Carelia is a modern multilingual (including cyrillic) serif family with classic forms, enhanced by extended OpenType features. It is well suited for all sorts of design - starting from web, to editorial and branding. Its stylistic alternates, swashes and ligatures (more 1200 glyphs in each font) will make your design even more stylized and unique. Carelia comes in two styles Upright and Italic - each has it's own character but both share the same curves and style. Both fonts are fully unicode mapped - can be used in any application of your choice.

Dutch type designer Alex Scholing created this script FontFont in 2003. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, festive occasions, logo, branding and creative industries as well as small text. FF Roice provides advanced typographical support with features such as small capitals, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Ela Sans is the sister of the typeface I originally designed for the business of my second wife and mother of my two sons, her name is - of course - Michaela. Ela - the typeface - is suitable for magazines, newspapers, posters, advertiments, books, text, documentation/business reports, business correspondence, multimedia, and corporate design. Because lately this typeface became very popular I decided to extend the Ela Sans family to eight weights and I added italic and smallcaps versions to it. So now Ela Sans and Demiserif together is a full fledged typeface family.

About family “SaetaPro” Wind games… The name is taken from an old paper toy made by someone who makes paper planes with teasing messages. But there are also songs with a strong feeling in flamenco style. It is also a way of expression in order to give way to emotion and interpersonal communication. They are wind games that people have been playing for a long time ago!!! This series is composed and includes twelve fonts with 632 glyphs each, with true italics, true Sloping and supports of course: Latin, Greek & Cyrillic.

A monospaced companion of the Syke type family. Using the proportional typeface as the reference details are carefully drawn into specially chosen characters to help improve centre alignment, function, and readability. Syke mono has a modern aesthetic style that is distinctive and stands out from the typewriter crowd without being too overpowering making it ideal for computer coding, database applications, ebooks and other screen-based interfaces. Details include five weights and true italics, over 590 characters with an alternative lowercase a, i, l and r. Five variations of numerals, manually edited kerning and Opentype features.

Cira is a superfamily with 7 weights and italics under two main styles: sans and serif. The original concept was created for Katachi Media as a corporate font for text and experimentation in an iPad magazine. It has a diversity of outlines with straight angles which create unusual shapes and counterforms. Its middle weights are suitable for text and can be combined with extreme weights at display sizes. Cira is a versatile superfamily with an original and modern feeling and it’s a great option for giving identity to your designs.

NuOrder is a modern-day sans-serif typeface with humanist bones. The design incorporates a dynamic structure with minimal contrast and a natural stroke path to promote easy reading—resulting in a warm well-balanced typeface best suited for a wide range of applications in a hi-tech era. Details include nine weights with matching italics and over 550 characters per style. Opentype features consist of five variations of numerals, including inferiors, superiors, fractions, alternate lowercase a and g, and language support covering Western, South, and Central Europe.

MOXTAS by Holyline, MOXTAS is a retro serif font family, This font very elegant and unique comes in seven weight with italic. It's very unique, playful, elegant and very easy to combine with your design style. MOXTAS perfect for headline, sub headline ,custom logo,packaging, quote, invitations, watermark,social media posts, label, anything for your creativity and MOXTAS is perfect font if you want something new with your project, you can play the 14 font style, and you can pairing this font with the weight, its very satisfy. Happy creating!

Canadian type designer Silvio Napoleone created this sans FontFont in 2004. The family has 20 weights, ranging from Light to Black in Normal and Extended (including italics) and is ideally suited for book text, editorial and publishing, logo, branding and creative industries as well as small text. FF Hydra provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Bogue is a slab serif type family of 8 weights and matching italics. Bogue Slab comes with a lots of stylistic alternates that makes it very versatile in various uses like logos, editorial design, branding, web design, package design and much more. You can use it to create short powerful phrases and headlines and also use it in longer text like lead paragraphs and body texts. So if you are looking for a versatile slab serif font you have found it! Bogue Slab is a slab serif version of Bogue

Trouble never hangs around, when it hears this Mighty sound, These letters come to save the day -- Mighty Mouth is on the way! When there's Danger, never Despair; The Sound of Mighty Mouth is in the air! Now YOU TOO can shoot your mouth off with the Mouth Almighty of Mighty Mouth. Comicraft’s latest offering utilizes variable type technology, for user-adjustable bold, italic and BOUNCE in illustrator (or any other program that handles variable fonts)! CAUTION: You may wish you’d never opened it, this font has no control over your tongue!

