Introducing Antimage Retro, a charming and versatile Bold Retro Script Font that easily takes your designs back in time while adding a modern twist. This typeface exudes nostalgia and is perfect for a variety of creative projects, especially those with a vintage theme. Antimage Retro's timeless elegance and lots of alternative character make it a great choice for designers who want to infuse their work with a sense of the charm of the past. Feature A set of lowercase glyphs Numbers, symbols and punctuation Multilingual Support Alternatives & Ligatures

Wild Fat Font - playful handwriting experimental display typeface inspired by classic old cartoons. Wild Fat Font is available in 3 styles: outline, outline distorted, and regular. The regular style imitates writing with a fat marker. The Wild Fat Font works perfectly for bold titles, Festival posters, a graphic element for bright T-shit or hoodies, designs for Kids, graffiti concepts, modern aesthetics, fashion, any visual design project, and even backgrounds! This bulging and chunky font likes an experiment with spacing and different deformation. Please, don't hold back on your bold modern ideas!

Europa Grotesque is a condensed sans serif font family that was originally designed by Sam Ardell (TP) in the 1950’s for the Techni-Process Collection. Steve Jackaman (ITF) acquired the rights to the TP Collection in 1991 and produced Europa Grotesque in its digital form in 1994. Europa Grotesque has impressive impact at display and subhead sizes, and its geometric forms sustain that distinctiveness in both all-caps and lowercase. The family is flexible and freeform enough to support both a laid-back feel while still feeling tight and controlled.

Modern digital typography pushes many designers to try and achieve visual perfection with their lettering. In the days of wooden type, the premise was more in creating a font that "sold" the message (possibly, in part due to the lack of advanced tooling to achieve uniformity). In many styles of wood type (such as the one used as a model for Broadletter JNL), there are vast differences within the character design, weight and symmetry from letter to letter. This is now looked upon as "old fashioned" and "charming" - part of the appeal of this typeface.

With Outbacker you're not just getting a typical a-z font. You're getting a font that has over 100 alternate glyphs, so that you can use the font to write phrases a ton of different ways. So, if you're looking for the perfect 'R', you have 6 additional options to choose from in addition to what's programmed for the default uppercase and lowercase characters. Choose more sharp characters if you're going for something more aggressive, or more rounded characters if you want something with more of a laid back flow.

Attic Antique by Three Islands Press. Flipping through a friend’s old hardbound collection of John Burroughs nature essays a while back, I thought it'd be fun to try to develop a typeface with the same uneven, imperfect look to it. I picked and chose among various printed characters, enlarged them somewhat with a photocopier, then hand-rendered each. Had to custom-make some of the accents and symbols, then added a couple goofy dingbats just for the heck of it. The result: an amazingly legible serif family akin to the Century faces.

Klagia is a font inspired by the advertising media back in 1970. The glory of printing and handpainted signs and visuals. Emphasizing the bold, loud, yet poppin' and modern retro vibes that will be stylish in any era. It makes Klagia a font that you need to have in your design arsenal. Contains a bunch of Ligatures and Stylistic Alternates to give a distinctive vibe in every message conveyed using Klagia font. Perfectly fit for logo, branding, advertising, poster, food and beverages, restaurant, book cover, album artwork, decoration, sign painting, and many more.

Saxo Grammaticus is a beautiful and friendly family that works great with family themes, elegant & classy material and professional settings. It's so versatile you'll find yourself coming back to it over and over for your projects, and that's whether you're looking to create logos, quotes, poster designs, brochures, packaging, anything with big letters like headlines, wedding invitations, holiday cards, advertisements, signs and on and on and on... There is a total of 107 ligatures and 76 alternates! That's plenty of options for any designer wanting to give those big letters a little extra wham bam!

Supaduper PB is a font inspired by some wonderfully funky hand-lettered greeting cards from the 1980's. The delightfully awkward and animated playfulness of this lettering style was maintained throughout the fleshing out from the original specimens - and I think you're going to have a lot of fun typing with this. Even if you haven't seen these old greeting cards, the lettering style has a familiar visual to it. Bring back a little nostalgia, add a little wonkiness, or just have fun typing with Supaduper PB today!

Kisik is a handwritten font. I got a request to put my handwriting into a font, so I decided to take the challenge and design a whole typeface with three different weights (light, regular, bold) and 638 glyphs to cover all 104 Latin languages. This is my first time making a font. Hope you'll enjoy it. I sure did making it. Check out the listing of glyphs if you can use this font in your work. Otherwise don’t hold back writing to tanjagawish@gmail.com and I’ll create them.

