It's here and it's a major upgrade to Hudson NY. Weight variations and alternate glyphs were some of the requests that were being received for Hudson NY and these have all been taken care of in the Pro Edition of Hudson NY. Hudson NY Pro still comes in Regular, Serif and Slab styles now with completely re-drawn glyphs, there are now six weights as well as italics for each style. Some of the additional features included in the Pro Edition is Small Caps, Stylistic Sets and Alternate Glyphs. Hudson NY is now loads more versatile, it is the perfect Display family for sports, beverage and entertainment. Press versions have been dropped in the Pro Edition as these were the lesser used and sluggish fonts of the original Hudson NY family so the focus was to create a cleaner family with more usability options. Each Hudson NY style now also includes a Variable font which saves you the hassle of installing multiple font files.

VIP is a humanist sans serif uppercase and figures combined with a freshly redrawn revival of the classic Constanze initials originally designed by Joachim Romann for Stempel in 1956. As well as a vehicle to revive the Constanze initials, VIP was inspired by modern typography found in many artful books, on many product packages, and on the windows and literature of high-end restaurants, jewelry stores, haute couture fashion sellers, architecture firms and trendy brand name establishments. If you've walked through the soho or downtown of any major metropolitan, you've seen them: Widely tracked words or lines starting with a script majuscule and going on with clean and comfortable sans serif caps. If classy modern combination typography is your thing, you will find much pleasure in using VIP. VIP was updated with expanded language support in 2012. It now supports a very wide range of codepages, including Cyrillic, Greek, Central and Eastern European, Turkish, Baltic, Vietnamese, and of course Celtic/Welsh.

Gloria Monoline is a text serif with an editorial focus designed by Ikhsan Maulana. The idea for a typography job came from a design school letter-making exercise: Get a pair of scissors and some large sheets of paper, and start cutting. The resulting letters and the act of cutting them from paper inform the type design process, resulting in strong, simple shapes and open, inviting textures. The tone is crisp and straightforward. The classic letterforms, with a playful touch, give the design a personality that is both practical and spontaneous. The text weight is capable of adjusting copies at various sizes to print and render clearly on screen. Its lightest and heaviest weights work best at display sizes. Great care has been taken to save typists time with OpenType features including contextual punctuation and symbols to match case-sensitive, lower-case, and all-caps settings, as well as set images set for each use.

Karibu™ is a 100-font original, ultra versatile geometric grotesk family with a lot of character. It is designed for modern projects, to serve as display as well as paragraph text typeface. It is perfect for lots of design situations - from magazine editorial use, logo design & branding, to web design, user interfaces and mobile applications. Main features: - 5 widths (Narrow, Condensed, Normal, Expanded, Wide), each consisting 20 fonts - 10 weights for each width (from Hairline to Black) - handdrawn, carefully crafted italics - alternate stylistic set for more technical and minimalistic projects - pronounced ink traps and large x-height improving legibility in small sizes and adding strong personality to display sizes - flatten letter shapes adding vertical rhythm and elegance to narrow widths - extended latin language support - OpenType features (case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle and tabular figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols)

Inspired by the Appalachian culture of the Southeastern United States, the finely tuned forms of Dulcian strike a clear, empowering chord with your audience. This energetic and fresh sans serif flows fast and smooth with its simple lines and slight hand-written character. All total, there are six weights, with complementary italics and three different widths. Dulcian supports OpenType features and is packaged with unicase alternates, unconnected alternates, ligatures, old-fashioned figures, fractions, titling and small caps. Preview any and all of these features in the interactive PDF manual. The Dulcian family of fonts also includes glyphs for 72 languages, providing you with more than 600 glyphs per font. While designed especially for pull quotes, this display typeface can be used for a variety of applications. Dulcian is an excellent choice for websites as well as flyers and packaging. Other uses include coffee, menus, awards, certificates where a touch of humanity and personalization is needed.

