5,135 search results (0.026 seconds)
  1. Komrile by Issam Type, $20.00
    Komrile is a serif font combines a vintage look with a modern flair that give it a fancy and unique style. This awesome font is perfect for branding, logos, invitation, social media posts, photography, watermark and so much more. Komrile comes with regular, italic, Condensed and Condensed italic font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates and multilingual support. OpenType Features Kerning Alternates Ligatures Stylistic Sets If you have any questions, please feel free to get in touch. Thank you
  2. TA Modern Times by Tural Alisoy, $17.00
    The Modern Times is the most popular font developed by me. It was sold more than any other of font that I created. The earlier version supported Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian, Cyrillic, Greek, Georgian languages. Last year, I decided to update it. The new version is called TA Modern Times. Its OpenType features include 1200 glyph, Stylistic Alternates, Stylistic Set 01–12, Standard and Discretionary Ligatures, Numerators, Denominators, Subscript, Superscript, Ordinals, Contextual Alternates and Kerning. Currently, supported languages are as following: Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian, Cyrillic, Greek, Hebrew. Additionally, the font has multiple styles such as Semi Condensed, Condensed, Extra Condensed, Ultra Condensed, Rounded, Inline, Outline, Semi Expanded, Expanded, Extra Expanded, Ultra Expanded. 6 previous versions of the font are FREE. You may download and enjoy it. Latin Plus languages supported 95% Latin Plus diacritics included 88% TA Modern Times OpenType features list: aalt, calt, case, dlig, dnom, frac, kern, liga, locl, numr, ordn, salt, sinf, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, subs, sups TA Modern Times graphic presentation at Behance
  3. Broadgauge Ornate by FontMesa, $25.00
    Broadgauge Ornate originated from MacKellar, Smiths & Jordan in 1869 and was only available as an all caps font with numbers. Today this old beautiful wood type rises again from the archives complete with original numbers and an all new lowercase. An all caps Greek character set has also been added plus accented characters for western, central and Eastern European countries. Included in each font file are two sets of left and right pointing hands located on the Less Than and Greater Than keys and also on the Bracket keys. Because this font works well with a Las Vegas theme I've decided to make the pointing hands gambling related with one set of hands rolling dice and the other holding cards. The condensed versions were created because in today's computer graphics applications people stretch and condense fonts to fit their project but don't notice the change in vertical stroke widths or line thickness. After compressing the letter shapes of each Broadgauge Ornate condensed font the vertical lines were corrected making sure they were the proper width or thickness. The results are balanced condensed versions that weren't simply compressed with out consideration for their appearance.
  4. Lankie by Gerald Gallo, $20.00
    Lankie is a clean, contemporary, geometric, condensed sans serif font. The font is ideal for headlines, titles, branding, small blocks of text or wherever a fresh font is desirable.
  5. Linotype Freytag by Linotype, $29.99
    Linotype Freytag is a condensed display face with simple, geometric shapes. With its highly readable and trendy letterforms, it is perfect for flyers, advertising, packaging, posters and magazine headlines.
  6. Chisel by Linotype, $29.99
    An inline version of the Latin bold condensed, and designed on the suggestion of Robert Harling. There is a double white line, which was originally engraved in Latin type.
  7. Hand Cut Stencil JNL by Jeff Levine, $29.00
    Hand Cut Stencil JNL is a condensed Roman typeface modeled from an antique tin stencil hand cut for shipping merchandise. The design is available in regular and oblique versions.
  8. Table Wood JNL by Jeff Levine, $29.00
    Concave Tuscan Extra Condensed is a classic wood type sans serif design that is the basis for Table Wood JNL, which is available in both regular and oblique versions.
  9. Convicted JNL by Jeff Levine, $29.00
    Convicted JNL is a condensed, chamfered sans serif type design inspired by opening credits from the 1940 film of the same name – available in both regular and oblique versions.
  10. Lucidity by DogHead Studio, $20.00
    Lucidity is a condensed, handwritten font with emphasis on texture and default wide spacing. This makes it a versatile font for display, medium amounts of text, and T-Shirts.
  11. Newshawk JNL by Jeff Levine, $29.00
    Jeff Levine's Newshawk JNL emulates the tall, condensed headline fonts often used years ago when an urgent story broke and a newspaper rushed an "Extra" edition to the streets.