French type designer Xavier Dupré created this sans FontFont in 2006. The family has 14 weights, ranging from Hairline to Fat (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards as well as small text. FF Sanuk provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Stroma is a serif display faces with moderate contrast and quirky cuts. Intended to use it on headlines in the editorial design environment or big type style graphics, The function of this typeface allows it to use on larger and compact text for any graphical elements that need special treatment. The details interpreted from the straight axis pointed into flourish calligraphic serif, the shape of the letter contains straight details and cuts, this gives them a rich and fine looks. The Stroma family includes four weights, ranging from Light to Bold with italic uprights.

Bagoni Type is a very versatile, clean and visually elegant font inspired by the serif typography used in editorial media in the 80s. Bagoni Type with its high contrast and very simple and easily recognizable shape makes it very easy to read, so it also works with small and long text. Great for magazine pictures, for wedding invitations, for branding, poster design and more. Bagoni Type comes in bold and italics that is complemented by various features of open type. Check out Gradia which is a great pair for Bagoni Type.

Nicomedia is a modern sans serif type family with a contemporary, technical look that reflects the high-tech industrial age that we're living in. From thin to black, it contains 18 fonts in 9 weights with their true italic counterparts. With 529 glyphs, it offers support for all the languages with Latin script. When it comes to OpenType features it has stylistic alternates (for a, g, l, 0, 1), tabular lining, ligatures, superscript, subscript, denominators, numerators and fractions. It's perfect to create engaging brands, ads, websites, apps, animations and user interfaces.

Zosimo is a neo-grotesque typeface created by designer Ron Gilad (Delicious Type) in cooperation with renowned typographer Oded Ezer based on his ubiquitous Alchemist typeface. Carefully drawn curves, robust shapes and a range of OpenType features make Zosimo a great choice for designing logotypes, signage, titling, texts and more. Zosimo now comes in three families: Standard (full Latin support), Cyrillic (basic Latin and Cyrillic) and Pro (all included). Totalling in 9 weights, roman and italic, Zosimo can accommodate all your type-related design needs in one big happy family.

Ryman Gothic is inspired by American Wood Types and Gothic Typefaces, mainly in the work of Edwin Allen and Morris Fuller Benton. The result is a hybrid combining gothic proportions with the contrast of wood types. While drawing consonants guided by gothic proportions, vowels were designed slightly wider, making them not only more legible when it comes to long text designs, but also more attractive. Ryman Gothic comes in 8 weights plus its matching italics, ranging from Thin to Heavy. Each weight includes extended language support (Latin + Cyrillic + Greek), ligatures, arrows and more.

This typeface was inspired by a font used by Henrie Ballard. Ballard operated on Fleet Street at the Signe of the Bear in London, England. He was active in the industry from 1597-1608. The font is meant to capture the feel of the original typeface with the capability of reproducing the many ligatures that are part of what make that era's printing interesting. The Italic version has a dramatic feel that is almost handwritten in appearance. Every Proportional Lime font comes with a complete guide to its Unicode extended character set.

Gilroy is a modern sans serif with a geometric touch. A younger brother of the original Qanelas font family. It comes in 20 weights, 10 uprights and its matching italics. The Light & ExtraBold weights are free of charge, so you can use them to your heart’s content. Designed with powerful opentype features in mind. Each weight includes extended language support (+ Cyrillic), fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.

Grosen Typeface Family is designed by Oğuzhan Cengiz in the years 2017-2019. It has a grotesque structure that contains humanistic effect. Although it is designed upon the basic geometric structure, it shows own style with expansion that makes a reference to serif at start and finish of round letters. Grosen Typeface Family has fourteen styles with seven weights and theirs real italics. These have advanced OpenType features; like small capitals, case sensitive signs and math symbols, alternative characters (a, g, M, J, &), automated fractions, oldstyle figures, tabular linings, proportional numbers...

This square serif typeface is a real workhorse. It is a modern tool for text design: extremely legible, pan-european multilingual (Latin, Greek and Cyrillic), well shaped. Bandera Pro has six weights with original italics, alternatives, small capitals and three sets of digits. It catches attention in headlines of posters and magazines or makes reading comfortable in plain texts. Bandera Pro shares main proportions with sans serif Osnova Pro typefamily so ideally can pair it. Bandera is Spanish for ‘flag’. And Bandera is a symbol of Ukrainian fighting for freedom for many years.