Rosewood font, like its relatives Zebrawood, Pepperwood and Ponderosa, was created by the designer trio K.B. Chansler, C. Crossgrove and C. Twombly, and has its roots in the slab serif style. The first weight displays the simplicity typical of display typefaces at the end of the 18th century. The other weights are playful variations on this theme. The tendency toward display and ornametal typefaces began with the English Industrial Revolution. The introduction of new machines made mass production possible in the print industry, a technique meant to constantly produce new and unusual products to sell to more and more consumers. Many of the typefaces created in this time were meant simply to catch attention and to advertise products. The two ornamental weights of Rosewood reflect this tendency and never fail to catch the reader's eye. Rosewood, like Zebrawood and Schwennel, is a bicolor font, meaning that the weight Rosewood fill can be used as a decoration for the inner spaces of Rosewood regular.

Based on a Monotype 1930s condensed poster typeface, Placard Next is bursting with personality. Unexpected details appear throughout the design, from its wedged diagonals and single storey a to its round tittles – which would more ordinarily be square, and mechanical. The warmth and quirkiness of its character really shines through when set at larger sizes, making this a typeface for posters, headlines, and anywhere else designers need to make a statement. Designer Malou Verlomme has paid particular attention to the typeface's 'word images', further amping up its impact, and added some vintage flavor with Placard Next Round. As well as a striking display typeface, Placard Next's four widths and six weights – hairline to bold - mean it's a versatile design, that can be adapted for use in almost any environment. The complete family contains 48 fonts: 24 in Placard Next and 24 in Placard Next Round. It includes a large multilingual character set.

The new font “The Best We Could Do” was created by artist and author Thi Bui who used the font in the graphic novel by the same name. The font is brush-script handwriting font which displays human personality rendered with bold confident strokes full of passion and expression. Chank’s work on this font captured Bui’s distinctive textual style and also saved her a ton of headache and time in inking. A debut memoir that tells the story of one family’s journey from their war-torn home in Vietnam in the 1970s to their new lives in America, the autobiographical book is lauded for its heart-breaking exploration of identity, family, and home. Bui ties her modern life with the multi-generational experiences of her family, weaving together the emotional threads of their relationships to find clarity in her current day. “The Best We Could Do” graphic novel is published by Abrams ComicArts and is available wherever fine books are sold.

Ogelic Typeface Serif is modern and elegant. It pairs well with san serif as pictured or stands firm as a title and brand representative for an elegant look. This Ogelic Typeface is equipped with a modern professional character that can present an elegant and attractive identity for your company for business purposes such as business cards, name tags, and uniforms as a brand enhancement. This modern Ogelic typeface is suitable to be embossed as a letter nameplate or even pasted in your office with a cutting sticker that looks elegant. This elegant Ogelic-type shape is also stunning for book covers or magazine writing. You can see all the available characters in the screenshot above, and you can try the modern & elegant Ogelic now for any design issues. Ogelic also comes with multiple languages, making it easy for any country and language use. It also comes with alternative Ligatures and stylistics to make your designs more attractive.

Domani from CounterPoint is a faithful digital revival of an old photo-typositing face called ITC Didi. Originally designed by Herb Lubalin and Tom Carnase, Domani brings to life a font that has been somewhat neglected by the digital era until now. Brought to the attention of Jason Walcott by graphic designer Rob King, this font immediately captured Jason with its 1970s high contrast Didone style, typical of that time period. It has some unique design details that set it apart from other didone style typefaces. “Domani” is the Italian word for “tomorrow”. The name was suggested by Rob King, and Jason felt it was perfect for this revitalized design. Walcott has created a professional quality digital version that is both faithful to the original design while expanding the character set to make use of OpenType features. A full set of swash capitals and several swash lowercase, designed by Walcott, has been added, as well as support for Latin-based and Eastern European languages.

Salsabila is a new and fresh script with decorative. It works well for greeting cards, branding material, business cards, quotes, posters, and more. This font comes with 473 glyphs. Alternate characters are divided into several OpenType features such as Swashes, Stylistic Sets, Stylistic Alternates, and Contextual Alternates. OpenType features are accessible by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X versions, and Microsoft Word. And this font has code PUA unicode (font with special code), so that all alternative characters can be easily accessed by craftsmen or designers. This Font The comes with Uppercase & lowercase International signature & symbol Punctuation Support & PUA number Unicode Style Style Alternative Style Style Range 1-11 Contextual Character Variations. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows).

