Jochen Schuss designed Linotype Paint It in 1997 with exclusively capital letters and in two weights. The best way to describe the weight Paint It might be to compare it with a labyrinth in which the figures only become clear to the reader dedicated to finding them. The second weight, Paint It black, is almost the solution to this puzzle. The characters are black and stand out strikingly from the background. Linotype Paint It is particularly good for headlines in large point sizes or wherever a text should display a playful character.

Sello is a hand-drawn, geometric sans-serif with a touch of retro style. It's a unicase typeface inspired by hand-engraved, mid-1960s Spanish postage stamps, hence the name "Sello" – Spanish for "stamp". This font comes in three different weights – light, regular, and bold – with a regular and oblique version of each for a total of 6 styles. Vowels have a special third alternate glyph. Sello also contains the necessary diacritics and special characters to support several different languages. Looks great at the slightly larger point sizes, when used in header or display purposes.

Another font for the BAQ family, BAQ metal brings back the classically solid, sturdy form of its predecessors with a rough and ready finish. The roundness of this font doesn’t take away from its impact, but does keep it from being too harsh, while the texture creates extra legibility at smaller sizes. Really though, BAQ metal works better when it’s bigger, standing out with its coarse appearance and rotund fullness. Use it to create outstanding headlines and catch people’s attention without being aggressive, even in a variety of different languages.

I named the font "Sangoma" after the traditional healers of the Southern African tribes. Sangomas often work by "throwing bones". The shapes of the bones have suggested the shapes of the characters in the Sangoma font. The font is useful for creating designs or producing text that has an African look. Typified by an African angularity the characters reflect the ethos of Africa. The Sangoma font contains the full range of upper and lower case characters, all punctuation and special characters as well as the accented characters used in the major European languages.

Marek is a slab serif font it takes it's name from a football player from the Naples soccer team  “Marek Hamsik”. It is composed of 5 weights (thin, light, regular, bold and black with matching italics), it's ideal for big headers as for magazines, t-shirts, branding and much more. It is available in open type format and includes alternative fonts (a,K,k,g), ligatures, oldstyle and linear number. Moreover, it includes the glyph of the new bitcoin currency, supports more than 80 languages and it's composed of 392 glyphs.

Romford Stencil is a Brexit inspired typeface. It’s letterforms represent the idea of a union splitting apart and the stylistic differences between the upper and lower case symbolise the notion of being different from one another. Research for this typeface started off in Romford which is an area where the majority of UK voters wanted to leave the European Union, hence the name. Romford Stencil is designed to be readable for body copy and look impressive when used as a display typeface. However, the bigger it's size the better it looks, especially in all capitals.

Nena Serif is a transitional readable typeface, with a contemporary style, designed for extensive reading in books, newspapers and magazines. The font is very legible when used in small body text, with medium x-height and moderate contrast it creates an elegant look on the page and is well suited for stylish headers and various on-screen uses. The Nena Serif family is available in 6 weights, ranging from light to heavy, with matching italics and alternate glyphs. The font contains a character set of 411 characters supporting 206 different languages.

In Norse mythology, Yggdrasil is the tree of life, which grows right into heaven - maybe even space! It has deep roots, which grows into three different worlds. I made this font in hope that someone with a love to Norse mythology could use it - maybe even for something viking themed! I don’t think that the gods of Norse mythology ever heard of contextual alternates or multilingual support - but I added it, without even asking! - Yggdrasil has 5 different versions of each letter (in both Regular and Rough) and supports loads of different languages!

Ballpoint font family was designed by David Fox in 2021 for the FontJuice™ foundry. A rounded sans serif style, Ballpoint has a simplicity which does not reject traditional forms . It is non ornamental and non emotional, just clearly presentable. This font is suitable for logotype, brand, packaging, quotes, music poster, t-shirt, cover book and more custom design. More specifically, whilst the heavier weights are best used for display in advertising, the lighter weights remain readable in text. Ballpoint features uppercase, lowercase, numeral, punctuation & symbol, multilingual support.

Almondy Amor Script, A new carefully crafted fun script Typeface. The Ideas of this fonts are from wide range of reference, Dessert & Beverages are our main focus for this fonts. So the looks of this fonts must be in the wide range of the reference above. It’s Versatile, Fun, Cute and Beauty feel that you get in Almondy Amor Typefaces. Thjis typeface on the display to give you a reference what it looks like on your project. such as Branding, Header, Logotype, Poster, Magazine, Packaging, Food Menus, restaurant and etc.

