Ross George in his numerous Speedball chapbooks called the pattern for this typeface Stunt Roman. A studious observer may discern that many of the wackier letterforms were tamed to produce the popular font University Roman; however, this version remains unapoligetically true to the original. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Selma is a family of Sans Serif fonts with 492 Glyphs, 04 weight (Light, regular, medium and bold), with long stems, inspired by bar codes. Extremely condensed vertical emphasis, its bars positioned at the ends of the rods give a strong dose of personality and elegance to the design, has a height of x accented, giving strength and power of attraction for short texts and large sizes.

ITC Kristen is the work of American designer George Ryan. He describes it as not your average text or display font." The inspiration for the design came from the handwritten menu at a neighborhood restaurant. With time, the forms moved away from the originals and towards something more like a child's scrawl. The result is singularly unique. ITC Kristen remains legible without losing any charm.

Folio was designed by Konrad F. Bauer and Walter Baum and appeared with the Bauer font foundry (Bauersche Gießerei) in 1957. The designers based their ideas on Helvetica but Folio did not turn out to pose the competition they had hoped. The font has the same applications as Helvetica and is an extremely legible font. Folio is particularly good for text and has an objective, neutral character.

A pixelated typeface with asymmetrical serifs intended to depict emojis in coarse mosaic shapes and represented in two styles that perfectly complement each other – Mono (casual font) and Mosaic (color font). The main font feature is a large set of pictograms, which are activated using the Stylistic Set and typed right in a text with a keywords like :smile: :happy: :sad: :pear: :rose: :horse: :bike: :house: and so on. Read more about Depicto font family concept, features, pictograms, color font, emoji skin tone, how to use it, and the applications support: https://michaelrafailyk.com/depicto See the complete list of 600+ pictograms: https://michaelrafailyk.com/typeface/specimen/Depicto.pdf Scripts: Latin, Greek, Cyrillic, Hebrew Languages: 480+ The promo image “Serpant Mosaics” used a photo of Nick Verlice from Pexels

A display fontface for titles inspired on Latin America, Ethnic, Native, Tribal, Mysthical, Handmade, Aboriginal, Pre-Hispanic, Pre-Columbian, Textured. By mid-1997 I was developed the early type edition was called «Muisca Sans» as my work for the degree in Graphic Design (Universidad Nacional de Colombia), based on the concept of pre-Columbian figures characteristics within some of the very few visual elements recovered from the Muisca culture, ancient pre-Columbian tribe disappeared before the arrival of the Spaniards in what is now central Colombia. In fact, the name of the capital Bogotá (the capital of Colombia) goes back to Bacatá as primary or village downtown of what was once the imperial capital of tribe Muisca. Although this unfinished early typographic project has not yet been published, Tequendama is the evolution of the first one. Tequendama reminds the myth of Muisca culture and religion of this tribe. The god Bochica, a wise old man with a white beard heard the cries of his tribe suffered against flooding of their land losing harvests before the divine punishment resulted by the offended god Chibchacun. However Bochica appeared wearing a white robe sitting on a huge rainbow and he broken the mountain towards the southwest wise old man with a golden staff broke the mountain to drain the flooded savanna. This emblematic and iconic place would later be called as «Salto de Tequendama». Tequendama name also been adopted to a nearby province to Bogotá.

Suggested by J.M.Bergling’s 1917 “New Romeo Initials, Last Midnight is a display face created in a distinctive pseudocalligraphic Belle Époque style that we’ve come to associate with beloved fairy tales. Rich in typographic goodies, with two additional stylistic sets and a host of standard ligatures, Last Midnight now even has a Roman small caps set in both smooth and rough varieties — great for all of your tale-telling, folkloric, swashbuckling, & spellcasting needs! Part of The Ampersand Forest's Sondheim Series.

Wedding Doodles Too is the follow-up font to the popular Wedding Doodles. This font gives you all you need to make your own invitations, announcements, RSVP cards, save your date cards and thank you notes. Font includes 3 sets of hand-lettered words… save our date, thank you and RSVP. Just add a wedding cake, flowers, top hat, wedding bell, heart or flower and you are done. Check out Wedding Doodles, you may need both.

