Mamute is a block rockin' family with a cool letterpress look. Its upper- and lower-case slots hold glyphs with slightly different textures for a natural look. Numbers and punctuation marks also have alternate versions. Just trigger the Contextual Alternates feature to easily cycle the alternate glyphs, preventing double letters from displaying the same texture. Mamute is a highly decorative typeface available in 2 widths, regular and condensed, each also offered as a layered font, a handy and playful way for adding shades to your composition. There’s also a generous ornaments font and a catchwords one to spice up your designs. Mamute is based on Aldine wood type spirit (as there were many incarnations of it!), from circa 1870. Please note that this family has a limited character set and doesn't bring diacritics nor accented characters. But yet it does rock, you bet!

Delphi grew from a logotype Lily Feinberg produced using Greek-column-inspired letterforms. As that concept expanded to include more and more letters, the typeface had its beginnings. Intertwined, kinetic, and deliberate, Delphi carves itself onto the page and screen, encouraging variation and experimentation. The letterforms’ unique construction and predispostion for experimentation inspired two varying sets: Delphi Dio, comprised of two-line strokes, and Delphi Tria, built of both 2- and 3-line strokes. With a design as elaborate, yet tightly tuned as this, the desire to add more and more was irresistible—you'll see a number of stylistic, swash, and titling alternates (and even more hidden away in further stylistic sets). Because Dio and Tria could only hold so much, alternate cuts were produced to better organize your options: the Delphi Alt fonts feature certain letter styles and stylistic alternate sets distinct from those in Delphi. Delphi’s sophisticated, striking letterforms make it an ideal display face for use at large sizes, and with so many unique details and alternate letterforms, it’s simply fun to use.

Introducing Neuborn Font Family Neuborn is a Sans Serif Font Family (Light, Light Italic, Regular, Regular Italic, Regular Hollow, Regular Italic Hollow, Medium, Medium Italic, Medium Hollow, Medium Italic Hollow, Bold, Bold Italic, Bold Hollow, Bold Italic Hollow). This Font Template contains Modern, Formal or Non Formal, Classy, Elegant, Strong, Readable, Stylish, Cool, Bold, Minimalist and easy to use. FEATURES - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation USE Neuborn works great in any branding, name card, logos, apparel, produk pagaking, flyers, magazines, label, films, stationary, posters, etc. and any design project that requires a formal or informal touch.

Sprout is a low-contrast sans serif, slightly condensed for economy of space, and complete with 6 weights in Roman and Italic. It has open apertures and a generous x-height for clarity of reading. It also comes with a weight balanced italic, which can be used for differentiation or as a standalone typeface in itself. The defining feature of the family is the taut curve, where the inner counter pushes out toward the outer contour, creating a feeling of tension in the curve. In the italic this shape language is pushed further, with a playful looped g and cursive form of the f. Sprout also comes with Old Style figures. Its range of weights makes for a versatile family suitable for branding, on-screen publishing and long-form reading.

This font is inspired by two typographic styles, incorporating (both) geometry and humanism. It combines the rhythm of such typefaces as Meta Pro and The Sans, as well as terminations and structures from fonts like Din and Futura. This results in a font that plays with condensation and a parallel rhythm, simple and functional. Fuse is perfectly equipped with Opentype, it contains alternative glyphs, fractions, modern and old numbers, superscripts and subscripts, ligatures and Small Caps. We always kept the idea of having Fuse be humanistic, rational and universal, which makes it ideal for graphic design, printed publications, web design, motion graphics, interaction design and branding. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Type Foundry On facebook W Type Foundry wtypefoundry.com

Joost Schmidt?s (1893?1948) name is undoubtedly connected with monolinear condensed letters of geometric appearance ? his unfinished draft of a stencil alphabet, constructed on grid paper in 1930, is much lesser known. These modular shapes simply consist of half circles, quarter circles and square strokes with half-round terminals. From just six original letterforms (a, b, c, d, e, g), Flavia Zimbardi completed Schmidt?s draft and extended it to a full character set for contemporary use, adding upper case letters and different figure sets including old-style. Joschmi overcomes legibility issues usually associated with this stencil style, with special attention to the design of white space. Zimbardi lends the face even more character by carefully adding round terminals in subtle spots of the alphabet, accessible through stylistic sets.

