The most notable characteristic of this typeface is that it has a compact and regular shape that is slightly condensed but fluidly connected. Its glyphs emulate the look of handwritten, inked characters. Their exuberant graphic strokes and sharp edges maintain the influences of printed types produced by mechanical processes. Unlike most of the italic type of today, the capital letters are as high as the ascending lower-case letters. The brush script style (Originally designed in 1942 by Robert E. Smith for the ATF) inspired many contemporary and beautiful typefaces, such as Wisdom Script, Mission Script, Marketing Script, Motion Picture, Thirsty Script, Lauren Script, Deftone Stylus and many others. This font has more than 700 glyphs, Central European languages support, including Open Type features, swashes, and contextual stylistic alternates. It also includes old-style figures, discretional and standard ligatures, is case-sensitive and has a set of tails and ornaments.

Christmas Reign is a very decorative festive typeface. It is a professional typeface, containing advanced but easy-to-use. OpenType functions, such as contextual alternates and ligatures. Try it and see how each letter pair behaves differently, magically creating new ways to connect as the text goes on. Use it for a stand-alone logotype, or for a longer text which requires that extra touch of magic and mystery. Each letter has more than 10 alternate variations, making it truly adaptable with hundreds of possible ways to write any word. Very easy to use functions! Use characters + < > * # to create Christmas symbols. Example: +Merry Christmas+ Use ( ) [ ] to make a decorative border around any word. Underline _ makes a space with borders. Example: (Santa_Claus) The typeface has very extensive lingual support, and works for all European languages, including Cyrillic and Greek. It also contains numbers and all characters you will ever need.

Very condensed typography, thick line and fun look for headlines and advertising where you are looking for saving space and originality at the same time. The upper inclination of the letters, the combination of horizontal with inclined forms, the ascending and descending short, and the lower elongation of some antlers will allow you to print varied styles with a lot of movement according to the context of the design. I started drawing this font with the intention of creating a new decorative typeface Blackletter style but modernizing the strokes, after drawing several letters imitating the ductus of this type of fonts trying to simplify them, emerged all the DNA of the current Jack Stanislav, finally a retro typography without Serif of linear strokes that mimic the angle of a thick pen. Use the following keys to write the bitcoin symbol and the Jack icon: b #, a #

Frau Becker is a very dynamic and readable handwriting script that looks great in text sizes. It is a self-confident, expressive and strong character design. How old is Frau Becker? Is she an insurance agent, a surgeon or a designer? We do not know exactly but one thing is for sure: she can be found at any place where special, high-end design in conjunction with a reliable typographic basis is demanded, e.g. for posters, books, ad campaigns or magazines. Frau Becker is different from all other classical scripts – it is outstanding! Due its excellent readability, it is a precious and exceptional text font with styles as regular, bold, and Headline (bold condensed). The character set includes Basic Latin, Basic Latin 1, Latin Eastern Europe, small caps, plenty of ligatures, old style figures, index figures, and some special characters including a skull. Wow!!

Hebden is a ‘Northern’ font. Inspired by the town Hebden Bridge in Yorkshire, the family is a mix of a grotesque and an incised serif. The grot is based on Victorian train station signage and the serif is style that can be spotted in and around the Yorkshire Dales region. Hebden has a nostalgic twist and is ideal for labelling, signage and memorable messages. The grotesque face with its robust angles and warm circular curves recalls the style of traditional English sans-serifs like Caslon’s 2-Line Egyptian. The incised face has strong but sophisticated and natural forms and is based on a wood carved style popular in the early 20th century. The weight of the two faces are are drawn to complement each other creating an evenly balanced combination. Both faces come with caps, lower caps across letters and numerals, and have Western, Central and Eastern European language support.

Mattius Rossy is a handwritten font suitable for branding, signatures, wedding invitations, promotions, product packaging and other necessities. This font is modern, simple, but still authentic. You will get a full set of lowercase and uppercase letters, numbers and punctuation marks, multilingual symbols, ligatures, dashes, and swashes. This is tutorial to use ligature and swash : To use swash you can type a + underscore + underscore ( a_ _ ) without space. this only applies up to ( j_ _ ) for ligatures available only ( ee, ff, ll, oo, rr, ss, tt ). "To generate all ligatures, go to Adobe Illustrator - Type - Glyphs." Please send me a message if you are having trouble either installing or using this font. We want to hear your feedback to further improve our product. If you're using this product and come across a problem or come across something we might have missed, feel free to drop us a message.