Economica Pro is a font especially developed for design in complex situations: It is ideal for use in small sizes on screen and in print. It has been tested successfully for use in very small sizes without losing legibility. Its ink traps ensure smooth operation even on low quality papers. It is an ideal font for newspapers, news portals and all designs requiring space saving. Now also in Cyrillic!

Bergen Mono is the latest addition to Bergen font bundle. It's a monospaced 6 piece font family engineered to speak the language of monospaced world fluently, without losing it's legibility and distinctive personality of it's predecessors, Bergen Sans and Bergen Text. It is built to handle most demanding tasks, uncompromisingly, from print to digital. It has Extended Latin, Cyrillic (including Bulgarian character set) and Greek language support included.

Zeebonk (literally 'Sea Chunk') is Dutch for a sailor - in particular, a large, pickled and brined, seven-seas-been-there-done-that specimen. The font itself brings back memories of the outrageous tattoos those same 'zeebonken' used to have. Zeebonk comes with extensive language support, alternates for the upper case (and some lower case letters as well) and a healthy dose of good old fashioned sea dog humor!

A nostalgic font referencing the 1920s and 1930s during the Golden Age of Hollywood, art moderne and the rise of luxury items. Highly geometric with wild variations in glyph widths that demand attention. Smart Deco is a display font with clean simple lines, tall ascenders and expressive Capitals that descend below the baseline. The intention is to create a sleek elegance that symbolizes the sophistication of a bygone era.

Caesario is Mike Scarpitti's newest font, based on the famous inscriptory lettering on the Trajan column in Rome. After searching through many sources, he turned to the drawings of the original column lettering made by Frederic Goudy in 1936. The superior quality of these drawings combined with the Mike's faithful reproduction of the characters forms make Caesario the best available representation of the style of this famous incription.

Some time ago, I read an article about the Kennedy assassination. In that article, a person dubbed ‘the umbrella man’ played a rather bizarre role: apparently an innocent bystander with an opened umbrella was thought to be in cahoots with Kennedy’s killer. I immediately thought that the name ‘Umbrella Man’ was a good title for a horror movie, so when I created this rough brush font, I named it Umbrella Man.

The Adobe Bengali typeface was designed by Neelakash Kshetrimayum, with Bengali script expert Fiona Ross consulting on the design. This type family was designed to harmonize with Adobe?s other Brahmic fonts, both in terms of apparent size and style, to ensure that this suite of typefaces families can be typeset together as a system. The primary intended usage ? for printed outputs, particularly continuous text settings ? guided the design direction.

BRANDFORD is a simple sans serif font with ligatures and alternates. It was purposely crafted to be used in large point sizes, although it doesn’t lose its magic in small point sizes. It is perfectly suited for designing unique logos & brands, bold packaging, powerful website headers, and so much more! With tons of ligatures, alternates, and other features to choose from, you can make your project stand out from the rest.

Align Vertical Mono has an innovator construction which gives to the designer the ability to align the letters creating beautiful patterns on the page. It was design by the Tyner (typography Designer) Pedro Mascarenhas to fill a gap in type design. With Align Mono Family type will be the leading role of the design. The final result of the art work depends of the choices designer makes for each glyph.

Finura was inspired by American lettering from the 60s, specially the Stunt Roman for ruling pen and compass presented in the Speedball Textbook for Pen & Brush Lettering by Ross F. George, but also by looking carefully to University Roman characteristics. Finura is an experience on very thin poster typefaces and the possibilities to design extreme delicate typefaces, with plenty details, that sheer simplicity and readability to the classic forms.

The grotesque workhorse: Substance fulfills the primary role of emphasizing content. Containing 8 weights + italics (800+ glyphs each) Substance is a workhorse with loads of subtle OpenType features (small caps, a choice of lining, tabular and old style figures, numerators, denominators, tabular figures and signs, fractions, ligatures), 21 currency signs and a diversity of symbols and arrows. Substance provides everything you need for demanding briefs like signage or corporate design.

