Julia Child said, "I didn't start cooking until I was 32: up until then I just ate". Whether you cook or eat, design menus or place cards or cookbooks this set of 30 fresh Kitchen Doodle illustrations makes the job easier. Baking, cooking, mixing, chopping, grating, this little font has it all. Bon Appétit!

Bigroads Script is a layered bold script with extruding, inspired by a Retro aesthetic. Made in combination with hand lettering, it comes with dramatic movement and it’s great for any next creative project that needs a retro vibe or modern touch. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.

The inspiration for this versatile typeface came from both Art Deco and Military sources. It comes with both a clean geometric and hand drawn version so you don't have to get carpal tunnel sketching it out yourself. This typeface is equally at home stenciled with paint on a wall or used on a music poster.

Newest product Roasting brush script font. Roasting is suitable for all your design project needs such as: logo design, branding, covers, posters, magazines, wedding invitations, greeting cards, quotes and more. What includes: Alternate, Ligature Multilingual support - spread your message globally AÀÁÂÃÄÅCÇDÐEÈÉÌÍÎÏIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸÆßÞþ Encoded PUA Characters Fonts are fully accessible without additional design software. Happy designing...! Thanks.

Gloomie Sunday is a Handwritten Font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion! This font only has allcaps letters. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Imperial Quortex came to life during many processes. Including a bad copymachine, a wet cloth and multiple prints and scans. The result is Imperial Quortex: a unique eroded font! Comes with unique accented letters, alternate upper- and lowercase, smart ligatures and alternate letters. You will need to use OpenType supporting applications to use the ligatures.

Mango Mingle is a Handdrawn Font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion! This font only has allcaps letters. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Honey Bread is a Handbrushed Font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion! This font only has allcaps letters. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Bible Script font is the work of designer Richard Bradley. A textured edge, swash alternate characters and additional flourishes enhance this traditional, calligraphic font. Word settings look as though they were written by hand. Bible Script font is perfect for certificates, diplomas, citations, greeting cards, or anything that should have a personal, elegant touch.

Love Light was the first commercial font released to the public by Rob Leuschke. As a result of many requests to make this piece of hand lettering into a font, Love Light introduced the world to the TypeSETit foundry. A playful calligraphic style, Love Light is great for scrapbooking, cards, invitations and other fun things.

Ring Quad is brave and confident from thin to black. A cleaner, geometrical and professional aesthetic. Ring Quad is a modern & minimalist font. It’s perfect for branding, logos, quotes, posters, name card, stationary, and every other design that needs a striking typeface. Now, Ring font family prepared for any insane adventure life throws our way!

Larsson is a hand-drawn, all-caps, ultra-narrow font created by Bartek Nowak. It contains two variations for each letter and a lot of ligatures. Use for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Brother Siam font, is a handwritten font with a professional signature style. equipped with 30 ligatures to add a natural impression. It is perfect for business cards, wedding invitations, fashion magazines, photography watermarks, logos, product packaging, branding projects, megazines, social media, weddings, or just to use to express the words over the background. regards

Introducing Moonchrome comes with 4 alternate variations. Moonchrome perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. Feature UPPERCASE lowercase Numbers & Symbols International Glyphs Alternative lowercase Ligatures Swashes If you need anything else just shoot me an email at: dedukvic@gmail.com

The White Moon feels equally charming and elegant. This stunning script font is a stylish homage to classic calligraphy. It features a varying baseline, smooth lines, and gorgeous glyphs. Get inspired by its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

Flower Child is a whimsical, carefree, brush font with a bouncing baseline. This playful font will give your designs that fresh, handwritten feel to it and will look lovely on cards, headers, quotes and all your other lovely projects. Flower Child has nice smooth lines which makes it perfect for crafters and cutting machines.

Ulysses was created by English designer Timothy Donaldson in 1991, an impulsive, dynamic alphabet in handwritten style. The sketchy strokes, the clear slant to the right and the light stroke contrast lend the font its flow and energy. Ulysses suggests randomness and individuality and is therefore perfect for invitations, greeting cards and other personal correspondence.

Aventi is an absolutely elegant serif font. This typeface includes stylistic alternates set (a, e, g, y) and discretionary ligatures. It will elevate a wide range of design ideas, from cards to branding, labels, and more. This font is PUA encoded, which means you can access all of the glyphs, alternate characters, ligatures with ease.

