Prelo Slab is the serif companion to Prelo, a neutral, highly readable typeface, for identity, editorial and information design. With nine weights and nine italics, from Hairline to Black, Prelo Slab is a workhorse typeface, full of OpenType features such as Small Caps, Tabular Figures, Central Europe characters and Historical Figures, among others. Like other DSType fonts, most of the diacritics were designed to fit the gap between the x-height and the caps height, avoiding some common problems with the accented characters. The curves are soft and smooth, while the serifs are sharp and strong, providing legibility, even in very poor conditions.

Metronic Slab Pro is a slab serif typeface with a technological and minimalist look for text and headlines. It has six versatile weights from Air to Black with an alternative glyph set to improve its use in different graphic contexts. Metronic Pro has a wide range of OpenType features such as: old style and proportional figures, ligatures, case sensitive forms, fractions, stylistic alternates, arrows and an icons/ornaments set. This set of 60 icons, directly inspired from the typeface improves the OpenType features and can be quickly and easily use in your web design, GUI design, graphic design or any other graphic work.

Introducing Squid GT Display new generation Typeface with 9 Weights. Squid GT Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Squid GT is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Nine Weights. Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black.

Glitzy is a caps-only font with extreme contrast. It was inspired by Art Deco typefaces, especially Broadway by Morris Fuller Benton, but Glitzy is not an attempt to reproduce that typeface. The letters on the lower-case keys differ slightly from the letters on the upper-case keys. The large black interiors invite decoration and the family includes four faces with interior decoration. These four faces with interior decoration can be used in layers with the base font to add color to lettering. (OakPark is a another attempt to do high-contrast lettering with an Art Deco feel.)

Neue Frutiger Vietnamese''' was developed by a team of designers and font engineers from the Monotype Studio under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Vietnamese embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Object is a geometric sans serif especially designed for contemporary typography and comes with 8 weights from ultralight to black plus handslanted obliques. A large x-height not only creates space for smaller sizes, but also lends Object an open and generous character for print and screen. Many OpenType features including 642 ligatures, contextuel alternates, inits and stylistic set built into all cuts. The font contains 1.118 glyphs with a wide range of flexibility for Latin language support for every typographical needs. Object is a contemporary geometric typeface, special for logotypes, brands, magazines and corporate design.

While helping produce a trade magazine years ago, I admired the hand-lettering of the art director -- a woman named Marydale -- and suggested she let me model a font after her penmanship. She agreed and drew out the alphabet, and I launched an old copy of Fontographer and (to shorten a long story) ended up developing my very first digital typeface. Which has since, astonishingly, become famous worldwide. So now the real Marydale gets the mixed blessing of seeing her handwriting (and name) plastered all over the planet. Full release has regular, bold, and black weights.

The Nuga typeface embodies a commanding presence with its slab serif design, offering a versatile range across 9 distinct weights from thin to black. This extensive variety is further enriched by both regular and italic styles, totaling 18 distinct fonts. Its robust nature makes it an ideal choice for titles, headers, and subheaders, lending an authoritative air to any text. However, it doesn't stop there; Nuga's versatility extends to paragraphs, making it suitable for both display and body text. This font stands out effortlessly in branding, print materials, and logos, its powerful characteristics leaving a lasting impression on any design it graces.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Expanded, Wide, Normal, Narrow and Condensed The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Sliced Delight - a modern serif typeface combining classical elegance and contemporary flair. The Sliced Delight typeface is available in 9 weights ranging from Thin to Black, each featuring three optical variations - Display, Title, and Heading - for 27 styles. The Sliced Delight typeface's unique design features give it a bold and dynamic look while maintaining legibility and readability. In addition, the optical variations allow for versatility in usage. Whether you're designing a print publication, a website, or a brand identity, the Sliced Delight typeface is a versatile and eye-catching choice that will make your content stand out.

