Butter Sweet is a charming smooth cursive script with a little french touch. It’s perfect for handcrafted brands that are looking for a bold script font with an authentic handwritten feeling. Use it for blog headers, signatures, elegant branding, wedding stationery, products packaging, instagram quotes, greeting cards, social media posts, and so much more. Butter Sweet is designed with a large selection of Opentype features such as contextual alternates, a full stylistic set (Uppercase and lowercase), 38 regular ligatures, 18 terminal forms ligatures, 22 beautiful terminal forms for lowercase letters and you have 4 different ampersands to play with. Software Requirement: ButterSweet can be used in any software though alternates, ligatures and terminal forms require a software that is Opentype capable. Note that you won’t be able to access them features in softwares such as Canva. How it works: Make sure you have activated the « standard ligatures » option in your Opentype panel (Illustrator & Photoshop) Add an «8» after your ending letter to switch to a terminal form letter. Multilingual support is also available for the single letter terminal form. Language support ButterSweet includes multilingual characters for western and central and European languages.

NorB Architect Line architectural fonts will add a beautiful architectural hand-lettering style to all your CAD project drawings. Architects have always wanted their CAD drawings to look more like they were drawn by hand, rather than by a CAD program. These AutoCAD fonts are the first step in bringing back that “artistic hand-drawn” feel to your CAD drawings or any graphic design project that can use true type fonts. They even can be used with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! NorB Architect Line is a retracing from scratch of my "NorB Architect" font coming in a sharp and round look, featuring small caps with some long stems of the following letters: b, d, f, h, k, l so resulting in more dynamic lettering font. It comes with 8 weights: Regular Italic Bold Bold Italic Round Round Italic Bold Round Bold Italic Round Note: The Italic versions are intentionally set to 20° rather to 12° for more dynamic lettering look.

Introducing the Amoret Collection; A stunning pair of luxury script and sans fonts, designed to contrast & compliment each other with elegant beauty and contemporary style. Design luxurious logos, branding, product packaging, wedding invites and quotes in a flash. Here's what's included; Amoret Sans • A classy, high contrast sans font containing uppercase characters only, numerals and a large range of punctuation. Creates a perfect pairing contrast with the Amoret Script fonts. Amoret Script • A thin and elegant script font with exaggerated strokes and a loose flow. Contains upper & lowercase characters, numerals and a large range of punctuation. Amoret Script Alt • This is a second version of Amoret Script, with a completely new set of upper & lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Amoret Script Alt also contains 4 swashes assigned to the [ ] { } keys. Fonts include multilingual support for; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Situgintu Calligraphy has lots of alternate characters, swashes and ligatures. It has also a bunch of tails with different shapes and widths to give the logotype or sports look to your design. You can design beautiful, elegant and diverse typographic elements with it. It’s well suited for logos, lettering artwork, t-shirt designs, editorial illustrations to name a few. Features : -PUA Encoded 100% Acessibility -Stylistic Alternates -Standard Ligatures -Stylistic set SS01-SS07 If you don’t have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows).To Access Alternate Characters Click The Link Below: How to access alternates in Adobe illustrator CS https://www.youtube.com/watch?v=geL0Ye02Ryk How to access alternates in Adobe illustrator CC https://www.youtube.com/watch?v=V25yiUh8BcE How to access alternates in Ms Wordhttps://www.youtube.com/watch?v=HxkhZiCuwEw How to access alternates in Coreldraw X7 https://www.youtube.com/watch?v=UBVsufJjons How to access alternates in Indesign CS https://www.youtube.com/watch?v=HgZTCxKG14Q How to access alternates in Adobe Photoshop CC https://www.youtube.com/watch?v=BYKXl58AdNY

Introducing Patihan, the font that will bring your designs to life! With sharp, strong, bold characters. Patihan font family is a combination of three different styles – Sans, Slab, and Serif – each with nine different weights: Thin, Extra Light, Light, Regular, Medium, Semibold, Bold, Extrabold, and Black. This font has beautiful Ligature and Stylistic Alternate settings, Patihan font is also equipped with the Smallcaps feature which gives more control over the typography, allowing you to create elegant and unique typography. Sans version of this typeface is versatile and easy to read, with a minimalist but impactful aesthetic. The Slab version is characterized by its solid, powerful strokes, while the Serif style has that extra classic flair with elegant curves and extreme contrast to its look. Patihan font is optimized for readability, making it a great choice for headlines, titles, and any long-form content. Ligature settings and discretionary styling add an extra layer of sophistication, making this font a great choice for magazines, branding and advertising. Overall, this font is a great choice for those looking to make a lasting impression. Its versatility, readability and unique features make it an excellent choice for any project.

