Some time ago I bought my smallest book ever: Kate Greenaway’s Alphabet* 57 x 72 mm. I thought it was the sweetest little book I had ever seen. Not knowing about the fame of the designer Kate Greenaway (1846-1901), I put it in some dark drawer and looked at it from time to time. Kate’s books were all outstanding successes in English publishing history; she was an icon of the Victorian era. Some of those books are still being reprinted today. This little gem I had accidentally acquired has become very rare and I have not found any reprints yet. So I thought maybe I could adapt her drawings for use on today’s computers. I ventured to redraw her delicate illustrations, blowing them up 300 percent, being forced to simplify them without losing her touch. It took quite some time! While redrawing them, I discovered that she most certainly drew them in at least three different sessions as well. Then I scanned my drawings and put them in a font. To make the font more usable, I added the ten numerals in Kate’s style; the original does not have those. I hope she would have liked my adaptations. Yours in a very preserving mood, Gert Wiescher. * Kate Greenaway’s Alphabet, edited by George Rutledge & Sons, London and New York, ca. 1885.

X RUFFIAN Ruffian was a champion thoroughbred horse who won 10 consecutive races. A feat worth mentioning & repeating. Her tenacity & steadfast approach established the basis for this variable based font. The X represents both the Roman numeral 10, but also the X-factor for creating bespoke works of art. It is quite befitting that this font be named after a legendary champion. Which begs the question...Do you champion variety? X Ruffian's design motif uses a broad tipped chiseled marker that was set at an angle for that extra bit of vigor. Identical letter forms defeat that truly "hand rendered" look that we ultimately strive for. Each uppercase letter offers 10 (X) or more stylistic alternatives, the lowercase and number sets have 3+ options and an over under for those special characters that yield a long bottom or top (see images). Ligatures & bonus characters can add that unique offering to your already individual style & can easily be found via the glyphs panel in any open type program. With a gigantic glyph count of 688, you'll never run out of options. As a right of passage, we felt obliged to include a roman numeral set as the name beckons, which differs from the standard letter form in which you would use to create. This is a variable winner. See you at the races!

While I was in Boston in 2014, I visited the Museum of Fine Arts and to my good fortune there was an exhibit of etchings by Rembrandt, one of my favorite artists. As to be expected, many were simply gorgeous, but one especially caught my eye. It was an etching of a priest (Jan Cornelis Sylvius, Preacher) with an extensive amount of writing in Latin. While I'm not certain that it was Rembrandt's own hand, the script was beautiful and I was fascinated by it because it had to be written on the etching plate in reverse. I snapped a few photos using my phone and later found other editions on line. I was so taken by the script that it begged me to create a modern typeface from it. The result is Saskya, named after Rembrandt's wife Saskia. There were many ligatures and glyph variants in the print, of which I captured many of them and made them accessible via OpenType features. The complete alphabet was not present in the sample, however, I discovered some other source material to sensitively fill in those gaps, with a remaining last few that I created myself. A truly romantic hand, Saskya will work well for invitations of many sorts, and when you're looking for that 'old thyme' scripty feeling in your graphics.

This font was originally designed for one lettering job with only one simple purpose—to be as much condensed as a font can be. Then it was developed as a font family of 4 weights with regulars and italics.

Profumo evokes the rubber ‘top secret’ stamps found on files in government vaults and under the beds of double-agents’ mistresses. The font was produced by scanning in inky impressions from vintage rubber letters - dozens of prints were made, and the most interesting selected.

A NEW HOPE! You begged with us..! You pleaded with us..! But we decided to release the official Richard Starkings font anyway! Huh? WHAT? You heard that line before? Where? Hmm... on this very site...? Well, yes, the Hedge Backwards font is all fine and dandy and does resemble the lettering legerdemain of comic book lettering robot, Richard Starkings... but has it been tweaked over the years to better suit the writing stylings of ELEPHANTMEN creator and writer, Richard Starkings? Has it been refurbished and digitally remastered by ELEPHANTMEN designer and Comicraft Secret Weapon, John JG Roshell? Hmm? No? Well then... here it is, retooled, reimagined and reStarkingsed...ah, what the hell, we started from scratch! This ain't no Greedo Shoots First -- you won't have to keep your pasty '70s VHS recordings of previous Richard Starkings Fonts inside a concrete bunker. Because any other font that claimed to be the official Richard Starkings font would have been called The Official Richard Starkings Font, would it not?

FT Thyson is a powerful and elegant display typeface. can be used to present your ideas in sports/fitness or editorials, Its weight is superior in posters, social media, headlines, titles, large format print - and wherever you want to be noticed.

Modal Stencil is the companion to Modal type family. It brings an extra expression for different uses. It can be used for Display better than Modal. It has all the styles that Modal so it can be used together harmoniously.

Happy arila Hello, I made two handwritten fonts, one with thickness and can be used for whatever you are working on clarifying what you want to display, and a smooth script font is also here to make your work be sweeter

Skammefy holds a detailed set of letters, that are intended to be both readable when small - and charismatic when large. Strong details of letters like e, a, g, f, y draws attention to headlines, signs or wherever it might be used.

Rutter is a handwritten brush font bursting with energy. It features extra attention to quick strokes and sharp details. To stay up to date for my latest job, follow me and let’s be friends because there will be many promos.

Introducing FSY Deko, a typeface inspired by the art deco style that you might be able to use for design projects with classic, retro, vintage styles to make it even cooler. It can also be used with contemporary design styles.

RONiQ is a display font. A type which should not be taken too seriously, a mixture in styles as per usual. this one is also quite juicy. Ready to be used in fun projects. Supports some languages, a lil bit multingual.

