Carnelian Antique, a contemporary, flowing style script. This elegant font it is perfect for branding, logos, invitation, headlines, texts and more. Carnelian Antique features: multi language support (for most of Western Europe), ligatures, alternates for low case letters (including multi language letters).

Rational Mood is a handwritten font trio that includes an uppercase font that combines perfect with a script font and is loaded with tons of cute extra illustrations. This is a perfect font to create quotes or texts with a handwritten, natural style.

PensleCaligraf is a wild and exuberant calligraphic script. It may lack the elegance for formal invitations and certificates but its quirkiness may make it suitable for invitations and documents that are casual or humorous such as children's birthday announcements or participation awards.

Staly Home Handwritten Script Font is an exquisite handwritten font, masterfully designed to become a true favorite. It maintains its classy calligraphic influences while feeling contemporary and fresh. Fall in love with Stay Home and bring your projects to the highest levels.

The Aerillyo is a strong and bold script font. It’s curved and rounded in every single touch, and has an unique vintage and retro styles that’s perfect for branding. The Aerillyo font is suitable for all your retro, vintage, and 80s style projects.

A modern handwritten script font that balances creativity with clear legibility that contains upper & lowercase characters, all punctuation and numerals. Designed so the text reflects stylish natural handwriting, with ligatures and carefully kerned characters mixed with unjoined letters for a contemporary feel.

Rostemary - Elegant Monoline Script , this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation, watermark, advertisements, product designs, stationery, wedding designs,label, product packaging, special events or anything that need Signature taste.

A beautifully flowing script with casual uppercase forms combined with more formal lowercase letters. Good Vibrations Pro is an extension of this popular font. Over 400 glyphs, with character sets for European languages. OpenType features include smooth connecting ligatures and alternate characters.

Sadina™ S is the small lowercase font family of the default version Sadina™, It comes with the same OpenType features provided in the default family, and all lowercase glyphs are designed smaller. It will give you a different scripting taste.

Slightly erratic straight up brush tip handwriting script that was written with an ‘intoxicated’ hand, with a lot of very unique characters as a result. The overall font looks wild yet very readable. It includes all eastern European, Baltic, Scandinavian and Turkish characters.

The Farmhouse is a delicate and fashionable script font. It is perfect for any branding project such as logos, t-shirt printing, creative products, and more. This font is PUA encoded which means you can access all of the glyphs and swashes with

Southern Beach - Script Font, this font is perfect for branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, and more. Features: Uppercase and lowercase letters Multilingual, numerals, and punctuation Follow Instagram: @sronstudio Thank You!

Timenhor is a Latin-script font whose glyphs are based on the uncial letterforms of Coptic manuscripts. Timenhor is compliant with Unicode encoding and has an extended character set, supporting Celtic and Eastern European languages. It has both regular and italic styles.

Home to Rome is a classy and lovely script font. It has a elegant style and is perfect for creating original designs. This lovely casual brush font is really great for a logo, clothing, quotes, headings, wedding invitations, posters, and many others.

Pepita was drawn for Monotype in 1959 by Hungarian designer Imre Reiner. It is a brush script face with a lively personality, adding an impulsive feel to informal display purposes. The Pepita font is often chosen for greeting cards, menus, calendars and packaging.

Quincy Is a Modern Script Font The Quincy is perfect for product packaging, branding project, magazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email

Fresh and New, Harder. Harder is an elegant script font. Made from vectorized hand strokes so that it will look neat on each side of the character. He has several character alternatives that will offer interesting options for any of your design projects

Introducing by Qwrtype Proudly Present, Elmimore Elmimore is a Monoline Script with Swash Elmimore is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Elmimore also come with Multi-Lingual Support. Thank you!

The Julietta Messie is an elegant brush script. It has an elegant feel and is perfect for adding a luxurious touch to your designs. It�s perfect for branding, wedding invitations, poster designs, business cards, newsletters, stationary, logos, packaging, designs and more.

Deltany Signature Font is a mesmerizing handwritten signature script font that exudes elegance and charm. Each letter is meticulously crafted, showcasing the seamless flow and impeccable balance, making it a perfect choice for adding a touch of class to any design project.

Kato is a handwritten mostly-joining script with long, but not overly long ascenders and descenders, that make it a very elegant font. Scanned and finished carefully by hand on screen, with that little bit of extra effort to keep the "rough" touch.

Santy Ehisa is a Stylish Script Font with Handwritten Style. The Santy Ehisa font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Sunkiss font starts from a brush stroke with a script style and also follows the times. Sunkiss is very suitable for use in various media such as: packaging, logo, label, poster, shirt design, quotes of wisdom, hand-lettering, typography and many other media.

Sevoya Pro a captivating robust script font designed with fat strokes for those strong brands and logos. Featuring short ascenders and descenders making it a bit more legible. Sevoya Pro is perfect to create outstanding headings, logos, menus, graphics, and many more applications.

Whitbury is a modern calligraphy script font with thin upstrokes and super heavy downstrokes. It has lots of fun ligatures! It's fun to use for quotes and headlines, and logos and branding projects. It's casual, playful, and full of eye grabbing attitude.

