Finally the light version of Wilhelm Berg’s hot-metal classic which had found its way from Schriftguss to Typoart can be released for nowaday’s use.

Maim is one messed up sans serif typeface. Designed to be used as a family by intermixing the letters for more random looking destroyed text.

Filou is a genuine bastard inspired by three different typefaces. It consists of three weights: "Regular", "Medium" and "Extra" which can be easily mixed together.

The ALDOGIZIO family is a new slab-serifs typefaces family inspired by Aldo Novarese' Egizio. It can be use for text as for titling applications.

Baby Fun is inspired by the playfulness of hand lettering. This font can be used for comic design, children's books, preschool name tag and more.

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful version of Century Old Style by Les may be superior to any existing versions.

JasperSqueeze was an attempt to do a decent text face. Blending it with XAabced resulted in JabcedHy, which seems to be superior to both parents.

Subikto Tree is an ode to Mother Nature. This summer enjoy so many variety of trees in your design, be green and forget the blues.

Borba Sans is based on Borba . It is really readable sans serif typeface which may be used whenever you need a stylish and modern typography.

This font was made to be clean and legible. It's versatile nature makes it perfect for note taking, posters, or even for long form copy.

Bollatica from Philip Bouwsma is a nice interpretation of the scrittura bollatica. It has a floreal historical lettering and can be used for historical documents.

Zumbo is a capital letter font, hand designed. The letters can be freely combined: with or without decoration. 2022 by German typeface designer Joachim Frank.

Introducing Galisteo, a subtle retro-aesthetic serif typeface. This font will be suitable for display design projects and creative ideas that need to stand out.

Let’s be creative and have fun at the same time! With the new Itchy Handwriting, you will make your friends smile and your foes shake.

This typeface was suggested by a 1930s ad for a product called Plantol, designer unknown. It can be either graceful or playful, depending on context.

Boa bold is a basic display font made for print. It was created for an Artbook about reptiles. It needed to be round and clear.

A basic handdrawn and scanned text that could be used for scrapbooks and the like. This font is a cross between Italican Oblique and Czaristane.

Gusto comes in three related variants that go from hot-dog to melted chocolate, a gastronomic combination not to be passed up (or thrown up).

Introducing Madriz, a slab serif font with a retro feel that's perfect for any project that needs a touch of old-school charm. With over 32 fonts in one font family, Madriz offers a wide range of styles to suit any need. You can choose from Thin to Black weights and Regular to Extra Expanded widths to create your perfect look. Madriz is inspired by the old-school signage of Madrid, Spain. The name "Madriz" is actually the affectionate nickname that Madrileños, the people of Madrid, gave to their city. The font's bold, blocky letters capture the essence of Madrid's vibrant and historic streets. Madriz's versatile nature makes it a great choice for a wide range of projects. Its bold, retro style is perfect for showcasing heritage brands or giving a modern touch to classic designs. Madriz can also be used to create a sense of nostalgia, making it ideal for retro-themed projects or campaigns. Here are some of the ways you can use Madriz: Titles and headings: Madriz's bold, eye-catching style is perfect for titles and headings. Text blocks: Madriz's wide range of weights and widths makes it suitable for text blocks, from body copy to large paragraphs. Logos and branding: Madriz's retro charm makes it a great choice for logos and branding. With its 32 font styles and support for over 90 languages, Madriz is an incredibly powerful tool for any designer. It can be used to create a variety of looks, from classic and elegant to modern and edgy. Whether you're working on a print project, a web design, or an app, Madriz has the potential to make a lasting impression. Madriz is the perfect font for anyone who wants to add a touch of old-school charm to their designs. With its wide range of styles and features, Madriz is sure to make a statement in any project. Would you like to get 5 completely free fonts worth over $75? No tricks, no hidden words, terms or anything. Just subscribe to my newsletter, make sure to check your email to approve the subscription, add me to your contacts so that the emails don't end up in spam folder and you will get 5 fonts for free. The fonts are packed with alternates, ligatures and some even come with extra goodies. Happy creating everyone!