Ghosting Script is a calligraphic script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Ghosting Script is interesting because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . Ghosting Script has , including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results required for your creativity in combining these Glyph variations.

Cushy is a versatile san serif font that’s stuffed with numerous plush swashes and unique alternates. But it’s not limited to display use only. Cushy is well suited for text or display applications. Cushy’s large “x” height, square proportions, and generous even weight enhance its legibility in all point sizes. The font’s bold personality radiates friendliness and warmth. Clean classic proportions lend it authority and vigor. Cushy bends around corners and flows throughout. You won't find any sharp corners. The diagonal strokes possess a subtle arch and enhance its characteristics. Available in 8 styles with multiple weights: Thin, Light, Regular, Bold, including italics. Cushy includes stylistic sets, stylistic alternates, swashes, ligatures & discretionary ligatures, and foreign language diacritic glyph support. Cushy provides 40 distinctive swash options, 17 ligatures, and 13 alternates. Weights include Thin, Light, Regular, Bold, with italics. Cushy is suited for corporate ID, retail, magazines, books, brochures, websites, logotypes, etc.

Comforter promises to be a favorite among professional designers and people who love quality hand lettered forms. It’s a bouncy, upright brush style script. It’s look is appealing for many various usages. It’s contemporary, and non- traditional. It’s sophisticated, yet fun and funky. The Brush style of Comforter adds another touch to its “brushy” look. Comforter Pro versions come complete with multiple language options including Rob’s interpretation of a script style of Cyrillic. Unlike a “cursive” style, the script Cyrillic uses both traditional and cursive forms. In addition, the PRO versions are programmed with numerous OpenType features plus a few ornamental and word art glyphs not found in the Regular flavors. The regular versions are properly kerned, but contain none of the OpenType features found in the PRO versions. The Alternate flavors contain a few of the alternate forms found in the PRO versions of the typeface, including Cyrillic.

Matthew Carter designed the Shelley family 1972 for Mergenthaler Linotype to be used as a new script face for the photo typesetting machines. The basic idea was to create one script face that would offer dfferent elegant letterforms. Matthew designed Shelley in three different versions, Allegro which is in the style of Kuenstler Schreibschrift, Andante where the caps are less flowrish and wide and Volante where the letters have its most expressive and wide forms and the lowercase z in this font is in the french anglian double stacked form. All three versions can be easily mixed to give the text a more individual calligraphic look Besides Shelley Linotype Zapfino from Hermann Zapf shows similar basics, but in a totally different letterform. In Linotype Zapfino the individual lowercase letters from the four different versions have different letterforms which gives the text an even more individual touch.

Between twilight and daybreak it is said that the dark side of the human psyche eclipses the sun that shines from the depths of our souls. Certainty turns to doubt, clarity becomes confusion, man turns into wolf, the dead wake, vampires seduce the young are restless and milk boils over on the stove. Those that seek only to bathe in the light of a romantic new moon often end their tragic lives soaked in nothing other than their own blood, and the milk spilt on the stovetop has no one left to cry over it. There are fifty shades of grey during those hours after sunset and I think just as many in my porridge this morning. Yes, okay, I admit it, I spoiled the milk! This porridge tastes like it was left in a graveyard overnight. Death warmed over. Gothic and lumpy. Just like the Buried weights of this font.

Shakeglow script is an elegant combination of a script and a narrow modern serif. It is slender, feminine and classy, while still maintaining a friendly feel. Shakeglow script is versatile and will work perfectly for fashion, e-commerce brands, trend blogs, wedding boutiques or any business that wants to appear upscale and chic. With its many variant stylistic characters, Shakeglow script is perfect for creating original and functional designs. It has extensive language support and alternates, stylistic sets that add visual interest to every letter. You can use the Shakeglow script for high-end logotypes and magazine headlines, but let’s not forget greeting cards, invitations, posters, book covers, ads and the various web and screen usages. The overall feel of the font is elegant, sophisticated with a touch of informal and it is ideal if you want to convey a sense of class and style.