Berliman is a signature script typeface specially made with a natural handwritten style. It is perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery and any projects that need handwriting taste.

Ink Line is a modern font script that gives a unique impression. With ligature, titling, swash, and multi language features, Ink Line is very easy to use in the application of posters, flyers, titles, bloggers, Instagram stories, web banners, etc. Happy Design :)

Bispo is a script typeface family made based on italic chancery calligraphy. After one year of it first launch, Bispo family now has another variant, a Bispo Pro version. The Pro version now contains more than 450 glyphs and new OpenType features, enjoy!

Delgona is a delicate and fashionable script font. It is perfect for any branding project such as logos, t-shirt printing, creative products, and more. This font is PUA encoded which means you can access all of the glyphs and swashes with ease.

Flanela Monicha Is a Modern Script Font Flanela Monicha is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email

The Catthy Wellingten is a modern script font. It has a playful and feminine look, which is great for wedding invitations and anniversaries, blogs and logos. Catthy Wellingten is a handwritten font, described by an elegant touch, perfect for your favorite projects.

Cerellia is a bold script font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. Fall in love with its incredibly versatile style and use it to create spectacular designs!

Halistine Signature is a monoline script font with a signature style and a handwritten appearance. Inspired by handwritings, this font exudes elegance, smoothness, and a personal touch. This font is suitable for designs that require a personal touch and a casual feel.

Pejuang Cinta is a Script Font with Handwritten Style. The Pejuang Cinta font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

"Relation Between Typology and Type Design" 'PRISTINE'; this font is—neither beautiful nor ugly, neither vigorous nor weak, neither traditional nor modern, neither serif nor sans serif, neither script nor printable, neither a text font nor a display font—it is rather all of the above, which makes it a more versatile typographic tool—[handwritten] characters that are well-suited for a wide variety of applications—from editorial design, [friendly] greeting cards... to branding, advertising, publicity and digital. Each glyph design combines its unique shapes and stylish ink-traps with parabolic curves. Each glyph design has been treated as an 'individual character'—the way I would treat a breathing, living, vulnerable and courteous human being; looking after each and every character as if it was my only child — bringing to light the authenticity and uniqueness of each individual, as well as my objective to bring about peace and harmony between them all as a whole. Designed with the intention of harmonizing between four scripts — Latin, Cyrillic, Greek and Hebrew; the whole family has a comprehensive set of characters—in addition to the Latin letters, the Phone typeface also has a full set of characters for Vietnamese, partially extended Cyrillic, Greek and Hebrew (sold separately). The t_t ligature is something unique to Phone, as well as the t_z ligature, among others and extras. A distinctive trait of the Phone typeface, is a high x-height combined with relatively short ascenders. The Phone typeface is in a way evoking the feeling of some Gaelic font and of the [Egyptian] Papyrus font (by Chris Costello, though, not being based on neither of those), having an exotic and an exquisite look, under the category of "Soft Fonts & Friendly Faces". Copyright Tamar Fonts/Hillel Glueck 2021 ALL RIGHTS RESERVED Any unauthorized distribution of my work is strictly prohibited, and will be prosecuted; do the right thing, and do not participate in the piracy of my typefaces; if you appreciate my work, then please pay for it and help me prosper — thank you!

Adelphi is a geometric sans, redefined for the northern side of the English Channel. Typographic modernism was a late arrival in Britain — due partly to the Second World War and to the strong local type tradition. This delay provided for fruitful divergence, thus modernism was not adored in quite the same way as it had been in Germany and central Europe. It was instead rethought and repurposed against the backdrop of the bleak British weather and postwar social reform – a continental fashion statement reshaped into a more humanist variant. Likewise, when crafting Adelphi, Nick Job reimagined the constraints that defined the geometric sans as a genre. Whereas other typefaces seem overly bound by the rules, Adelphi feels relaxed and approachable. Elementary square and circular shapes are merely implied. A keen observer may notice that the uncomplicated letterforms occasionally reveal a subtle naïveté associated with early Grotesques. Brunel’s bridges and Harry Beck’s tube map spring to mind alongside the Bauhaus and Futura. But Adelphi is by no means nostalgic! It is a contemporary, comprehensive, and durable system with a pragmatic set of features. These include a wide array of weights, ‘uniwidth italics’, and variable extenders that go from tall and flat in Adelphi Text to short and sharp in Adelphi Display, with default Adelphi standing midway between these two extremes. You can set the extenders to your preference in the all-inclusive variable font or use one of the three static fonts that come packed together, priced as a single font. The pan-European support for Latin, Cyrillic and Greek scripts already makes for a vast character set, but Adelphi takes things a step further by including alternate glyphs to satisfy the DIN1450 legibility norm, a range of ordinals that can be used to create specialist compositions in all three scripts and two kinds of fractions and arrows. Play with the alternates or use it as-is. Either way, this understated beauty will carry you through.