Remember back in the day when medals where for The Beatles and foreign dictators only? No more! Psychophante is a 64 pixel medal-building dingbat. Make fresh pixly medals (like the 'I Really Like Your 'fro medal' and the 'Best Hotel Booker medal') for yourself and/or for friends who deserve them. Each medal is made up of three interchangable parts: - Uppercase consonants are the top of the medal. - Vowels are the middle. - Lowercase consonants are the dangly bit. Numerals are special characters, to be followed by a lowercase consonant

The roots of this font go back to 1967. A book title in trendy letters was created in a completely ingenuous way as a film prop for a Super 8 fun film. I drew the letters with felt-tip pen and poster paint without thinking too much about it. It wasn't until a good 50 years later that I realized, this was a first awkward typeface draft. The flower power vibe was captured here subconsciously. In 2019 I completed the few glyphs and created variants that I would not have thought of at the time.

Sportivo is a 5-speed font that runs blazing fast. With a choice of 5 slants and a wealth of OpenType features, Sportivo is the ideal display font for titles that ask for a modernist-retro flair. With multiple alternates and special ligatures, Sportivo will take your headlines straight to the winners’ podium. The unique back-slanted design translates to Italic with three intermediate styles to electrify your layouts. Fast and furious, Sportivo is also equipped for victory at any Grand Prix thanks to its high-octane language support and turbo-charged OpenType features.

Frakto is a two-weight family of calligraphic Fraktur-style typefaces designed by Julius de Goede. One of the main categories of Blackletter typefaces, Fraktur was developed around 1517, and was used throughout Germany and Northern Europe well into the 20th century. With Frakto, Julius de Goede has re-applied the written element of the script back into the Fraktur style, rejuvenating and reinvigorating it for 21st century display use. Frakto is the perfect fit for certificates and newsletter headlines. We recommended using it in point sizes from 12-pt on up.

Inspired from the letterpress achieve and printed media from the 19th century. We talk about headlines, labels, playing cards, postcards, book covers, signs, and many more. That's where the DECKPRESS has risen. An old vibes all-caps fonts, armored with the robust yet decorative ornamental slab-serif style. Double up the majestic, it comes with the layered style to give an amplification back to the vintage era. It is an inevitable partner for your classical heritage touch of visuals such as signage, logotype, sign painting, label, header, ornamental typographic design, you name it, old sports.

Retrouvailles is a French word, which means ‘the feeling one gets after reuniting after a long time’. This script font was based on a couple of handwritten letters and postcards and my own imagination. I used a drawing tablet for the ligatures and the connecting strokes. Retrouvailles comes in 3 distinct styles: the slightly slanted regular style, an Italic style and a back slanted style. Retrouvailles has an abundance of goodies under the hood: it comes with a lot of ligatures and all the diacritics you could poke a stick at.

Introducing, Raksana. A retro bold script which will bring you back to 60s feel. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Follow us to the future. It is in your face. It is fashionable. It is friendly. It is fly, far-out, funkadelic, fun. But first of all, the future is fast and full. Named after the most famous Canadian rock group of all, Rush is a typeface that wants your full attention. It is square like a bodybuilder's jaw, round like a football player's muscles, and tight like an abdomen after a thousand sit-ups. It gives you plenty of attitude. It commands your respect and lets you know that if you've been thinking of giving up on macho in this brave new world, think again. It tells you that everything has an underlying engine, that every engine hums clockwise, that adrenaline is the name of the game, and if you don't like it, get your sensitive self back to your silly scripts. Rush comes in two fully interchangeable variations: Rush One and Rush Two. While Rush Two is the somewhat predictable, determined pedal-to-the-metal contemporary brute, Rush One is sharper, smarter and more sophisticated in the way it affects a design. While Rush Two's message is a straight-forward one of strength and speed belonging in an overall design, Rush One calls attention to itself first then turns on the wonder about everything surrounding it. Expertly mixing shapes from both fonts in the same word or line can achieve just that perfect form a design needs for its message. Such flexibility and distinction in character design and degree of message relay makes Rush the perfect font package for any design that has anything to do with speed, strength, and proud pursuit of adrenaline.

