Epigraph is a font which has role models in the lapidary letter. The glyphs doesn't have serifs, but it has humanistic qualities and the nucleus of a serif. The differences between thick and thin stokes are small, and the font design is unobtrusive and graceful with traditional proportions. Epigraph has satisfactory readibility, it is suitable for the text and brochures headlines, catalogues, books and other typographic demands with historical, archeological and artistic content, as well as other etiquette. Character map contains all Latin glyphs of European languages and Cyrillic. Besides its regular version it has Italic, Bold, BoldItalic and SmallCaps.

SK Pangramma is a modern universal geometric typeface. For greater universality, it was developed in two stylistic variations: sans serif and slab serif. The uniqueness of the typeface is supported by stylistic alternatives that give the character set the spirit of modern typeface design. The SK Pangramma typeface is named this way because it supports more than 200 languages, including the Extended Latin Alphabet, Cyrillic, and even Greek. Thanks to a wide range of characters, alternatives, and two stylistic variations, the typeface is great for design projects of any complexity, no matter whether it is printed products or web design.

Gart Sans is a grotesque font that preserves the characteristics of early 20th-century grotesques, primarily used in advertising. The main features of this font include a pronounced contrast, narrow proportions, and light, smooth forms combined with modern design solutions. Compared to geometric or neo-grotesque fonts, Gart Sans distinguishes itself with its attention to detail. As the font weight increases, it acquires a more pronounced character, expanding its usability from headlines to extensive text settings. Gart Sans consists of 5 styles, 630 glyphs, encompassing an extended Latin character set, basic Cyrillic characters, ligatures, numeral sets, and much more.

Accia is one of the world’s first true sans-to-serif variable fonts. Its weight axis ranges form Thin to Extra Bold, and its serif axis ranges from Sans to Forte. Accia is designed to be perfectly usable at every possible point of the design space, and its different instances work together perfectly as an infinitely flexible type system. The typeface contains a total of 879 glyphs supporting multiple Latin-based and Cyrillic- based languages, together with added sets of numbers and punctuation, small capitals, ligatures and other commonly supported OpenType features. Accia is also available as separate font families.

Designed for Linotype Library GMBH and the International Typeface Corporation in 1997 by Phil Grimshaw. Based on bold script Banco designed by French graphic and poster designer Roger Excoffon and released in 1952 by the Fonderie Olive. Originally Banco was an all-caps bold typeface, and the lower case and the corresponding light weight were created for ITC. The tapering slightly slanted strokes of Banco made by sharp-edged flat brush. The face has the effect of being quickly sketched by a powerful hand. For use in advertising and display typography. Cyrillic version developed for ParaType in 2000 by Tagir Safayev.

Stolzl Display is an original font family designed for headlines, titles and subtitles. Based on the combination of contrasting shapes, the harmony of form and rhythm is fundamental to the design. Inspired by Bauhaus, Stolzl represents, not just the significant influence of this “crucible of modernism”, but aims at capturing its original idealism, commitment to creativity and experiment driven philosophy. Details include six weights, Cyrillic, 480 characters, alternative glyphs, manually edited kerning and Opentype features. Named after Gunta Stölzl, the Bauhaus’s only female master, Stolzl Display is the first subfamily of the Stolzl font collection to be released this year.

SK Rohkea is a modular display typeface that combines strict geometry and smoothness of lines. The main features of the typeface are the constant inclination of the oval and the elongation of forms. They give the typeface a unique character, especially when it is used in large inscriptions and headings. The SK Rohkea typeface has capital and lowercase letters that support the extended Latin and Cyrillic set and even icons! Thanks to the combination of modernity and refinement, the typeface is great for the widest range of design tasks, no matter whether it is printing or web design.

Narration is a bright serif font with classic proportions, that is inspired by the Renaissance as well as neoclassical tradition, contemporary design with a delicate sense of rhythm, clarity and legibility. Serif fonts, although reduced and simplified geometric lines, have a role model in the Roman lapidary inscriptions. Narration is suitable for the style that requires elegance and grace of the text, publications of historical, archaeological, artistic and other cultural events, as well as fashion, labels for cosmetics, wine... Character folders correspond to all functional letterpress requirements and contain all the glyphs of Latin European languages and Cyrillic.

