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  1. Agis by Cloud9 Type Dept, $40.00
    Agis is a modern geometric sans-serif family by Cloud9 Type Dept's Jani Paavola. The whole family consists of 5 weights from ExtraLight to Bold. The range of styles provides legit options for title, headline and body text. Suitable for branding of any form. Agis fonts have an extended character set to support Central and Eastern European as well as Western European languages, as well as OpenType features such as small caps, fractions, oldstyle numerals and ligatures.
  2. Redtab by MKGD, $13.00
    With Redtab I tried to create a typeface that could be used equally well in either in body copy, or in headline form. I like to think that, although it has a more traditional look to it, it still possesses a bit of a creative flourish that sets it apart from similarly designed fonts. Whether used sparingly or in paragraph form, Redtab has the ability to not only read well, but stand out while doing so.
  3. Eckhardt Titling JNL by Jeff Levine, $29.00
    Eckhardt Titling JNL is another treatment of a popular typeface that lends itself well to the hand-lettered sign and display work of days past. A clean sans serif with a slight touch of Art Deco, this font renders well from small point sizes to large posters. As with other fonts in this series, it is named in honor of Jeff Levine’s good friend Albert Eckhardt, Jr. who owned Allied Signs in Miami, Florida from 1959 until his passing.
  4. Brewery Factory by Larin Type Co, $15.00
    Brewery Factory This is a vintage font collection inspired by old brewery, pubs, bars and the style of their design. This collection includes 16 font styles - Serif and Script has a regular, rough, vintage, halftone style, as well as a regular and rough style for Serif and Script there are shadows in two versions - short and long. The script font includes alternatives for Uppercase and Lowercase, as well as swashes. This font is easy to use has OpenType features.
  5. Jaroslav by Suitcase Type Foundry, $45.00
    Jaroslav is a typeface that breaks down typical assumptions on the construction of a monolinear grotesque, but still maintains excellent readability and the recognizability of individual characters. The sensitively-balanced type family of five weights is accompanied by a distinctive italic, so it works well with both expressive titles as well as shorter texts. This is why all weights include small caps, nine types of figures, alternatives, a large number of ligatures, arrows and other ornaments.
  6. Aseel by MAKYN, $40.00
    Aseel is a contemporary and legible typeface. It is intended to work well in the context of information and signage design. It also works well as a body text typeface as it is characterized by open counter forms and a large x-height. It is based on the Naskh calligraphic structure and has a medium stroke contrast. The letters are condensed to fit more information per line and it exists in three weights, regular, medium and bold.
  7. FF Stamp Gothic by FontFont, $62.99
    Dutch type designer Just van Rossum created this display FontFont in 1992. The font is ideally suited for advertising and packaging, film and tv, editorial and publishing, music and nightlife as well as software and gaming. FF Stamp Gothic provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional lining figures. As well as Latin-based languages, the typeface family also supports the Greek writing system.
  8. Krasty by Ergibi Studio, $19.00
    Krasty has a unique retro look, inspired by letters from the past. It includes an extrusion version so you can create unique retro effects very easily. These work well with invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, makeup, stationery, novels or any type of advertising purpose. Krasty includes uppercase, lowercase, numbers and multilingual support, as well as swashes on letters and additional bonus swashes that will make this font look more perfect for retro scenarios.
  9. Triump Rough by Latinotype, $20.00
    The Triump Rough typeface comes with 2 different subfamilies: Blur, a soft, delicate font with a vintage and hipster feel that gives your design a breath of fresh air; and Rock, a strong, hard font in upper and lower case well-suited for high-impact headlines. This version provides a wide variety of OpenType features, such as ligatures, alternates and catchwords as well as a series of ornaments and extras, which help give your artwork a different look!
  10. Barmoor by Barmoor Foundry, $15.00
    Barmoor is a robust, classic roman display face, inspired by the letter designs of the Parisian craftsman Claude Garamond and other 16th century French engravers as well as antique roman letterforms. It works especially well letterspaced and in all caps. Alternate W, R, J, M, Q and K can be used to add a modest bit of flair to letterspaced, all cap treatments. Barmoor is mainly intended to be a display font or a limited text font.
  11. Aliens & Cows by Zetafonts, $39.00
    Aliens and Cows is an ultra condensed sans serif display typeface designed by Francesco Canovaro. Inspired by the title cards of 1980's science fiction movies, it features thin letterforms with a ultra wide spacing - perfect for minimal logo design and editorial display use. It features sci-fi themed alternates as well a set of lined small caps and word ligatures, and covers over forty languages using the Latin alphabet as well as Greek and Cyrillic.