Welcome to Ciroya, a typeface universe full of passion and fun! Ciroya is the answer if you want a strong, bold, and vivid style for your projects. Ciroya is available in three different styles: regular, outline, and shadow. You can use this to create effects that suit your vision, such as colorful to lighter outlines or shadow effects. But wait, there's more! Ciroya also has a plethora of other ligatures and characters, allowing you to express your creativity and create genuinely unique and spectacular designs. Ciroya, of course, supports several languages, allowing you to engage with audiences worldwide. Make Ciroya your top choice for projects that require a playful, playful look. Let your message be combined with Ciroya's carefree touch and make an unforgettable impression. With Ciroya, every word becomes more vibrant and colorful. Explore your creative potential right away with this fun font!

Lakone is a modern serif font that brings a touch of sophistication to your designs. With its narrow character and sleek aesthetics, Lakone is the perfect choice for titles and headlines that demand attention. But Lakone offers more than just good looks. With its extensive set of Opentype features, including dozens of ligatures, swashes, and alternatives, this font empowers you to unleash your creativity and elevate your typography game. These features provide you with endless possibilities to customize your designs and add that extra touch of elegance. Stand out from the crowd with Lakone. Whether you're designing a magazine cover, a logo, or a website, this font will captivate your audience and leave a lasting impression. Don't settle for ordinary typography when you can have the allure and versatility of Lakone. Get ready to elevate your design projects and make a bold statement with this modern serif font.

*About the Product* **Centrio Typeface** Retro with an artistic touch elegant modern yet vintage the as well as a unique blend of ligatures a letter, so that the authors compose it with a and little swirly embedding, so that a modern font is formed and ready to make a statement by adding elegant and unique flair to your next design project. **Centrio Typeface** can be used for various purposes such as Magazine Title, Poster, Logo, T-Shirt, Sub Title, Business cards, Magazines, Book Covers, Wedding Invitations,Templates Instagram Story Post, Greeting Cards, Quotes, etc. These letters are embedded into the font file and easily accessible in programs such as photoshop and illustrator. You can access these in more basic design programs but you will need to use your character map or font book Come on..let's style and pamper your next design with **Centrio Typeface**

Fans of Comicraft have made a lot of noise (HELP!) about the availability of ready-to-wear, factory surplus sound effects, not unlike those made available over a decade ago in our extremely popular and raucous ZAP PACK. It may sound impossible (WHA--?!), but Comicraft's Sonic Specialist, John JG Roshell, locked himself away (CLIK) in our top-secret SFX lab forming Onomatopoeia at high speeds (FWOOSH) and extreme temperatures (BBRRR), and sounded out over One Hundred (GASP) of the loudest (BTOOM), most intense (UNNGHH), squawkiest (KRAKK), discordant (SPLANGG), dissonant (SQUTCH) -- as well as dulcet and restrained (THWIPP) -- sound effects ever conceived (WOO HOO!) Helpfully arranged in alphabetical order (YIPPEE!), this Library of Onomatopeia -- the ONOMATOPEDIA, if you will (DING) -- is now available for use by the general public. WARNING: Comicraft Sound Effects may explode on contact with skin (AAAH!); please use protective clothing and eyewear when handling the Onomatopedia.

This font is the condensed version of Queulat, but keeping the same features as the original typeface. Queulat Cnd is a hybrid typeface that combines different styles, reflecting charm, freshness and, especially, a strong personality.. Since it is a condensed font, it is well-suited for publishing and subheadings. The font is inspired by Modern and Grotesk styles. The former is shown in some characteristic features such as teardrop terminals, which give the typeface an attractive unique look, making it an ideal choice for logotypes and labelling. The latter, with its rationality, makes Queulat Cnd a stable and strong face for headings and subheadings. The combination of styles can be clearly seen by comparing the Regular with the Alt version. The Regular version is more simple than the Alt one. Differently, the alternative version possesses more features of the Modern style, like teardrop terminals in ‘k’ and ‘v’.