We designed Mrs White for our next book for children. We needed a clean script that would give a feeling of a primary school handwriting. Mrs White is filled with ligatures and contextual alternates which gives her very smooth line of text. Scripts shouldn't be used without lowercase letters so we added a small caps for headlines and acronyms. Check out the manual for more information on how to use Mrs White. Polish language use latin characters but we would like our Eastern neighbors to be able to enjoy Mrs White so we added cyrillic alphabet (script and caps).

SK Fillout is a display typeface inspired by the problem of information noise. Noise is embedded in the basis of characters structure, which gives it a unique form. The typeface is built on combining several thicknesses into a single symbol form with an offset at different distances. For better expressiveness, each letter has two variations of the character it included into the uppercase and lowercase sets. This typeface supports many languages included in the Extended Latin and Cyrillic type sets. The SK Fillout font is perfect for bold design, for working with printed and web products.

Helmswald Post is a handsome Blackletter that's been years in the making. There's a mix of wispy terminals, flamboyant caps, and the use of negative space to create contrast. Elements from High German, Old English, and many other styles make their way into this gorgeous display font. The result is a medieval looking script with cleaner, more modern feel. In addition to European accents Helmswald Post is equipped with Cyrillic, alternates and ligatures. Old world numerals are present by default but may be substituted by accessing the stylistic sets. Use it for a book cover, web headings, or a restaurant logo.

Altruiste is a decorative slab serif typeface with distinctive sharp features. It was inspired by the idea of ​​duplicating elements, conveying typeface a unique look. It is austere, sophisticated typography marked by light shapes, yet of a strong nature. Altruiste is the perfect choice for a wide range of tasks such as creating logos, signboards, posters, invitation cards and more. The typeface is available in 5 weights, from hairline to regular with italics. Each style contains 600 extended Latin and Cyrillic characters. Altruiste was designed by Alexey Chekulaev in 2021, based on the light styles of the Postulat typeface.

Alergia Remix, designed by Mateusz Machalski, is the younger sister of Alergia Grotesk. Remixed styles were made as a hybrid between a linear antiqua and a geometric display typeface. Alergia Remix is characterised by a lot of details, which gives it a strong character. Unpredictable construction in the letters a,s,g,e,m,h etc. in combination with a delicate contrast, makes Alergia Remix a good choice for many display purposes . The whole family has a comprehensive set of characters. In additionton to Latin letters, Alergia Remix also has a full set of characters for Vietnamese, extended Cyrillic (with Abkhasian) and Greek.

I seem to be in my comic book font fase. It's not that I have tons of comics lying around (I actually have none), but when I was a kid, I used to read them all the time. Laser Eyes is a handmade comic book font. It is a little rounded, a little fat and very useful. You don't really have to put it to work in an actual comic book; it will feel at home just about anywhere. Laser Vision comes with two sets of alternate glyphs that cycle as you type, plus extensive language support, including Cyrillic and Vietnamese.

“In some way I was Mr Mamoulian, and someone else was writing and drawing this stuff. He kept sending me these pages. I had to sign my name and pass them off as my own. I had no choice. He was holding my aged mother hostage, you see. I told him when the pages were due and he somehow got them to me. Sometimes he left them in secret locations. I don't remember them at all.” -- Brian Bolland Mr. Mamoulian has four weights with automatic alternating uppercase letters, Crossbar I Technology, and European, Vietnamese & Cyrillic language support.

Since 2017, I have been improving my font creating skills. In the same year, I went through my father's notes and decided to make a font with his handwriting style. I completed the initial version with a lower number of glyphs in 2018. It supported only basic Latin, Turkish, and Azerbaijani alphabets. On the 15th of January 2021, my dad will turn 60. I am planning to finalize the updated version of the Father font by then. 584 glyph, 100+ Languages Set. Multilingual support: Latin basic, Latin Extended, Cyrillic, Central Europe, Turkish, Romanian, Euro, West European diacritics

Pixerius is a family of pixel fonts containing 3 characters in width and 12 styles, from square shapes to very rounded ones. There is also a tracing mixing letters of different widths in a random order. The font is suitable for logos, large headlines, posters and signs. It combines the classic retro character of 8-bit games and the playful character of a random set. Pixerius contains extended Latin, Cyrillic, ligatures and space invaders. It contains OpenType features: liga, numr, dnom, calt, ss01, ss02. The font is also case sensitive, has fractions, currency signs including the ruble sign.