Proudly present Warna - Bohemian Font, created by ikiiko. With a design that is both fun and retro-inspired, Warna perfectly embodies that character. The font in question moves to the beat of your imagination. Each figure has a distinctive, hand-crafted quality, as though they were lovingly and enthusiastically created on a worn-out journal from the 1960s. "Warna" is more than simply a typeface; it's a lively storyteller who tells old tales with a contemporary twist. Its vibrant and youthful appeal makes it ideal for branding with a bohemian or retro aesthetic. The letters serve as your artistic friends, encouraging you to express your ideas with bold strokes that evoke the liberation of a joyful party. This font is very suitable for making a bohomian stuff, vintage boho brand, poster, magazine layout, fashion design, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac

Regasto is a display serif font with a luxury, elegant, modern, unique and classy look. One of the most elegant, exquisite yet strong fonts. This font is made to bring out a modern and stylish view of what you make. Regasto contains upper & lowercase characters, all punctuation, and numerals. Also features ligatures and alternate characters to help the text flow naturally and add a custom-made feel. Its lighter weights are well-suited for body text. The available stylistic alternates offer some different characters that give your logo or business card a unique look. This font crafted specials for luxury-themed projects, ready to use on Magazine, Social Media, Branding, Logo, and Many more that needs Luxury touches. Regasto is also included a full set of: uppercase and lowercase letters multilingual characters numerals punctuation Ligatures Alternates Wish you enjoy our font and if you have a question, don't hesitate to drop a message & I'm happy to help :)

Pluto - and its straight companion Pluto Sans - was designed by Hannes von Döhren. The whole family consists of 16 Pluto Uprights, 16 Pluto Italics, 16 Pluto Sans Uprights and 16 Pluto Sans Italics; 64 fonts in all. Type designer Hannes von Döhren has created Pluto, a sweet type family consisting of 16 Uprights and 16 Italics; 32 fonts in all. The fonts are informal and friendly at first sight and lend themselves to display settings, however the straight and upright architecture of Pluto also makes it perfect for longer copy. Because of its large x-height, it even performs nicely in very small sizes. This contemporary type family is ideal for use in retail, cosmetics, food and hospitality applications and advertising. Pluto is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes alternate letters, fractions, lining-, tabular numbers, scientific superior/inferior figures and a set of arrows.

This is a standard, plain face with no special distinguishing features. It was created over a period of four months for use in small text in a cartographer package. While the face was extremely suitable for the purpose it was designed for, the party who was to purchase the family outright decided upon another design, allowing me to offer it up for sale. The original design for this face is nothing new, and has been greatly influenced by many others already in existence. It was not intended to be flashy, nor eye-catching, and I believe I have managed to escape any individuality that could have affected the face. It displays well in the lower text sizes, and, in my own opinion, displays some characters more clearly than some other similar faces that are currently in use (not all, some). While individuality makes a typeface stand out from all the others, this style of design would have been compromised with it.

Introducing Zoxi, an elegant, full-featured script font with subtle dip-pen calligraphy texture and tons of OpenType features. Hand-lettered with delicate thin strokes and more substantial thick strokes, Zoxi is particularly well-suited to invitations, branding, and editorial design. Zoxi comes with more than 1000 glyphs! Specific OpenType features include contextual alternates, stylistic alternates, initial and final forms, multiple alternate glyphs for many letters (accessed through the glyphs panel), multilingual support (including multiple currency symbols), 158 standard and discretionary ligatures, standard numbers, and TEN ampersand styles. Zoxi also includes wordart for fourteen common invitation-related words and a set of full-scale ordinals (both accessed through the glyphs panel). The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu. If you need help with this, ask me!)