A typeface based on early Constructivism Design and Early 20th Century Type form the Modernist Movement. Cap Height for the font has been extended to represent early 20th century typography more closely, while rounded shoulders add a contemporary, modern feel, allowing the design to bridge both centuries. Cobalt Bold works best for headers and titles, while Cobalt Medium and Regular lend themselves to body text. Cobalt Text has smaller Cap Heights, Ascenders, and Descenders, and has been designed where smaller leadings in a body of copy is needed.

This is a family of "Gothic" types from the Monotype Design Studio. The faces named "Gothic No. 1 through 4" were produced by Compugraphic. Gothic No. 1 is a condensed, late 19th century American-style sans serif typeface. Gothic No. 2 and Gothic No. 3 are based on the Metro #2 series, designed by W.A. Dwiggins for Mergenthaler Linotype during the 1920s and 30s. Gothic No. 4 looks vaguely like Gothic number one, but is heavier and smaller on the body. Gothic Extra Light Extended is a very light and wide design.

Appleyard is a transitional serif font family that combines the elements of a modern serif and old-style typefaces. It is loosely based on an old Monotype design called ‘Prumyslava.’ Appleyard was designed by A. Pat Hickson (P&P Hickson) exclusively for the Red Rooster Collection and produced by Steve Jackaman (ITF) in 1992. The typeface’s rounded serifs give it a sophisticated, warm, and friendly feel; it excels in projects that need a delicate touch. Appleyard was designed with legibility in mind, and is ideal in children’s books and for young readers.

Verge exploratory information transmitter Verge type family operates at the very edge of art and technology in the typographic constellation. Its fairing is designed with a new technique that adds better stability to the curvature. It is prepared for all environments and communicates with minimized latency. The letters of this contemporary slab serif are compact, clear and rather simple. It is suitable for branding, longer texts, information graphics and signalization. The typeface’s x-height is a little above 70% of its capitals. The italics are designed at a 7° angle.

Cosmopolite is hand brushed font with multilingual support. Is ideal for t-shirts, magazines, phone covers, social media, restaurant menus, greeting cards, invitations, weddings, headers and many more. This brush font comes with a complete set of lowercase and uppercase characters, a contextual alternates, numerals and multilingual support. --- For access to Stylistic Alternates is required software with glyphs panel like Photoshop, illustrator, Inkscape etc. Ligatures shows up automatically. Cosmopolite Font include multilingual support for western and central Europe. If you have any questions or suggestions don't hesitate to contact me.

Introducing Metria Street - Art Deco typeface Metria Street is bold, Art Deco typeface with 4 weights, ligature glyphs, alternates and multilingual support. It's a very versatile font that works great in large and small sizes. Metria Street is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation & Symbol Light Regular Bold Black Alternate glyphs Ligatures Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Nuno Sans is an elegant sans-serif typeface with a humanist touch. It offers 72 styles with 4 widths, ranging from Extended to Condensed, including 18 styles of both uprights and italics. This versatile font supports Western, Central, and Eastern European languages, as well as Vietnamese, ensuring widespread accessibility to readers. Nuno Sans excels in various applications and situations, from bold headlines to easy-to-read text, making it suitable for web, print, and corporate identity projects. Nuno Sans is a contemporary and diverse typeface, perfect for any design project.

Staehle Graphia Script was designed by Professor Walter Stähle in the 1960s. It is a very vertical font in the style of the printing on private correspondence in the 19th century. The elegant and sweeping capitals of Linotype Staehle Graphia Script are particularly well-suited to the beginning of passages or lines while the capitals of Linotype Staehle Graphia are better for longer texts. Both should be used with a relatively small line width. The lyricism and liveliness displayed by the font makes it the perfect choice for artistic texts such as poems.

Born as a revival of an Egyptian typeface, this hand-drawn typeface is is perfect for headers and even as a body text. It manages to keep the neutrality required for a legible typeface and having slight details that makes it unique. All the details are hand drawn, and it comes in 3 versions: Santa 01 Black, with the original inked look Santa 02 Line, an sketch version of the font, Santa 03 Out, an outline version with subtle different strokes. A Santa Pack is available including all the 3 styles.