Screter is a fresh Blackletter typeface with sharp edges that looks brave. Equipped with lots of ligatures and opentype features. Can be used for various purposes.

This font is an experiment in building dynamics into a typeface. Explosion has two variants to be put on top of each other for more dimension.

2 font faces that combine together with attached lower case glyphs. A combo type-face that can be used with or without joining its lower case.

Paine was designed to be a humanistic sans serif with an overall contemporary feel while at the same time evoking the feeling of earlier transitional faces.

Black spoon is a basic display font made for print. It was created for an Artbook about reptiles. It needed to be round, clear and modern.

The OTSU SANS family is a new sans-serifs typefaces family based on a geometric design. It can be use for text as for titling applications.

A great font for crafters and scrapbookers. This font can be used to design and layout samplers, or to just create that Home Sweet Home look.

An all-capitals reversed sans-serif font, designed for easy creation of signs, labels and banners. Various endpieces are included. Upright and italic can be combined.

Fractal is a font whose Hausdorff-Besicovitch dimension is greater than its typographic dimension. Big is better. To be used at display sizes larger than 200pts.

The OTSU SLAB family is a new slab-serifs typefaces family based on a geometric design. It can be use for text as for titling applications.

Hand-drawn playful lettering full of curls and whimsy. This is designed to be completely legible while still offering a fun flair to a finished project.

Alien Segment has got rounded corners and even though being built up upon geometry, it deserves rich text - and works well in both upper- and lowercase.

Sans-serif reversed capitals in circles, resembling typewriter keys. The font can be used for logos, signs and labels, and for markings on maps and charts.

Shourtcut is a font designed for the needs of all your retro-themed projects and can be implemented to all the designs you want to make.

Amaro Fleurie is the first decorative addition to my Amaro font. Yes the font can be mixed with all Amaro fonts. Enjoy and cheers to you!

Shareholder JNL could possibly be found on a stock certificate, but in truth, it's based on hand-lettering found on some old sheet music entitled "Sharing".

Solomonk is a hand-drawn script with extended latin. • All European languages are supported. • Basic alphabet has alternates. (a→α) • Solomonk can be connected and disconnected

BluHead Studio LLC is pleased to be working with New Zealand designer Joseph Churchward in the digitizing of his extensive library of exciting and unique designs.

A tool for cross-stitch creators. A highly readable backstitch alphabet font to be used in a word processor, especially useful for long, or centered text.

Jagadita is a display font that will be great for headline, posters, movie title, and more. It's a stand out typeface with eye catching characters style.

Useful links: Using the variable font in Illustrator Working with a variable font in Photoshop TT Frantz is an experimental variable font, distinguished by its slimness and lightness. The variation in the font affects the change in the height of the mean line - by moving the axis adjustment slider you can easily raise or lower the mean line of the font. In TT Frantz, you can find small references to the art deco aesthetics, which are expressed in significantly lowered or, conversely, heightened waist of the letters. In addition, depending on the position of the axis adjustment slider, the closedness of the aperture changes for some letters. In order to preserve the main feature of the font—the change in the height of the main line—we made lowercase characters as tall as uppercase ones, but at the same time we kept small kerns. An interesting fact is that in Cyrillic letters з с а е, the variability of the aperture follows a different scenario in comparison with their Latin sisters. When working on TT Frantz, we tried to make it so that when changing the variability, the width of the characters would not change, and the font would remain monospaced. And in order to avoid holes in the set, we made contextual alternates and several ligatures. Frantz consists of 470 glyphs, and in addition to broad language support (Latin and Cyrillic) it can offer standard and old-style figures, including their tubular versions, as well as ligatures. Important clarification regarding variable fonts. At the moment, not all graphic editors, programs and browsers support variable fonts. You can check the status of support for the variability of your software here: v-fonts.com/support/ But do not despair—even if you do not have access to the necessary software, you still have the opportunity to use TT Frantz in your projects. Especially for you, we have prepared three separate non-variable styles (Frantz A, Frantz B, Frantz C), each of which is responsible for a certain location of the mean line of the font and where this line is already fixed in a certain position (high, medium and low).