The source of inspiration for MFC Decatur Monogram is a beautifully styled blackletter from JM. Bergling’s 1914 book on Monograms and Engraving Alphabets. This elegant decorative style was shown only displayed as Capital letters, so we took it further by crafting matching Smallcaps, Numerals, and lined Capitals, Smallcaps, and Numerals. MFC Decatur Monogram can create one, two, or three letter monograms as well as basic headline and titling settings. It is a refined look that is as darling as it is elegant. Decatur Monogram's numeral set and bullet dividers allow for even more detailed and personalized monograms. If you want to create a more customized look, you can add any of a handful of complimentary brackets to surround your monogram setting. Any monograms or typesettings surrounded by brackets, braces, or parenthesis will auto line the middle lettersets. And lastly, due to its traditional smallcaps - Capitals - smallcaps composition, Decatur Monogram can also type unique headings & titles.

Looking for a fun display font that makes your design bold and original? A great 3D font can be a real head-turner, leaving standard fonts in the dust. Introducing Ciubby - A Chubby Display Font. From T-shirts to headlines, Ciubby is perfect for any type of project. It works equally well for web and print, allowing you to use it across your brand. Let’s get creative! What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Platinus Script Pro is the latest example of what has now become a Sudtipos tradition: Adapting conventional calligraphic methods from the last two centuries to produce modern digital scripts for the current one. This time the resulting font explores the evolution of invitation scripts from the classic commercial lettering of the 1930s to the ideas clearly visible in the greeting cards of the 1980s and 1990s. Most base characters are made up of a single stroke, with some of the strokes driven from the top down, and some from the bottom up, putting the emphasis on the casual but precise fluidity of the hand, an emphasis magnified by the expert use of loops and swashes everywhere. The Platinus Script Pro family comes in two weights, each loaded with alternates and Latin-based langauge support, for more than 570 characters per font. Platinus Script Pro is great for product packaging, as well book covers, menus and greeting cards.

Goldplay is based on Isidora Sans design yet features rounded shapes. Its rounded, soft terminals give it a friendly and expressive look, and its modern and contemporary style as well as its classic proportions make it an excellent choice for headlines, logotypes, branding, books, magazines, motion graphics, and use on web and Tv. One of its key features is a large x-height which make it look elegant and classy. Goldplay comes in 2 versions—each in 7 weights, from Thin to Black, and matching italics, resulting in a total of 28 fonts. The standard sans serif version—fresh, clean and contemporary—is a perfect choice for editorial and corporate design, headlines, books, magazines or any other piece of graphic design. The Alt semi-serif display version—more expressive and modern—is ideal for logotypes, branding, packaging, and use on web and Tv. Goldplay contains a set of 540 characters that support over 200 Latin-based languages.

Derived from a photograph Rian Hughes took in Hong Kong, the Roadkill family of typefaces is a literal interpretation of rough and worn road lettering. The original provided almost all of the key character shapes, with the others being designed to keep the unique hand painted feel intact. Most of the letters have alternate versions provided. This font works equally well at wider letterspacing settings. Roadkill Alternates provides curved versions of the 2 and the S, a G with higher crossbar, and less worn versions of several other characters. The heavy version packs even more gritty wallop in a non-condensed and blacker weight. Roadkill Heavy packs even more gritty wallop in a non-condensed and blacker weight. Use in conjuction with the original Roadkill and Roadkill Alternates. A set of arrows and other road symbols again taken directly from tarmac to Mac, thus preserving the worn and eroded appearance of the original characters is also part of the Roadkill family.

Tellumo, a new humanist geometric sans serif typeface, has all the attributes you need for a workhorse sans with a few surprising details. It has moderate proportions, a low stroke contrast, open apertures, and an x-height that makes it drive with ease in running text. A modest range of six weights, from Thin to ExtraBold, make it versatile without being overwhelming. The lightest and heaviest weights are best saved for headlines and subheads. It features a set of swash caps that can add magnitude and sparkle to short headlines, making it excel in packaging designs. Tellumo feels at home with Mid-century Modern and Art Deco aesthetics. It looks precise, tidy, and welcoming for architecture and home goods. It looks clean, fresh and modern for beauty and wellness, or elegant and approachable for fashion. It has a balance of clarity and personality, suitable for branding and advertising of all kinds, print & digital design alike. Tellumo radiates warmth, charm, and joyfulness from its geometric foundation.