  12. Niko by Ludwig Type, $50.00
    Niko is a contemporary, humanist sans with a friendly yet clear and distinct personality. It is designed for excellent legibility, particularly for long continuous reading. The wedge-shaped stem heads add liveliness and variety to the carefully crafted letterforms. Niko, a highly versatile type family consisting of 54 styles that are designed to work equally well on paper and on screen. The family includes condensed, as well as extra-condensed variations, for situations where space-saving typography is required.
  13. Worker by Ndiscover, $29.00
    Worker is a versatile family of geometric fonts with a sturdy industrial feel. It has a vintage flavor and conveys a professional and technical look. It has 5 styles with matching slants and a generous language support. Worker works very well in branding and headlines, but also renders peculiarly well in short strings of text. This design has great personality having the power to create a whole universe of meaning resorting only to a few letters.
  14. Solomon Sans by Fontfabric, $40.00
    The new Solomon Sans type family includes 14 unique design styles. The font family is characterized by excellent legibility, well-finished geometric designs, optimized kerning etc. Solomon Sans is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. The font styles are suitable for any type of graphic design - web, print, motion graphics, etc, and perfect for t-shirts and items like posters and logos.
  15. Fuel by VersusTwin, $39.00
    The Fuel typefaces are a modern update on the techno sans, complete with soft rounded corners as well as decorative inktraps. Stylistic Alternates included within all styles are alternates for the capital B, E, G, and R characters, as well as all of their accented siblings. The Fuel Complete package bundles all of the dynamic styles of the Fuel, Fuel Extended, Fuel Uni, Fuel Uni Extended, and Fuel Script typefaces into one powerhouse of a collection.
  16. Freight Sans Pro by Freight Collection, $39.00
    A clean, well-lit design, Freight Sans proves that even a workhorse can be a breath of fresh air while remaining invitingly readable. Ideal for boundless headlines and text, the power and detail of this design also serves well in way-finding and display environs. From web to print to apps, it’s hard to imagine a project where Freight Sans wouldn’t do the job with aplomb. When you need a sans serif–you need Freight Sans.
  17. Gundrada ML by HiH, $12.00
    Gundrada ML was inspired by the lettering on the tomb of Gundrada de Warenne. She was buried at Southover Church at Lewes, Sussex, in the south of England in 1085. The Latin inscription on her tomb, STIRPS GUNDRADA DUCUM, meaning “Gundrada, descendant of the Duke” may have led to the speculation that she was the daughter of William, Duke of Normandy and bastard son of Robert the Devil of Normandy and Arletta, daughter of a tanner in Falaise. In 1066 William defeated Harold at the Battle of Hastings and was crowned William I of England. More commonly known as William the Conquerer, he commissioned a string of forts around the kingdom and charged trusted Norman Barons to control the contentious Anglo-Saxon population. William de Warenne, husband of Gundrada, was one of these Barons. There has also been the suggestion that Gundrada may have been the daughter of William’s wife, Matilda of Flanders, by a previous marriage. According to the Dictionary of National Biography (Oxford University Press, Oxford, England 1921-22), both of these contentions are in dispute. Searching the past of a thousand years ago is like wandering in a heavy fog: facts are only dimly in view. Regardless, I know that I found these letterforms immediately engaging in their simplicity. Unadorned and unsophisticated, they have a direct honesty that rests well in the company of humanistic sans serifs like Franklin Gothic or Gill Sans, appealing to a contemporary sensibility. The lettering on the tomb is in upper case only. Although Gundrada does not sound Norman French to me, her husband certainly and her father probably were Norman French. Nonetheless, the man that carved her tombstone was probably Anglo-Saxon, like most of the people. For that reason, we are quite comfortable with a fairly generic lower case from an Anglo-Saxon document of the time. The time was a time of transition, of contending language influences. This font reflects some of that tension. Features 1. Multi-Lingual Font with 389 glyphs and 698 Kerning Pairs. 2. OpenType GSUB layout features: onum, dlig, liga, salt & hist. 3. Tabular Figures and Alternate Old-Style Figures. 4. Alternate Ruled Caps (line above and below, matching to brackets). 5. Central Europe, Western Europe, Turkish and Baltic Code Pages. 6. Additional accents for Cornish and Old Gaelic. 7. Stylistic alternates A, E, y and #. 8. Ligatures ST, Th, fi and fl. 9. Historic alternate longs. The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.