By 1915, all the major foundries offered families of sans serifs, sometimes called Gothic in the USA. Franklin was a response suitable for countries in the vanguard of the machine age. Designed by Morris Benton in 1903-1912, Franklin has preserved its own personality ever since. The ITC Franklin Gothic font family is a redrawing by ITC that keeps the original strength intact, meeting the demand for a strong typeface. ITC Franklin Gothic is better read in display sizes and considered a standard in the newspaper and advertising fields.

the rounded font is a slight condensed and fun rounded typeface that comes in three weights: light, regular & bold. all letters are designed in the same line thickness. the fun way that the characters flow makes the font a useful but also unique typeface to use. it works great as both body text and headers. especially when you use the different weights in the right way. as graphic designer sven pels often deletes the dots of both the i’s en j’s to make it unique but also just to break some rules… svenpels.com instagram.com/svenpels

The Hanscum font family is a playful geometry and nature-inspired display family sporting plenty of distressed and letterpress style textures. With an authentic vintage look and a variety of styles, Hanscum comes with many playful faces and is packed with ligatures. Also included in this family is a sister subtitle small caps font that compliments the rest of the heavier display styles, also packed with opentype features. And last but not least, Hanscum comes with extras to play with including stylized catchwords, symbols, and swashes to accompany your layouts.

About this font family Picturebook was made for very young readers and is ideal for creating simple words and sentences in picture books. Produced in three weights with very clear, distinct character shapes to aid early reading and learning. Features 3 weights; Regular, Medium and Bold Multi language support To be able to access alternative fonts, make sure the software you use can support opentype features such as Microsoft Word, Paint, Adobe, Corel draw, Cricut and other applications. Designed and published by Andy Peat. www.andypeat.com Released December 2023

Introducing Inure Typeface - 6 weights Inure is bold, vintage typeface with 6 weights and multilingual support. It's a very versatile font that works great in large and small sizes. Inure is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, lowercase, numeral, punctuation & Symbol Hairline Light Regular Bold Extra Bold Black Ligatures Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Introducing Billionaire Club - Art Deco Serif Font Billionaire Club is luxury, Art Deco typeface loaded with 8 alternate glyphs for every letter and multilingual support. It's a very versatile font that works great in large and small sizes. Billionaire Club is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation & Symbol Alternate glyphs Ligatures Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Kocak is an unique modern semi bold and elegant decorative font with a fun, attractive style look. This font equipped with extra ligatures and alternates, that will give more personality to your stunning headlines. This font is able to use lower case as uppercase characters without sacrificing a strong even presence. Kocak is perfect for logotype design, posters, t-shirt designs, packaging brand, magazine header etc. Kocak Features: Uppercase glyphs Lowercase glyphs Numeral and Punctuations standard Ligatures Stylistic Alternates Thankyou for choosing this font, Enjoy Best Regard, Grontype

Linotype Charon is the work of Renate Weise. Linotype Charon is a typeface with two sides to it: both objective and classic, it is neither neutral, nor an everyday typeface. Charon is modern and animated; its curving letters seek to touch the reader. Linotype Charon is named after the ferryman of Greek mythology who brought the souls of the dead across the River Acheron into the Underworld, connecting living and the dead. Linotype Charon, with its light swing and script character, can be used for either short texts or headlines.

Boondock is another Imre Reiner design resurrected from the ashes of hot metal type for digital use. This wild paint font is a revival of the fascinating Bazaar brush type from 1956. Boondock has some very unique characters that combine to form a statement of casual but loud strength, seriousness and raw primal emotion. Great for short sudden-impact spurts, like book cover titles, single sentence headers, movie posters and music sleeves. Redrawn from original specimen by Patrick Griffin, and expanded with some built-in extras too add to the convenience of this digital version.

Lakony Regular, italic and display serif lacony are combined into one into a modern serif, lacony pays attention to high readability and a soft font model so that readers feel comfortable. lakony font also has unique alternates, making it easier for you to design as unique a text as possible. However, this does not leave behind the function of the font itself, namely readability, so this font is suitable for titles, posters, branding, invitation cards and much more. Lakony Regular Lakony Italic Lakony Display Uppercase Lowercase 75+ Language Alternates Font

Smiling Cat is a cute little font. It is an adaptation of and older font of mine: Harimau Dua. I have had many requests for a bold version of Harimau, so I started working on it, changed a few glyphs, redid the kerning and cleaned it up. Rather than adding it as an extra bold style to my existing font, I thought it’d be better to launch it as a new one. Smiling Cat is handmade, cute and quirky, it would be ideal for Children’s Book Covers. Comes with a litter of diacritics.