Nolde is a new titling typeface named after the German-Danish painter and printmaker Emil Nolde, one of the first artists to work in the Expressionist style. Not unlike the work of Nolde the artist, the seemingly rhythmical characters of Nolde the typeface conceal expressive tension of form and nervous line quality. While its letterforms hearken to the early-20th c. foundry types, this font makes a fresh and decidedly current impression, making it suitable for cutting-edge display use. Nolde capitals are available in two weights: regular and outline, and support over 60 languages that employ Latin and Cyrillic scripts.

Gang is a 2 - style display font family designed by Ani Dimitrova. Both weights contain a set of extended Latin and Cyrillic, as well as all sorts of open type features: standard ligatures, proportional figures, numerals, arrows, matching currency symbols, and fractions. In both styles, the font is well-suited for large headlines, word emphasis, and different types of advertising. The fonts' wide proportions make them a perfect choice for screen usage. This style palette offers a flexible range for display typography. The Gang type family is ideally suited for magazines, branding, posters, as well as web and screen design, and more.

Laurelle is a polished and smooth script family. The family consists of light, regular, bold and press styles. Laurelle provides advanced typographical support with contextual alternates, final forms, ligatures and swashes. This font also includes Cyrillic, with all OpenType features. It is most suitable for the headlines of all sizes, as well as for the text blocks. Laurelle is versatile and can be used on cards, posters, merchandise, book covers, websites, packaging, and basically anywhere you like. The overall feel of the font is warm, elegant and informal and it is perfect if you want to convey a sense of friendliness and style.

Macho has a complex nature. He’s a true “gentle giant”. He kicks asses as a splendid fighter, but also, being a gentle lover, leaves girls breathless. You can count on him in any situation and it’s always good to have him by your side. The brave Macho supports all Latin languages, as well as Cyrillic. His família consists of nine weights plus matching italics. It is stuffed up with various OpenType features such as small capitals, fractions, local forms, ordinals, alternates, ligatures and a full set of superscript and subscript glyphs. A good buddy of Clavo, Servus and Sharik.

Maculature features grunge, uneven look inspired by letters from old posters and advertisements. Capital glyphs are, although damaged, satisfactorily legible, whereas instead of lowercase letters, capital glyphs are placed, also featuring nearly abstract, hard to read dirty looks damaged spots and stains. The overall visual experience is rough. Capitals are legible and of small size, whereas the second group can be used only in bigger size, whereby rendering an interesting text texture in the course of alternate use. The font contains all the Latin accented characters used in European languages​​, Cyrillic and various ancillary graphemes, ornaments and rough lines.

Opinion Pro is a geometric grotesque sans-serif typeface with extra-large x-height that comes in 64 styles. It is composed of 4 width variations, each in 8 weights with respective italics. Its rigid curves with pronounced vertical stems makes it useful as both display and paragraph typefaces. Also it works particularly well as a typeface for technical applications such as wayfinding or labeling of any kind. Opinion Pro features a wide range of supported languages, including all Latin-based European languages, main Cyrillic languages, plus Kazakh. The OpenType features include, among others, 4 sets of digits, small-caps, ordinals.

Tsanger Yunhei was designed and published by Tsanger. Tsanger Yunhei contains 8 styles and family package options. The designer has made unique treatment on the shape and structure of the pen, based on the Chinese calligraphy style and writing, which makes it easier to identify under the same size of the font and group reading effect better. Tsanger Yunhei is more in line with the aesthetic habits of Chinese characters getting the reading an easy task. This font adopts GB 2312—1980 standard, with a total of 6763 Chinese characters, matching Latin letters, Greek letters, Hiragana, Katakana, Russian Cyrillic letters, etc.