Unlike the modest fonts in your menu content with discreetly imparting information, Carnival is conspicuous by design. Deliberately engineered to attract eyeballs, the typeface’s unmistakable silhouette produces a dramatic visual texture that stands out in print, on screen, or in any environment where your message demands to be noticed. The steady yet vibrant rhythm created by its letterforms also makes Carnival ideal for fashioning alphabet patterns and graphic devices. Flaunting a lean slender body anchored by stout stroke endings, Carnival turns conventional typographic thinking on its head by inverting the relative thickness of its stems and serifs. This reverse-contrast approach stretches all the way back to the roots of modern advertising, when similar types became the favorite for posters, packaging, and loads of consumer products during the 1800s. The striking style prevailed well into the next century, as Harold Horman, co-founder of New York City-based Photo-Lettering. Inc., modernized a version for the company’s popular film-typesetting service in the early 1940s. Digitized and expanded by Dan Reynolds in 2013, Carnival had previously been used exclusively for House Industries projects. Now you can get in on the action, and use this stunning slice of type history anytime you want your work to turn heads. SUGGESTED USES Carnival’s unique character commands attention, making it the perfect voice for promotional pieces, editorial design, labels, packaging, posters, and any other application that needs to strike the right tone. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Introducing Telidon Ink, the dot-matrix typeface that takes you back in time to the glory days of retro computing. With its upright and legible structure, Telidon Ink boasts a distinctive textured ink impression that will transport you back to the age of the dot-matrix printer. Not only does Telidon Ink look retro, but it also has a fast and easy vibe that adds a sense of momentum to your phrases. And with its versatile range of widths, weights, and italics, you have the flexibility to create a unique and dynamic look for your designs. But that’s not all—Telidon Ink also has a clean and straight-laced companion, Telidon, which complements its retro style perfectly. Together, these typefaces will give your designs a classic and timeless look that is sure to impress. So if you’re looking to add a touch of vintage charm to your graphic design projects, Telidon Ink is the perfect choice. Let it transport you back in time to the golden age of computing and bring a touch of nostalgia to your designs. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Who doesn't love Fridays? For many people it is the end of the working week and the start of the weekend. What's not to like? I tried to put all that great vibe into this font - it is charming and clumsy and ready for a party...just like my Fridays...ehh...my Fridays are actually quite simple - no parties or staying out till early morning...been there, did that...now I love my Fridays, just the way they are! :)

Cremotic Sans is stylish with extreme cuts, sharp angles, and interactive straps. Affected characters are spread across three capital-only subfamilies, with distinct styles, and distinct personalities. The bold separation of characters and the considered standard of ligature create a type that is solid, modern, and attractive. Cremotic is a modern fashion serif font, each letter has been carefully crafted to make your text look unique. Don't hesitate to send me a message if you have any questions!

This lively script is based on a handlettered offering from The Hunt Brothers, which they called simply "Ornamental Italic". Ornamental, yes, but there’s also a lot of action and attitude in this typeface. Please note that, due to the extreme slant of the characters, spacing in the font has been optimized for upper- and lowercase use. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Shields is a unique and versatile typeface that can be used for a variety of applications, from branding to editorial design. Its bold and modern look makes it a great choice for titles and headlines. Its letterforms have been carefully crafted to ensure a consistent look across all sizes, while its open counters provide a unique, yet subtle touch. With its refined details and balanced shapes, Shields is the perfect typeface to create an eye-catching presence.

SK Yok Deve is a handwritten font. It is designed for use in cartoons, comics or illustrations. Special kerning settings have been made for easy reading in small areas such as speech bubbles. It offers full support for the Latin alphabet and contains many typographic elements. In this way, you can easily use it in your designs. This font family includes 8 fonts and 2656 glyphs. In this way, it contains many typographic materials you will need.

Dalle was designed in 2012 by Stawix Ruecha, and has been continued to develop over the last two years in order to keep pace with the changing trends and to apply for different uses.  Dalle comes with a large font family and is ideally suited for body texts and also display. This typeface has OpenType features including multi-ligatures support and tabular figures. Add Dalle (Sans) in your font menu and spice up your layouts with this new flavour!

Bactrian (Bactrian: Αριαο, ariao, [arjaː], meaning "Iranian") is an extinct Eastern Iranian language formerly spoken in the Central Asian region of Bactria (present day Afghanistan) and used as the official language of the Kushan and the Hephthalite empires.Bactrian, which was written predominantly in an alphabet based on the Greek script, was known natively as αριαο [arjaː] ("Arya"; an endonym common amongst Indo-Iranian peoples). It has also been known by names such as Greco-Bactrian, Kushan or Kushano-Bactrian.

