Hello Beach is a friendly and elegant handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. Its distinct and well interesting letters make this font a masterpiece. Fall in love with its incredibly versatile style and use it to create spectacular designs! This font is PUA encoded which means you can access all of the awesome glyphs with ease! It also features a wealth of special features including ligatures.

Inerta is a neutral, but not flavourless, cross between a geometric sans and a neo-grotesk. It is designed to work perfectly in UI/UX applications, and to remain readable in smallest font sizes. With over 950 glyphs, the font family offers extensive language support and many typesetting options to choose from. The typeface can be customised with several sets of alternate glyphs and OpenType features. The Cyrillic part contains alternates for Bulgarian as well as alternative Ukrainian forms.

The letterforms of Lucien Bernhard's stylish, if somewhat anorexic, Bernhard Fashion were beefed up and complemented with thick-and-thin stroke variation to create this elegant family, available in normal and bold weights. Additionally, Bernhard's variant forms have replaced several of the letters which commonly appear in other revivals. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

Embryo Tiny based on the Embryo Typefaces Embryo and Embryo Open. In contrast to its big brothers it is way more readable in smaller sizes and on screens. These superheavy cute fonts are perfect for games, children's books, logos, posters and flyers. Special for the gamers: All numbers have the same width, so it is perfect for highscores. Embryo Tiny has an extended character set to support Central and Eastern European as well as Western European Languages.

Delegat is a comic book lettering font inspired by handwritting of Frank Ching. The family includes Regular, Italic and Bold version. Delegat contains two variations for each letter and ligatures to swap out any two identical letters that appear next to one another for a pair that is slightly different. Delegat Extra can be used to disguise curse words in comics. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Derlone is a new modern brush font with irregular basic lines. contemporary design approach, natural handmade, suitable for use in title designs such as clothing, invitations, book titles, stationery designs, quotes, branding, logos, greeting cards, T-shirts, packaging designs, posters and much more. Complete with upper and lower case letters, as well as multi-language support, numbers, punctuation, and several ligatures as complements. Thank you so much for looking and let me know if you have any questions.

Lend some weight to your words with Anvil! A bold, extended display face, Anvil is ideal for posters and other large design work as well as identity and logo work. This cross-platform OpenType font contains a number of ligatures, fractions, superior and inferior numerals, alternate forms and accented characters -- nearly 300 glyphs in all. Use it with an application like Adobe InDesign to access all the advanced features. Enjoy the future of typography now with this original design!

M Ellan HK is a soft yet robust typeface that strikes an appropriate balance between vertical and horizontal strokes (豎、橫). Finials of strokes are sharp but gentle, alluding to the appeal of calligraphy. It is elegant as well as contemporary. M Ellan Light features similar thickness in vertical and horizontal strokes (豎、橫) that together make it lucid and appealing, while thickness of strokes in M Ellan Bold are accordingly adjusted to maintain its friendly and graceful character.

"Santa Story" is a special Christmas font but can be used for any type of work. This font has a unique design with ornate lettering santa equestrian. This font is very easy to use, because it has been specially designed and there is also a guide on how to use it in the preview. "Santa Story" is equipped with uppercase and lowercase letters, alternative uppers, swash and titling, alternates, ligatures, numerals and punctuations, as well as multilingual support.

About The Chaffy The creation of the chaffy is inspired by classic and vintage fonts, with a touch of Slightly calligraphic, with variable stress angle and high contrast. The Chaffy is a display font type, so it is perfectly suited for graphic design and any display use ( for the logos, t-shirts, the web as well as for print, and also great for headings), The Chaffy is perfect pairing for Giane Gothic sans or Giane Serif Thank You _xdCreative

Orgon Plan is the square-cut sister of the Orgon. It represents the crispy counterpart to the sucsessfull Orgon family and was published in 2020. Orgon Plan consists of 20 styles and is well equipped for advanced typography. It comes in OpenType format with extended language support. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Cern is a family of20 weights of neutral, yet formally nuanced grotesk typefaces that takes inspiration from the original metal types from Switzerland, yet had a slightly larger x-height for more pronounced legibility. Cern is designed to be highly readable in print and on-screen. The italic variations are true italics and have been designed for smooth, fluid reading and text-setting. The Cern family works equally well for text typesetting and for display design work.

The JT Alvito family includes 5 weights with matching italics. It is ideally used as a dipslay typeface but can also be used in body copy. You will find that it works particularly well in advertising, packaging, logo design and branding. JT Alvito provides advanced typographical support with features such as ligatures, fractions, and super- and subscript characters. It holds most glyphs which are required for Western European, Central European, South Eastern European and Vietnamese languages.