The first development of Karsten typeface was inspired by signs on some old Dutch-buildings in Java. Then in the making, it blends with modern style. It's a synthesis between two cultures, the East & the West. The typeface was named after the Dutch architect who gave major contributions to architecture and town planning in Indonesia, Herman Thomas Karsten. It comes in nine weights from thin to black with matching italics. Its mixture of weights provide a wide range of styles that will help you find the best vibe for your projects, for headlines or a short paragraph. See the full presentation on Behance

Introducing Matterdi, an elegant High-Fashion serif family with tons of unique and fashionable ligatures. This versatile serif family contains 100+ unique, elegant ligatures and alternates. 9 weights available from Thin to Black which gives you many possibilities to layout your next projects. Perfect for word-marks, monograms, logos, branding projects, or to use as web font. Try Matterdi Bold for display titles or Matterdi Thin for a fashionable and elegant look. It is also perfect to pair with a hand-drawn script! How to access alternate? Adobe Photoshop go to Window - glyphs Adobe Illustrator go to Type - glyphs

These Charming letterforms, filled to the brim with the pop sensibility of late sixties je-ne-sais-quoi and the high camp detachment of the early seventies, scream out 'I am THIN and GORGEOUS!' Daring, Sexy, Witty and Subversive, Absolutely Fabulous swings from the pages of Marvel's UNION JACK to provide you with all the handheld wobble you'll need for thrilling titles, taut climaxes and logos that tingle with sartorial sophistication. If you're not thinking of miniskirts, black leather and concealed transmitters in bowler hats when you install this font, you're just not on the right wavelength, baby.

Hope I made the world a little better. It's a great honor for me to be here. I'm super excited to present the next set of the Ring font family - Ring Slab. Ring Slab is a geometric slab serif typeface based on the original Ring font and inspired by classical writers. Ring Slab comes in 16 styles, ranging from Thin to Black. Fonts of the Ring Family is the perfect choice for headlines, logos, branding, packaging, publications, and websites. Ring Slab is still ready to take any decisions. The future of the big font family has come closer!

Timernis is humanist multilingual contrast sans serif available in eight weights from thin to black. All caps have this super elegant, classic proportions old school look and is based on 1940 stone engraving commemorative plaque. The engraving itself boasted sophisticated clean look and was a joy to look at. All caps: Would suit display usage such as: signage, titles, headers, engravings, high end packaging. Do try putting space between the letters in your selected word for suave and chic feel. Expanded round shapes are prevalent in lowercase, which is legible in small sizes and pleasant to the eye.

Gosford is a luxury and elegant serif font. It teases your eyes with its curves yet still able to maintain its classy composure. The variety of weights provide a range of choices that will help you find the best typographic colour. The available stylistic Ligature and Alternate offer a perfect font for anything your creativity takes you. 5 Weights (Light, Regular, Semibold, Bold, Black) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Alternates & Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... OTF file format Free updates and feature additions Thanks for looking, and I hope you enjoy it.

French type designer Xavier Dupré created this sans FontFont in 2007. The family has 6 weights, ranging from Thin to Black and is ideally suited for editorial and publishing projects. FF Absara Sans Headline provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Absara super family, which also includes FF Absara, FF Absara Headline, and FF Absara Sans.

Base Neue is the reincarnation of the basic typography (adaptation) of modern civilization. InkTrap is applied and many variations that can be used for this typeface, from very narrow media to extra-large publications. Weights from thin to black and then there are widths from Super Condensed to Super Expanded, which of course are all used in various media, from heading or titles to body text. Base Neue provides a total of 108 styles consisting of 782 glyphs per style. 95 different languages are supported, and it also has access to alternative letters and interesting ligatures.

Iwan Zaza is a high-contrast modern Arabic typeface designed by Ahmed Zaza. The design is inspired by the Kufi calligraphic style and influenced by the Naskh style. Iwan balances classic and contemporary tastes with wide open counters and short ascenders and descenders that minimize the hight. And has a high - contrast between the vertical and the horizontal to line up in harmony with Latin. And openType alternates and ligatures set. This makes it suitable for branding, editorial, packaging and advertising. Iwan features five weights from Light to Black, and supports OpenType features for Arabic, and has a wide glyph set.

The Vidal is a display typeface designed in 2016 by Elena Albertoni. It comes in three styles: Regular, Bold and Black. This wide sans-serif with low contrast is inspired by French and British Art Deco lettering and it is suitable for use in medium to large sizes, where it offers good legibility and all its friskiness. The attitude of Vidal when set in all caps derives from the models that inspired the design: mainly capital-only lettering pieces; the essential addition of lowercase letters distinguishes Vidal from similar revivals and makes it a great modern choice.