Corner B is a part of Corner type family. This subfamily is designed with diagonal shapes in the corners. The concept of the typeface Corner is based on variation of corner shapes in font characters, from what is also its name derived. The basis is a bitmap modular principle, to which by simple addition of “the missing pixels” in corners of the characters ( Corner A ) to the shape of diagonal (Corner B), curvature ( Corner C ), or inversion curvature ( Corner D ), three more font variations are created. The basic monolinear bitmap weight is supplemented by two more extreme thicknesses – hairline and fat weight. The character set supports the complete Latin, while the x-height of lowercase is drawn at the same height as in the uppercase characters. Corner is a strong display typeface, which allows you to easily experiment and to combine it with its mutual font variations.

A typeface for telling stories. After seven years through which Rodrigo Saiani worked on Dupincel, Plau’s team still had months of dedication until found a good way of summing up this typeface. All this effort was rewarded, though, when we came up with a motif that gave Dupincel the grandiosity it deserves. Telling stories is this typeface’s gift because it has the emotion for it, resources for it and the breadth for it. Like all that wasn’t enough, it has the scale for it: optical sizes Small, Medium and Large make Dupincel optimized for stories of every length. From short stories displayed big or long stories on small letters. We don’t want to dictate the types of stories either, anything goes. But if ornaments make a good fit with that story, we will be even more thrilled. In the end, Dupincel makes us want to find new stories to tell.

Mogila is a display font with a touch of style that's cheerful, elegant and strong. So it is suitable for use in product design and appearance, both in modern or vintage designs. OpenType feature with several alternative characters that allow you to mix and match letter pairs to suit your design. Mogila also includes 4 different styles, namely Regular,Italic, Bold and Outline which are made with different styles but still have the same characters. Mogila is included in a display font so it is very suitable for use in titles, poster products, logos, book menus, websites, books, t-shirts, posters, book covers, labels, business cards, branding, print templates and many other designs according to your needs. Mogila includes a complete set of upper and lowercase letters, as well as multi-language support, punctuation, ligatures and alternatives. Thank you very much for looking and Enjoying it!

Royal Lodge - Display Sans Serif Font. Royal Lodge font makes for more fun, trendy and more lively. This font is inspired by the extra bold font style and well balanced curves.This font has a surprise from alternate that will make your work even more beautiful. This font is perfect for a professional touch which makes it even more unique and classic. But this font is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Introducing the Smithe Signature font. Smithe's Signature Font, is a classic thin font with an italic style. Here you will get beautiful classic fonts. this font is available in several modern swirls that can make your work look elegant, sweet and perfect. With this style, this font would be perfect for logos, branding projects, household designs utensils, product packaging, mugs, quotes, posters, shopping bags, logo, t-shirt, book cover, business card, invitation card, greeting cards, and all your other beautiful projects. Smithe Signature Fonts, including various language support. You can use this font for your work very much easily. Because there are many features in it. Contains a complete set uppercase and lowercase letters, punctuation, numbers and multilingual support. This font also includes several ligatures and alternatives style Set Style For those of you who have capable software OpenType work (Corel Draw / Photoshop / Illustrator / InDesign).

This is the digitization and considerable expansion of the cheeky and enormously popular film type Eightball, one of the most widely used faces of the 1970s and 1980s. Round and happy like a bouncy ball, these are letters after a sign maker’s own heart. Seen everywhere in its film version, from bingo and pool hall parlor signs to comic books, now this computer version opens the door for the happy roundness to be used on a much larger scale by anyone who designs layouts on a computer. The original film type included a few alternates. We included them, but we added many more as well. So make sure to check out the various OpenType features in your program while using this font. Eightball is great for a variety of applications, including signage, rubber stamps, poster design, titling, cartoons, comics, and pretty much anything where happy and round fit in.