Neubau is a condensed geometric display typeface, designed in 2009. The inspiration for this face came from Joost Schmidt lowercase letters developed during 1925-28 in Bauhaus Dessau. Schmidt was one of the proponents of New Typography – a movement advocating the use of only lowercase letters which were constructed strictly geometrically using only ruler and compass. Neubau Pro is the new edition of Neubau fonts. The new typeface is an upgraded version of an old fonts (2009), with careful refinements to glyph shapes, and the extension of glyph amounts which enabled support of more Latin languages as well as Greek and Cyrillic languages. Neubau Pro is released in six styles with small caps, and true italics, and contains OpenType features. This typeface can be used for editorials and print designs.

Maxwell is a clean condensed san serif typeface inspired by similar retro fonts from the 1950's. It comes in regular and small caps versions, includes stylistic alternatives and via the glyph panel you can access scientific inferiors, fractions, oldstyle numerals, Cyrillic, Greek, Latin and other Western and Central European languages. It can be used as a headline font or paragraph text.

Neo Neo is the work of British designer Timothy Donaldson, a type style straight out of a 1950s time capsule. It can be set in all caps or a mixture of capitals and lowercase. The casual, slightly condensed forms with their smooth, soft lines are reminiscent of highway diners and motel ads of the time and convey a bright, inviting mood.

Tho Hohoho is a font specially designed for christmas purposes. This font is a condensed sans serif, have a round corner, and have a happy concept. The main target is for Christmas design, but can be use for another purposes such as kitchen, nature, and other. This Font Include : Ligatures Latin Numbers & Punctuation We wish this font can bring customers to happiness.

Tact New family is geometrically sans serif font, with 3 weights, condensed looks glyphs, with an alternative glyph set to improve its use in different graphic contexts. It is suitable for use in the fields of science, art, architecture, urban planning, techniques, electronics, advertising, posters, corporate designs, futuristic themes, sport, film, computers, phones, video games, publishing... Contains all Latin and Cyrillic glyphs.

It is an Extra Condensed, Extra Light, Extra experimental and Extra display font. Extra C is a fun font that doesn't take itself too seriously. Ideal for those who need a font with great character and personality but at the same time a delicate touch in their graphic pieces. EXTRA C has 4 static weights in addition to a variable version.

This serif typeface was designed to be simple and neutral on text sizes, there descender proportions are short and the x-height is large. The lowercase italics contain different structure from roman characters, but the most differentiation detail is the fact the ascender and descender strokes don’t contain serifs. Italics characters are slightly more narrow and condensed than roman letterforms.

Since 1997, The Washington Post’s iconic headlines have been distinguished by their own sturdy, concise variation on Bodoni, designed by Matthew Carter. For the 2009 redesign, Richard Lipton, Jill Pichotta, and Dyana Weissman expanded the family with more refined Display and Condensed styles for use in larger sizes. Originally called Postoni, the fonts were renamed in honor of The Post’s founder, Stilson Hutchins

Necia font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a modular, geometric and slightly condensed typeface which has been conceived to be primarily a display typeface, but given its clarity it can also be used for composing short and intermediate length texts. Necia consists of 8 styles. Each containing small caps and several alternate characters.

A simple, mechanical typeface without distractions. Slightly condensed curves are developed from a compact grid layout to produce a crisp, fresh and legible type family. The unadorned letterforms work perfectly with complex information-based applications such as user interfaces, mobile devices and websites. Details include six weights with italics, 480 characters, five variations of numerals, stylistic alternatives, manually edited kerning and Opentype features.

At text size, Brown is a classic grotesque, distinguished by its semi-condensed proportions—especially in the capitals, which harmonize well with the lining figures—and an exceptional clarity in certain high-resolution media, such as offset printing, achieved by micro-detailing. At display size, the detailing provides the otherwise austere forms of the neo-grotesque with a subtle wealth of visual interest.

Balthasar is a very distinctive, stencil-type display font. Its letterforms originally appeared on a lettered book jacket by Michael Harvey. Its highly condensed letterforms being very economic in the use of space. The augmented, Balthasar Plus version has many alternative characters and ligatures, together with Opentype features for their automatic substitution where the application in which they are used permits.

Thrillers is a typeface that evoques the visual landscape of Crime Novel Titles. This high contrast super condensed semi-serif design comprises 6 weights that provide you with a ton of options for your Headlines, Titles and Branding. Because of its minimal white space it is very punchy and its unusual texture captures our attention. End the suspense and go test it out!