  12. Blackhaus by Canada Type, $25.00
    Almost a half of a millennium after being mistaken for the original 4th century Gothic alphabet and falsely labeled "barbaric" by the European Renaissance, the blackletter alphabet was still flourishing exclusively in early 20th century Germany, not only as an ode to Gutenberg and the country's rich printing history, but also as a continuous evolution, taking on new shapes and textures influenced by almost every other form of alphabet available. Blackletter would continue to go strong in Germany until just before the second World War, when it died a political death at the height of its hybridization. For almost 50 years after the war, blackletter was very rarely used in a prominent manner, but it continued to be seen sparely in a variety of settings, almost as a subliminal reminder of western civilization's first printed letters; on certificates and official documents of all kinds, religious publications, holiday cards and posters, to name a few. In the early 21st century, blackletter type has been appearing sporadically on visible media, but as of late 2005, it is not known how long the renewed interest will last, or even whether or not it will catch on at all. The last few years before World War II were arguably the most fascinating and creative in modern blackletter design. During those years, and as demonstrated with the grid-based Leather font, the geometric sans serif was influencing the blackletter forms, taking them away from their previous Jugendstil (Art Nouveau) hybridizations. Blackhaus is a digitization and elaborate expansion of a typeface called Kursachsen Auszeichnung, designed in 1937 by Peterpaul Weiss for the Schriftguss foundry in Dresden. This is one of very few designs from that time attempting to infuse more Bauhaus than Jugendstil into the Blackletter forms. This is why we used a concatenation of the words blackletter and Bauhaus to name this face. The result of injecting Bauhaus elements into blackletter turned out to be a typeface that is very legible and usable in modern settings, while at the same time harking back to the historical forms of early printing. The original 1937 design was just one typeface of basic letters and numbers. After digitizing and expanding it, we developed a lighter version, then added a few alternates to both weights. The Rough style came as a mechanically-grunged afterthought, due to current user demand for such treatment. Having the flexibility of 2 weights and many alternates of a blackletter typeface is not a very common find in digital fonts. More specifically, having the flexibility of 2 weights and alternates of a 20th century blackletter typeface is almost unheard of in digital fonts. So the Blackhaus family can be quite useful and versatile in an imaginative designer's hands.
  13. Burpee by Yock Mercado, $12.00
    Burpee is a basic condensed sans typeface, designed for headlines that needs be powerful and punchy, Burpee is inspired in sports, looking for a visual impact that get the attention.
  14. Credititle by Jonahfonts, $29.95
    A condensed tall upright font with lowercase small-caps. Basically designed for movie posters. May also be used for a variety of tight-fitting type designs, from packaging to captions.
  15. Alleyway JNL by Jeff Levine, $29.00
    Alleyway JNL is an original typeface by Jeff Levine drawing heavily on Art Deco influences. It's elegant, condensed design is perfect for anything from invitations to letterheads to ad copy.
  16. Pool Deck JNL by Jeff Levine, $29.00
    There's nothing too fancy about Pool Deck JNL, which is based on an older typeface design. It's your basic sans serif condensed type style with a few unconventional letter shapes.
  17. Cadenza by Studio K, $45.00
    Cadenza is a bold condensed display font that combines flair with functionality, elegance with utility. Its weight and readability make it ideal for newspaper and magazine headlines, titling and signage.
  18. Chervonec Uzkj BT by Bitstream, $50.99
    Possessing a distinctive Russian appearance, Chervonec Uzkj, or Chervonec Condensed, is a hybrid semi-serif designed by Russian designer Oleg Karpinsky. The typeface family includes three weights with drawn italics.
  19. Cheyenne JNL by Jeff Levine, $29.00
    Cheyenne JNL is a classic slab serif wood type with chamfered corners. Its tall, condensed design is perfect for short headlines that emulate the Old West and similar nostalgic themes.
  20. Gwyner by Typomancer, $24.00
    Gwyner, a strengthened didone with sharp and clean characteristics, comes with thin to bold weights and is suitable in italic for various uses. A condensed family for space-saving design.
  21. Minty March by Angele Kamp, $24.00
    Minty March is an adorable handwritten font that is perfect for cards, invites, birthday invitations and more. This condensed, serif also works well when combining it with a script font.