Blue Plaque is a distressed font that simulates the low relief, white-painted lettering on English Heritage plaques attached to buildings where famous people have lived. For creating mock plaques, a blank disk, with the English Heritage title at the top and the logo at the bottom, is included at the brace left { keystroke, and also at the section § keystroke. A blank plaque without the English Heritage title and logo is included at the bar | keystroke. A distressed English Heritage logo is included at the asterisk * keystroke. he outer ring of the blue plaques, which is glazed in dark grey, is included at the brace right } keystroke, and also at the plusminus ± keystroke. Photoshop's Outer Bevel Layer Style is perfect for adding a relief appearance to the letters. Buyers are welcome to request a 1000px jpeg image of a blank blue plaque by emailing K-Type directly https://www.k-type.com/contact/

Braga Huis typeface is a font family that is inspired by the famous street in Bandung that was made to embodies the atmosphere and the environment of Netherland-Indie city at its golden time, whereby all the elements were designed to give the impression of structural, artistic, and advance. Braga Huis typeface has a strong Art Deco character, where the impression is depicted from the strong lines, curvy passion so it is very appropriate to describing the future atmosphere from the perspective of the 19th century. Braga Huis typeface has 3 font styles consisting of uppercase, lowercase and various alternative options that can be customize to your taste, poster is one of the media form of presentation that we believe is very appropriate for this type of font. But whatever the medium is, honestly we say; using Braga Huis typeface will make your artwork will never be cracked by time.

I was working about 10 years exclusively for a type company. Based on my experiences, I built this superfamily. Schuss™ Sans PCG is a humanistic sans-serif with a little contrast. Small Caps, greek and cyrillic are included. Also tab, prop, lining, old style and small cap figures. It's a typeface with clear and open characters. All complicated shapes are cleaned and simplified with a bit elegance. Schuss™ Slab Pro is a slab serif, based on the Schuss™ Sans. Schuss™ News Pro is the modeled style between Schuss™ Slab Pro and Schuss™ Serif Pro. Schuss™ Serif Pro is the antiqua shape. Additionally all serifs are cleaned up. There is just one-side-serif in the "n" for example. Tab figures (except small caps), mathematical signs and currency symbols have a width system accross all styles and weights.

I was working about 10 years exclusively for a type company. Based on my experiences, I built this superfamily. Schuss™ Sans PCG is a humanistic sans-serif with a little contrast. Small Caps, greek and cyrillic are included. Also tab, prop, lining, old style and small cap figures. It's a typeface with clear and open characters. All complicated shapes are cleaned and simplified with a bit elegance. Schuss™ Slab Pro is a slab serif, based on the Schuss™ Sans. Schuss™ News Pro is the modeled style between Schuss™ Slab Pro and Schuss™ Serif Pro. Schuss™ Serif Pro is the antiqua shape. Additionally all serifs are cleaned up. There is just one-side-serif in the "n" for example. Tab figures (except small caps), mathematical signs and currency symbols have a width system accross all styles and weights.

Antipod is a versatile sans serif family designed with the stroke of the nib in mind. The early sketches were made with a reed pen and then stabilised to keep the specific junctions between verticals and horizontals shapes. The design of the letters constantly balance between curves and inner sharp corners and the contrast of one is cohabiting with the other to give Antipod its specific design. When Antipod is set at small size its specific are almost unnoticeable but the text has a very particular type colour. And this specificity is useful when setting texts for display, to give your design a strong personality. Each weight includes a set of extra glyphs to make your text settings more singular. It also comes with extended language support, tabular figures, fractions and more. It is suited for any work editorial design, signage, corporate as well as onscreen applications.

About The Product Lemonade Fresh font is a Display Serif Typeface with a unique circular shape inspired by the alternate shapes in most serif fonts, but Lemonade Fresh makes it a regular shape, and Lemonade Fresh still has 50+ other alternate that you can combine to get curves and beautiful shapes easily just in seconds. It is a display font with moderate contrast that perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects, it makes with a high level of legibility. What's Included: - Fresh Lemonade Regular - Fresh Lemonade Italic - Accented Characters (West Europe) - Ligature & Huge Stylistic alternate - Works on PC & Mac - Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font and if you have any questions, don't hesitate to drop message & I'm happy to help :) Thanks, Have a wonderful Day, Say Studio