Paneuropa Inline is a retro display typeface inspired by a classic modernist design from Poland. It has a retro mood, but is reworked from the original to achieve a better consistency in letterforms and spacing. The set includes 3 versions of the font, each one featuring different worn/grunge effects to fit various sizes and design scenarios. Paneuropa Inline is designed for all kinds of retro, vintage, grunge, eco, bio, organic projects in mind and nicely fits to industries and purposes such as food & beverage, gardening, travel & hospitality, vintage-styled apparel, restaurants and pubs.

This is Ponder. A modern sans carefully crafted to be a versatile typeface for the modern world. Featuring over 650 glyphs, Ponder includes stylistic alternates for the a, l, y and & characters to provide two uniquely styled design approaches. From contrasting strokes on the heavier weights to the angled bars on the P & R, Ponder has a unique feel that will give your brand or project that stand out quality. Ponder features extensive language support for Latin & Cyrillic as well as many opentype features such as stylistic alternates, ligatures and numbers (Tabular, Oldstyle & Circled).

Be a the ultimate you with gorgeous style font. The awesome Milk Water. It is a beautiful font duo that reflects youth, power, yet cuteness. The weight of the display font brings strength to any title or header you apply to it. On the other hand, the curve of the script font also convey a sense of cuteness. Features: Stylistic Sets Ligatures Multilingual Supports Numerals and Punctuations Thank you for purchasing premium fonts from our studio. If you have any further questions, don't hesitate to contact us. Happy Designing.

Quadrone is a hand-brush script font inspired by urban fashion movement. This font is great for your next creative project such as Logotype, printed quotes, invitations, cards, product packaging, headers, Letterhead, Poster, Apparel Design, Label, and etc. Quadrone is available with so many variations on each character in Opentype include Uppercase, Lowercase, Numerals & Punctuations, Stylistic Styles, Ligatures, Discretionary Ligatures, and Titling to make it look even more natural than a standard font. You will also discover extras swash added to give that finishing touch to your texts.

ITC Binary was designed by Mauricio Reyes in 1997 as a semiserif font with a pronounced stroke contrast. A distinguishing characteristic of this font is that many of the lower case letters seem to be missing a small piece of their forms, either at the base line or x-height. Setting the letters together makes an impression of waviness which draws the attention of the reader. Binary is a reserved, elegant font which should be used in point sizes of 10 or larger and only in headlines and short to middle length texts.

Monotype Century Schoolbook is another member of the Century family based on the Century Expanded typeface. The Monotype Century Schoolbook family was designed to fulfill the need for a solid, legible face for printing schoolbooks. It is wider and heavier than Century Expanded, there is also less contrast between thick and thin strokes. First cut by Monotype in 1934 and based on versions from ATF and Lanston Monotype, the sturdy nature of Monotype Century Schoolbook, coupled with its inherent legibility, has made it a popular choice for setting books, newspapers and magazines.

The font Pillar is inspired by steel pillars that support buildings and bridges together. In similar fashion, the font is designed to support the content for which it will be used. The font is intended to be used as a header or headline font, but a creative designer will find other uses for it. Most of the characters are based on the same rectangle and therefore contain the same width which displays symmetry. The font contains 242 glyphs which include: uppercase and lowercase letters, numbers, symbols, accented characters, and ligatures.

Vow is an incredibly stylised font, strutting its stuff on the typography catwalk. Vow does everything to excess, even when cutting down: where it’s curvy, it’s very curvy, but where it’s thin, it’s thin. Vow’s regular weight has a certain boldness at text size, but its ultra-thin alternative is much better used at larger sizes, managing to take up very little space even when scaled up. Using a mix of the two creates a subtle emphasis, especially when coloured, which helps to create stunning messages in elegant ways.

The goal with South Island was to make a font that looked authentically handwritten. Each character had to perfectly flow into the next and maintain a nice balance between variation and legibility. The typeface retains all the texture and grit of the original handwritten characters, making it especially powerful when used for large headers. South Island comes in a regular version, and a second version which contains alternate versions of each letter A-Z (both upper and lowercase). Try pairing it up with a more traditional serif or sans serif font for endless possibilities.

Gatsby SF portrays the formal elegance of Art Deco, using the rounded shapes typical of the Art Deco movement. The upper case characters are decorated with a classical Art Deco motif, while lower case characters have been left unadorned for increased readability. Gatsby SF functions well as a display font and creates attention-attracting headers and subheaders. Fully professional, Gatsby SF contains a full character set - Upper and Lower case, all numerals, punctuation, symbols and accented characters. It is suitable for layout work in all major European languages.