10,000 search results (0.029 seconds)
  1. Lane - Posh - Personal use only
  2. SixtySeven - Unknown license
  3. Weehah - Unknown license
  4. Devroye - Unknown license
  5. GhoulyBooly - Unknown license
  6. BN M@TAN - Unknown license
  7. Enter Sansman - Unknown license
  8. Quub by OneSevenPointFive, $10.00
    An excellent choice for Logo design, Headlines, Titles, All caps text, etc. Feedback: https://forms.gle/iY8Zswmsg689m95M8
  9. billieBoldhand by JOEBOB graphics, $-
    BillieBoldhand was written at once with a fat marker. That's all there's to it... Caps only.
  10. Darlington by Fenotype, $19.95
    Darlington is an extra sweet monoline script font. Combine all three weights for maximum cute results.
  11. Ballpill by bb-bureau, $60.00
    BallPill — a trapless typeface in 5 weights alternates: ss01 ss02 ss03 – language: all latin glyphs and
  12. Equator by Tour De Force, $25.00
    Equator is modern angular typeface available in two weights ready for traveling all over the world.
  13. Flasher by BLV Supply, $10.00
    Flasher is a display font, all caps, traditional tattoo style, simple doodle line with vintage feels,
  14. Afarsemon MF by Masterfont, $59.00
    High legible and rounded font family to serve all your need from short text to signage.
  15. Squarefix by Michael Browers, $25.00
    Squarefix is an all-uppercase grunge outline typeface featuring Latin, Extended Latin and Cyrillic character sets.
  16. Government Issue JNL by Jeff Levine, $29.00
    Atten-shun! Use Government Issue JNL for all of your military-style type jobs! At ease!
  17. Dark Fox by Pedro Teixeira, $16.00
    Dark Fox is a cute, high-contrast versatile font, good for logos and all display needs.
  18. Bedaax - Personal use only
  19. wmxyo - Personal use only
  20. pixcoose - Personal use only
  21. roinert - Personal use only
  22. renvem - Personal use only
  23. Ah, Eurofurence Modified! A font that truly brings a unique character to the screen or page, drawing its inspiration from the original Eurofurence typeface. Picture a design that breathes a modern sp...
  24. Smartie CAPS, crafted by the creative minds at Fontalicious, is a playful and vibrant typeface that captures the essence of fun and creativity in every character. This font stands out with its distin...
  25. TA Bankslab by Tural Alisoy, $33.00
    The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.
  26. TA Bankslab Art Nouveau by Tural Alisoy, $40.00
    TA Bankslab graphic presentation at Behance The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.
  27. Kolega by Just My Type, $25.00
    Maybe I should have named this font “Communist Block”. But it also works well for Colonial-style tavern signs. It’s square, geometric and rigid, and is the perfect thing for totalitarian themes. The family consists of three fonts: Kolega (“Comrade” in Polish), Kolega Tall, and Kolega Podrobska (Fake Comrade). Kolega and Kolega Tall are fully charactered with U.S., European, Greek and Cyrillic glyphs. The latter font is meant to use in English only; although it contains many accents and character variations, they mean nothing. It’s a joke.
  28. Cartoon Panel JNL by Jeff Levine, $29.00
    Charles W. "Plot" Plotner was a cartoonist who had developed a template-based cartooning set for kids circa 1952 called "Plot-O". A companion set was called "Plot-O the Clown". "Plot-O" consisted of two plastic templates with pre-cut and numbered cartoon shapes. By following the simple directions and tracing the corresponding parts, any youngster could create basic cartoons of people and finish them off with their own details. The hand-lettered instruction booklet provided the design inspiration for Cartoon Panel JNL.
  29. Kanagif Personal Use - Personal use only
  30. Perdido Demo - Unknown license
  31. AIFragment - 100% free
  32. Wolfram - Unknown license
  33. Beauvoir Demo - Unknown license
  34. Fidelity Caps by Jonahfonts, $19.95
    A tall upright CAP font with small caps. Now includes the Capital German double S (Eszett) ß. Applications include Captions, headlines, packaging, posters, ads, greeting cards, book jackets and/or covers.
  35. Absolutely Silent by Ali Hamidi, $10.00
    Absolutely Silent is a simple and single line handwritten font, described by a refined touch. Fall in love with its distinct and timeless style and use it to create spectacular designs!
  36. Few Grotesk by Studio Few, $24.00
    Tall X-Height, Angled Terminals and Medium Contrast, Few Grotesk is a UI font designed with personality. Originally conceived as a hybrid between Grotesque & Humanist, Few Grotesk pairs legibility with character.
  37. Cross Stitch Monogram by Gerald Gallo, $20.00
    Cross Stitch Monogram is based on upper case characters 15 stitches tall and contains the upper case characters A-Z, numbers 0-9, ampersand, and a selection of various simple ornaments.
  38. Liniga by Graphite, $15.00
    A tall, warm and friendly handwritten typeface with a simple structure and low contrast. Works well for both display and body text. It has a serif version as well - Liniga Serif.
  39. Christy Marie by Elemeno, $25.00
    Christy Marie likes fun fonts. This was the first font to meet with her approval. It's bouncy, teenage girl sort of font and would do well at parties or the mall.
  40. P22 Symphony by IHOF, $24.95
    P22 Symphony is a romantic decorative script originally called Zephyr featuring extra flourishes on the capitals. Useful for lines of display in advertising, packaging etc. or for small extracts of poetry.
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