The name Norden means “the Nordic”, as in the geographical area or its countries. Inspired by the simplicity of Nordic and Scandinavian design, the Norden fonts give you clarity of expression, beyond the usual geometric look and feel of traditional sans-serifs. Open and spacious, the shapes of the glyphs play both with and against each other. Round and soft versus square and solid, a basic curve versus a straight line, creating a detached yet distinct style of expression, from the light-as-air Hairline to dark and Bold. The Display variant has diagonal as well as slightly rounded ends, similar to the Standard version but with and edge, so to say. As its name suggests, this font is intended for use in headlines and/or for small chunks of text at medium and large sizes. Norden comes in three variants: Standard, Round and Display.

Dorica is a serif font family optimized for small sizes. It is very sober and simple, with a classic appearance at first sight but the curves and details like the serifs make it very different. The name is inspired by Doric, the simplest of the three orders of organizational systems of ancient Greece. The large x-height makes it perfect for use in magazines and every context which calls for text in small sizes. Dorica comprises 14 styles, from Thin to Black with their corresponding italics. Each font includes small caps, very useful for books, plus OpenType features such as proportional figures, stylistic alternates, tabular figures, numerators, superscript, denominators, scientific inferiors, subscript, ordinals, fractions and many ligatures. The extended character set supports Central, Eastern and Western European languages. The range of styles provides great flexibility for both text and titling, and the ligatures make for an original and creative appearance.

Because all good things can get better. Texta was born in 2014, a collaborative project of the study of humanist models from Edward Johnston to Adrian Frutiger. Texta Pro is a contemporary and rational sans, almost invisible, but not quite. It is a workhorse for any type of project. New design of symbols such as Section, Partialdiff, Dagger, approxequal, among others. Expansion of monetary signs (Bitcoin, Peso, Franc, etc.) Basic ligatures fi, fl. Includes Cyrillic. Added set of small caps for Latin, Cyrillic, numbers, punctuation and monetary. Increased set of monetary and mathematical symbols. Set of 983 glyphs, 487 more glyphs than the update. New ligatures ff, ffi, ffl, It has two stylistic sets, ss01 and ss02 (tails). Set of numbers with versions: higher, lower, denominators, numbered, old, modern and tabular for the last two cases. New fractions added. Set of case sensitive signs.

Some time ago, I started to think about the idea of combining my passionate hobby cooking with my profession as a graphic designer. While browsing through cooking books, cooking magazines and graphic publications I noticed that there were no symbols and drawings easily recognizable for interested cooks (hobby or professional). So I decided to create symbols for all the classical cooking paraphernalia still found in grand mother’s kitchen cabinet. René Menue Symbol contains 99 kitchen symbols of classical design and quality. To complement the symbols typographically, there is René Menue, a fitting linear Sans Serif typeface with plenty of extra characters such as ligatures, figures etc. René Menue is a modern, slightly condensed and economic design with round shapes, very modern but classical at the same time. These features make it perfectly usable in many different publications, not necessarily restricted to cooking… A successful cooking and enjoy your meal!

Introducing the Inflate PTx font family, a delightful and playful typeface collection that embodies the buoyant spirit of celebration and festivity. This font can be use in old and new apps that use/read fonts, because it's format (old school format :)), not OpenType SVG format. To install fast on the PC: right click in the OpenType file, then "Install". But if you want to open the file, please be pacient. It takes time to open and read the OpenType file depending of the capacity of your PC. The Inflate PTx font family is tailor-made for creative projects, from birthday party invitations and children's book illustrations to social media graphics for Instagram or themed event posters. Its rounded edges and bubbly forms infuse any design with an infectious sense of joy and lightheartedness, making it an ideal choice for those seeking a playful and festive typographic solution.

The name “Bicyclette” was chosen because this typeface is all about balance and elegance. The idea was to create a highly contrasted sans-serif family carefully balanced between gentle curves and sharp angles, with large capitals opposing uncommonly short lower case, through six distinctive weights. The letters are wide, and the capitals pop up in headlines while the lower case leaves a lot of white space between the text lines because of its small x-height. The edges are rounded (but not so much for the family to be called rounded), just enough to make the text feel slightly softer, gentler, while retaining some of that technical sans sharpness. The Bicyclette character set supports Western and Central European languages, and includes an extended set of monetary symbols. Each weight includes small caps, ligatures, proportional lining and oldstyle numbers, tabular figures, fractions and scientific superior/inferior figures.