Is your branding missing something wonderful that makes people going crazy impressed? Have you thought about how you can add that touch of something to your branding and projects? Want to transport your audience to a world of gorgeous, elegant, wonderful, versatile, yet modern? Then, we have the solution for you. Introducing Metrovia, An Elegant Font duo Giving you a simple, yet wonderful solution to your branding. This font is more than just another font duo. It encapsulates the essence of modernity and elegance. With elegance and passion edged into every curve and twist of this font – you’ll be sure to boost your sales and make the best impressions. Features: Beautiful Ligatures Stylistic Sets Multilingual Supports (69 languages) PUA Encoded Numerals and Punctuation Metrovia fits best for any design projects, such as posters, banners, logos, book covers, album covers, quotes, invitations, greeting cards, name cards, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Hopefully, you enjoy your experience in using our font. Feel free to contact us for further product information or trouble complaints. Thank you and happy designing.

Hello.. Rhositania is a simple and classy font, comes with a variety of uniqueness and beauty, opentype features such as stylistic alternates, initial and final forms, and ligatures. We keep this font looking elegant, classy, easy to read, stylish, easy to remember, and easy to use. Rhositania Font is the right choice for watermarks on photography, signature or signature logo design, quotes, album covers, business cards, and many other design projects. From business cards to photo watermarks, Rhositania are here to increase your work to the highest level. Rhositania requires no special software to use or access the alternate letters. You can even use Rhositania in basic writing apps like Word For those with Opentype capable software ( Photoshop CC or any version of Illustrator/ Indesign), Rhositania also comes with Opentype features such as access to all the alternate letters and double letter ligatures. Features : Uppercase & Lowercase, International Languange & Symbols Support Punctuation & Number PUA Unicode Range, Standard Ligatures, Discretionary Ligatures, Stylistic Alternates, Swash & many more character. Don't forget to visit our store and see other products we will be happy if you don't hesitate to put likes and comments.

Milli Typeface is a stylish luxury serif. It's clean and have the smooth, also playful and versatile serif family with 40+ ligatures and 100+ alternates that you can combine to get curves and beautiful shapes just in seconds. type the words, This font is suitable for use in many design forms, for example magazines, postcards, logos, DIY Projects, invitation card, quotes, vintage look design, old classic ,60s, 70s, 80s era, wedding projects and much more. We recommend using Adobe Illustrator or Photoshop. INCLUDED : The perfect font choice for - book, Brand , label & Logo project watermarks, craft product, logos, business cards, quotes, or gift card. Milli is a PUA encoded font (Private Use Areas - font specific code)- so that all the alternative characters, can be easily accessed in full through any program by using your Operating System’s utilities (CharacterMap for Windows and Font Book for Mac.), as well as Illustrator, Photoshop CC 2017, Cricut Design Space and SilhouetteStudio and several other applications. Multilingual Support : To access all OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator, Adobe Photoshop. Corel draw & ms word Thank You, and have a nice day!

UTOPIAN is a color font family based on primary colors and pure geometric shapes, influenced by Bauhaus, DeStijl and Art Deco. Its pure shapes and basic colors are inspired by the beauty of simplicity of modular order and grid, creating a perfect environment where all these elements live in a perfect color harmony. In the other hand, DYSTOPIAN, the black and white family, represents a close sibling in appearance and structure, that carries an opposite meaning, with a darker look and feel. Both typefaces are, somehow, a reflection of the divided views and posible outcomes that the future times ahead yield before us. Package: Utopian/Dystopian comes in file with a pre-defined color palette. You can always change the colors converting the text to outlines. Technical info to use: The package contains a normal TTF/OTF set of fonts in Black and White and a colorfont in SVG-TTF format. To be able to use the color file you need to have installed Adobe Photoshop CC2017 or Adobe Illustrator CC2018. Not all the browsers support color fonts so please be sure to use them as graphics.