  22. Latino Elongated by ITC, $29.00
    Latino is the work of British designer David Quay, an unusual, condensed, wedge-serif roman typeface. The characters can be set normally or widely spaced. Latino exudes grace and elegance.
  23. Moftein Sough by Martype co, $15.00
    Moftein Sough Is a condensed serif font pairing with playful dingbat to make it satisfying, also suitable for minimalist, chic, branding, packaging and merch design to boost your design exploration.
  24. Going Clap by Ahmad Jamaludin, $17.00
    Introducing Going Clap, the font that's all about bold and nostalgic vibes! This chunky slab serif typeface is your secret weapon for making text pop with artistic and vintage flair. With 8 unique font families, including Condensed, Normal, Semi Expanded, Expanded, and their cool shadow versions, you'll find the perfect style for any project. But that's not all! When you choose Going Clap, you'll also get a fantastic bonus—56 retro mascot illustrations for that extra touch of character and nostalgia. What's included? Going Clap Main File Has 8 fonts: Condensed, Normal, Semi Expanded, Expanded, Condensed Shadow, Normal Shadow, Semi Expanded Shadow, Expanded Shadow Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software. Thank you, Dharmas Studio
  25. Dionisio by CastleType, $49.00
    Dionisio, a CastleType original, takes its inspiration from one of the overlooked treasures of the CastleType library: Ransahoff. The latter is extremely condensed and very elegant. I particularly like its hairline slab serifs and cross-bars. I decided to use it as a starting point for a new design, but to make the proportions more classic and to make it more sensuous with gentler curves and bracketed cross-bar serifs. The result is very Bodoni-like, but less extreme and more contemporary looking. Meanwhile, Dionisio maintains a hint of Ransahoff with condensed letterforms and very fine serifs. Dionisio brings together the best of both, making it the perfect choice where a slender, sophisticated typeface is needed. Dionisio is available in two widths: normal and condensed, five fonts each. Includes an extensive character set and OpenType features.
  26. Skillet by Fenotype, $19.00
    Skillet is a bold vintage style serif font full of hedonism and joie de vivre. Skillet has strong character and extremely smooth features and self-confidence that springs from within. Skillet comes in two weights: Regular and Condensed. Even though the difference is small, Regular takes over the space while Condensed gives a more intimate impression. Skillet comes with a wide range of OpenType -features. Keep Standard Ligatures on in normal use. Try Discretionary Ligatures, Swash, Stylistic or Titling Alternates for custom headlines or logos.
  27. Densa by Graviton, $24.00
    Densa font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a condensed sans serif typeface with some unconventional display endings. Its condensed design makes it very effective for space economizing and its display features make it a very interesting option for display usages such as logos, packaging and posters. It has been conceived to be most suitable for headlines and short length text blocks. Densa consists of 8 styles. Each containing small caps and glyph coverage for several languages.
  28. Option by Vladimir Likh, $10.00
    Option is a modern condensed sans serif. Inspired by geometric architectural fonts. But despite the geometric construction every single letter was build based on optical evaluation. This approach makes Option more organic and lively in a text line. Option was created for wide spaces. Condensed and thin, but extremely sweeping vertically font makes your massage elegance and strong. The font functions great in many sizes and surroundings. The family comes in one weights plus italics. Creating of bold weight is underway. Options supports Cyrillic as well.
  29. Flipante by Resistenza, $39.00
    Our condensed to extended font is perfect for multiple uses, from branding to packaging designs. Its extendable and variable design makes it great for all kinds of projects. Its tubular shapes, ink traps and juicy curves make it both aesthetic and functional. Its condensation also allows a great flexibility, allowing you to adapt it to any project's need. Its versatility also makes it great for both print and digital projects. With this font's easy to use features, your designs will look good on any project or medium.
  30. Fairweather by Dharma Type, $19.99
    Fairweather is a fresh air. Clear, transparent, and lucid as if it is the spring and autumn sky. By designed condensed, legible and perspicuous, Fairweather is perfect for titles and captions. But "Title and Captions" are the just examples. Very neutral and plain letter forms make the font versatile. The condensed forms can be very effective for body text in narrow space and the clean and clear letterform doesn't intrude your art works. Consists of nine weights and their matching italics. Supporting almost all latin languages.
