An elegant serif with contrasting lines and balanced curves. A lot of stylish alternates will give you many useful variations for use. Try to play with the compositions of curves / alternate letters. This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish Kristopher.

Roster is a strong brush script family of two weights, caps and a set of ornaments. Roster is great for any kind display use from advertising to packaging and from online to branding. Roster is clear and legible even in smaller sizes and works for longer texts too, but is at it’s best when used for shorter sentences or even just for one or two word display or logo use. Roster is equipped with plenty of Ligatures and Contextual alternates that are automatically activated as long as you keep Standard Ligatures feature on. These features help to maintain the flow and add on some variation when writing with Roster. If you need more than that there is at least three Alternates for each basic character: click on Swash, Stylistic or Titling Alternates in any OpentType savvy program or check out for even more alternates from the Glyph Palette. Since uppercase letters in Roster are mainly designed as initials I made Roster Caps for an all caps version of the capital letters. Roster Caps can be used on it’s own or to support Roster Script. Roster Ornaments is a set of swashes and brush strokes designed to support the font.

Hokaplay - Playful Display Font Hokaplay is a playful display font that creates with a very good concept and adjusted well to keep the legibility. Hokaplay Playful Display Font Comes with upper and lowercase Standard Characters, Punctuation, Numerals And other Glyphs variation of the OpenType features/ Ligatures. Hokaplay Playful Display Font is suitable for logos, posters, school flyers, university banners, modern advertising design, product labels, cartoons, kid books, custom mugs, pillows, t-shirts, youtube thumbnail/cover, poster quote, editorial design, book/cover Title, website/blog, social media post, packaging designs,, and other designs. Features; - 2 Styles; Regular and Rounded - Standart and special ligatures - Uppercase, Lowercase, Number, and Punctuation - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word - Fully accessible without additional design software. - Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡

Kade is a display/semi display sans family of fonts based on vernacular lettering photographed over the last ten years in and around the harbors of Amsterdam and Rotterdam. Hence the name Kade that translates into English as ‘quay’, also the name of its designer. Kade grew slowly from many different ideas and elements. The letters reflects the industrial method in which they are cut for the side of ships from large steel plates. Frequently subtleties of curves are compromised due to the cutting tools and the fact engineers are in control. Kade’s italics have an experimental character and were produced in an unorthodox manner by rotating 8 degrees, rather than slanting the roman characters, a method sometimes employed in shipyards. Kade constructed character is ideal for contemporary editorial works, architecture magazines, museums communication and posters. The six distinct styles are published in OpenType format, featuring small caps and four sets of numbers (proportional old style, tabular old style, proportional lining and tabular lining), as well as matching currency symbols and a complete set of fractions.

Handwriting of a strong Carelian personality revived: It’s autumn time once again, harvesting season, mushroom & berry time – the favourite season of my Karelian aunt Katri. A postcard she sent me more than twenty years ago had inspired me to SyysScript, “Script of Autumn” in Finnish. Katri had a very kind but also energetic personality, and I always thought her handwriting was a mirror of it. By making SyysScript I felt I could revive some of her unforgettable character. My Finnish autumn font has by now become a favourite for many and is branding fine food in both the Eastern and the Western hemisphere – even far beyond the arctic circle. “SyysScript“ is actually a growing family. For enhanced functionality in small sizes I added “SyysScript Eco” a year ago, a style with shortened extensions and simplified letterforms especially suited for packaging. And this autumn, a special one for Finland which is celebrating its 99th birthday, SyysScript grew again: Two long awaited newcomers, “SyysScript FeltTip” and “SyysScript FeltTip Eco” joined the family. They are bolder and softer than the previous styles but keep their positive, lighthearted feel. Use them to make a powerful individual mark on any background. – They are equally well suited for paper, packaging, a screen or even a concrete wall! Language support: Western and Central European, Extended Cyrillic.

The Mancho Font was completely created by graphic tablet. This font family comes in two weights; regular and bold. They're all capital but lowercase and capital letters are different from each other. The name “Mancho” comes from Turkish Rock Music Singer "Barış Manço". The Mancho font can be a part of your stylish designs with its free and powerful outlook.