I became interested in designing Bodoni Classic because of a lazy graphic designer at Jacques Damase publishing house. He had to change a single letter on a bookcover about J. B. BODONI. The French call him Jean Baptiste instead of Giambattista! And that unknown graphic designer just took any old “J” from some newly cut Bodoni. All the new Bodoni cuts have square serifs, whereas the originals had rounded serifs and slightly concave feet. The single letter “J” with the squared off serif was for me like a road sign to start redesigning the entire Bodoni family. That’s exactly what I started in 1993 and a dozen years later I am finished. Okay, I am still adding new Bodoni Classics, but those are my personal additions. Recently I designed a family of seven »Bodonian Script« fonts, that can be mixed with most of my Bodonis. Yours very retro, Gert Wiescher

Maldini Script is a classic calligraphy font. This is a classic thin font with an italic style. Here you will get a beautiful classic font. This font is available in several modern swirls that can make your work look elegant, sweet and perfect. With this style, this font will be suitable for logos, branding projects, design of household appliances, product packaging, mugs, quotes, posters, shopping bags, logos, t-shirts, book covers, business cards, invitation cards, greeting cards, and all your other beautiful projects. You can use this font for your work very easily. Because there are many features in it. Contains a complete set of upper and lowercase letters, punctuation, numbers and multilingual support. This font also includes several ligatures and alternative styles Set Stylistic For those of you who have software that is able to work OpenType (Corel Draw / Photoshop / Illustrator / InDesign). Thanks & Happy Designing!

An intoxicating blend of rare flavours is what makes the new transitional typeface Wermut (German for vermouth) resemble its alcoholic namesake. Bitter and thorny at first glance, it proceeds to surprise the palate with a complicated taste that leaves a pleasant aftertaste. Wermut may not be taken in hastily, but needs to be thoughtfully enjoyed at a measured pace. Its dark colour, compressed, spring-like, shapes, well-built proportions, and agreeable letterforms all look safe enough until one is jolted to encounter the clipped serifs that lend the page an unexpectedly edgy appearance. The font comes in two weights with an extended character set in Latin and Cyrillic scripts supporting 66 languages. A product of slow, careful distillation, this infusion of multiple ingredients comes together to form a unique mature taste which will be appreciated by true connoisseurs of typographic cocktails. Desined by Gayaneh Bagdasaryan and Vyacheslav Kirilenko.

A sans serif without rough edges Josefa Rounded is a beautiful text typeface. It’s unostentatious forms and balanced narrow proportions along with the softened round edges make it to appear gentle and pleasing even in longer texts. modern very legible narrow proportions high x-height distinctive forms Dtermining for the personality of Josefa Rounded are also particular idiosyncratic letters. For instance B P and R is designed openly; the bars of E and F equal each other; lower case c and e are distinctly withdrawn in their lower zone; y is symmetrical. Short ascenders generate compact word images. Cap height is shorter than the ascenders, so capitals are only little higher than x-height. Josefa Rounded is provided in 7 weights including the corresponding italics. Tabular figures and proportional figures are available through the appropriate OpenType function as well as ligatures and discretionary ligatures.

Near the end of his life, legendary type designer Eric Gill lived in Jerusalem, and became interested in the typesetting of the Hebrew alphabet and the challenges it entailed. He designed his own Hebrew font which has not (to my knowledge) been digitized before. It is sometimes held up as an example of how not to do a Hebrew font: Gill introduced strange serifs and shapes that were jarring to readers used to more traditional fonts. But it is quite readable, and does start to grow on you after a while; extended text in Gill Hebrew is possible. I've added a set of alternate digits that are based on the shapes of the letters (Gill's digits are pretty standard text figures). I've also made some of the Unicode Hebrew symbols that Gill didn't (e.g. New Sheqel Sign, Alef-Lamed ligature, etc.) and also included vowel-points.