Gart Serif is a serif font that combines traditional Antiques from the 18th century with modern solutions. Compared to other Antiques, Gart Serif stands out with its "display" metrics that enhance its character without compromising readability. With a variety of weights, Gart Serif can have an elegant demeanor seen in its thin weight or a more robust and sturdy presence in its bold rendition. It serves well for setting large amounts of text as well as for short headlines. Gart Serif comprises 5 weights, 642 glyphs, basic Cyrillic and extended Latin, several stylistic sets, ligatures, numeral sets, and a variable font.

Deposit Pro is a wide slab-serif family with low x-height. In both headlines and paragraph text it creates a serious yet friendly texture between a typewriter and a contemporary slab-serif, making it particularly suitable for corporate communication design. Deposit Pro consists of 16 styles (8 weights and their corresponding italics) and features broad language support including all European Latin and Cyrillic languages. It also sports plenty of OpenType features including 6 sets of digits, fractions, small caps, ordinals, all-cap punctuation, and contextual forms for ‘f’, eliminating the need for too many ligatures.

Alethia Pro is a grotesque sans-serif typeface with high contrast in all weights. It has been designed to serve as a display typeface in various editorial projects, such as magazines or corporate brochures, as a sans-serif pair to serif types of modern style. Alethia Pro comes in 8 weights + matching italics, each supporting numerous Latin-based languages as well as major Cyrillic languages. It is packed with OpenType features like ligatures, small caps, 6 sets of digits, 3 stylistic sets, superiors and inferiors, fractions, ordinals, respective punctuation varieties including all-cap punctuation, as well as language-specific alternates.

DejaRip is a contemporary, neutral, all-purpose sans-serif. It is modest and inconspicuous thanks to its basic, natural shapes; yet it lends a remarkable sense of clarity and accuracy to the overall design. DejaRip was originally designed for a mobile phone interface. Although it was eventually developed into a much more versatile family, DejaRip remains particularly readable on screen. The DejaRip family is an ideal solution for corporate design. DejaRip’s extended character set includes Unicode Latin Extended A and B, as well as full support of Cyrillic. Small caps for all languages are also included.

Urfa Rounded Font family is the rounded version of Urfa Typeface. The Urfa Rounded font family comes in nine weights of Normal and Italic. In addition, all weights contain small caps in both italic and normal. With the Urfa Rounded font family, you can create beautiful works for the web, including logos, banners, body copy, and presentations. Urfa Rounded typeface also works nicely in print formats such as posters, T-shirts, magazines, and affiches. Because of its eye-pleasing style, this font is both effective and versatile. It supports a wide range of languages, including Extended Latin and Cyrillic.

OTC New York is a geometric sans serif font family with support for Latin, Cyrillic and Greek. The display font comes in 18 styles, 9 weights (including italics) and as a variable font which supports two axis variability: weight and italic. It’s ideal for branding, logos, headlines, editorial design, packaging, web and television use. The font family is inspired by the Bauhaus school with its simplified geometric form, balanced layout, harmonious geometric shapes that are simple but strong. OpenType features contain stylistic alternates (for A, a, e & g); old style figures; fraction figures; subscript, superscript, numerator and denominator figure position and tabular figures.

Mixta Essential is a contemporary sans-serif typeface with characteristic and defined features. This font was inspired by the idea of mixing different types of terminals in order to give the font a singular appearance. Its design is composed of diverse styles such as Didone and classic typefaces as well as current font trends. This new essential version of Mixta does not include Cyrillic support, alternate styles or OpenType features. Mixta Essential, with a basic language support, has been adapted for optimal use on macOS and Windows environments. Mixta Essential was specially designed for branding, advertising, Tv and social media.

Pico is the pixel font that works small and large—from web buttons to LED boards. The native font size is 16px, however you can work within any size that’s a multiple of 2. Pico is featured in the gorgeous mobile game Space Age: A Game of Cosmic Adventure by Big Bucket! The latest version of Pico (1.300) includes a staggering 454 new characters (from 235 to 689)! This update includes support for south eastern European and all new Cyrillic, Hebrew, Greek and math characters. Latin characters and kerning have also been updated and improved for legibility.