Gift Wrap JNL takes a classic wood type display font and cuts it into diagonal striped lines to emulate package wrapping paper. An interesting side effect of the lettering is that at first glance you might perceive the style as being an oblique, but the letters are actually vertical. This typeface is perfect for holidays, birthdays and special events featuring a festive theme.

Barrowboy was inspired by the handwritten sales tickets that are still to be found on market stalls and fruit barrows, and are as familiar as the street cries that accompany them. The signage is mostly confined to numerals, so translating it into a font is pretty much a work of imagination. See also my other fun fonts Bebopalula, Calypso and Pier Arcade.

Balthasar is a very distinctive, stencil-type display font. Its letterforms originally appeared on a lettered book jacket by Michael Harvey. Its highly condensed letterforms being very economic in the use of space. The augmented, Balthasar Plus version has many alternative characters and ligatures, together with Opentype features for their automatic substitution where the application in which they are used permits.

A modern classic which will readily find a place in your font folder. Great effort has been taken to ensure the balance of color and weight for every glyph to promote flowing legibility. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

The 1935 catalog for Vitrolite (a brand of pigmented structural glass) featured artist renderings of how the glass could be applied to business exteriors. One of the lettering styles used in these examples was an Art Deco lower case. This design has been turned into a digital typeface called Retail Establishment JNL and is available in both regular and oblique versions.

Ghylde is an elegant & modern Serif Display typeface that stands out. Ghylde will be best suited for creating logotypes, branding, headlines, corporate identities, and marketing materials for the web & as well as any minimal designs. Please see the included demographics to get an idea about the capability of this typeface when used for branding and marketing material design. Thank you.

We're proudly introduce Al Mahdis, the arabic-style font. Starting from the idea of ​​making an Arabic font that remains clean and easy to read, Al Mahdis was born. This font is very suitable for writing calligraphy, book titles, or even your business logo. We're honored and hope the Al Mahdis font can be part of your special work. Thank You :)

MGN Ismawan. This font was created in 2022 and was inspired by the Helvetica font. With a standard shape and being a bit wide, this font is suitable for writing, but for headlines, we think it's still OK. There are several forms of this font that have a distinctive character, which makes this font suitable for logo writing.

Kompakt is one of the early typefaces of type designer Hermann Zapf, whose Palatino has long been a standard in almost every area of application. Kompakt consists of a single weight and was designed in 1952, two years after Palatino. It was produced by the foundry D. Stempel AG in Frankfurt am Main, Germany, where Zapf was at the time in the artistic department. The figures of this extremely strong and heavy typeface are decidedly those of a broad tipped pen. When enlarged, the sharp outlines of the characters can be clearly seen. The unique dynamic of the alphabet is a result of its strong serifs, which on the lower case letters almost connect the letters in a line. Together with the slight slant to the right, this gives Kompakt the character of handwriting, making it look like it is always striving to go forward. Kompakt is an excellent choice for advertisements, especially for posters which should display a hint of nostalgia, and should be used only in headlines.

Controlled casualness is the watchword in this new handwriting script from the prolific young French designer Éric de Berranger, who also designed the sans serif type family ITC Octone. ITC Berranger Hand has its roots in chancery calligraphy, yet its surface looks like contemporary informal lettering that was written quickly with a felt-tip pen on slightly absorbent paper. The counters of some letters appear to almost fill in from ink spread, yet Berranger Hand is admirably readable at small sizes. The capital letters are restrained, without swashes, so they can be used together in all-caps combinations.

Sun-tanned, smooth, and fluid. Suave Script is based on disconnected calligraphy originating from a how-to lettering book from the 1950s. The uppercase letters dance, and then dance some more - Samba, Tango, Mambo or Candombe - take your pick. The lowercase flows like honey waiting to be licked off the comb. A rare gem - depicting the sweet hustle and bustle of life of a history-rich urbanism. Suave Script is at once fashionable, human, and creative. For this new Pro version a number of endings, ligatures and an extensive range of languages were covered (Western and Eastern European, Baltic, Turkish, Maltese and Celtic)

Primark is a chic, modern and elegant script font with a prominent appearance, it's a great choice for logotypes, brand names, digital signatures, online portfolios, website banners, posters, wedding invitations, book titles, and headlines. The Primark font consists of 3 fonts, the primamark regular, alternate and swash. they are designed in the same metric so that the two fonts can be combined with each other. Come with ligatures to make it more natural impression and supported by diacritic that supports various language. Chic, Modern, elegant and stand out are words that can describe the definition of this font.