Baker Street was inspired by a recent trip to London, England where I happened upon a bustling pub with beautiful typographic signage. Early sketches created an array of specialized ligatures from which the font really took shape. The family is comprised of regular, italic, inline and a rustic textured style. Baker Street delivers a multitude of Opentype features, primarily including hundreds of discretionary ligatures that connect letter pairs through varying flourishes. These distinct ligatures are used in combinations between two capital letters, two lowercase letters, uppercase to lowercase pairs and specific number combinations. For a number of capital and lowercase letters, large swashes expand above and below the characters. Contextual swashes are also applied to some characters when placed at the beginning or end of a word. Stylistic Alternatives and Titling Alternatives offer distinct style variations to capital letters. Tabular Lining and Oldstyle Figures provide several numerical alternatives. Lastly, the family also includes two sets of ornaments created specially to work with Baker Street’s style. With all that, Baker Street provides each and every user the tools to solve their own case. The game is on!

Maple Peachy, is a stylish and modern retro font perfect for making a statement! Featuring elegant tail swashes, this stunning font is versatile and perfect for creating graphic designs, branding materials, and more. Whether you're looking to create eye-catching logos, monograms, or headlines, this modern retro font will be the perfect addition to your design arsenal. With its unique vintage character, Maple Peachy offers a timeless look that won't go unnoticed. For DIYers, Maple Peachy is compatible with many popular programs including Cricut, Silhouette, Canva, and more! It's easy to install and use, so you can get to creating amazing projects quickly. From beautiful wedding invitations to logos and other branding materials, Maple Peachy can help you make your projects stand out with its modern retro font. Bring a unique flair to your creations with this elegant font with its distinctive swashes — your creativity will know no bounds! Make a statement and bring your creative visions to life with Maple Peachy! This modern retro font is the perfect blend of vintage elegance and modern charm. Get started today and add a timeless touch to your projects with Maple Peachy!

Introducing "Grosin," a captivating typeface that seamlessly merges the timeless elegance of Art Deco with a modern, condensed form. This font embodies the essence of sophistication, offering a perfect blend of retro aesthetics and contemporary appeal. Grosin's condensed design is a nod to efficiency, allowing it to make a bold statement even in limited space. Its sleek lines and geometric precision capture the essence of Art Deco, evoking the glamour and elegance of a bygone era while maintaining a distinctly modern feel. With Grosin, each character exudes a sense of refined simplicity, making it an ideal choice for conveying a sleek and stylish impression. The font's condensed nature ensures versatility, making it well-suited for a range of applications, from titles and headlines to posters and modern art projects. The beauty of Grosin lies in its ability to transport your designs into a harmonious blend of past and present. Whether you're aiming for a retro-inspired aesthetic or a modern twist on classic design, Grosin stands as a testament to the enduring allure of Art Deco, breathing new life into your creative endeavors. Choose Grosin for a typeface that effortlessly bridges the gap between nostalgia and contemporary chic.

Kate Slab Pro is a sophisticated and robust modern Slab Serif Typeface that works in a variety of design scenarios. It is designed to work in big attention grabbing headlines as well as in smaller text and even body text. The recognition value of Kate Slab Pro is its biggest asset in world of uniformity. Ranging from "100 Thin" all the way to "900 Black" makes Kate Slab Pro such an amazing and versatile font family that stands out. Kate Slab Pro doesn’t only work great in lifestyle and fashion related contexts but will also look amazing for restaurants, coffee shops or and other use cases that ask for character and identity. To fill all the gaps of a designer's needs, Kate Slab Pro comes with an italic style with every weight. Those italics are equipped with unique and real italic characters and will make you love it. Being a Slab Serif Kate Slab Pro manages to remind you of a classic Font Family with a modern and timeless approach that will make you happy for decades. Monday Type can’t wait to see the beautiful designs you are going to create with our Kate Slab Pro.