Niveau Serif - the companion of Niveau Grotesk - is a type family of six weights plus matching italics & small caps. It was designed by Hannes von Döhren in 2013. Influenced by classical nineteenth century engravers faces, the fonts are based on geometric forms. Niveau Serif has a contemporary feel and combines the clearness of a Sans with the elegance of a typeface with serifs. Niveau Serif is equipped for complex, professional typography with alternate letters, arrows, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

Orev Edge is altered modified from the form of the original "Orev" typeface. We added curved line in both inner and outer edges, including the structure of typeface. Import to be more friendly, the font family has smoother terminals that harmonize with the newly-added curved lines. With all of these features , "Orev Edge" is a prominent, eye-catching and unique typeface. It comes with 9 weights and italic type in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing , as well as packaging.

Autor is a medium-contrast sans serif font with a dynamic stroke modulation. Its clean look and angled terminals give your designs a ‘sharp’ and contemporary feel. Autor Family comes in 7 weights, ranging from Thin to Black, with matching italics, resulting in a total of 14 styles. Autor is well-suited for editorial design, body text in books and magazines, headers and titles. It can also be used—as a display font—for logotypes, branding, advertising and publishing. The font includes a character set containing more than 400 glyphs that support over 200 languages.

Charmini is an exquisite font with a soft and at the same time confident serifs, modern and with a touch of retro. Font lines are strict with smooth, perfect transitions. Charmini family includes 2 types of uppercase letters and has 9 font thickness options - from the lightest weights, suitable for large amounts of text to the heaviest weights, intended for headlines. Tech Specs: 36 fonts in family UPPERCASE and 2 versions of lowercase letters ligature fi ff fl Numbers & basic Punctuation Serif Typeface 9 variants of width + italic OTF font format ld.luxfont@gmail.com

Angesia is a script type family of four fonts. It is inspired by Lovely Fonts and has a soft and welcoming look. Angesia can be used for branding, packaging and wherever you need a script font that is easy to read and smooth. Angesia has many ties, strokes, and alternative characters that will make your designs unique and beautiful. You can also purchase Angesia as a Font Family and adjust the weight of Angesia seamlessly between Italic and Bold weights. Note that you need design software that supports the Font Family. Thank You...

This typeface is a tribute to well-known Italian designer Marcello Nizzoli. Nizzoli is a modern sans serif font that offers a wide range of alternatives—a workhorse type well suited for headlines, posters, corporate identity and advertising campaigns. This modular design is based on geometric shapes and combines straight lines with rounded corners. The whole family is composed of four 7-weight subfamilies: one normal and one alternative plus rounded versions. Each subfamily includes matching italics. This typeface is my own interpretation of those curves and shapes found in Marcello Nizzoli’s designs.

Sinyal is an oblique style condensed font, and in a very different style from the others. Its weight excels in posters, social media, headlines, magazine titles, clothing, large print formats - and anywhere else you want it to be seen. Inspired by design styles that are popular today, and this is the answer to all the needs of every idea that you will pour in this modern era. Sinyal offers you: Sinyal- A clean Bold italic font including Upper & Lowercase characters(ALL CAPS), Ligatures Character Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

Bassidle Font is a sans serif font family that is simple but strong, defined by sharp edges with a modern touch. It is designed to exude a sense of strength and toughness as well as optimal readability. t’s a perfect choice for branding, magazines, posters, advertising, packaging, headlines, logos, web, print etc. 14 styles: 7 uprights and matching italics. 222 glyphs. Latin based languages. OpenType features, including ligatures. OTF, TTF files. Variable Font Includes. Thank you for your purchase! and please let me know if you have any questions. via email: joelpopon@gmail.com

Cartograph® CF is a handsome monospaced font family featuring lush italics, code-friendly ligatures, and a proportional set accessible via OpenType. With warmth and character, Cartograph excels in both code and prose. Also includes Powerline symbols and Greek, Cyrillic, and Japanese Katakana scripts. Cartograph® CF is designed to stand on its own, but will also pair well with contrasting typefaces, particularly text-friendly typefaces like Artifex CF, Artifex Hand CF, and Addington CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Slovakian type designer Peter Bil'ak created this sans FontFont in 2001. The family has 20 weights, ranging from Light to Black in Condensed and Medium (including italics) and is ideally suited for book text and editorial and publishing. FF Eureka Mono provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, super- and subscript characters, and stylistic alternates. It comes with tabular lining figures. This FontFont is a member of the FF Eureka super family, which also includes FF Eureka and FF Eureka Sans.