Alan Meeks originally designed the Champers typeface in 1991. Champers is a robust, classic Roman-style display typeface whose nature includes an underlying handwriting twist! A distinguishing feature is the mixture of a condensed lowercase alphabet with more regular capitals. Both are best used with close-fit letter spacing. Champers is perfect for almost any headline, display, or logo application.

Kaleidos is a lining and clean brush script with soft and round letterforms. It is sketched and drawn with a pointed brush pen. Kaleidos has plenty of alternates, ligatures and swashes so you can build interesting-looking words and headlines. Although Kaleidos is condensed and quite tightly spaced it is clear and legible. Check out also the Rough version: Kaleidos Rough

Bolshy is a stroppy font whose x-height has got ideas above its station, it’s ended up being equal to the cap height. Bolshy doesn’t go completely Bauhaus, and although the boundaries are somewhat blurred, the distinction between upper and lower case just about remains intact. There is something slightly Cyrillic about Bolshy’s bulbous terminals, exotic shapes and condensed curvature.

DF Capitol features two faces, DF Capitol Skyline and DF Capitol Capitals (a multi-weight all-caps compliment) that epitomise Streamline Moderne. Strong geometry and large, open counters with heavily condensed verticals and a succession of contextual alternates and discretionary ligatures. DF Capitol presents a nice companion in two weights. Both contain full support for Eastern and Central European languages.

Lichtspiele Reklame is the ultra condensed version of Lichtspiele inspired by the 1920s — the golden age of cinema — where neon lights and marquee letters decorated cinema facades. Lichtspiele Reklame is crafted for large narrow formats and contains the display font and two italics (italic & contra-italic), like in these 20s, a time where movie announcements were shown on huge so called Litfaßsäulen.

Inspired by the Luggage Labels from the 19th Century. Thick n thin with a condensed serif typeface that comes in an all-caps style. The OpenType feature supports stylistic alternate characters, which gives the typography composition a unique personality. Supports Latin-based multi-languages as well. Suitable for display needs such as signage, poster, logo, label, headline, cover design, etc

DF Capitol features two faces, DF Capitol Skyline and DF Capitol Capitals (a multi-weight all-caps compliment) that epitomise Streamline Moderne. Strong geometry and large, open counters with heavily condensed verticals and a succession of contextual alternates and discretionary ligatures. DF Capitol Skyline presents a nice companion in two weights. Both contain full support for Eastern and Central European languages.

Royal Street is a sleek, condensed sans family of six typefaces, from ExtraLight to ExtraBold, designed and built to be big and brash. Royal Street has an extended Latin character set tuned for 87 languages, and is designed with several common and discretionary ligatures, as well as case-sensitive punctuation. All features are accessible with CSS as well as in print.

Lang Sans is an elegant contemporary condensed typeface with strong stylistic geometric, authentic contrasts, drawing on the aesthetics and representing the shifting contemporary aesthetics. The distinctive stance gives the right visual consistency for branding and communications. Lang Sans is perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, body copy, digital and more.

Major Birch is a classic and modern font whose style never fades, a touch of stamp style can make this font look more naturally vintage. This font is perfect for logos, product labels, posters, or any design that wants a classic touch. Features: – 12 Font styles – Uppercase only ( All caps ) – Alternate characters – Regular, stamp, condensed, and expanded Version – Symbol and punctuation – Multilingual support

RUDEN is a condensed rounded rough typeface, with an organic hand-written style, come with 4 family style ( Regular, Italic, Outline, Outline Italic ) which is perfect for your designs that want a rough style, modern vintage, elegant, soft, and carefully crafted for all graphic design needs. File Includes : Following Language Support : LATIN EXTENDED ( Western European, Central European, South Eastern European ) Thank You

Bit Part JNL is an extra condensed monoline sans serif typeface that's well suited for movie credits, disclaimers and other forms of tight-fit word copy. Inspired by just the numbers "65" on the cover of a 1965 high school yearbook, this retro font will fit a lot of copy into a small area. The typeface is available in regular and oblique versions.

Foundry Journal is appropriately named for its intended purpose in journals, magazines and publications, where narrow column measures require a more condensed typeface, for the most economic use of page space. Foundry Journal has a characteristic subtle angularity, accentuated by well-defined curve to stem junctions, facilitating legibility and making it an ideal typeface when set at small point sizes.