  31. Darien by Sensatype Studio, $15.00
    A New Condensed Sans Serif font are prepared special for heading, title, and typography needs. It's so perfect to add your style and headline overview. And specially for Headline font, we crafted for unique style and modern feels so enjoy to create any project that will show your main idea out. Darien Modern Condensed Sans Serif Font ready with: Any options to get creative variations Preview as a inspirations that you can do with Darien font Ready with All characters Wish you enjoy our font. :)
  32. Plantago by Schriftlabor, $29.99
    Viktor Solt-Bittner drew logo sketches for an insurance company. Luckily for Schriftlabor, they rejected the design, and he turned the sketches into a font family. Years later, Plantago was expanded, developed and completed by Schriftlabor’s type directors Franziska Hubmann and Lisa Schultz. Plantago shows delicate leaf-like stroke endings and subtle curvings and offers condensed and wide variants. Typeset in 6 weights from Light to Black, 3 widths from Condensed to Extended, both upright and italic, totaling in no less than 36 styles.
  33. Tant Britta by Cercurius, $19.95
    A bold condensed caps-only cross-stitch font, based on an embroidery pattern from the middle of the 20th century. Use it in large sizes for advertising, posters, greeting cards, etc.
  34. Nought by Fype Co, $16.00
    Nought is another slab serif typeface, It is a display font with vintage and condensed look that perfect for branding projects, advertisements, product packaging, product designs, label, header, and any projects.
  35. Cattle Call JNL by Jeff Levine, $29.00
    Cattle Call JNL is reminiscent of Old West posters and broadsides. The design is based on an extra condensed antique wood type and is available in both regular and oblique versions.
  36. Svelte by Eko Bimantara, $19.00
    Svelte is condensed serif family. Its consist of upright styles from Regular to ExtraBold. Fit for display, short text, and stacked typesetting. Its contain 394 glyphs with broad latin language coverage.
  37. Hyperbole by Dmitry Bogolyubov, $10.00
    Hyperbole is a condensed futuristic display typeface, suitable for writing headlines and drawing posters. This font is strict, cosmic, bewitching. It contains alternative styles for latin letters and extended latin letters.
  38. Futura by URW Type Foundry, $89.99
    Futura is THE prototype of a geometric or constructed linear sans serif and the font most commonly font of its kind used to date. Futura, very much influenced by the Bauhaus movement in Germany, was designed in 1927 by Paul Renner. Although being around for almost 90 years, Futura seems eternally young and fresh which also explains its continuous popularity with designers and typographers. Futura simply means efficiency and functionality documented by both its many usages as corporate type (e.g. Volkswagen, formerly IKEA, Vuitton, Shell, formerly HP, SMA and many more) as well as in various famous film projects (e.g. Kubrick, Anderson etc.). Futura’s iconic status was probably established when it walked on the moon with the Apollo 11 crew in 1969. It was used for the lettering of the plaque that was left up there.
  39. Ageo by Eko Bimantara, $22.00
    Ageo is a soft geometric sans serif font family. Contain 8 weights from Thin to Heavy with matching Italics. It's a compromise of bauhaus and modern styles with a soft, minimalist, elegant, warmth, quirky, yet still purposed to be versatile and easy to read. Ageo was created to satisfy reading experience, it's compatible for text and also display, fit for headers, titles, posters, websites, brands, apps and other various design or creative projects. It contains several OpenType features: Standard ligature, figures variation (old style, fraction, numerator, denominator), and also broad latin language support. Ageo has been trusted by large enterprises and is still one of our best selling works. This latest update version 2.0 provides some fixes to the letterforms, spacing, and additional 2 variable font files, also new fonts format to support broad reading experiences.
  40. Genau by Aronetiv, $9.99
    The Genau family is a geometric sans serif designed under the influence of the constructivist schools of Vkhutemas and Bauhaus. Despite the traditional shapes, the family has characteristic features in the modern outline. The sharp junction of round and straight strokes repeats the sharp tails in “a” “d” “n” “u” and other. The family has an even, smooth texture. The family has been developed to advert materials for architecture, design, education, modern art. The family has high readability in a small size, and doesn't lose aesthetic qualities when enlarged. The font family contains 8 styles The font is equipped with a Variable file with two axes (weight and slope) Supports languages ​​of central Europe and some languages ​​of eastern Europe Contains small uppercase letters Contains tabular figures There are several alternates in the font The font has more than 1700 kerning pairs
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