This family was inspired by the set of fonts used in Paris by Ponce Rosset, aka “Faucheur” to print the account of the second voyage to Canada by Jacques Cartier, first edition, in 1545. It is a Garalde set, the punchcutter is unknown, certainly it was not Garamond himself. In our two styles (normal and italic), fontfaces, kernings and spaces are scrupulously the same as in the original. This Pro font covers Western, Eastern and Central European languages (including Celtic) Baltic and Turkish, with standard and long-s ligatures in each of the two styles.

Roag is an industrial geometric sans paying homage to mechanical designs of the 1930s. A precise balance of modern geometrics, with a functional yet sparing style that effectively communicates without distraction. Roag is a straightforward, unadorned type family with efficient construction. Details include seven weights with matching italics and over 950 characters per style. Opentype features consist of eight variations of numerals, including inferiors, superiors, fractions, case figures and circled figures. Additional features include small caps, case-sensitive forms, stylistic alternates, ligatures, game symbols, arrows and language support covering Western, South, Central Europe and Vietnamese.

Vitro is a rectangular sans serif with a pinch of grotesque. The solid technical appearance has been achieved through careful optical adjustment, resulting in a modern and stylish font that stands out in the crowd. Vitro is suitable for a wide range of branding purposes, including brochures, logos, packaging, posters, signage, websites etc. Details include nine weights with italics and over 450 characters per style. Opentype features consist of digital numerals, numerators, denominators, tabular, fractions and language support covering Western, South and Central Europe—remastered to version 2.0 for enhanced OpenType features and usability.

Pandtos is a clear sans serif typeface based on geometric shapes. Precise lines and accurate curves are the main characteristics of this fresh and modern font family. While unique letterforms constitute Pandtos’ distinctive appearance, extended widths, tall x-heights and clear shapes provide good legibility and nice readability even at smaller sizes. With its contemporary feel, Pandtos is suitable for almost any type of analogue and digital application. The Pandtos font family includes unique letterforms, exclusive ligatures and extensive OpenType features. Pandtos comes in four weights with matching italics.

Laro Soft this is a modern sans-serif font that includes nine weights from thin to black and nine weights in Italic style. This multi-purpose font captures a huge range for the design and creation of your project. Laro will perfectly cope with a variety of tasks and he will always look stylish and modern. With it, you can create logos, labels, use in advertising, packaging, branding, book covers and magazines, cosmetics, banners, posters, headings, descriptions and much more. This font is easy to use has OpenType features.

Secret Memories is a Serif Italic Font with a classy and elegant style in each character, so it's fitted for some wedding invitation display. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Urbane is a versatile all-purpose sans-serif family of six weights plus italics. It explores the same idea-space as early geometric modernist sans such as Futura, Erbar, Spartan and Elegant Sans, with a single-story a, a contemporary high x-height and very slightly condensed bowls. Perfect for headlines and running text, it is clear, classic and authoritative. Unusually for a geometric moderne sans, letter-widths are optically balanced, giving an even colour in setting. Includes a full international character set, lining, tabular and old-style numerals.

Leksa is an oldstyle, even a bit old-fashioned text family in 12 faces, including six upright and six italic ones, from Light to Black, with both oldstyle and tabular digits and true small caps. The typeface works best in the books of classical style, and looks good in both small and large point sizes. One of the main features of the typeface is its professionally-designed Cyrillic which (together with sans-serif companion Leksa Sans) was awarded for excellence in type design at Modern Cyrillic competition in Superfamilies category.

The Flounder Pro is a simple and clean condensed all-caps sans serif font. It is a close relative of the Floz, but has rounded edges. It comes with Cyrillic, Greek and Latin alphabets, the latter including loads of accented characters. It is also equipped with a bunch of ligatures, as well as alternates for the letters J, W, Q, Z, Ω and Ξ. Those features are easily accessible via opentype features. This family includes three weights with their respective italics and backslanted versions. The Flounder works well for Logos, Headlines, or short texts.