BR Firma is a geometric sans serif consisting of 8 weights ranging from Thin to Black with matching italics. It supports an ‘Extended Latin’ character set that covers over 200 latin based languages. BR Firma provides advanced typographic support with features such as case sensitive forms, fractions and slashed zeros. It comes with multiple figure sets and is ideal for print, advertising, publishing, branding, software and gaming as well as being optimised for web and screen design.

Super clean, yet sophisticated! Astaneh with its 2 weights brings a modern and clean sans serif Arabic/Persian typeface to life! Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Smoltimes are two variations of a new modern brush font with irregular baselines. a contemporary approach to design, handcrafted in nature, perfect for use in title designs such as clothing, invitations, book titles, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more. Complete with upper and lowercase letters, as well as multi-language support, numbers, punctuation, and multiple ligatures. Thank you very much for looking and let me know if you have any questions.

Athlete is a highly legible, geometric text and display font. Inspired by classic sans-serifs Futura and Gill Sans, this elegantly minimal typeface blends traits of these twentieth century classics and is available in a comprehensive family of six weights. It includes old style non-aligning (lower case) numbers, both proportional and tabular, as well as accented characters for Central European languages. A versatile, contemporary sans-serif, Athlete is suitable for more-or-less any text or display purpose.

Crowd Funded fonts wasn’t really crowd funded… In fact, all of the funding came from me, as I had to buy paper and a new pen to get this font going! Crowd Funded is an all caps display font, which I based on a recent font of mine called Longreach. Crowd Funded is narrower and rounder than Longreach and, in a way, more delicate. It comes with a generous amount of diacritics and basic Cyrillic as well!

Familiar, yet eye-catching! Hezareh with its 2 weights brings a modern and clean serif Arabic/Persian typeface to life! Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Hezareh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

The object of Grover was to join two distinctive typeface designs: the basic European gothic of the late nineteenth century and the ‘rounded’ style found in 1960s America. The result is a clear, friendly face with subtle yet unforgettable features. Named after Grover Washington, Jr., the jazz saxophone player, Grover is geometrically constructed and yet very human in appearance. Sans and slab serif variations, true italic weights, as well as small caps afford Grover versatility and unique display characteristics.

Smooth brushstrokes inform the construction of Novaletra Sans. As Novaletra Serif's sister typeface, Novaletra Sans shares its easy readability and excellent performance in a humanist design. Subtle flares and low stroke contrast provide warmth uncommon in sans-serif font families. Novaletra Sans CF pairs well with simple sans-serifs like Articulat® CF, or with detailed and airy display type like Quiverleaf® CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Kalmiza is a monoline script font with a cursive style, as many characters are smoothly connected. This lovely typeface is great for designers who are seeking a natural and authentic style in their creations! This gorgeous font includes all lowercase and uppercase characters, numbers, punctuation, alternate, an array of standard ligatures, and a selection of international characters as well. This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease

Markisa is a simple, cool, and dynamic Humanist-flavored Sans Serif type family. It consists of eighteen weights from Thin to Black in both Upright and Italic styles. The resilient yet robust typeface. A san-serif with a humanist touch, a steady combination of seriousness and merriment. Works well as texture in small sizes, while at the same time claiming its space on the display. With its distinctive characteristic, can catch anyone’s attention wherever and whenever.

Vidocq is a single weight typeface designed for use in headlines and titles, inspired by the woodcut styles of the 19th century. Its rounded forms and dark stroke translate into a bold yet friendly appearance coupled with a narrow proportion that let’s it set well in condensed settings. Thanks to an extended character set and wide range of Opentype features that includes arrows and fleurons, Vidocq was created to allow designers to play with various styles while composing layouts.

Legatum is a new look at a classical serif Roman font and inspired by Roman sycamore, columns and architectural details of the Eternal City. The shapes of the letters and perfectly balanced high-contrast makes each sign look elegant, sophisticated and eye-catching. Looks great in headlines of posters, text in magazines, books. Also can be used in logos and blog posts. Each font has Latin multi-lingual support as well as uppercase letters, lowercase letters, numbers and basic punctuations and all necessary ligatures and alternates.

