Introducing The Shensie. The Shensie Font, is a classic thin font with an italic style. Here you will get beautiful classic fonts. this font is available in several modern swirls that can make your work look elegant, sweet and perfect. With this style, this font would be perfect for logos, branding projects, household designs utensils, product packaging, mugs, quotes, posters, shopping bags, logo, t-shirt, book cover, business card, invitation card, greeting cards, and all your other beautiful projects.

Ben is a simple sans serif font that we made for use on projects that require a touch of elegance. We believe simplicity is the ultimate form of sophistication and give all the idea to Ben. This font is a mirror of our personality. Ben consist of 18 faces (9 weights with italics). All fonts include uppercase, lowercase, numeral, punctuation, and special characters. The weights will give you dynamic control to use Ben in any typography projects.

Manier is a fresh, display, wedge-serif font family inspired by transitional and contemporary typefaces. Manier has a big x-height value, modern proportions, sharp serifs and an extreme stroke contrast with a vertical stress. The Roman style is paired with dynamic Italics which combines the elements of classic Cursive and the characteristics of Manier. The typeface is a great choice for headlines, titles, posters and branding but also can be successfully used in occasional texts.

A new modern classic. Kana Sans is a versatile sans serif font family that’s ideal for building a contemporary yet timeless brand look. Inspired by iconic typography, Kana Sans is designed to be balanced, modern and easily adaptable to web, print, and signage applications. From fashion to corporate industry, this font gives the designer full flexibility to express his/her vision. With Six different weights and matching italics, Kana Sans is a powerful communication tool for today.

Danish type designer Jan Maack created this sans-serif FontFont in 2007. The family has 8 weights, ranging from Light to Heavy (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries as well as web and screen design. FF Speak provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures.

This South American grotesk font blends the functionality of an American grotesk typeface with that unique Latino rhythm and flair. Sure it can be quite serious, but more importantly, its two alternate sets allow you to bring flavor to your logos, brands and advertising designs. We would like to especially thank Alfonso García for his help with digital editing, the development of a fresh italic version, as well as the addition of Cyrillic and currency symbols.

Olgoods is a Simply casual script font. With regular stroke, italic and Unique Upper and lower characters with bit of ligatures. To give you an extra creative work. Olgoods font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Olgoods font. Cheers, MaulanaCreative

Empire Display is a sans serif italic display face which references the styling of the 30s through to the 50s. It has a large x height and with its condensed proportions makes it ideal for headlines, posters or where large size settings are required. It has the unique feature of having the stems and cross bars slightly angled top and bottom. This also helps to create the art deco/modern feel that sets it apart from standard condensed typefaces.

Reffort is a new sans serif with a slightly different look as its signature. Customization in certain parts of the letters allows visual changes to look more captivating. This font comes in regular style and its matching italic as well as two variable version. Each version has 7 different weights. Perfect for graphic design and any display use, Reffort can easily work for packaging design, web, signage, advertising, logotypes, even for long paragraphs like editorial design.

American type designer Alan Dague-Greene created this serif FontFont in 2001. The family has 8 weights, ranging from Book to Black (including italics) and is ideally suited for book text and editorial and publishing. FF Atma Serif provides advanced typographical support with features such as ligatures, small capitals, petite capitals, alternate characters, case-sensitive forms, and fractions. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Dexa Pro was designed by Ceyhun Birinci in 2020 with an inspiration to create a contemporary super family with inspiration from classic sans serif families. It's a workhorse family consisting of 72 fonts in condensed, narrow, normal and expanded widths. Each width has 18 fonts in thin to black weights, along with their true italic counterparts. With more than 770 glyphs per font, It offers a ton of language support from all the Latin languages to Cyrillic.

Kutaraja is a hand-drawn script font that gives a natural-looking impression that is perfect for those of you who want to use script-style fonts, very suitable for writing product labels, printing t-shirts, greeting cards, invitation cards, etc. Kutaraja family has 2 choice models, namely regular and italic. both have several ligatures, alternate, swash at the beginning and end of lowercase letters to give a sweet touch to the written word or sentence.

Tomate started in 2006 as a brush lettering exercise for a poster and was later used for the ReType identity. In 2008 its author decided to turn it into a super fat typeface suitable for packaging and mass consumption products. The possibilities of ultra heavy forms are explored in this alphabet; trying to solve the design problems that these sort of forms present. Tomate shows influences from the beautiful Goudy Heavyface Italic which is a design the author admires.

Papagayo in 6 versions Light & Regular with Italics and Small-Caps. Designed with short ascenders and descenders for tighter line spacing. Effective for short headlines and texts. By invoking the Stylistic Alternates feature to an entire line or paragraph the M W g m w y will result in their respective alternates. You can also invoke each single glyph with the Alternate feature. The Alternates g & y contain a more characteristic letter-form for improving legibility in smaller texts.