Milescut is a display typeface inspired by some seminal covers the graphic designer and photographer Reid Miles created for the Blue Note Records between the 1950s and 1960s. Miles made almost 500 covers for Blue Note in this period, including some using the hand-cut technique that consists basically in doing vertical cuts in capital letters and numerals to create a unique style within the universe he created for Blue Note. Milescut is a tribute to this small “cut” 😬 in his trajectory within the greatest record label of all time. This idea came about while I was working on what will become soon a revival of a wood type that I fell in love with when flipping through a Specimen of the MACHINE CUT WOOD TYPE manufactured by The WM. H. Page Wood Type Co. Milescut has two extra sets of alternates that work cyclically when activated in your OpenType menu and lots of ligatures, pretty cool :)

Artificial Intelligence is a computer generated typeface, in a brush handwriting style. As the world's first public and commercially available AI typeface, Artifical Intelligence celebrates the interaction between humanity and technology, in an attempt to blur the lines between hard data and interpretation. Based on 400 of Mans Greback's typefaces, this machine learning is bold and expressive, with a touch of retro while keeping it hip. It is provided in an all-caps uppercase style, Artificial Intelligence Caps, as well as the Regular style with lowercase lettering. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

The objective of this font was to try and find out how far back in the designer's life this obsession with letters began. The challenge was to draw, from memory only, two sets of caps that recall older Looney Tunes and Merrie Melodies lettering. The experiment was a success, which means that the designer's got it bad since he was, like, four! The Marvin set includes three stylistic variations (Regular, Round and Shadow), with extensive multi-script language support covering Western, Central and Eastern European languages, as well as Cyrillic, Greek and Vietnamese. A few extra alternates and interlocking ligatures are also included, all adding up to over 650 characters in each font. And here we are. Marvin is a great cartoon font that can help you build your very own Illudium Q-36 Space Modulator, so you can trigger that earth-shattering kaboom. Then you're on your way to claim this planet in the name of Mars. Isn't it lovely, mm?

Heroxy is an sans serif display font, and with a style that is very different from the others. Heroxy is well-suited for posters, social media, headlines, magazine titles, clothing, large print formats - and wherever you want to be seen. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. Thanks and have fun!

Regatino is an geometric display sans font, and with a style that is very different from the others. This font comes in Regular and Oblique Version. Regatino is well-suited for posters, social media, headlines, magazine titles, clothing, large print formats - and wherever you want to be seen. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. Thank You.

Texicali is a multiple weight type design based on our FontMesa logo. The idea was simple: create a sans serif with a few slab serifs added resulting in a style that could feel at home just about anywhere. The regular/standard set works well for general use while the Alt set is perfect for when you want to add a little country charm. The Alt set has a few additional alternate letters built in which are easily accessed using Adobe Creative Suite products such as Illustrator and In Design. The X version, with its higher x-height lowercase, is ideal for signage where you want the look of a lowercase, however your sign still needs to be readable from the street. Larger x-heights also come in handy for web use helping to make the text more readable on smaller devices. The price of font styles are subject to change without notice.

Jubilee is a glyphic font family with moderate stress, slightly inclined serifs, and storied history. Its original design was created in 1934 by famous English type designer Eric Gill for the Stephenson Blake type foundry. The development name was “Gill Text,” but this was changed to “Cunard” once the famous steamship company showed interest in using the typeface. The company, however, never utilized it. Stephenson Blake changed the name to Jubilee in 1935 to commemorate George V and Queen Mary’s Silver Jubilee Wedding Anniversary announcement. After International TypeFounders, Inc. acquired the exclusive rights to the Stephenson Blake collection, Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) revived the family exclusively for the Red Rooster Collection in 1994. A new, Medium weight was created to accompany the original Light and Bold weights. Jubilee has an inscribed, Renaissance feel, and performs well at all sizes. Its letterforms are sturdy, yet there is an undeniable delicacy to the face.