Mousse Script is based on Glenmoy, a 1932 Stephenson Blake typeface. Glenmoy a prime example of what display typography was in pre-WWII American ad art. It graced the pages of magazines, sold numerous products and services, then simply died out when the typographic trends shifted towards the more personalized, stylized and handwritten types of calligraphy. The current trend in typography is a revivalism that brings all of the distinctive display typography of the 20th century, without chronological discrimination, back in the name of ‘retro’. Who are we to deny the masses what they want? Mousse Script doesn’t just bring Glenmoy back from the ashes of the 20th century. It expands upon the limited metal character set nearly twice over and takes advantage of the latest type technologies. This makes Mousse Script a striking typeface, both functionally and visually. A simple, attractive display font on the surface, Mousse Script is unique in its bold upright calligraphy, something rarely found these days. The OpenType version of Mousse Script combines both the regular and alternate character sets into a single, cross-platform package that takes advantage of the extended typographic features of the OpenType format.

Roses Queen is an exquisite serif font made in uppercases that reigns with elegance and beauty. What sets Roses Queen apart is the meticulous addition of ornate details, transforming each letter into a regal work of art and bestowing a sense of opulence to the overall appearance. The characters in Roses Queen boast a commanding size, evoking a sense of authority and grace. The stability of the letter size ensures a harmonious visual flow, contributing to the font's overall sense of refinement. The real magic, however, lies in the intricately designed ornaments that adorn each letter, adding a touch of sophistication and enchantment. In addition, enjoy the features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Roses Queen fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

"Introducing Vetimus - Redefining Modern Elegance in Display Fonts! 🌟✨ Vetimus is not just a font; it's a statement of contemporary design excellence. This modern display font is the epitome of #TypographyInnovation and #DesignSophistication, crafted for designers who crave a perfect blend of boldness and finesse. With sleek lines and captivating curves, Vetimus introduces a new era in type design. Perfect for logos, headlines, or any design that demands attention, this font embodies the essence of the current Unleash the power of modernity in your designs with Vetimus, where every character is a testament to the bold and beautiful. Elevate your creative projects with the font that's redefining display typography. Here's what you get: All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you! Show Less

In the course of the re-vitalization of its Typoart typeface inventory, Elsner+Flake decided in 2006 to offer the “Kis Antiqua” by Hildegard Korger, in a re-worked form and with an extended sortiment, as an OpenType Pro-version. After consultation with Hildegard Korger, Elsner+Flake tasked the Leipzig type designer Erhard Kaiser with the execution of the re-design and expansion of the sortiment. Detlef Schäfer writes in “Fotosatzschriften Type-Design+Schrifthersteller”, VEB Fachbuchverlag Leipzig, 1989: No other printing type has ever generated as far-reaching a controversy as this typeface which Jan Tschichold called the most beautiful of all the old Antiqua types. For a long time, it was thought to have been designed by Anton Janson. In 1720 a large number of the original types were displayed in the catalog of the „Ehrhardische Gycery“ (Ehrhardt Typefoundry) in Leipzig. Recently, thanks to the research performed by Beatrice Warde and especially György Haimann, it has been proven unambiguously that the originator of this typeface was Miklós (Nicholas) Tótfalusi Kis (pronounced „Kisch“) who was born in 1650 in the Hungarian town of Tótfal. His calvinistic church had sent him to the Netherlands to oversee the printing of a Hungarian language bible. He studied printing and punch cutting and earned special recognition for his Armenian and Hebrew types. Upon his return to Hungary, an emergency situation forced him to sell several of his matrice sets to the Ehrhardt Typefoundry in Leipzig. In Hungary he printed from his own typefaces, but religious tensions arose between him and one of his church elders. He died at an early age in 1702. The significant characteristics of the “Dutch Antiqua” by Kis are the larger body size, relatively small lower case letters and strong upper case letters, which show clearly defined contrasts in the stroke widths. The “Kis Antiqua” is less elegant than the Garamond, rather somewhat austere in a calvinistic way, but its expression is unique and full of tension. The upper and lower case serifs are only slightly concave, and the upper case O as well as the lower case o have, for the first time, a vertical axis. In the replica, sensitively and respectfully (responsibly) drawn by Hildegard Korger, these characteristics of this pleasantly readable and beautiful face have been well met. For Typoart it was clear that this typeface has to appear under its only true name “Kis Antiqua.” It will be used primarily in book design. Elsner+Flake added two headline weights, which are available as a separate font family Kis Antiqua Now TH Pro Designer: Miklós (Nicholas) Tótfalusi Kis, 1686 Hildegard Korger, 1986-1988 Erhard Kaiser, 2008