  18. Aaargh - 100% free
  19. Untitled - Unknown license
  20. greenbeans - 100% free
  21. Saguenay by Jonahfonts, $29.00
    Saguenay ia very versatile font which apply to many applications including headlines,web, logos, ads, captions, packaging, bulletins, posters, and greeting cards as well as short texts.
  22. ArTarumianIshkhanuhi by Tarumian, $40.00
    As well as ArTarumianIshkhan font ArTarumianIshkhanuhi (Ishkhanuhi from Arm. “Princess” was created as a modern stylization of Armenian medieval lapidary letters. As his feminine, more delicate form.
  23. Richard Miller by Miller Type Foundry, $19.00
    Richard Miller started out as just a logo for a website/business card. It is a modular sans that works well in both print and web design.
  24. Guy Doodles by Outside the Line, $19.00
    Fun, illustrations of guy stuff. This font is another of the many doodle fonts from Outside the Line. Goes well with Diva Doodles and Diva Doodles Too.
  25. Applaud by Jonahfonts, $20.00
    Applaud is a very versatile font which apply to many applications including headlines, logos, ads, captions, packaging, bulletins, posters, and greeting cards as well as short texts.
  26. Brewmaster Modern by FontMesa, $12.00
    Brewmaster Modern is a very contemporary script that will work well for sign lettering and t-shirt designs, it also resembles the lettering used for Budweiser Racing.
  27. ItalicHand by Grummedia, $24.00
    Inspired by 11th 12th century Carolingian hand drawn cursive. Elegant and clearly legible this italic looks well in large or small sizes for formal or informal use.
  28. PIXymbols Flagman by Page Studio Graphics, $40.00
    The numerals and alphabet of the Semaphore Flagging Code, as well as black and white version of the flags and pennants of the International Code of Signals.
  29. Marie Jeanne by A New Machine, $19.00
    Marie Jeanne is a handmade font created with a casual feel that works well at larger sizes in headers or titles. Also works great in branding applications.
  30. Drawzing by Fonthead Design, $19.00
    Drawzing is a font designed by Ethan Dunham that mimics the looks of either chalk or crayon. The font is well balanced and is not overly childish.
  31. George Gibson by Baseline Fonts, $24.00
    George Gibson is based on handwriting samples dating back to mid-1800s England. The font features additional characters for foreign language support, as well as extra glyphs.
  32. Hungaria by Trim Studio, $13.00
    Hungaria is a script with an elegant touch and feel, as well as additional swash weights. Hungaria can match nicely with your products, magazines and much more.
  33. Bloxed Rounded by Fontmill Foundry, $20.00
    Bloxed Rounded was originally designed for a new Manchester band called Datadiva. Unfortunately they split up before the face was completed. Well, their loss is your gain.
  34. Cordelia by PintassilgoPrints, $20.00
    Impacting and vibrant, Cordelia family draws inspiration from covers of 'cordel literature’, small booklets of popular story-poems that played an essential role on the folk-popular cultural life of Brazil.  Printed in coarse paper, usually with an woodcut illustration and lettering in the front, these booklets were sold on the streets, in marketplaces and town squares, hung in a cord - therefore the name ‘cordel’. The work of these humble printers and poet-singers of northeastern Brazil strongly served as source for acclaimed romances and movies and still inspires writers of all genres, movie makers, painters,​ musicians. And type designers too :) Cordelia doesn’t bring a picture font yet, but ​it ​goes pretty well with Chronic and Manicuore illustrations. It goes well with and without them. It definitely goes well. You bet!
  35. Three Little Pink Pigs - Unknown license
  36. Axiom by Australian Type Foundry, $30.00
    Influenced heavily by the work of Erik Spiekerman, Axiom came out of a desire to capture Spiekerman's simplicity and elegant style. Axiom seems to work well when extended.
  37. Hochland by Zealab Fonts Division, $18.00
    Hochland is a modern, condensed font, inspired by street urban style posters. It works well for headlines, logotypes, signs, posters, greeting card, letterhead, t-shirts, watermarks and more.
  38. Peppercorn by Elemeno, $25.00
    Peppercorn seems to have been thickly painted on a rough surface. Comes in regular and a spattered Black version. Based on the font Hubbub, which compliments it well.
  39. BD Retrocentric by Typedifferent, $25.00
    The BD Retrocentric font is inspired by logotypes made in the sixties and seventies. The characteristics of this font is the well balanced blend of retro and futurism.
  40. Nat Vignette by ParaType, $25.00
    PT Nat Vignette™ was designed by Natalia Vasilyeva and licensed by ParaType in 2002. Original vignettes may be used as fleurons, composed borders, and corners as well.
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