Hellstand is script style fontwith underline alternate and amazing hand-lettering look attractive and natural! Every single letter have been carefully crafted to make your text looks beautiful. This font includes 209 glyphs. It has over 60 extended Latin characters for language support. This font is suitable for invitations, branding, advertising, poster design and more. It is PUA encoded so all characters are accessible via Character Map, Font Book, or the font management program of your choice.

Kanna Aoki had fairy tales in mind when she designed MVB Greymantle. She drew dots with a felt pen to build up the forms, giving them their particular rough character. The “Extras” font contains a set of whimsical illustrations, including a portrait of Greymantle—her 18-pound cat, a set of curly initial caps, and border parts.  MVB Greymantle has been spotted on numerous children's books, in magazines, in salad dressing advertisements, and on food packaging.

Olap Metric is a modern, one-of-a kind font that will make your designs stand out against the competition. With 9styles and Multi-languages support, this stylistic display type has what you need for all sorts of projects! The family has been developed as a modern playing system allowing the mixing of infinite combinations. Perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, digital and more.

Discoteque Family is modern art-deco related fonts collection that found compromise between retro and futuristic style. They are geometrically straight, rhythmic, clean and elegant. They are perfect in upper-case for headings, posters, logos. Discoteque Hypnosis makes stylish modern look with air of disco of 70-80s. Discoteque Gold is highly recommended for making designs in steam-punk style or for luxury vintage feel. Over 2,660 kerning pairs has been manually gleaned for perfect look.

Lovely Melissa is a new variation of handmade script typeface. Complete your collections of script fonts. This typeface has been enriched with additional alternates characters for a total of 1,372 glyphs. Great for wedding invitations, product designs, and more. Go succeed and enjoy it! Main Features: Titling Alternate Stylistic Alternate Stylistic Set 01-09 Contextual Alternate Ligatures Discretionary ligature Contextual ligature Swash Variant Initial Form Medial Form Terminal Form Capital Space Numerator Proportional Lining Tabulator Oldstyle Superscript Subscript

Ladybird is an unabashedly playful face for joyful, summery, and youth-oriented settings. The fittingly named Ladybird sprouts gently arcing ascenders and cutely curved descenders from its cozy, compact letterforms. A sprinkling of ligatures and alternates give this font a sprightly variety. See what’s included! http://bit.ly/2bGRnnR This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

La Portenia pays homage to the spirit of early 20th-century show card writers and type designers. This face has two variations: La Portenia de Recoleta is slightly more formal and polite, while La Portenia de la Boca has longer, more extravagant flourishes and indulges in more interletter space. This showier variant is reminiscent of signs found in Buenos Aires. Both have been designed by Diego Giaccone and Angel Koziupa, and engineered and expanded by Alejandro Paul.

The Nimbus Sans Thai has been designed contemporarily and fittingly to the Latin Nimbus Sans family. It includes four upright and three cursive styles and the necessary OTF language features. Nimbus Sans Thai also covers the full Latin character range. Both scripts are perfectly combinable. Nimbus Sans is one of the best supported and most favored URW fonts ever. It is available as a Global Font in 4 weights and contains up to 65.000 characters per font.

Momotarō is a Japanese legend about a boy who came to earth inside a giant peach. He was found by a childless woman and grew up to be a hero. I'm in a Japanese mood - mainly because lately I have been working with brushes and ink a lot. Momotaro font is a very detailed brush font. It doesn't come with a hero inside a giant peach, but it does give your design work that extra oomph, ahh and wow.

At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.

The 'Alzheimer' font has a shape in which parts of the font have been erased as if memories are being erased. The remaining letters, which are minimal enough to be distinguished from other letters, create a different feeling, like an alien language. It is useful for creating titles or logos rather than expressing text. It was produced thinking of all of us adults whose memories are slowly disappearing. May they be full of health and love.

Alfrere Sans is a clean Sans Serif display family inspired by a well-known 1950s television caption. The family of seven faces have been designed for independent use, but they also have an extra feature. All faces have identical metrics and can be overlaid with each other, to yield an unending range of multi-colored lettering effects. Bring a touch of the 50's to your next poster design. Better yet, explore the world of multi-colored overlaid typefaces....