Tighten up your capes, pull those cowls over your eyes and hoist your underpants over your trousers as far as they will go! Silver Age super heroes know that Men of Action can never look foolish fighting crime in their pyjamas and neither will you with the help of our latest crack-kerning offering.

This fun sans-hand typeface gives your designs and layouts a personal touch that leaves a smile. FUNFAIR has two weights each with italics. FunFair has tall letters and tight kerning to give a natural hand written style. It’s great for posters, cards and headings but also versatile enough for many kinds of typographic layouts.

Pierce Jackson is a Handbrushed Font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion! This font only has allcaps letters. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Jump is a lighthearted, handwritten script. Its quick and informal style is perfect for short notes and messages to convey charisma. The letters 'jump' up and down on the baseline giving words and sentences a lively impression. Try out Jump for invitations, cards, and announcements when you are aiming for the hand-made effect.

Fragment Pro Inline is a part of a larger OpenType font family (see also Fragment Pro). It is an elegant, soft and decorative typeface built on classical proportions. Its outlines have been carefuly crafted with a high attention to detail, so it could be used even at very large sizes. Fragment is a layered typeface – you can either use the standalone version of Fragment Inline or combine its two layers (Lit and Shadow) to achieve various color effects. It is not recommended to use “inline” layers separately. Instead, choose the separately sold Fragment Pro, which has been significantly optimized for standalone use. Fragment has been conceived to be used as a display typeface in publications, titles, logotypes etc., but it is surprisingly legible even in smaller print sizes. Thanks to its strictly onefold oulines, Fragment can be also used as a stencil typeface. Fragment supports many OpenType features and offers great multilingual support for most of the Latin-based languages. Feel free to download the detailed PDF Specimen.

Guinevere Pro is a typeface designed by Icelandic art director Sigurdur Armannsson. It started in 2001 as simple hand-drawn sketches of a few letters built from modules, then became an experiment with four goals: - Construct an original alphabet from a specific set of predetermined modules. - See how certain letter forms built without said modules would behave within the totality of the module-constructed alphabet. - See if certain letters would actually enforce their own shapes to be drawn a certain way within the totality of the typeface. Likewise, see if the totality of the alphabet demands that individual letters be drawn in a specific way, and if so, how much room for variation would there be? - See how all of the above reacts/changes to implementing the alphabet across different weights. The experiment was finessed and re-worked over many years of technology changes, and Guinevere Pro is the final outcome, ten years later. The Guinevere Pro set is four cross-platform Open Type fonts, with built-in small caps, alternates, ligatures, and support for a wide range of Latin-based languages.

Introducing Fiasco Script, a bouncy modern calligraphy font. Fiasco is a clean cursive font with a feminine aesthetic, making it a perfect choice for designing feminine logos & branding, cute paper products like wedding invitation suites, or for displaying headlines on your website. Fiasco can also be used for other print design like magazines and flyers or printed marketing materials. This font can also be used for digital marketing materials and social media items! Fiasco Script’s clean edge makes it a great candidate for craft projects on your Cricut or Silhouette machine; it cuts beautifully! Fiasco Script includes: - full upper + lowercase characters - numbers + punctuation - 2 ligatures — ox, tt - PUA-encoding Extensive Language Support: Western European, Central European, South Eastern European, South American, Oceanian, Vietnamese, Esperanto Fiasco Script can be used with graphic design programs such as Illustrator or Photoshop, word processing programs like Pages or Word, Design Space for Cricut, Silhouette, Procreate, Canva Pro, Glowforge, GoodNotes, & more. This font is an installable for desktop & laptop machines, as well as iPads or iPhones. See below for links to help with installation.

Mareka, our newest font, is now released. Beautiful, tidy, and elegant font with a distinctive shape. If you employ this typeface, your once-good project will become something truly unique. This typeface is appropriate since the shape of each letter may be used in a variety of ways, including serious, relaxed, and natural. Because everyone does not necessarily understand Japanese letters, we supply fonts with letters that can be utilized for your project. We produced this display font with a Japanese theme or an Asian font, which we designed to fulfill the needs of your Japanese-themed project. Of sure, your initiative will be understood by people all around the world. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

EraMax Radial is a geometric sans serif meant to be set BIG, for big statements. It's the perfect face for signage, packaging posters, branding and so on and on, where a strong voice is needed. It has a modern look that will work in a retro setting. Or, should that be a vintage look that will work in a modern setting. This is the first of what is to be a series to typefaces inspired by the original hand painted signage found in the TH&B train station in Hamilton Ontario. This classic Art Deco, Or, more precisely, Art Moderne building designed by the New York architectural firm of Fellheimer and Wagner and completed in 1933. The original lettering included about 75% of the uppercase letters only, so the balance of the uppercase and the lowercase plus all the other glyphs were extrapolated from the look and feel of the existing uppercase letters. Figures are based on the numerals on the station clock, with adjustments made to harmonised with the letters.