Virtuose family consists of 18 styles (9 weights, 9 Italics), in each of which there are more than 543+ glyphs. In the typeface, each weight includes extended language support, fractions, tabular figures, ligatures, arrows and more. Perfectly suited for graphic design and any display use. Support for 28 languages: Afrikaans Albanian Catalan Croatian Czech Danish Dutch English Estonian Finnish French German Hungarian Icelandic Italian Latvian Lithuanian Maltese Norwegian Polish Portugese Romanian Slovak Slovenian Spanisch Swedish Turkish Zulu

Modesto is a loose-knit family based on a signpainters lettering style popular in the late-19th and early-20th centuries. It evolved from the lettering I used for the Ringling Bros. and Barnum & Bailey Circus Logo. The Modesto family was not planned. It just happened, a few fonts at a time over about fifteen years. In 2014 four new Italic fonts were added. There is a downloadable MODESTO USER MANUAL PDF in the Gallery section for this family.

Meetha Script is modern calligraphy script font. This is a beautiful script font with italic style. Made gently and danced to give the character of modern writing that is sweet, simple, stylish and firm. With a style like this, this font will be suitable in use for logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Arbour Soft is the cheeky version of it's big brother, Arbour. The soft version creates a smooth finish that flows perfectly across screens and print. Arbour Soft comes in 7 weights, from a delicate extra-light to a soft, strong black, with matching soft italics for each upright. The soft black weights are perfect for your new brand or article headlines, and the light weights are great for calling out text. The mid weights are perfect for longer texts.

Protofo is a modern-humanist sans-serif with characters that features various geometric shapes — from square, round and triangle. Protofo comes in 16 styles — upright and italic — from thin to black with each equipped with features such as localized, ligature, fraction, ordinal, superscript, numerator, nominator, subscript, proportional and tabular numerals. Protofo is also equipped with extended latin letters which can represent multi languages so making it perfect for any kind of project (display, editorial, web, interface, app, etc).

Gravitica Compressed family consists of 18 styles (9 weights, 9 Italics), in each of which there are more than 543+ glyphs. In the typeface, each weight includes extended language support, fractions, tabular figures, ligatures, arrows and more. Perfectly suited for graphic design and any display use. Support for 28 languages: Afrikaans Albanian Catalan Croatian Czech Danish Dutch English Estonian Finnish French German Hungarian Icelandic Italian Latvian Lithuanian Maltese Norwegian Polish Portugese Romanian Slovak Slovenian Spanisch Swedish Turkish Zulu

The Demos® Next typeface family is a complete renewal and expansion to Dutch type designer Gerard Unger’s classic from 1975. This enhanced typeface design introduces subtle changes to character shapes, proportions and spacing to improve legibility and readability in print and on screen. The new expanded family now has 6 weights of regular and condensed designs, each with a complementary italic for a total of 24 typefaces, and provides a welcome set of OpenType® typographic features.

Foundry Form Serif was drawn concurrently as a sans and a serif, with matching capital and x-height proportions for harmonious use. The Foundry Form Serif design has a strong horizontal emphasis, slightly condensed proportions for economic use of space, and open counters ensuring legibility at small sizes. Both families function independently. Foundry Form Serif includes a true italic; the angularity and sharp serifs help to retain maximum clarity, with the contrasting stroke widths adding refinement.

Gatara is serif font family with elements of Didone available in 6 weights and matching Italics. It is high contrasted typeface with some distinctive details such as stemmed shape of “h”, “n”, “m” and “a” letters, unique “f” and “k” in same style. Comes with Standard Ligatures and Fractions with Extended Latin character map. As Gatara contains dose of decoratively design, beside editorial use, branding or web font usage, it can be used effectively for titles as well.

Jaroslav is a typeface that breaks down typical assumptions on the construction of a monolinear grotesque, but still maintains excellent readability and the recognizability of individual characters. The sensitively-balanced type family of five weights is accompanied by a distinctive italic, so it works well with both expressive titles as well as shorter texts. This is why all weights include small caps, nine types of figures, alternatives, a large number of ligatures, arrows and other ornaments.

Qanelas Soft is a modern sans serif with a geometric touch, and a friendlier version of the original Qanelas font family. It comes in 20 weights, 10 uprights and its matching italics. Designed with powerful OpenType features in mind, each weight includes alternate characters, fractions, extended language support (+ Cyrillic), arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, or corporate use as well as for editorial design.

Galdana font family is a Roman serifs typeface, whose most relevant characteristic is the slanted angle of its true italic, at seventeen degrees. Its design was inspired by one of the most prominent American calligraphers of the last century, the book designer Oscar Ogg. Galdana contains 18 styles: starting from thin to ending in a fat typeface. This family is completed with multilingual support and a set of OpenType features such as stylistic alternates, swashes, and ligatures.

»Supra-condensed« – designed by Gert Wiescher in 2013 – is the condensed version to this new sans typeface family of eight weights with matching italics. The condensed version is designed for space-saving typography but with high legibility in mind. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is an OpenType family.

Mariné is a geometric sans but with the softness of humanistic strokes. It’s mild contrast and multiple different styles allow Mariné to work well as both a text and display font. It also includes an Up version and calligraphic features that add a touch of informality. Mariné is available in an extended family and is the close cousin of Amelia (available at MyFonts.com). All differences between Mariné and Amelia appear in the italic and Up versions.

