

Champions is our best-selling typeface that has been completely rebuilt, from the ground up. Now featuring special characters, alternate glyphs and a sans serif version. This is the font champions are made of.

Gerhard is an early 1900’s Victorian style typeface that has been carefully refined for today. It was inspired from delicately hand painted lettering on a century-old vintage piano. This typeface has an bold and elegant natural aesthetic that can work for eye-catching headlines yet work gracefully enough for wedding invitations. Small caps have been designed for sub headings and allow a visual difference. Put it to use on your next branding, signage or publication project. A number of glyphs and diacritics included make this typeface usable for a wide number of languages. Alternate letters and forms have been included to create some versatility with your design.

In the July 24, 1915 issue of “Dry Goods Reporter” is a demonstration of hand lettering rendered with the use of a “speed pen”. Two suggested examples cited in the accompanying article were the Payzant pen and the then-new Speedball pen. An ornate Art Nouveau serif alphabet is displayed, with some examples having delicate floral elements entwining the letters. The initial alphabet was auto-traced, then cleaned-up and modified to recreate the core design of the basic (unadorned) letters. The numerals, punctuation and all additional characters were then made from scratch. Nouveau Rose JNL is the finished result, and is available in both regular and oblique versions.

Collette was named in honor of an art deco font called "Independent" designed in the 1930s by Collette and Dufour. Collette is influenced by the design of the original font, however, there are substantial differences: instead of small caps, a true lower case was created, the upper case character proportions and shapes have been greatly modified, and all missing characters have been created to make a truly modern font which nevertheless has all of the panache of the original. It is best used to create a retro feel and in headings, subheads and in short passages of text.

Benchmark2 is a super cool serif font developed from the popular original Benchmark font. This version has been remastered in the latest font developing software and now the new version includes a lot of additional characters that are not available in the original. The original font has been used worldwide, used in Hollywood films and in products in popular clothing lines. The font works well in a variety of themes including tattoo, rebellious, street, western and vintage, to name some. The font was initially designed for use on Baseball jerseys in an effort to developed ways of creating new looks in the field of sports related graphic design.

Ving Smith is a Script Font with Handwritten Style. The Ving Smith font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Shiny Aisyah is a Script Font with Handwritten Style. The Shiny Aisyah font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Hysteria is a Script Font with Stylish Textured Brush Style. The Hysteria font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Santy Ehisa is a Stylish Script Font with Handwritten Style. The Santy Ehisa font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Pejuang Cinta is a Script Font with Handwritten Style. The Pejuang Cinta font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Boxajoy drawn with an inky pen and scanned at high resolution - that's why it looks good, even at large sizes!

Road Art derives from painted lettering found on roads in the UK. Each character has been created from original photography.

Rolling Ball Cursive simulates a handwritten style executed with one of the many types of rolling ball pens now available.

TASCI SERIF typeface has been derived from TASCI typeface, it is especially designed to use for logotype and display designs.

Scooter is an informal handwriting script named for a bashful but lovable yellow Labrador Retriever. The font is perfect for memos, fliers, cards and of course, a personalized dog bed. This font is great for making a wagging impression.

White Mellow is a modern, fun script font, created by using an authentic handwritten pen. Clean and a little bit quirky, this font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

Inspired (in part) by a vintage photo of a storefront neon sign for Cushman’s Furs, Wireline JNL is a thin monoline font with the appearance of bent wire characters. The font is available in both regular and oblique versions.

Slimpick Brush Stroke Font results out of a stunning pairing of a brush pen and pencil that makes it look incredibly endearing and authentic. Use this gorgeous and unique this handwritten font to bring any DIY project to life!

Inspired and derived from the serial numbers printed on United States paper currency, the tongue-in-cheek infringe typeface has grown from the alphanumeric set of characters that sit reservedly aside the faces of dead presidents. Taken out of their bright-green element, the characters have been given a life of their own, and have been joined by a one-hundred percent unique set of lowercase characters. The font stands out in both formal and informal uses and can be used for both headlines and supporting text.

Brass Rail JNL is a novelty font, with its name derived from two key components of the source material. It was modeled from examples of vintage small letters stamped out of brass with "rails" above and below each character to fit within a slot. The most likely use of these letters would have been for either decorative initials or small merchandising signs (similar examples of both have been seen in the past). From these few examples comes a typeface with numerals, punctuation and an extended character set.