Hello everyone, I would like to introduce my newest font Merry Bright Script is a beautiful modern calligraphy typeface, I hope you will be interested in this font, if you want to use it for your work. This font can be used easily and simply because there are many features in it. contains a full set of lowercase and uppercase letters, a wide variety of punctuation marks, numbers, and multilingual support. font also contains a lot ligatures and contains many alternative Style Sets such as the stroke alternative of the heart to combine with two words, for example: Ashley-Haston. You can see an example in the image above. Merry Bright is perfect for today's emerging market design, this font has a stylish, trendy, natural and soft font, with this font you can take advantage of any opportunity is a great way to highlight the celebration the best of parties, because this font will be an advocate for the cause such as wedding invitations, branding, parties, graduations, birthdays, gatherings, etc. Thank You, Romie Creative

Yorklyn Stencil includes three fonts, each optimized for use at different size ranges. Grande has greater contrast and more delicate breaks designed to be used at larger sizes where finer details are more conspicuous. Medium and Petite are intended for smaller sizes where the breaks and contours must be more resilient. We embedded several OpenType layout features, including traditional fractions and nut fractions. We extensively tested Yorklyn Stencil in what might be the broadest range of media and conditions in the annals of Northwestern Delaware typefounding history. From the ceramic kilns of Heath Ceramics to our studio’s stucco facade, Yorklyn Stencil’s robust curves and deceptively delicate breaks will withstand a wide variety of harsh conditions with unprecedented aplomb. Whether you’re hand cutting a stencil to buzz your bespoke restaurant bar stools or simply looking for a practical yet illustrative display font, Yorklyn Stencil’s elegant efficacy will enhance any creative composition. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Festivo Font Family is a handmade layered font which includes several textures, shadows. Different font types can be created using various combinations of Festivo Fonts and colors. All fonts of Festivo letters are created as hand-drawn design based on F.L. NO:8 Font's Letters. The fonts No:16, No:17 and No:19 have the same metric and kerning structure than the other Festivo Fonts except No:18. So each one of these 3 fonts are a layer. But they can also be use as wide spaced fonts. No:18 is specific with its metric and kerning structure which was formed by No:17 but No:18 is its bold version. It was designed as a supplemental font. The fonts No:12 and No:15 can be used as shadows. This font family also includes a few ornaments. For your convenience, the files of the fonts were termed by their numbers. The various possibilities of the Festivo Font Family allows you to create a lot of great works such as posters, magazines, printings, t-shirts etc.

Developed from the STP Display Cyrillic, the STP Stencil Cyrillic Typeface follows the same characteristic premise as its sister, in addition to composing the same number of Cyrillic and Latin characters. What distinguishes them it’s that the STP Stencil Cyrillic can be applied more easily anytime, anywhere, increasing the possibility of being used in a more craft and artistic way. Since it has characteristics of a stencil font, it brings a more urban and contemporary look, which makes ideal to use it in public spaces with large circulation of people. In addition, wayfinding, architectural, advertising, packaging, posters, among others projects, are a good request for STP Stencil Cyrillic show its vigor and all its beauty. The STP Stencil Cyrillic is a modular feature source, perfect to use it in major event signaling projects or similar. It can also be useful in any demands that requires improvisation and quick solutions. The STP Stencil has very expressive forms and counterforms, but still counts with the practicality of a stencil source and its infinite possibilities of use.

No matter if you're professional or beginner, your work should be fun. And if you are a coder/programmer, your coding font should be something you enjoy looking for very long time. Square and crisp coding fonts might be easy on the pixels, but are they easy on your eyes? Do they keep you entertained at work? Codelia is a monospaced humanistic typeface designed for coding with focus on comfort and fun without sacrificing legibility or coding functionality. It's fun but not a joke. Its round shapes are easier on the eyes and make the code look less intimidating. It is not designed to make maximum use of every pixel on screen, but to make you forget about pixels. The italic is full of personality but sober enough to not draw unnecessary attention. Codelia works great for coding, but also in presentation, education as well as packaging and branding. Codelia is available in two families, one with coding ligatures and one without; ligatures in the latter are still present in Diescretionary Ligatures feature (dlig).