Rigid Square There is a rule, Octagonal shape and 45 degree cuts. Very geometric shape but designed especially for body text, long sentence such like a mechanical instructions. Capital I and lower l have distinguishable shape. Neo-humanist shape on lowercase b.d.g.p.q is for further smooth readability. However, Also useful for display, titling, captions by their sophisticated glyph shapes and their eye-catching geometry. Consists of seven weights and their matching italics. Supporting almost all latin languages.

Puck is a Rounded Sans Serif font that comes in 20 styles from Thin to Black, including italics. Its design, which features rounded edges, open terminals, and extended width, along with generous negative space, ensures easy readability across different sizes. It's a versatile choice for various applications like print, banners, and branding. Plus, it maintains its adorable appeal on social media platforms like Instagram. Puck's design brings a blend of elegance and cuteness to any project.

Foda Display typeface for Latin and Arabic is a modern calligraphy and one of FoDa foundry new creations, that is suited for branding, logos, packaging, advertising, social media designs, posters, wedding invitations and more... Foda Display comes in two weights : Regular and italic with a basic character set of more than 750 glyphs that cover many OTF features like: -multilingual support for many Latin-based scripts and Arabic. -Alternates -Ligatures -Kerning -currency support and many other OpenType features.

Moula is a modern sans serif with a geometric touch. Containing of 18 font, 9 uprights and its matching italics. It's shown a clean, minimalist, elegant, warmth, quirky, yet still purposed to be versatile and easy to read. Fit for various design or creative project. Support extended language (+ Cyrillic), fractions, tabular figures, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.

Introducing the "Bright Sunshine" script font. New fashionable handwriting font and super cool with sexy style. And also the Capital letters set with contemporary and sophisticated accents. Bright Sunshine offers beautiful typographic harmony for a diversity of design projects, including logos & branding, wedding designs, social media posts, advertisements & product designs. "Bright Sunshine" includes Italics, full set of lovely uppercase and lowercase letters, multilingual symbols, numerals, and punctuation. And this Font has given PUA unicode (specially coded fonts).

Banbury is a Neo Classical display font available in two versions. Broad line weights paired with hairline serifs create a striking contrast for an elegant look. Italic lowercase characters contain more rounded letterforms and feature shaved off lower serifs. This vintage inspired family would work nicely in a luxury logo, movie poster, or pub menu. Banbury is equipped with Basic Latin, extended Latin, diacritics, punctuation, ligatures, kerning, and small caps. Please check the glyph map for all supported characters.

Say hi to new member of Typoforge zoo! Gambero family consists of 18 styles (including italics) with a subtle rounded finished details. Gambero is a stable, slab cousin of Kapra, Kapra Neue adn Kapra Neue Pro. It is ideally suited for advertising, editorial and publishing, offering new design potential. Font Gambero is inspired by a "You And Me Monthly" published by National Magazines Publisher RSW "Prasa" that appeared from May 1960 till December 1973 in Poland.

Espuma Pro is a soft and friendly humanist sans-serif font family with strong calligraphic aftertaste. Presented in 7 weights, with true italics each, it features the traditionally rich language support, small caps, 6 sets of figures and a bunch of ligatures. Its delicate flavor is suitable for brands that wish to communicate friendliness and openness. This typeface is especially good for FMCG and packaging, but it can be used virtually anywhere thanks to its extreme legibility.

Eaglesport is an all-caps display typeface with octagonal design. Eaglesport supports many Latin-based languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. Also we add Cyrillic glyphs for supporting Russian, Ukrainian and Belarusian. Eaglesport comes three styles and includes italics. This typeface works great for logos, packaging and other display settings, it's perfect for sports logos, branding, posters, apparel design.

Neato Serif is a hand drawn, quirky serif font in regular and italic styles. It features stylistic alternates, standard and discretionary ligatures, and swashes to add options and flair to your typography. The typeface has a unique blend of sophistication with its high contrast of thicks and thins and also playfulness with the distinct ball terminal characters—especially evident in the lowercase "e". It is slightly condensed and great for display headlines, titles, packaging, branding, and more.

The object of Grover was to join two distinctive typeface designs: the basic European gothic of the late nineteenth century and the ‘rounded’ style found in 1960s America. The result is a clear, friendly face with subtle yet unforgettable features. Named after Grover Washington, Jr., the jazz saxophone player, Grover is geometrically constructed and yet very human in appearance. Sans and slab serif variations, true italic weights, as well as small caps afford Grover versatility and unique display characteristics.

MVB Fantabular proves that monospaced faces needn’t be formal or bland. Inspired by the letterforms of older typewriters, Akemi Aoki designed a playful family of three weights with italics. With every character the same width MVB Fantabular works wherever a monospaced font is needed, but the face is so loose and carefree it hides its fixed pitch construction well, allowing it to be used in other settings too. A sans serif version—MVB Fantabular Sans—is also available.