Arista Sans is a true sans serif typeface enhanced with bold, high-contrast geometric shapes. Arista is perfect if you want to try to make your presentation perfect for all purposes, social media graphics or other designs. And of course you can use this font and pair it well with a bold sans serif. Features: All Caps Font with different uppercase and lowercase Number & Symbol Supported Languages Alternates and Ligatures PUA Encoded What is included: Arista Sans Regular Arista Sans Outline We highly recommend using a program that supports OpenType features and Glyphs panels like Adobe apps and Corel Draw, so you can see and access all Glyph variations. This type of family has become the work of true love, making it as easy and fun as possible.I really hope you enjoy it! if you have any questions or problems please contact email:doratypefoundry@gmail.com Thank you Enjoy the font and go get creative :)

Catarina - a Handwritten Font is a handwritten script font with a simple and classy style, this font is great for your next creative projects such as watermark on photography, quotes, album cover, logo, business card, and many other design project. From business cards to photo watermarks, Catarina is here to elevate your work to the highest level. Catarina comes with uppercase letters, lowercase letters, lowercase alternative letters, numbers, punctuation, ligature tt and multi lingual support What's inclued : - Catarina.otf note : to use alternative end text is just block end letters and select alternative letters on glyphs option. it may be used in almost any program by using your Operating System’s utilities (CharacterMap for Windows and Font Book for Mac.), as well as Illustrator, Photoshop CC 2017 and several other applications. we hope you enjoy this font. If you have any questions please don't hesitate to drop me a message :) Thank you, Best regards alphArt

Dufour was named in honor of an art deco font called "Independent" designed in the 1930s by Collette and Dufour. "Dufour" is influenced by the original font, however, there are substantial differences: instead of small caps, a true lower case was created, the upper case character proportions and shapes have been greatly modified, and all missing characters have been created to make a truly modern font which nevertheless has all of the panache of the original. A related font is Collette, designed by Anton Scholtz, however, Dufour has a softer feel that is more true to the original art deco period. Dufour comes in four styles: Dufour Regular, Dufour Regular Outline, Dufour Condensed, and Dufour Condensed Outline. The font has been carefully kerned and best results are obtained if kerning is switched on. (All-caps passages work well.) It is best used to create a retro feel and in headings, subheads and in short passages of text. Very effective in marketing for products for children.

Introducing DEKORYA – a brand new serif with all the nostalgic vibes! DECORYA typeface is a beautiful and inspiring mix of classic calligraphy and modern serif with 46 unique ligatures and special alternates. Comes in 3 versions: Condensed, Regular and Expanded DECORYA is made mainly for headlines, titles, and other short texts and is well-suited for advertising, vintage mood boards, branding, logotypes, packaging, titles, editorial design, modern logos, websites, social media quotes, wedding branding, modern and vintage design What's Included? Dekorya Main File 46+ Special Alternates and Ligatures Condensed, Regular and Expanded Instructions (Access special characters in all apps, even in Cricut Design) Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Thank you Dharmas Studio

The Englishman William Caslon (1672–1766) first cut his typeface Caslon in 1725. His major influences were the Dutch designers Christoffel van Dijcks and Dirck Voskens. The Caslon font was long known as the script of kings, although on the other side of the political spectrum, the Americans used it as well for their Declaration of Independence. The characteristics of the earlier Renaissance typefaces are only barely detectable. The serifs are finer and the axis of the curvature is almost or completely vertical. The overall impression which Caslon makes is serious, elegant and linear. Next to Baskerville, Caslon is known as the embodiment of the English Baroque-Antiqua and has gone through numerous new interpretations, meaning that every Caslon is slightly different. American Type Founders presented a Caslon in 1905 which is true to the forms of the original. This font is relatively wide and comes complete with small caps and old style figures.

Mocking – Retro Groovy Font With A Childish Touch . Font is the perfect choice for projects that need a playful and quirky touch. Inspired by the groovy era of the 1960s and 70s, this font combines a fun and childish style with a hint of nostalgia. It features bouncy curves and playful swashes that will make any design stand out. With uppercase and lowercase letters, numbers, and punctuation marks, as well as several alternates and international characters, the Groovy Font is a versatile choice for a variety of projects. Whether you're creating posters for a music festival, designing a retro-themed event, or simply adding a touch of whimsy to your designs, the Groovy Font is sure to bring a smile to your audience's face. Mocking Features: · Uppercase & Lowercase · Alternates · Numerals & Punctuation · Accented characters · Multilingual Support · Unicode PUA Encoded So add a touch of groovy style to your next project with Mocking Font! If you want the SVG version please contact me. Thanks and have a wonderful day .