Krong is a set of font family, modern Geometric in which there are several combinations of unique style sets, so ready to help you to make your designs look elegant. Krong Each contains nine weights ranging from Thin to ExtraBold, all with companion italics. The font includes more than 819 glyphs, covering all European languages written in Latin script. Krong OpenType features: Stylistic Alternates, Sylistic Set, Standard Ligatures, Discretionary Ligatures for lowercase and uppercase, Case Sensitive Forms, Arrows, Circled and Black Circled Figures, Proportional Old Style figures, Tabular Lining figures, Slashed Zero, Fractions, Superscript and Subscript figures.

Fact is a workhorse open sans serif type system. It is inspired by the great Frutiger typeface. While the Regular style is slightly modernized but still quite close to Frutiger, changing the weight or width makes differences of the design more pronounced. The style range of Fact is wider than of any cognate type family, including weights from Thin to Black and widths from Compressed to Expanded. Fact type system contains 48 upright styles and 48 italics with variations in width and weight. The font was designed by Alexandra Korolkova and Manvel Shmavonyan and released by Paratype in 2018-2019.

Handy Typewriter is a handwritten typewriter font in 4 handmade weights, with extras. Handy Typewriter has a more casual look than classic typewriter fonts, but can still be used in any designs that need a vintage touch. This font is very legible at a wide range of sizes and looks great in both long or short texts, in digital collages, branding and packaging, social media posts, logotypes, etc. Included in this font family: - Handy Typewriter font in 4 weights: Thin, Regular, Bold and Black, hand drawn from scratch - Handy Typewriter Extras is a set of 62 hand drawn doodles, to decorate your text

Lucida Calligraphy is a chancery cursive script typeface family designed by Kris Holmes and Charles Bigelow. It is a very legible and readable typeface, designed for use on screen and in print environments. Lucida Calligraphy was originally released in one weight. It is now available in five weights, from Thin to Black. Lucida Calligraphy is part of the Lucida superfamily of fonts from Bigelow & Holmes. Lucida is highly regarded for legibility and its extensive range of type styles. The Lucida Calligraphy typeface family has a Standard character set with 255 glyphs supporting the basic range of Latin languages.

Victorina is a fantasy sans letter or display, inspired by the Victorian letters whose stylistic influence dominated the scene graph of the nineteenth and twentieth century. Victorina has a perfect structure of rigorous geometry. Victorina comes in several versions in both Black and Condensed, in italics with a varied repertoire of styles, besides providing small caps and ornaments. Victorina lets you work fine fantasy headlines when they overlap in layers of different styles. Victorina is a letter designed to recreate, with a contemporary vision, the spirit of those days of the industrial revolution and the early days of modernism.

Neue Augenblick is a modern contemporary Germany-esque grotesk. This Font face carries a powerful mechanical and industrial feel, it is inspired by aesthetic personality of beautiful Panzerkampfwagen and Post-war Brutalist Architectural. There are ten weights, ranging from Thin to Black, each with oblique italics and plenty of alternates. Neue Augenblick comes with attention-grabbing ink traps make it feels more contemporary. Various opentype features from stylistic alternates, multilingual extended latin support, ligatures, discretionary ligatures, fractions, arrows, scientific numerals, catchwords set, icons and more. Neue Augenblick is suited for embrace both maximalism or minimalism design works for designers to play with.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow, Normal, Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Hello Buena - From Wood to Digital Type Buena is the first word I read on a letterpress paper, printed by my colleague and friend Wolfgang Wick. I was fascinated by the power of this fat wooden letters at first glance. So I started to create a digital version of it and »Buena Black« was born. Due to the fact that the original punches had only upper- case glyphs, I created the lowercase characters by myself. After that it was time to design the family... Buena is full of OpenType features. To get fully acces, go to www.mazefonts.de and Download the Type Specimen.

“PGF Dinos” is a low contrast round typeface that resembles handmade American ‘Sign Painting’ in such the upper portion of the characters is bigger than the lower one, what gives the font a more playful and friendly personality. Another remarkable feature is its hooked terminals in characters such as C, G or S, heightening the differences between similar characters. “PGF Dinos” Family is composed of 10 different weights ranging from Hairline to Extra Black plus Italics and a full set of Dingbats. Early version was originallly called as “Globa” and was developed under the supervision of the Latinotype Team. Designer: Pedro González.