The recent tragedies in America have resulted in a tremendous need for donations. This new font was created to benefit the victims in New York. This font is a great opportunity for artists, designers and computer users to show their support. The font needs to be big, 36 points or higher is recommended. It can be used at smaller point sizes, but there is little detail at smaller sizes. I felt a need to do something, ever since I saw those two beautiful buildings collapse in New York. You see, I went to school in New York, and I learned so much there. I truly love New York, and this is a way for me to show my support to the Big Apple. A $20.00 donation to the Twin Towers Fund is requested for those who download this font. Please send the donation to: Twin Towers Fund General Post Office P.O. Box 26999 New York, NY 10087-6999 Special thanks to those who reviewed my font and offered advice on what needed to be done to complete the font.

First released in 2009, Aviano Didone has been completely remastered and expanded with new weights and optical sizes. Aviano Didone's high contrast forms lend elegant beauty, luxury and romance to your designs and it's extended letterforms provide strength and power. Aviano's foundational classical forms give the face a look that is unique for Didone faces. Aviano Didone is a bold interpretation of vertically contrasted type. Aviano Didone comes in eight different weights and is packed with OpenType features. Want ball terminals for that logotype or headline? Flat serifs? Swash forms? Aviano Didone includes 102 alternate characters. Five style sets are available, and Art Deco inspired alternates, small forms, swash, titling and stylistic alternates. Aviano Didone also includes 40 discretionary ligatures for artistic typographic compositions. The new optical sizes allow Aviano Didone to be used on the web or in print without losing detail. Be sure to check out the rest of the Aviano series which can be used as complementary faces, including Aviano, Aviano Serif, Aviano Sans and Aviano Flare.

The history of Able’s connection with the Harry Potter phenomenon is really up in the air. It’s a catch-22 in this business - you either promote your own work and negotiate expensive exclusive licenses, or you work with a promoter and sell your designs to anyone and everyone. It could have been an in-house designer at Rowling’s publisher, Scholastic, or a freelancer who proposed Able for the headings and such. The responsible party licensed it from T26, and JK Rowling’s storytelling made it a star. (I suppose it’s ironic that there’s a whole lot of unwritten history in the typography business.) Able’s rise to fame really is a classic love story between reading and type design. If the books weren’t so popular, Able might still be waiting for some Mexican fast food chain to pick it up for packaging design. The movie deal certainly made the font all the more recognizable, what with its merchandising campaign. Popularity can also cripple a great decorative face. It’s always being recognized as “The Harry Potter Font.” It might just have to wait a few decades for the Potter phenomenon to subside to be freed from the “Chamber of Pigeonholed Fonts.” In the meantime, I’m sure that a lot of fledgling graphic design apprentices are reading their new Potter books, being charmed by the idea of type design when they’re not turning the pages too fast to notice.

Designed for global branding and supporting 93 languages, the SST® typefaces blend the organic readability and controlled structure of modern sans serif designs. In combining these attributes, the SST family is understated, versatile – and sure to be a timeless design. The SST Thai family has 4 fonts in total. It spans four weights from light to bold. SST’s subtle design traits provide a quietly handsome and consistently friendly typographic presence that can be used for just about any typographic application. Broad range branding applicability combined with coverage for almost a hundred languages, makes SST one of the most widely accessible and usable typefaces available. Originally designed in partnership with the global consumer brand, Sony, the SST family is one of the most comprehensive type families available. Since extensive multi-lingual support was a critical design goal from the beginning, Akira Kobayashi, Monotype type director and primary designer on the project, turned to a network of local designers around the world for their individual language expertise. As a result, the details – which could be as subtle as stroke curvature and width – are consistent across Latin, Greek, Cyrillic, Arabic and multiple Asian languages. SST performs equally well in print and on-screen and the designs can be used at very small sizes in packaging and catalogs; while massive print headlines – even complicated wayfinding projects pose no stumbling blocks to the family’s typographic dexterity.