Presenting a proud and tall font! The ability to express emotion through typography is one that is very much needed. Thus, the idea of emotional typography to communicate feelings was born. The emotion of Egoism is primarily one that is self serving and personal. While appearing to be deceptively simple, it is designed to have a handmade effect. The center point of the letters has been raised, giving the letters and glyphs a taller appearance. This reflects the feeling of having an inflated Ego. The handmade aspect of this font is what makes it great for giving any design a personal touch. Pair it with a bold Sans Serif font which also has a hand made appearance. Create designs with this Egoism font that enhances your hand made looking pieces!

Caturrita is a versatile family for use in both long texts, and can be used in titles. The characters have fluidity, contemplating the principle of continuity. It has structural strength of the glyphs to be drawn by considering aspects calligraphy. The name comes from the similarity between the characteristics of the bird well known in southern Brazil: drawing the loose, fluid that resembles a flying bird. Moreover, a clear reminder that some of the glyphs are the serifs beak of the animal. Prize Winner Bornancini - Porto Alegre RS - Academic Category Selected Project Muestra de Estudiantes for the Ibero-American Biennial of Design - Madrid - Spain

Naïve Inline Sans is a layered sans serif handwritten font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. We designed three weights to assure a good readability whatever the size. They can be enhanced with five different interior patterns and three shadows to improve your designs and bring a charming and unusual feeling. To do so, you can simply superimpose the layers with a compatible software like Photoshop, the weight above and the pattern(s) below, then choose a color for each. This font is part of our Naïve superfamily that contains lot of variations: Line, Inline, Serif, Sans Serif, and a special Art Deco one. Just click on our foundry name to see them all! We hope you will enjoy our work. Merci beaucoup!

If you think nostalgia isn't what it used to be, this will change your mind. A ritzy new font family from Studio K that will transport you back to the era of afternoon tea dances performed to the strains of the Palm Court Orchestra or the Bath Pump Room Quartet: a celebration of the golden age of dance from Busby Berkeley to Fred Astaire and Ginger Rogers. Enjoy!

Rounded, two was designed with a simple idea in mind: the basis for the majority of the characters is a perfect circle. That circle is then intersected and cropped to make unique, modern and stylish letterforms. Rounded, two is an improved version of my initial experimentation. The font looks good at all sizes, but particularly for large displays where the elegant simplicity of each character can be appreciated.

We really enjoy going for long walks in the park in autumn, and the beautiful colours and shapes of the fallen leaves inspired us to create this font. We Love Nature Autumn Leaves is a picture font consisting of 52 highly detailed, hand drawn illustrations. The illustrations can be used on their own to create beautiful designs, or in combination with other illustrations in the We Love Nature font collection.

Here's another mosaic marvel from the New York subway system, to complement Midtown Tessie. This style is based on signage at the 34th Street station, with connections to Brooklyn. A full tile background is available at the bar position, and a marvelous meander can be found at the German double-s spot. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

The Bernound is an amazing typeface which comes in three weights. The clean weight comes with rounded corners and a slim shape that presents a minimalist impression. The outlined weight has a fancy feel when displayed on its own, and the rough weight has a vintage, rustic, and grunge look. All weights can be combined perfectly which gives you the opportunity to create endless unique designs with just this one download.

Derived from the world famous Rennie Mackintosh Font, the Scotland St. version gives an outline form of the genius of Charles Rennie Mackintosh. The "Scotland St." name comes from one of Mackintosh's most famous architectural works - the Scotland St. School in Glasgow, Scotland. This wonderful legacy of Mackintosh's genius can be visited daily FREE OF CHARGE, as it has been classed as a museum by Glasgow City Council.

Tuff began with Magma. Set as text, they appear to be similar and are quite comfortable as typographic companions. The child-safe softness of Tuff owes something to the letterforms of the earliest extant Greek Manuscript, The Persae by Timotheos in the 4th Century BC. It is beholden to Morris Fuller Benton's original Souvenir, and its revival by Ed Benguiat. My own Stone Informal was also an influence.