Dutch type designer Evert Bloemsma created this serif FontFont in 2000. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for book text, editorial and publishing, small text as well as web and screen design. FF Avance provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

German type designer Hans Reichel created this sans FontFont in 1996. The family has 6 weights, ranging from Light to Black and is ideally suited for advertising and packaging, book text, film and tv, editorial and publishing as well as small text. FF Schmalhans provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

French type designer Xavier Dupré created this sans FontFont in 2005. The family has 11 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Megano provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Dutch type designer Alex Scholing created this display and sans FontFont in 1995. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for book text, editorial and publishing as well as software and gaming. FF Engine provides advanced typographical support with features such as small capitals, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Precious Sans Two is a complete reworking of the 2002 design which was only ever available in PostScript format. Over a decade later G-Type’s Nick Cooke decided to re-appraise the typeface, scrutinise the old letterforms and overhaul the family. Make no mistake though, Precious Sans Two is no rudimentary re-release; nearly every character has been redrawn, re-proportioned, respaced and improved. Precious Sans Two is now in cross-platform compatible OpenType format with extended Latin language support for Western & Central Europe, the Baltics & Turkey. The original quirkier glyphs (f, g, I) have been retained as an OT style set feature and the typeface now contains small caps and an extensive set of discretionary ligatures as well as both proportional & tabular figures. The character set is further enhanced with the addition of 20 directional single and double arrows in each of the six weights which range from Thin through to Black, all with accompanying italics. Precious Sans Two is a distinctively modern typeface, well equipped for advanced typographic use in print, web and digital publishing environments.

HD Anomie is a modern geometric sans built in 18 styles with variable support and is brought to you by HyperDeluxe®. Its subtle forms and nuanced curves create a simple structure that could be perceived as mundane, but our goal was to create a typeface that is both mechanical and organic in its forms so it seamlessly fits within the environment it is placed. It's clean, minimal approach gives it a wide array of offline uses such as branding, editorial & print, but its modern design and detailed build makes it perfect for UI & digital applications. The clean visual structure of the letter forms give it great readability at smaller sizes, while also being happy to be shown off at larger sizes. Built to be robust and as versatile as possible we have around 1150 Glyphs per weight including extended Latin & Cyrillic support as well as basic Greek. Anomie also features extras such as 2 arrow sets, circled numbers as well as stylistic alternates and case sensitive forms. Find beauty in the Mundane. Meet HD Anomie.

This typeface is based on ISO 3098, a technical documentation issued in 1974 by ISO (International Organization for Standardization), which proposed a set of characters for use on technical drawings and associated documents. Isotext is based on the original standards but is completely redesigned to fit typographic requirements. This new ‘Pro’ version is further improved and now comes with a complete set of redesigned true-italics. Furthermore, the width of the glyphs has increased in order to establish a more balanced and readable text. The result is a contemporary font which works well in small sentences as well as long texts. Isotext Pro is loaded with all the good stuff a designer needs to create documents with attitude. It supports 19 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

Ares is a crisp all-caps display typeface suitable for sci-fi logos and titles. It owes its peculiar futuristic vibe to angular, top-heavy letters that hang from the cap-height instead of sitting on the baseline. The typeface consists of six subfamilies available in 10 weights, as well as as two variable fonts of three axes: Weight [wght], ranging from 1 to 1000, Mid-height [MHGT], ranginf from 0 to 1000, Tracking [TRAK], ranging from 0 to -40. The mid-height axis affects the typeface's waistline, including crossbars, and divides the fonts into three subfamilies: Ares Lo, Ares, and Ares Hi. These three families are solid-stroked, and the other three families are their stencil-stylized counterparts: Ares Broken Hi, Ares Broken, and Ares Broken Lo. The tracking axis is only available in the variable versions, and proportionally affects the kerning, thus helping set the type more tightly without effort. Ares supports a wide range of Latin-based orthographies, including not only European, but also Vietnamese as well as major African languages like Hausa, Fula or Ewe.

Absalon has square letter shapes. It has some characteristics semi-sharp and semi-rounded corners and it has a relatively tall x-height for legible text. To create the perfect typesetting the spaces between individual letter forms has been precisely adjusted. The Absalon font family is perfect for the web as well as for print, for display as well as longer text, for motion graphics, on the side of a van, t-shirts, logotypes and so on. The font family consist of 5 weights or 10 styles and it has 410 glyphs. A total of more than 4000 glyphs. The styles are: Light, Light Italic, Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Extra Bold & Extra Bold Italic. It has OpenType features such as automatic fractions, subscript, superscript, numerators, denomerators, ordinals and the “f” ligature set. Absalon has extended language support (most Latin-based scripts are supported). The name of the font family is Absalon and it is a reference to a Danish bishop in the middle ages. He was a key figure in the founding of Copenhagen, the Capital of Denmark.