The Adobe Kannada typeface was designed by Erin McLaughlin, with Brahmic script expert Fiona Ross consulting on the design. This type family was designed to harmonize with Adobe?s other Brahmic fonts, both in terms of apparent size and style, to ensure that this suite of typeface families can be typeset together as a system. The primary intended usage ? for printed outputs, particularly continuous text settings ? guided the design direction.

Friendly and generous, this is an organically grown display typeface. Its original handcrafted shapes have been significantly polished, but without losing its old-fashioned charm. The versatile regular cut comes equipped with a wealth of decorative OpenType features such as swashes, majuscule discretionary ligatures and stylistic alternates. The family also comes with a stylish set of useful ornaments and a very eye-catching spiky version. All hand made, with care.

Marseille is an Art Deco-inspired typeface which is based on Louise Fili’s iconic cover design for the hauntingly beautiful Marguerite Duras novel, The Lover. The font is available in six irresistible weights: thin, light, regular, medium, semibold, and bold. Each weight features both caps and lower case, and supports over 200 languages. Marseille will satisfy all your typographic needs, from book jackets to monograms to packaging, logos, and even wedding invitations—timelessly elegant, with a distinctive flair that exudes La Belle France.

Anaira is a delicate and incredibly distinct handwritten font with dingbats character of bells & ribbon. Perfect for christmas promotion and christmas design, Fall in love with its incredibly versatile style and use it to create spectacular designs! Anaira is perfect for branding, logo, invitation, stationery, social media post, product packaging, merchandise, christmas font, blog design, game titles, cute style design, Book/Cover Title and more. What's Included : - Anaira.otf - Beginning & Ending Dingbats - Multilingual Support --- Hope you enjoy with our font! Attype Studio

ITC Clover is the work of California designer Jill Bell. ITC Clover's design is even, rounded, and friendly. It has the look of the loopy cursive writing taught in grade school, although its shapes are much more controlled. Capitals are decorated with generous loops and curlicues, which combine with a lowercase alphabet that is only reserved in relation to the capitals. The letters almost dance across the page even when they are static, and they bring their own dynamism to any animation.

Acris Serif is the rich and gracefull font designed in two weights for expressive and luxury projects. If it's had gender, it would be a woman — beautiful but with character like rose with thorns. Acris Serif is very good looking in Big Tittles, Magazine design, Branding, Logotypes, Posters, Wedding invitations, romantic cards and others. This typeface comes with special features like Stylistic Alternates and Discretionary Ligatures. The easiest way you can get Alternates is to add for example number 2, 3 or 4 after character. For this option be sure that bottom named Standard Ligatures is activated in Opentype panel. Multilingual Support Acris support Western European characters and works with following languages: English, Danish, Dutch, Estonian, Faroese, Filipino, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, Turkish.

Colore. Colourful and Modular. A happy and colourful New Year from the FSdesign team. In order not to lose the joy of playing, we provide the "Colore" font family: a modular font kit, that encourages to play. By superimposing the different font styles you can create a colourful typographical staging. This New Year's card was realized with the help of "Colore". Too wild? auto-referential? Try Colore and form your own opinion.

Composed of compositional groups, with optical adjustments in the curves, Disco Display has been designed with special attention to kerning and tracking, allowing its use in both large and medium sizes, starring in large titles or filling entire covers with color. Inspired by the hippie movement, Disco Display provides sensuality, visual richness and compositional splendor, giving rise to the use of multiple colors or patterns in its forms, or rediscovering its counterforms.

Calamity Wayne is a reverse-contrast slab serif, inspired by the ‘wild west’ French Clarendons (aka Italians or Egyptians) of the late-1800s. Despite the idiosyncrasies that make it ideal for display and headline uses, it is also surprisingly legible in text settings. Calamity Wayne supports Latin, Cyrillic and Greek, and is available in OTF and TTF formats. Acknowledgement: I am very grateful to David Jonathan Ross (https://djr.com) for his support and encouragement.

It don't mean a thing if it ain't got that swing, and it's easy to get into the swing of things with this bouncy little number, based on another offering by the irrepressible Ross George. Bright, bouncy and a little sassy, Nellie Kay will save the day, no matter what the occasion. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Moldovan and Romanian.