Introducing Containment, the ultimate font system that will elevate your design game to new heights. With its multilayered features, Containment is the perfect tool for creating headlines with a unique edge. Whether you want to add some fizz, gravel, snow, sand, or any other gritty effect, this font system has got you covered. Containing four fonts, namely the plain layer, shadow layer, crunchy-little-dots layer, and a combination of the three, Containment is designed to give you the creative freedom you need to craft stunning designs that stand out. The best part? This powerful font system is based on the renowned Tandelle typeface, known for its clean, sleek lines. As an advertising professional, you understand the importance of capturing your audience’s attention from the get-go. With Containment, you can create headlines that pop and grab your audience’s attention. Experiment with colors and add different layers to your headlines to create a unique look that will set your brand apart from the competition. In the fast-paced world of advertising, innovation is key, and Containment is the perfect tool for breaking the mold and taking your designs to the next level. Order Containment today and experience the power of a font system that combines style, creativity, and functionality like never before. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Parabrite arrives as a vision of the future. The future is brite - Parabrite - this is unavoidable now. The composition of Parabrite is found to be based on a set of technical behaviors defined from a set of four sub-glyphs and their interactions, similar to the make up of our D.N.A. (A,C,G,T). Likewise, Parabrite's block matrix is composed of four units (S,L,I,C). These units are only allowed to group together according to predefined set of mathematical rules, and affect each other symbiotically. The smallcase letters stand five feathers high, while the capitals add an extra two feathers width. Parabrite is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications. Use Parabrite when you dream of a future world. Since Parabrite is adapted to be quickly read by a wide assortment of electronic scanners, legibility to humans suffers a little, although robots report it is much easier on the eyes. They are happy to read it for you too, if you are having trouble.

Campione Neue was designed to be a true work horse. It is powerful and versatile thanks to its two styles Sans and Serif. It's perfect for logotypes, sports branding, social media edits, posters, apparel design, magazine headlines, labels and so much more. Campione Neue is spanning from Thin to Black in both Sans and Serif. The Variable Fonts can be used in Adobe Photoshop and Adobe Illustrator and other applications that supports this feature. They make the process of designing more flexible and easy. For those who prefer fixed weight fonts we've included nine weights for each style in the package. Campione Neue comes with a character set supporting most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili, Swedish and many more...

It may be difficult to find a font with characters and legibility rates when creating impactful visual designs. Amid the abundance of ordinary font options, the branding and marketing processes can remain stagnant because the absence of unique fonts will increase the risk of your visual designs getting blended with other people’s designs and be left forgotten. For that reason, we would be glad to introduce you to River Stone, a font to give you assistance to create prominent visual designs quickly and easily. River Stone is an uppercased display font in textured letter shapes with which it shows firm, eye-catchy impressions. The font’s textures can add dimensions to the letters’ displays and live up the design nuances. With the use of uppercases, this font is capable of protruding the desired messages and make the design displays more attractive. Its unique shapes will affect the legibility rate of the font, therefore, you need to use this font for big text sizes for a better legibility reason. In addition, this font provides you a clipart as a bonus and you can make use of the available features here as well. Features: Multilingual Supports PUA Encoded Numerals and Punctuations River Stone fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

In 2006 the art director of Emotion, a women’s psychology magazine, asked me to design a copy typeface for them. Before I actually got the job I started to work on a serif. I wanted it to be feminine but still clear and modern. On one hand there are the floral round elements and on the other hand the angular serifs. In the composition I wanted the two extremes to work together. All the other elements had to be harmonized. The proportions needed to match the magazine’s requirements. The ascenders and descenders are short enough to work in narrow columns but long enough to work in small sizes. As you can imagine, the emotion-job never happened. Verse is now a serif and a san-serif with 7 weights with italics and smallcaps. In copy you should not get heavier than Heavy. Extrabold and Ultrabold work best in display.

Matthew Carter designed the Shelley family 1972 for Mergenthaler Linotype to be used as a new script face for the photo typesetting machines. The basic idea was to create one script face that would offer dfferent elegant letterforms. Matthew designed Shelley in three different versions, Allegro which is in the style of Kuenstler Schreibschrift, Andante where the caps are less flowrish and wide and Volante where the letters have its most expressive and wide forms and the lowercase z in this font is in the french anglian double stacked form. All three versions can be easily mixed to give the text a more individual calligraphic look Besides Shelley Linotype Zapfino from Hermann Zapf shows similar basics, but in a totally different letterform. In Linotype Zapfino the individual lowercase letters from the four different versions have different letterforms which gives the text an even more individual touch.