April rain is a delicate, elegant font with teardrop line endings. It is designed to be interesting and a little unusual while remaining robust enough to be used in a variety of contexts from titling and lists to short paragraphs.

This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish REKAAH

This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish Sarah.

Skunkling was born out of a contest, where its initial design won first place. It was inspired by a real-life encounter between a spraying skunk and a defenseless designer. Skunkling is carefully designed to be playful and even awkward. Unique letter forms and ligatures allow the letters to fit snugly together. The two "weights" can be used individually or they have the unique capability to be overlaid to create a two-color font.

Booden is a name not to boo but to use in display type situations. but as texts funtion s to be read its functionality ges beyond a Cyber-tech font single weight single time use. it can be used for branding purposes or any type of editorial text because of its readability. Be it a logo, or a Title headliner, web or print booden typeface can certainly entertain your need for simple variation.

The CriptoFont and CriptoFont Ornamental were to be used alone or together, providing a nice solution to the project, be it a book, an invitation, or many others. Cripto Font Ornamental has two kinds of ornaments, one used in the beginning of words or sentences (using the uppercase keys), and other to be used to close words or sentences (using the lowers case keys). See the samples in PDF guide and in gallery

This font may be conservative and classic, but can also be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish Start.

This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish CLASSIC

This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish POSTER

This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish FANTASY

The Plena font offers a modern all-caps experience. All glyphs have incision and unified alternatives and can be shaped for your intended use. This font is crafted for different design trends and would look great for your large print banner headers. It can be preferred by the designer in accordance with its intended use and can be used impressively and strikingly with its large family on different platforms. Plena also offers multilingual support.

This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish CATHRINE2

Arnold Boecklin is a true Art Nouveau font, evocative of outdoor cafes in the years prior to World War l. Arnold Boecklin seems to be telling a story, with its decorative curves and varying emphasis of strokes. The Arnold Boecklin font should be used for specific copy as in headlines or advertisements, bearing in mind its strong design. Arnold Boecklin is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish REKAAH2

This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish FOCUS

In its original form Coma was designed for use alongside Japanese typography. The uniform shape of Coma's letterforms allow it to be set horizontally or vertically with equal ease. With a striking profile, modular form and contemporary character, Coma can be used in myriad configurations. The name Coma refers to the perplexity of contemporary existence, to be assaulted by an endless stream of news and stimuli, and to feel paralysed and exhausted by it all.

Stickley Decorations contains 26 classic images from the pages of "The Craftsman," the foremost journal of the American Arts & Crafts Movement of the early 20th Century. These are graphic elements that can be used in many ways and for all occasions, whether creating a custom greeting card or designing and producing unique personal stationery. They can be used exactly as intended, as "decorations" on a printed page, or they can be combined into unusual borders.

This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish CATHRINE

Introducing Möfita font This time we launched a formal font that is unique with the others. This font looks simple and elegant, the font is also very easy to read and suitable to be applied anywhere. Möfita fonts are supported with multilingual characters, and in the future, they will always be updated for additional characters and alternatives. This font is perfect for your collection for making designs that are elegant, unique and slightly formal. Very good for logotype, header texts, quote design, menu design, etc. We are sure you will not be sorry if you choose the Möfita font to be your collection. Thank you Alit

IMPuzzled uses the OpenType feature of Contextual Alternatives to alternate two sets of characters. The sets are on two puzzle pieces that tessellate, that is, fit together to fill the plane with no gaps or overlaps. Empty pieces are on the brace keys and can be used to fill spaces. The black or solid style is designed to be used in a layer under the regular style, though it can be used alone if adjacent pieces are given different colors. This unusual font has limited uses but may be appropriate when the topic is related to the broad areas of puzzles, puzzled, and fitting pieces together.

Sometimes your budget is limited. You may not have all the money it takes to make a project exactly how you want it to be. But sometimes a limited budget forces you to be creative, and work in ways you haven't thought of at first. Maybe the end result could be better than the plan you first thought of? Anyway, here's a font-family that fits into every budget! It comes in 5 different versions that mix nicely, or can be used as a single font as well. All versions have multilingual support as well as contextual alternates - 4 different versions of each letter, that automatically cycles as you type!

Introduce Mantrap, a basic sans serif typeface made specifically for those of you who want your project to be seen by a large number of people, fascinate the audience, and win the camp. Your design project will be unique, appealing, and charming if you use this font in it. Because each anatomical shape of this font has been adjusted so that when combined, it can offer a varied impression while being easy to read, the audience that sees it will be captivated and grasp the content of the message you want to express to all audiences. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Le rock is the newborn sister of my first typeface Jazmo and a relative of my music-inspired font family. Le Rock seems to wiggle and jiggle a little as if it invites you to dance. This is caused by the gaps in the individual characters. The typeface can also be seen as eroded, carved and sculpted by mother nature. But besides, the design of Le Rock can also be associated with the characteristics of stones: Solid and since ever, here, there and everywhere. To walk on, lean against, to be surrounded by, to build with and to shelter in. It cannot be denied, that there are also some comic art influences. The font is outspoken enough to be used in any form of graphic design, like poster and flyers, but at the same time it remains readable enough for longer texts.

A tessellation is a shape that can be used to completely fill the plane without gaps or overlaps—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. TessieSomeMore has two family members, a solid style that must have different colors to be useful and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. Most of the shapes in TessieSomeMore are Escher-like. Over half are either bug-like and bird-like shapes. There are also a few animal and other object shapes as well as some geometric or abstract shapes that have visual appeal.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. TessieBugs contains shapes that resemble insects such as moths, ants, butterflies, and weevils. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)