Conthey Inline™ is your new retro-display best friend! The one and only, unique IN-AND-OUT typeface with strong personality and outstanding flexibility. This display sans features amazing variable fonts letting you adjust not only width of the letters, but also let you fluently transition from thin inline styles to thin outline ones. This mechanics opens a world full of layering possibilities as well as a great fine-tuning ability. The family consists of 39 OpenType fonts - 18 pure inline/outline styles in 3 widths (Narrow, Condensed, Normal) and 21 styles carefully prepared and tuned for layering. For even greater flexibility 3 variable fonts are included in the set. In addition to flexible width and inline-outline transitioning, this playful typeface features 4 different inline styles to spice up things even more! All styles were meticulously crafted with the highest attention to detail in the letterforms as well as spacing. Conthey Inline is a sibling of Conthey, a display unicase family as well as Lutschine, a versatile modern narrow display typeface. Conthey Inline composes perfectly with its family members, covering a very broad range of design scenarios. All these typefaces are a part of big type system containing also a workhorse sans serifs such as Rothorn and Montreux Grotesk. You will have a lot of success using Conthey Inline for any kind of playful, vintage/retro, organic, friendly and stylized designs. Especially, industries such as food & beverage, travel, hospitality, fashion, healthcare, sports, lifestyle, music, art, entertainment and products for youth are perfect areas to make Conthey Inline shine with all its charm.

Are you prepared to add a retro energy and the vivacious pop culture of the 1980s to your creative projects? Look no further than Tokyo City Pop, the ideal retro pop font that is ready to give your creative pursuits a fresh and vibrant edge! Tokyo City Pop yells instead than merely speaking. Its text is bold and funky, dancing across the page and vibrating with the energy of a busy city. Each word evokes a burst of vitality, embodying the youthful spirit and inventiveness that characterize urban landscape. This typeface is perfect for an vintage stuff, retro poster layout, magazine design, packaging, food & beverages and also good for quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac

Graham Cracker is a fun, cartoony and child-like font that can't help but fill you with happiness! The font was inspired by hand-drawn lettering on an old 1960s movie poster, and contains over 175 interlocking ligatures that add a hand-lettered feel. Stylistic substitutions like this are where the OpenType technology really shines, allowing computer fonts to more closely mimic the variations of hand drawn lettering. The ligatures can be found under the Discretionary Ligatures OT feature, or applied from the glyph palette. Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

Botanique is a hand-drawn typeface based on Schmalfette Bernhard Antiqua by Lucien Bernhard. The original face was released in 1912 by Flinsch Type Foundry, which was later acquired by Bauer. Schmalfette means ‘bold condensed’ in German and Botanique adds a charming roughness to these attributes, evoking an organic and somewhat retro mood. Its uppercase glyphs shine with adorned stylistic alternates and cool blooming swash versions for both initial and final forms, all cleverly programmed into OpenType font features. Botanique is a ​great pick for display purposes, branding, packaging, editorial design, poster work and many more. The original face counts more than one hundred years, but yet communicates quite well, you bet. Specially if loaded with some contemporary flair and smart features such as this one. Let it bloom.

A romantic little modern calligraphy font duo that will all whisk you off your feet! It comes with an extra dingbat font with oodles of sweet little flourishes and embellishments too! Tanglewoods Script has a lovely whimsical character with the natural organic flow from a real calligraphy pen. It’s perfect for weddings, feminine logos, branding, invitations, quotes, social media, websites, and well....just about anything pretty! :) It includes opentype features - stylistic alternates for the lowercase letters, and a comprehensive set of natural looking Ligatures to add to the natural nature of the typeface. The Complimentary sans serif font, Tanglewoods Sans, is a whimsical and light-hearted uppercase font. The extra dingbat font, Tanglewoods Extras, has 62 beautiful flourishes and embellishments, all available by hitting the keystrokes A-Z, a-z and 0-9.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Ambaghy is a goofy font that's elevated by its posh, handwritten style. It will spice up your designs and add a unique feel to your design and it just might be the secret ingredient you've been missing. We've spent years honing our craft to create the most unique and original fonts like Ambaghy. We were inspired by the wild creativity that flows from our hands, and we want to share that inspiration with you. Ambaghy works great for logos and headlines, and also works well in text blocks of body copy. A Million Thanks Colllab Studio www.colllabstudio.com