The Charman Serif Font Family Pack is an Elegant serif font that comes in 20 different weights. Designed to reflect nature, creating a sense of softness and natural expression. The concept is pushed in a usability-focused direction, to serve as both a bold tool and a classy communicator. Charman Serif is encoded with Unicode PUA, which allows full access to all additional characters without having to design any special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any additional characters to paste into your favorite text editor/app. The Charman Serif character set combines many of the features of open type - additional symbols, both standard and optional, as well as punctuation in case and lower case - resulting in a stable workhorse set ready to handle projects of any size. I hope you enjoy using the Charman Serif font and that it will be a perfect addition to your font collection!

Mozsár, named after Mozsár Street in the downtown of Budapest (pronounced ‘mo-zhar’, meaning mortar in Hungarian.) Mozsár is a unicase display typeface with constructivist characteristics from the early 20th Century. It uses pure geometric shapes and purposefully departs from strict typographical rules to give a more friendly look. With Mozsár you can create really unique and awesome looking displays, titles and even name plates for your business. It works very well in big size. The central idea behind the design was that two variants of the typeface would randomly alternate as the user types. The typeface uses Contextual Alternates (CALT) created with the OpenType’s semi-random feature to mix the variants. The width and height of the letter shapes are generally equal, but I made some exceptions to lend the type a character of unexpectedness. The curves are identical in both versions of each letter, and the intersections of the axes are always perpendicular (with some evident exceptions).

RoyalBavarian was comissioned by King Ludwig the First of Bavaria about 1834. He was probably the greatest king Bavaria ever had, but he fell in disgrace for a short affair with the infamous Lola Montez and subsequently had to resign. He died in 1868, peaceful and happy in Nice on the French Riviera. I happened on an original etching of his type-guidelines for official writers of those days about 20 years ago. I always thought it was a very nice Fraktur (Blackletter), not a sturdy militaristic one as most of them are. Being me, I started with first tests immediately and then just forgot the font on my computer. When I was sorting out old stuff a couple of months ago I happened on the etchings once again and kept on working intermittently on the letters. The Plain cut is pretty much like the king wanted it. The Fancy cut is more to my liking and very decorative. Yours in a royal mood, Gert Wiescher.

MVB Dovetail is an editorially focused text serif designed by David Sudweeks. The working idea for the typeface came from a design school letter-making exercise: Take a pair of scissors and a few large sheets of paper, and start cutting. The resulting letters and the action itself of cutting them out of paper informed the type design process, producing strong, simple shapes and an open, inviting texture. Dovetail’s tone is crisp and straightforward. Its classic letterforms, set off with a touch of playfulness, give the design both a practical and spontaneous personality. The text weights capably set copy at a variety of sizes for print and render crisply on screen. Its lightest and heaviest weights perform best at display sizes. Care has been taken to save the typographer’s time with OpenType features including contextual punctuation and symbols to fit mixed-case, small-caps, and all-caps settings, as well as figure sets tuned to each use.

Cadmium has a comprehensive latin character set and many Opentype features to enhance text, including small capitals, case-sensitive forms, superscript and subscript. Plenty of numeral variants include old-style figures, lining figures and fractions. Default numerals are proportionally spaced. Alternative styles for a handful of key characters provide some useful variations where stylistic sets can be implemented. The fonts are presented as four width-based sub-families: Expanded, Normal, Condensed and Compressed. Each width has a matching range of six weights and italics (obliques). Regular and Bold weights are style-linked, together with their respective oblique forms. Each width differs in its basic construction but all fonts share the same vertical metrics and may be used in combination with each other. Letter spacing is optimised for text sizes but is tolerant of significant tracking changes. Cadmium is good for signage, publicity and packaging, screen credits and titling, general print and publication, as well as web and screen applications.