‘Krul’ is a typographic interpretation of the lettering style created by Dutch letter painter Jan Willem Joseph Visser at the end of the 1940s, which decorated the traditional brown bars of Amsterdam. In the beginning, these letters were strongly associated with the pubs connected to the Amstel brewery, given that Visser was the company’s official painter. As the years passed, the style became increasingly popular, and various business owners in Amsterdam and other Dutch and Belgian cities also commissioned its use. In the 1970s and 1980s, Leo Beukeboom, another talented letter painter, continued and expanded this lettering tradition while employed under the Heineken brand. Much of his work can still be found in the Jordaan and De Pijp neighborhoods in Amsterdam. The Amsterdamse Krulletter, or Amsterdam’s curly letter, is strongly inspired by the calligraphic works of the 17th century Dutch writing masters, of which Jan van den Velde was a central figure. However, distinct characteristics of this style, for example, its unusual and beautiful ‘g’, originate from a model that was published by Johannes Heuvelman in 1659, which J. W. J. Visser referenced. Typographic circles have somehow overlooked the Amsterdamse Krulletter and its heritage. The Dutch calligraphic hands preceded and influenced the formal English penmanship which has inspired numerous typefaces in the Copperplate style. In contrast, the models from van den Velde, Heuvelman, and Jean de la Chambre, among others, are a missing chapter in Dutch typographic history, and had never been turned into typefaces until now. Conscious of the cultural and identity issues that arise in reviving a unique style, and concerned about the speed with which the lettering style was disappearing, Ramiro Espinoza focused the project of designing ‘Krul’ on digitally recreating the calligraphic complexity of these beautiful letters. Created through several years of research, ‘Krul’ is not a direct digitization of the Amsterdamse Krulletter, but instead, an interpretation that incorporates numerous alternative characters absent in the original model, and improves upon details where necessary, resulting in an optimal performance on the printed page. The typeface is presented in Open Type format, with an abundance of intricate ligatures, fleurons, and swashes, which permit the creation of numerous calligraphic effects. The very high contrast and rhythm of the strokes in this typeface make it especially suited for media applications conveying a sense of elegance and sophistication. Designers of feminine magazines, advertisements, and corporate identities within the fragrance and fashion industries will find in this typeface to be an extremely useful and appropriate resource.The great Amsterdamse Krulletter is finally back, and we are proud to make it available to you.

It's a very happy day when we stumble upon beautiful alphabets that were never digitized. It is even a happier day when the beautiful alphabet finds its way to us through friends and people who like our work. Some two months ago, the forms of this gorgeous font were pointed to us by a friend who saw it in an old Dover Publications specimen book showcasing historical alphabets. It was there under the name Vanessa, with nothing else to go by. We looked and researched for further information but found nothing else. So this gem comes to you like a coal that winked its way out of the ashes because it wanted to shine again. Flirt is very authentic art deco with a noticeable element of artistic pride, swashy delicate majuscules and very aristocratic, fashionable and flirty minuscules. The majuscules can be used as every other capitals usually are, or as initial caps. The minuscules can very nicely stand on their own quite independently from the caps whenever desired. These letters are quite similar to the hand lettering used on of the kind of theater posters, specifically burlesque and opera entertainment, which are now considered very retro-chic and fashionable to see hanging on walls in home or office. The initial specimen we worked from showed a single basic art deco alphabet with numerals which seemed as they belonged to another font. That alphabet became the base Flirt font, the numerals were redrawn to fit much better with the minuscules, and the character set was greatly expanded to include punctuation, accented characters, and many many alternates, especially for the majuscules. Majuscules with a descending right vertical stroke were a common artistic touch in the high days of theater posters, so we thought they would be great additions to the character set. These alternates can be found all over the font. So to maximize the design fun, have a character map or glyphs palette handy when you use Flirt. After the base font was finished, we thought it would be a good idea to give it a bold treatment unlike anything seen out there, and the farthest thing from the mechanical bolds seen everywhere now. This bolding treatment consisted of thickening the lowercase's vertical strokes inwards, but leaving the horizontal stroke weight as is, and thickening only the thicker vertical strokes of the uppercase. The result is quite the visual feat. We encourage you to test both the regular and bold weights and see for yourself.