Neue Frutiger Arabic was created by Nadine Chahine and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black. Neue Frutiger Arabic embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Disco lives on in the alphabet stylings of Reardon AOE. From its uber-fat letterforms to its hole punched counters, Reardon AOE started as a digitization of a film typeface called Joyce Black by LetterGraphics. This flashback typestyle was taken from its limited A-Z and numerals set and fleshed out to include an expanded language glyph set. Reardon AOE finds itself thrown into a late 70’s-early 80’s flashback frame of mind, appealing to all of the disco and video game typography of that time, ready to throw down the vibe for your designs.

Pockota is a retro, soft display serif typeface with 12 fonts. Ranging from light to black with its matching italics, Pockota offers many possibilities to be applied in many graphic or editorial projects. Lighter weights are suitable for body text, and the heavier weights are perfect for striking headlines. Thanks to the OpenType features built in, many stylistic sets and swashes are fun to play with. And with the extended latin character set, so that Pockota supports 200+ latin-based languages. Pockota is a classic and timeless typeface, perfectly suitable for display purpose such as branding, editorial, headlines, and packaging.

Inspired by vintage books and the pages within, Appareo is an imperfect, worn serif font that comes in three weights. Each weight has a varying degree of distress, from Black, in which the press and ink fully set into the page, to Medium, Light and Extralight, where the texture is heaviest. Each weight also has a custom italics version of each character. To fully give the authentic feel of worn pages of dusty books, Appareo has 5 character variations. Appareo also has a set of graphic elements, including frame, banners, borders, arrows, etc in the same style and texture.

Introducing Kuoros Serif typeface - 5 fonts Kuoros is classic, sophisticated typeface with 5 weights to enchant your next project. Very versatile fonts that works great in large and small sizes. Basic latin and advanced latin character sets are supported! Kuoros is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, lowercase, numeral, punctuation & Symbol Hairline Light Regular Bold Black Ligatures Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Virtue Serif is a variation of the Virtue Script which is more friendly to use as the body of your design without losing its unique and authentic features while still being a workhorse in display use. The rugged and spacious look is armed with a stylish set that is easy to control due to the simple design of the nodes. with a full range of weights from thin to black, it also includes multilingual support this typeface is truly complete. Used for logo design needs, posters, magazines, mockups, web ui, branding, Cover art and more Virtue Serif font family is ready for that.

A modern neo-grotesque type family of 16 styles. BR Cobane is a fine balance of functionality and contemporary characteristics. Precisely drawn with a modern aesthetic in mind, Cobane has familiar qualities associated with the classic grotesques, but combines them with a stronger modern geometric flavour. BR Cobane is available in 16 finely crafted styles, with eight weights ranging from Thin to Black. The fonts also provide advanced typographic support with OpenType features such as case sensitive forms, icons, stylistic alternates, slashed zeros, and multiple figure sets. Also containing advanced language support as standard. For custom inquiries please contact: mail@brinktype.com

Haboro is a powerful workhorse. It’s a neoclassical font developed for numerous uses, ranging from editorial and corporate to web pages and apps. This new face from insigne Design takes a modern twist on the high-contrast typeface genre known as the Didone. Recognized for their ability to convey clarity, the geometric simplification of the Didone genre adds a level-headed rationality to whichever work it’s applied. Didones are used to lend style and sophistication to a wide number of applications—everything from style or cosmetic labels to annual reports. With its unique take on this classic genre, Haboro—with its slight wedge-shaped serifs and unique terminals—is still defined by elegance, tradition and timelessness. Even more to its versatility, this multi-purpose text face features whimsical terminals, which liven up even the most serious texts. If you desire, you can also opt for the more usual ball terminals by activating OpenType alternates. The Haboro family consists of seven weights from a Thin to a Black along with matching italics. The contrast from the letters’ thick strokes and thin strokes draws the eye to your design, making Haboro a powerful visual tool for communicating your message. The typeface also contains numerous ligatures and alternates. Choose between serif variants such as ball terminals or standard serifs by utilizing OpenType alternates. We recommend using the default contextual alternates and discretionary ligatures in order to benefit from all members of this fantastic font family. In addition, Haboro has a sizable set of option glyphs and numerous other OpenType variables to give your text the unique touches it needs. Haboro has all of the attributes you need to undertake your next project. Use its modified elegance to shape and mold your next design, whether a web site, app, branding package, or magazine. You’ll find there’s no job Haboro can’t take on.