Athletic Condensed was designed to be a must have for any kind of projects. Bold and elegant at the same time, both the regular and slanted styles are super versatile and can be used to dictate a strong message, headlines or just setting casual text. Practical and simple, this font is a classic that will not let you down, as it does an excellent job either as the main character or supporting role.

Decima – condensed geometric Sans Serif typeface, released back in 2009 and quite successful ever since (MyFonts Rising Star, February 2009). Decima Pro – an upgraded version of Decima, with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of more Latin languages as well as support of Cyrillic. Six more alternate styles have been added to the original six styles. Typeface is released in OpenType format with some OpenType features.

Slipstream font was developed by Letraset Type Studio in response to the growing need to convey competence and speed through typography. It is based on an italic sans serif letterform and its horizontal lines look like streaks left behind letters speeding to the right. Characters can be slightly overlapped for small spaces without losing this feeling of movement. Slipstream font is ideal for service-oriented advertisements, especially where efficiency and quick service should be emphasized.

If you're a man with no name and you like your Westerns a little more continental, we've got a Fistful of Fonts for you! Load up your guns with our dynamite new offering, SpaghettiWestern. Lip synch the Good, the Bad AND the Ugly scripts you're presented with and we guarantee that Spaghetti Western will make Spanish lettering look a little bit more Mexican. Don't try to understand 'em, just rope and throw and grab 'em!

Pietra is a Baroque-inspired, all-majuscule type design, based on the massive five-foot tall mosaic lettering high above the floor in St. Peters in Rome. The font includes two sets of capitals: full sized, proportioned on the actual lettering; and small capitals, scaled vertically to capture the foreshortened effect of viewing the lettering from the floor. It was designed by Garrett Boge in 1996. Pietra is part of the LetterPerfect Baroque Set.

Whiskey State strides onto the canvas like a cowboy entering a saloon: Tall, confident, and impossible to ignore. The font boasts an impressive height, stretching upwards with the same vigor as plumes of smoke rising from a smoldering campfire. Every letter stands upright and proud, imbued with the spirit of the Old West, yet exuding a contemporary coolness and innovativity. Its serifs aren't just appendages; they are expressions, giving the typeface its unique, assertive character.

Castagna is a contemporary calligraphic font with classical roots. It is carefully designed, with a special emphasis on the connection of the letters, with high ascenders to give rise to the ornaments of the different letters. There is a special search for high readability. Castagna includes a wide selection of stylistic sets, contextual and stylistic alternates, initial forms, swashes, and ligatures to preserve the qualities of handwriting, in order to accommodate various design aesthetics.

Sundry is J Foundry’s take on the early 20th century grotesque. The design draws influence from various designs of the period. Drawn and cut by hand, these sans have idiosyncrasies and quirks, producing a warm friendly look. The design objective was to even out the quirks and add consistency, without losing the warmth. Sundry looks to balance character and structure for a clear but personable read. Variable Fonts included in the Complete Package.

The name of this typeface is a hymn to the Stadio Olimpico in Rome. The home arena to the World's most beautiful football club – AS ROMA. A club with many great players through the years. The biggest of them all, is already a living legend… Francesco Totti. The design is a 2-weight family perfect for elegant display work. The regular weight is more even in blackness while the bold weight carry more contrast.

Nullomis is a modern display font inspired by Soviet Period, anti-utopia and Ancient Rome (I don't know why). It was originally planned to create an ultracondensed headliner, but now it’s a flexible font set with 49 styles or just one Variable Font with all capabilities. Best using for posters, headlines and tags. Extended latin glyph set 7 weights 3 widths Alternate crossbar heights or all of this and more in one Variable font

Compact and condensed, Fazon font family belongs to design inspired by vintage typefaces. It is available in 7 weights – from Light to Black. Contrast in letter design gets higher as weights get thicker which assigns dose of display elements in heavier weights of Fazon. Contains 5 stylistic sets (4 for uppercase and 1 for lowercase letters) and fractions. Fazon covers extended Latin character map. Ideal usage: packages and labels, posters, titles, websites.