Van den Velde Script Pro is the definitive edition of the original Van den Velde Script, by Intellecta Design, a free interpretation of the work of the famous master penman Jan van den Velde, to be found in the “Spieghel der schrijfkonste, in den welcken ghesien worden veelderhande gheschrifften met hare fondementen ende onderrichtinghe. ” (Haarlen, 1605). This font has evocative ancient ligature forms from the XVII Century Dutch master penman Jan van den Velde. Your indescritible writing-book was important not only with regard to the specific period it represents, but also in relationship to the entire history of calligraphy as an art: Van den Velde is rightly credited with having introduced and perfected a new trend in Dutch calligraphy. Our font, Van den Velde Script, merges modern necessities or better legibility without loosing the taste of his archaic origins. This enhanced OpenType version is a complete solution for producing documents and artworks whith an evocative and voluptuous style of calligraphic script: Van den Velde Script PRO has - more glyphs than the original Van den Velde Script. We created hundred of new glyphs, deactivated old non-representative glyphs and redesign the remaining library of original glyphs. Van den Velde Pro is more functional, soft and beauty than the original. - to keep the powerful of this unusual kind of script we make a tour-de-force kerning work: 771 glyphs in this font was adjusted in 5400 kerning pairs handly. - hundreds of contextual alternates combinations, some of them with three or more letters, - historical ornaments and fleurons in the typical style (and motifs) from the XVII century at the Lower Countryes accessed with the glyph palette using the Ornaments feature); - an extensive set of ligatures (100s of contextual alternates plus discretionary ligatures) providing letterform variations that make your designs really special, resembling real handwriting on the page; .... and, much better, Van den Velde Scriopt PRO is plus cheap than the original font !!! In non-OpenType-savvy applications it works well as an unusual and beautiful script style font. Because of its high number of alternate letters and combinations (over 700 glyphs), we suggest the use of the glyph palette to find ideal solutions to specific designs. The sample illustrations will give you an idea of the possibilities. You have full access to this amazing stuff using InDesign, Illustrator, QuarkXpress and similar software. However, we still recommend exploring what this font has to offer using the glyphs palette: principally to get all the power of the Contextual Alternates feature. Van den Velde Script PRO has original letters designed by Iza W and overall creative direction plus core programming by Paulo W.

Come one, come all, and see the beauty of Strange Alphabets. Inspired by the gilded book covers of the late 1800s and the iconic Siouxsie & the Banshees band logo of the early 1980s, this narrow Arts & Crafts typeface will transport you to another world. In OpenType savvy applications, the first and last letter of a word will receive a small diamond ornament, giving your words a touch of elegance. And if that’s not enough for you, words starting with M will have a single diamond that splits into three, while words starting with O will automatically use a tall O. But, if you want to force a tall O in the middle of a word, simply use a zero. Oolong lovers, rejoice! Words that begin with double O’s will receive a pair of tall O’s, while a pair of O’s in the middle or at the end of a word will be replaced by a linked ring ligature. But that’s not all! Accessing OpenType stylistic alternates allows you to change the A and H crossbars into small rings and remove all the diamonds from the M. And don’t forget about the hyphen, en dash, and em dash, which are replaced with ring ornaments. And if you’re feeling extra fancy, a separate diamond ornament ◆ is included under Unicode 25C6. Don’t let all these fancy features intimidate you. Play with your application’s OpenType features and see what happens. And if you want to disable the automatic OpenType substitutions, simply turn off your application’s standard ligatures feature. Experience the beauty of Strange Alphabets for yourself and let your words take on a life of their own. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.