Note: the 'Phone Pro Hebrew' typeface, includes just the Hebrew characters of the comprehensive "Phone Pro" family font, sold separately [on this MyFonts site], so they are economical for those interested just in the Hebrew Characters. And regarding the “Phone Pro” project in general, this is what I wrote: 'PRISTINE'; this font is—neither beautiful nor ugly, neither vigorous nor weak, neither traditional nor modern, neither serif nor sans serif, neither script nor printable, neither a text font nor a display font—it is rather all of the above, which makes it a more versatile typographic tool—[handwritten] characters that are well-suited for a wide variety of applications—from editorial design, [friendly] greeting cards... to branding, advertising, publicity and digital. Each glyph design combines its unique shapes and stylish ink-traps with parabolic curves. Each glyph design has been treated as an 'individual character'—the way I would treat a breathing, living, vulnerable and courteous human being; looking after each and every character as if it was my only child — bringing to light the authenticity and uniqueness of each individual, as well as my objective to bring about peace and harmony between them all as a whole. Designed with the intention of harmonizing between four scripts — Latin, Cyrillic, Greek and Hebrew; the whole family has a comprehensive set of characters—in addition to the Latin letters, the Phone typeface also has a full set of characters for Vietnamese, partially extended Cyrillic, Greek and Hebrew (sold separately). The t_t ligature is something unique to Phone, as well as the t_z ligature, among others and extras. A distinctive trait of the Phone typeface, is a high x-height combined with relatively short ascenders. The Phone typeface is in a way evoking the feeling of some Gaelic font and of the [Egyptian] Papyrus font (by Chris Costello, though, not being based on neither of those), having an exotic and an exquisite look, under the category of "Soft Fonts & Friendly Faces".

A handwritten ”font for technicians“ from ca. 1900. Very geometrical, rigid forms borrowed from the typical characteristics of Jugendstil / Art Nouveau. This script is found in an old magazine which was issued sometime in the years shortly before WWI. The original copy, produced by means of a galvanized plate, is just 7 centimeters wide. It served as the model for technical professions in which, at that time, the captions of drawings were still done by hand. ingoFonts has not only digitized this beautiful typeface, we have also extended it to a whole family. In »Maier’s Alte Nr. 8« special attention was given to ensure the ”uneven“ edges, typical of handwritten script, remained effectively noticeable even in the digitized form. As a result, this ”technical“ font retains a handmade touch, while »Maier’s Neue Nr. 8« is the clean version with exact contours. The Art Nouveau forms, which are characteristic for the period of origin around the turn of the century around 1900, look especially pretty. The high degree of abstraction also seems strange in Maier's No. 8, especially when the age of the original is known. It is generally assumed that it was not until the Bauhaus in the late 1920s that such "modern" typefaces were created. Maier's No. 8 is a generation older! So many of today's supposedly "ultramodern" typefaces look quite old in comparison. In addition to the original two weights, Light and Bold, the Maiers Neue Nr. 8 got a regular and a extra-bold weight. Furthermore, the Neue is also available in italics. Although this is only a slanted version, unlike common practice, it is inclined to the left. Maier’s Nr. 8 Pro is suitable for all European languages. It includes ”Latin Extended-A,“ for Central and Eastern Europe incl. Turkish, and even Cyrillic and Greek, too. The font includes several stylistic alternates as well as a number of ligatures.

Romeria Notes is a handwritten font that captures the genuine essence of a signature. This natural script font, with its fluid and seamless strokes, seems as if it's been directly lifted from a personal notebook. Each character is crafted to mirror the effortless elegance found in an artist's autograph, making it a perfect choice for projects that require a touch of personalization. The cute and charming style of Romeria Notes brings a delightful and engaging feel to the text, while maintaining a beautiful and coherent appearance. The font exudes an organic flow, reminiscent of writing done in a state of inspiration and spontaneity. The font is built with advanced OpenType functionality and guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more automatic and manual features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Designed by Mans Greback, Romeria Notes stands as a testament to his creative expertise in capturing the essence of handwritten elegance. This font not only communicates messages but also conveys emotions, making it an ideal choice for projects that seek to connect on a more personal level.

Kudry is an elegant and noble typeface for extra large sizes. It looks good in cultural projects and exhibitions, logos, book covers, theater posters, wedding invitations, cosmetic and cake packaging,— basically any case in need of a beautiful typeface. It is a type family that consists of the modern serif and the contrasting sans serif, the weird serif and the stencil type. Both serif and sans have three options for different point sizes: Display for extra large sizes (from 72 pt or 96 px), Headline for large sizes (from 36 pt or 48 px) and Text for medium sizes (from 14 pt or from 24 px). Each style has a variety of alternate characters, swashes and ligatures, linear and old style figures, arrows and case-sensitive punctuation. The typeface supports major all European Latin and Cyrillic-based languages and all European Latin scripts. The authors of the typeface are Isabella Chaeva, Alexandra Korolkova and Nikolay Nedashkovsky. The character design of Kudry, details of the letters and alternates are an original contemporary solution based on the proportions and construction of the sans serif by N. N. Kudryashev. Digital versions of this typeface are Kudryashev and Petersburg, which can work in pair with Kudry in case you need a combination of a text serif and a display typeface. ITC Franklin Gothic, PT Root or Ida suit well as a paired text sans serif.