An industrial strength slab-serif typeface which performs equally well with headlines as well as longer text. It differs from the stiff almost mechanical structure of other slabs, by introducing distinct letterforms in characters like ‘f’, ‘r’ and managing at the same time to combine effectively the typeface’s round parts with deep cuts and sharp inner corners, which add an interesting character to this otherwise contemporary series. PF Synch Pro consists of 4 fonts from black to regular. It is loaded with 3 special OpenType features and offers multilingual support for all European languages including Greek and Cyrillic.

The typeface was designed at ParaType (ParaGraph) in 1997 by Manvel Shmavonyan for Russian primary school sample writing schoolbooks. The typeface is based on script fonts presented in the book 'Rodnoy Mir' by. L.I.Tikunova. The first version of the font included just letters of Russian alphabet and basic set of figures and signs. The second version with extended set of alphabetic letterforms was developed in 2004 by Gennady Fridman. Current third version that covers full Cyrillic and Western code pages was prepared by Gennady Fridman and released in 2009. Medium style also was added by him in 2009.

Letterhead Studio makes both fonts and design with own fonts. The studio is started in 1998 by Yuri Gordon, Valery Golyzhenkov and Olga Vassilkova. We work in graphic design, branding and type design. Our collection of Cyrillic fonts includes more than 330 faces, generally it is display fonts. Letterhead is one of leading developers of custom-made fonts, lettering and digital calligraphy in Russia. Among clients of studio are magazines like Rolling Stone, Esquire, GQ, Empire, Interni, Harpers Bazaar. Also we develop corporate fonts, more often for banks. Letterhead co-operated with Gazprombank, Rosbank, the Alpha-group, Trust, Menatep, Orgres-Nordea and others.

Madiffure is a modified neo-grotesk gothic font; this font basically has no consistency in several letter styles, so this font looks unique and bolder in its application of letter development. And this font is suitable for bolder and more modern design themes to apply to certain design uses. On the other hand, we also paid attention to making this font more pleasing to the eye so that it is more comfortable to read even at the smallest size. The Madiffure font is also equipped with Cyrillic as an addition to the basic language style, namely Latin 1 and 2.

Triplepass is a narrow grotesque with 3 styles: normal, with cut corners and a stencil shape. The font has a retro character, contains both humanistic rounded designs and modern smooth alternatives. The font is suitable for logos, large headlines, posters, signs, prints, font compositions, as well as for sports-related layouts where clear numbers and space savings are needed. Triplepass contains extended Latin, Cyrillic, fractions, ligatures and two icons of a basketball. It contains OpenType features: liga, numr, dnom, calt, ss01, ss02. The font is also case sensitive, has fractions, currency signs including the rouble sign.

The font DXAngelusMediaval was developed on the basis of the Angelus Mediaval font, which was issued by Russian type foundry from the beginning of the 20th century (type foundry of G. Bertgold, St. Petersburg and Moscow, before 1904). Probably, the font is a reworking of the DeVinne font (1892 (?), Designer Nicholas J. Werner) of the American Central Type Foundry. For the reconstruction, we used examples of font prints: Cyrillic from the catalog "Art Fonts", 1929, Latin part - Chicago font, from the catalog "La Fonderie Typographique Francaise" (FTF) 1924. In addition, in the font are available Digits of the old style and ligature.

SK Nomerok is an elegant geometric font with a minimalistic design. A unique pattern of symbols in a compartment with a strict classical design creates a strong and reliable structure, ideal for modern design. The sharp and angular letters of SK Nomerok are easy to read both on the screen and when printing. The geometric elements of the font are complemented with unique details, which adds to its originality and attractiveness. This font is perfect for branding, headlines and decorative text, adding modernity to any project. The font is multilingual and supports both extended Latin and Cyrillic character set.

Guapa was first born from a personal experiment: transforming a geometric sans serif 'à la Futura' into a charming postmodern deco design. It was applied in a poster specially designed for a typography exhibition called 'Pimp the type'. Later it became a well-suited typeface for the word: from titles for magazines to book & record covers and packaging. The family consists in one single weight, which is provided with Discretionary ligatures, Alternative characters, Swashes forms, Initials and some Stylistic Sets. The Ornaments Series will be designed in the future, as well as a Cyrillic update. Guapa is fancy, delicious & fresh!