This typeface comes from a self initiated project called Sápmi, which aims to contribute to keep a group of minority languages alive through solving issues in the education environment. This re-thought edition takes the name of Aanaar and joins our library with a bigger character set and two new weights which complete the typeface providing a big typographic palette as well as adding stylistic two-story a and g for more advanced readers as well as to enable the typeface to be used in other environments. The typeface was originally designed for children’s text books. Analysing kid’s typeface design, we identified some important problems and solved them within the boundaries we had. The main concern in a typeface which will be used by children is letter recognition, as they have not yet fully develop their reading skills. For example, letters like “a” and “g” share a very similar structure in this particular kind of typefaces, where the only distinctive part is the descender of the “g”. It is known that the lower part of the letter is the less important feature when reading, therefore we decided to make a clear distinction between them by having an “a” with a spur on the top right. This also helped distinguishing “a” and “o”. Children typefaces usually have one story “a”, making “a” usually too close to “o”. Additionally we moved the joint in “a” upwards and narrowed very slightly the “a” to make sure they cannot be mistaken. More generally, the x-height is fairly tall and the typeface has a bit of movement which give it a good rhythm helping moving along nicely when reading. Aanaar consists of 5 weights (Light, Regular, Medium, Bold and Black) plus two Italics (Light Italic and Italic).

A Stylish Technology Sans Serif Initiate began as a digitization of a film typeface from LetterGraphics in the early 70's known as "Kent". The original specimen was only in a Black weight with a tall x-height and included standard Capitals, Lowercase, Numerals and minimal Punctuation. It was a techno style sans-serif, ripe with potential. As a single weight typeface, it yearned for so much more: from family weight development to stylistic variants. We also decided to create a more normalized x-height version as well, leaving the original design as the Display series. Extras we developed for this family are Unicase variants, High & Low hairline position glyphs, as well as other alternate styled characters. The Initiate standard family has 1154 characters per font, while the Display family and Monoline font has 685 characters per font. A comprehensive character map preview is at the end of the poster graphics collection. Opentype features for Initiate Family include: Ligatures Unicase Stylistic Alternate Set Stylistic Set 02 - Limited Alternate Characters (A,K,X,Y,k,u,x,y and variants) Stylistic Set 03 - Lower Hairline Characters (B,C,E,F,G,H,P,R,Æ,a,c,e,r,s and variants) Stylistic Set 04 - M & N alternates Stylistic Set 05 - I alternates Smallcaps Set Smallcaps Lower Hairline Set when Stylistic Set 03 is enabled Limitless Fractions Ordinals Superscript & Subscript Opentype features for Initiate Display Family & Monoline font include: Ligatures Unicase Stylistic Alternate Set Stylistic Set 02 - Limited Alternate Characters (A,K,X,Y,k,u,x,y and variants) Stylistic Set 03 - Lower Hairline Characters (B,C,E,F,G,H,P,R,Æ,a,c,e,r,s and variants) Stylistic Set 04 - M & N alternates Stylistic Set 05 - I alternates Limitless Fractions Ordinals Superscript & Subscript

The new sans-serif Franzi typeface family – as neutral as can be, but at the same time individual and striking. Its unmistakable character lies in the detail, with no effect pushing itself to the fore. As a wide-running typeface with a relatively large x-height, the typeface family is perfectly suited to small text sizes but, with its elegant details, it leaves nothing to be desired in display applications either. Originally designed with constructed, often rectangular elements, Franzi has gradually been rounded during the development process and is now less hard in order to guarantee optimal legibility. A total of 20 well-developed fonts are available: 10 line thicknesses from hairline to black, each of which can be upright and italic. The italics are softly and elegantly drawn, while the upright characters appear much more severe. The design appeal reveals itself in the two-storey ‘a’ – a tribute to legibility in body copy; however, for those who prefer the geometric in applications, an alternative single-storey ‘a’ is also available. All styles have small caps, superscript and subscript lowercase letters, lining, non-lining and small caps figures, fractions as well as several ligatures, alternative fonts, symbols and arrows. The Latin uppercase letters are also available as discreet swash variants. In addition to the extended Latin alphabet, the typeface family also includes the complete Greek, Cyrillic and International Phonetic Alphabet IPA. Franzi was created as a further development of an order to produce a sign for a therapy practice in Vienna’s Franz-Hochedlinger-Gasse – hence the name, which is more common as an abbreviation for Franziska than as a diminutive for the male name Franz: Franzi is therefore a hybrid typeface name which has female tendencies.