Saylist is a serif font that exudes luxury and elegance. It has various features that will make your designs look beautiful and sophisticated. This font is highly recommended for logos and branding purposes. Still, its versatility allows you to use it for a wide range of design themes, such as luxurious, unique, vintage, and elegant. One of the standout features of Saylist is its unique shape, which gives off a creative impression. The font's clean lines and sharp edges make it easy to read, while its elegant curves add a touch of sophistication. Saylist's balanced letterforms and consistent spacing provide a harmonious and cohesive look, making it an excellent choice for any design project. Saylist is a font that can be used for various design projects. Its elegant and luxurious style makes it ideal for fashion, beauty, and lifestyle branding. It can also be used for headings, body text, invitations, and other print materials. Saylist's versatility allows it to be paired with other fonts to create a unique and cohesive design. Overall, Saylist is a beautiful and versatile serif font that can add a touch of luxury and elegance to any design project. It's unique shape, and balanced letterforms make it a standout choice for logos and branding, while its versatility allows it to be used for various design themes. If you're looking for a font that exudes sophistication and creativity, Saylist is an excellent choice.

The Jantze font is a project undertaken by Dan Bailey of Fontosaurus and Michael Jantze, creator of the nationally-syndicated comic strip, The Norm. All their royalties from the font will go to The Lance Armstrong Foundation. For those that have been living under a rock for the last five years, Lance is a professional bike racer that overcame advanced testicular cancer to not only come back to his sport, but to dominate its premiere event, the Tour de France. In climbing to the top of his sport, he has become a legend among cyclists and a beacon of hope for those battling cancer and their families. His foundation provides financial grants to researchers working to improve our odds against the disease, individuals stricken with cancer, and survivors of the disease that are advocates for survivorship issues in their communities. Michael Jantze and Dan Bailey would like you to consider the quote from Ralph Waldo Emerson that brought us to this project: "The purpose of life is not to be happy. It is to be useful, to be honorable, to have it make some difference that you have lived and lived well. We hope that you will help us help Lance Armstrong's legacy be more than that of just sports legend. We hope that you will help those that may someday help you as much as we hope that you will never have to suffer the ravages of cancer. We hope.

Designed for global branding and supporting 93 languages, the SST® typefaces blend the organic readability and controlled structure of modern sans serif designs. In combining these attributes, the SST family is understated, versatile – and sure to be a timeless design. The SST Vietnamese family has 4 fonts in total. It spans four weights from light to bold. SST’s subtle design traits provide a quietly handsome and consistently friendly typographic presence that can be used for just about any typographic application. Broad range branding applicability combined with coverage for almost a hundred languages, makes SST one of the most widely accessible and usable typefaces available. Originally designed in partnership with the global consumer brand, Sony, the SST family is one of the most comprehensive type families available. Since extensive multi-lingual support was a critical design goal from the beginning, Akira Kobayashi, Monotype type director and primary designer on the project, turned to a network of local designers around the world for their individual language expertise. As a result, the details – which could be as subtle as stroke curvature and width – are consistent across Latin, Greek, Cyrillic, Arabic and multiple Asian languages. SST performs equally well in print and on-screen and the designs can be used at very small sizes in packaging and catalogs; while massive print headlines – even complicated wayfinding projects pose no stumbling blocks to the family’s typographic dexterity.

A characteristic of the Minea font family is the achievement of the calligraphic handwriting effect. In addition to basic, simple letter forms, it contains a large number of additional stylistic alternatives and ligatures that, by combining and changing without repetition, give the effect of calligraphic writing. Some of these characters can be changed by automatically turning on a particular OpenType function, when ligatures replace the combination of letters that are part of them, the letter is replaced by a certain alternative when found in a given context, and capital letters are replaced with decorative initials. Letter swap functions can be used in all programs that support OpenType programming. Minea is an attractive font that is sleek, clean, feminine, sensual, glamorous, simple and very easy to read. The Minea font family, based on original calligraphic sketches, contains a total of six weights. Thin, regular and medium weights have ligatures and alternate letter shapes, which help make the syllable look like an authentic calligraphic print. Semi-bold, bold, and black weights contain only basic letter shapes. The font family contains Latin and Cyrillic. Includes Russian and Serbian alternative letter forms. The family of calligraphic fonts Minea can be used on various occasions, and is intended for use in print and online. Can be used in the realization of certain tasks, unusual advertisements, packaging and invitations, diplomas ... as well as for all purposes where this type of letter is needed.