Giza brings back the colorful power and variety of the original Egyptian letterforms, a glory of the Victorian era. Designer David Berlow based the family on showings in Vincent Figgins’ specimen of 1845, the triumphant introduction of this thunderous style. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

Chancery Lane is a condensed cursive with a breezy, flowing feel. Many of the lowercase characters join up, some uppercase ones too, and the two fonts are slantier than many other chancery-inspired faces, inclined at almost 20°. Each glyph has slightly rounded corners to bestow softness and warmth. The typeface emerged from a study of pen lettering, italic scripts and chancery hands – down a rabbit hole and along the Chancery Lane. The research ranged from early cancellaresca manuscripts to contemporary fonts, and also calligraphic work, most notably that of Indian artist Mayank Baranwal whose lowercase letters inspired many of the Chancery Lane glyphs. Uppercase characters have been designed to harmonise with the lowercase rather than providing overly ornamental openers, true to origins that were functional rather than fancy. Both the capitals and the uppercase alternates are unfussy and relatively simple, and the lowercase swash characters are similarly understated, only modestly flourished. Stylistic alternates and lowercase swash characters can be accessed using OpenType-aware applications or font management software.

Sporting pot-hook serifs and a tiny aperture, the Scotch Modern was an evolution of the Didone and Scotch Roman classifications, becoming the default type genre of the 19th century. Recontextualizing the 10-point type of a scientific report published in 1873, Nick Shinn has produced sleekly refined, micro-detailed vector drawings by eye, without the assistance of scans, of this magnificent classic. A beautiful genre of type, so popular in books, magazines and advertisements during the Victorian era and much of the 20th century, the Scotch Modern was derided by advocates of both the Arts & Crafts movement and 20th century modernists, and was never been properly adapted to hot metal, phototype, or digital media -- until now. Now the full range of typographic expression is possible in this style. The OpenType fonts support Western and CE encodings, Cyrillic (with Bulgarian alternates) and Polytonic Greek. There are many special features, including small caps, unicase, italic swash capitals, ten sets of figures per font, and both slashed and nut (vertical) fractions. Together with Figgins Sans, comprises The ModernSuite of matched fonts.

Scratch SCF is a grunge font with a difference. It has an irregular, almost random outline that suggests an old-fashioned quill pen that is leaking and scratching its way across the page. There are also connotations of simplicity, of a writer that is unsophisticated, possibly learning to write for the first time. This is a font that avoids all the associations of slick, worldly-wise urbanity, of cynicism and of "the medium being more important than the message". Instead the simplicity of Scratch SCF conveys a sincerity and integrity of design that bespeaks simplicity and old-fashioned honesty. All these associations are conveyed with a contemporary look, without resorting to rehashing the past with yet another retro font. Scratch SCF has a full character set: all upper and lower case characters, all special and accented characters and all punctuation, numerical and mathematical characters. All have been carefully spaced and kerned. Scratch SCF Staggered is a little more "grungy" than the regular style because the individual letters do not rest on the same baseline and thus have more vitality.

The Woodblock font is a heavy face with angled counters and wedge serifs. The angles of the terminals and non-vertical strokes have been carefully drawn to add emphasis to the shapes of the letters.

Arthur Hill is handwritten with dry brush pen. With sharp details, this font is perfect for branding, logo, book covers, packaging, website headers, greeting cards, poster, merchandise, fashion campaigns, newsletters, album covers, quotes, and more.

It’s an extension to the Trivia font system. Serif 10 has been meticulously adapted for sizes of about 10 points, to be used for all kinds of literature: magazines, newspapers, books, including large scientific volumes.

Barryone results out of a stunning pairing of a brush pen and pencil that makes it look incredibly endearing and authentic. Use this gorgeous and unique handwritten font to bring any DIY project to life!

Font naming is not all that difficult. Take Printout for example. I was busy working on this font, when my niece came over with a poem she needed to have printed. One of her classmates had the same request (they’re writing poems for our national Remembrance Day). As I was printing out these poems, I thought the name Printout would be perfect for the font I was working on. See? It’s not rocket science! Printout is a totally awesome, completely handmade font. I used an almost dried out Japanese brush pen to get the eroded effect. Maybe I should name my next font ‘Dried Out Brush Pen’? I’ll let you know.

Nobody Home JNL is unusual in nature as it combines two vintage typestyles into one font. Both have been used for home and property identification for decades and still remain popular. Over the years the letters and numbers have been made of cast steel, aluminum, brass and plastic. The alphabet is in a distinctly bold, asymmetrical style, while the numbers almost take on a calligraphic feel. There is just a basic character set - alphabet, numerals and simple punctuation. While the font has been reasonably spaced and kerned, it's best to remember that neither type design was made with digital technology in mind, so it's suggested to adjust your layout manually for optimum results. Nobody Home JNL is best-suited for replicating street addresses, apartment numbers on doors, and homeowner (or apartment house) names on buildings - whether in print design or as plotter-cut vinyl graphics.