Braga Huis typeface is a font family that is inspired by the famous street in Bandung that was made to embodies the atmosphere and the environment of Netherland-Indie city at its golden time, whereby all the elements were designed to give the impression of structural, artistic, and advance. Braga Huis typeface has a strong Art Deco character, where the impression is depicted from the strong lines, curvy passion so it is very appropriate to describing the future atmosphere from the perspective of the 19th century. Braga Huis typeface has 3 font styles consisting of uppercase, lowercase and various alternative options that can be customize to your taste, poster is one of the media form of presentation that we believe is very appropriate for this type of font. But whatever the medium is, honestly we say; using Braga Huis typeface will make your artwork will never be cracked by time.

Madison Street is a font family with 8 fabulously fun typefaces! Eliza Gwendalyn & Jim Lyles of Studioways have teamed up with Spencerian calligrapher Elaina DeBoard to create a classic pointed pen calligraphy font. From its ornamental monograms, to its variety of complimentary text styles, and to its Madison Street Pro, with its elegant stylistic swashes and OpenType goodies, there is a font for every designer. Enjoy the sleek Madison Street Sans, Serif or Script, paired with the Ornaments font, complete with ornate monograms, or use each typeface on its own! Madison Street Pro has all the OpenType bells and whistles. The Ligature feature automatically substitutes beginning and ending letterforms, as well as 100 ligatures. Turn on the Swash feature for elegantly sweeping swash lowercase forms. Enable Stylistic Alternates for even more variations. There are also 10 Style Sets to chose from. And many more OT features! Madison Street is a basic version of the Pro font, intended for users who do not have OpenType savvy applications. Madison Street Stylistic is also a basic version of the Pro font, intended for users who do not have OpenType savvy applications. It has stylistically different ascenders and descenders. Madison Street Swash is intended to be used with the basic fonts, Madison Street and Madison Street Stylistic. It has lowercase beginning and ending swash glyphs and cannot be used to set text by itself. Madison Street Sans, Serif, and Script are text fonts modeled after the handwriting of Elaina. They are intended to be complimentary to any of the script fonts. However, you'll need to set them at a smaller point size (about 1/3 the size) in order to get the preferred scale and weight. Finally, the hairline weight of the Madison Street script fonts is very thin, and at small sizes up to 40 pt, you may notice some breaking up when printing to desktop printers. To remedy this, we recommend outline stroking the text a small amount (.1 -.3 value). this should improve the output without adding to much weight overall.

Dream Flourish is a beautiful, attractive and luxurious font with a very unique swash. Swash in the form of a very beautiful flourish. This font is compatible with various themes and concepts, such as wedding themes, fun, luxury and others. This font can be combined with additional elements such as watercolor designs, clipart and sketches. This font is suitable for your projects such as logos, wedding invitations, branding, landing pages, apparel, posters, headlines, greeting cards, invitation cards, social media, crafting, quote and more. This font can be used and supported in various programs and OS, such as procreate, cricut, windows, macOS and others. This font is also support multi language.

Sausage is unapologetically bold and bulbous. Influenced by magnetic fridge letters, hot dogs and 70s phototype fonts, it is retro, but not cloyingly so. It was a deliberate plan to make Sausage only a single style typeface. The freedom that not having to think about how the font should relate to other weights allowed me to push the glyphs to places they might not otherwise have been able to go. There isn't a single corner in the entire font, and you'd be hard pushed to find a straight line. This is as soft and friendly as they come, and still equipped with numerous ligatures, alternates and arrows for sophisticated typography.

The letterforms for this unique face were found on a luggage tag designed by the Richter Studio of Milan in the 1930s; the treatment was suggested by a recent Dutch ad for the opening of a service garage. The meeting of the twain results in a three-dimensional delight. Various transitional elements can be found in the ASCII tilde, {brace}, dagger and double-dagger positions. Both versions of the font contain characters to support all major European languages.

Damian is a font designed with simplicity in mind and a hint of flare to catch the attention of the user. The sans serif style is based off of the geometrical features of Futura and Univers. With the focus on the circle creating the forms this font is geared towards a feeling of modern art deco. The name comes from a colleague who asked to be named after the font, it was his birthday, how could I say no.