Silver Crown is an Ultra Condensend display font with minimalist characters. It's perfect for logos, name cards, magazine layouts, headers, or even large scale artwork. Silver Crown, a clean sans serif, offers you: 1. Upper and Lowercase characters (All Caps) 2. Ligatures (121 characters) and Stylistic alternates (9 Characters) 3. Multilingual Support (Latin Western Europe), Numbers and Punctuation

Okomito Next is a sans serif inspired by the classic typefaces that were imbued with a sense of functionality, boldness and industrial strength. OpenType features: Access All Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Discretionary Ligatures, Fractions, Kerning, Standard Ligatures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Ordinals, Proportional Figures, Stylistic Alternates, Stylistic Set 1, Superscript, Tabular Figures

Shield Classic 2 Letters Monogram Font is a perfect shaped monogram font consisting of 52 letters and 1 basic frame. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Shield Classic 2 Letters Monogram Font comes with font file in OTF format.

Darkwell is a striking signature family. It includes two fonts. Darkwell 1 is a signature font but without loop on the letters, meanwhile Darkwell 2 is a signature font with a loop to make every connection each letters more smooth Both fonts are perfect for branding projects or just to add a stylish touch to your background image.

20g Rosadelia + 200g Alcira + 2 tablespoons Heleodora + 1 cup ninja stock + 100g Lucrecia + 2 tablespoons lirrot. REDUCE to a medium heat and melt the grunge. Add the photo and color and sauté for 5 minutes or until softened. Add the design, stock and andinistas and simmer until slightly thickened. Serve immediately with Dingbats and handwriting South America.

Mangal™ is an OpenType font for the Indic script Devanagari. Mangal can be used to write Hindi, Sanskrit, Marathi, Nepali, Punjabi and other Indic scripts. Mangal is based on Unicode, contains TrueType outlines and was designed by Raghunath Joshi for use as a UI font. Copyright ™ 2001 Microsoft Corporation. All rights reserved. Character Set: Latin-1, Devanagari.

Introducing "AYARA Font" - a harmonious fusion of traditional handwriting and contemporary design. Whether you're working on invitations, posters, or branding materials, AYARA Font effortlessly adds a unique handwritten style that instantly grabs attention. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Piepie is very heavy typeface for titlings and captions. OpenType Format (.otf) with 461 glyphs! Super mini ascenders and descenders! Ultra big x-height! Fatty weight yet Sharpy sharp detail! Bring it on Retina display! OpenType alternates for K, R and Y! Mac Roman ✓ Windows 1252 ✓ Adobe Latin 1 ✓ Adobe Latin 2 Almost all Adobe Latin 3 Almost all

DF Staple Mono is a personal answer on the archaic and ‘middle-of-the-road’-forms of typewriter typefaces like ‘Courier’ and ‘American Typewriter’. The form of a staple (office supply no. 1) and its transformations inspired me during the design process. The first four weights are all monospaced and are completed with a real italic.

Introducing Megren, an experimental display typeface combining a simple and clean sans serif typeface with an elegant copperplate script typeface. Consists of 1 font file with copperplate script typeface on the uppercase and sans serif on the lowercase. The combination of different typefaces looks modern and fashionable but also gives a nostalgic retro vibes at the same time.

Hello, Introducing the new hand brush fonts Roasted. Roasted is truly hand made by 100%. This fonts have a Stylistic Set. You can access the Stylistic Set with lowercase too. Still have a good readibility and strong font. What's Included Inside The Fonts ? Uppercase Lowercase Numerals Symbols European Multilingual Stylistic Set 1 Stylistic Set 2 Thank You, Regards!

Chuck. Designed in 2004 by Jim Parkinson. Originally released as a Type 1 font, Chuck was refreshed (version2) and re-released as simple Open Type in 2012. The models for this massive Deco typeface appear on a bronze plaque on the South Tower of the Golden Gate Bridge. The plaque commemorates the builders of the bridge.

Welcome my new vintage style ROADSTER font family. With so many extras the font gives additional opportunities for logo creation, branding designs, blogs. Also looks cool when used in headers in signs, layouts, ad materials. OpenType features include swashes and dividers. To use swashes and dividers you need to press dot (.) followed by a number from 1-9 range.

Jaferon is a display font that comes with a stunning superhero style. Ready to take the lead in projects that call for a bold, bold touch and a bold look. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Eiffel in love is a beautiful high fashion font trio, consisting of 2 sans fonts and 1 script font. With a strong modern style sans and beautiful script, this is perfect for branding, logos, printed quotes, badge, insignia, packaging, headline, poster, t-shirt/apparel, greeting card and many more. Use your inspiration and your design will be perfect!

Selauk is a window into the futuristic world of typography’s future. With this theme, this font is the ideal answer for projects that need a touch of modern, sci-fi, and future atmosphere. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Gumok - Ultra Condensend font and Minimalis Character, It's Perfect for logo, name card, magazin layout,headers, or oven large scale artwork What you get dear, you will get : 1. Gumok- A clean San serif font including Upper & Lowercase characters(ALL CAPS), 2. Stylistic alternates Character (9 Character) 3. Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

Rothek Stencil is a stencil type family based on our bestselling Rothek family. Rothek Stencil is highly legible, versatile and multilingual. • Ideal for graphic design, packaging, branding and signage • Unique stencilled letterforms • 23 Styles (11 Uprights, 11 Italics, 1 Variable Font) • 1000+ Characters per font • Extended Latin, Extended Cyrillic, and Vietnamese support • Versatile OpenType Features • Legible, versatile, and multifunctional

Astroz is a single weight display font inspired by sci-fi culture and space environments. It has been conceived for logos, headlines and posters. The sharp lines mixed with perfect circles give a wonderful futuristic aesthetic. In addition, alternates of letter “A” and number “1” are included to give you more stylistic options. Multilingual support is available.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a “spoonful of sugar” visually. The "Sand Drift" version combines well with: PR Bramble Wood 1, PR Bramble Wood 2, PR Hallow Doodles 01, PR Hallow Doodles 02, PR Cauldron, PR Swirlies 01], PR Swirlies 05.

Kartika™ is an OpenType TTF font for the Indic script Malayalam. The Karitka font was tuned for high quality display and is used for Malayalam and Konkani. Kartika is based on Unicode, contains TrueType outlines and was designed for use as a UI font. Copyright ™ 2002 Microsoft Corporation. All rights reserved. Character Set: Latin-1, Malayalam

Recently I have been watching some re-runs of Dexter. In season 1, Debra has a rough morning and complains she cannot make it through the day without eating a breakfast burrito. The name stuck, a font was born and the result is Breakfast Burrito font. It is a tall, all caps typeface with a little twist.

Sugaqi is a visual embodiment of courage in the form of a superhero display font. Tailor-made for projects that require a bold, bold, and punchy look like movies, games, or standout designs. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Contemporary geometric typeface. Ohex™font family consists of 5 unique font styles — thin, light, regular, bold and black + VARIABLE version. Opentype features including stylistic alternates, ligatures and kerning pairs. Currency glyphs and stylish digits. Capital letters are designed on the shape of a hexagon. Lowercase letters to cooperate with them, refers to the street style look. Great for logos, posters, magazine layouts, headers, apparel and prints. - Multilanguage support covering Western, South and Central Europe. 1256 Latin 1 / 1250 Latin 2: Eastern Europe / 1254 Turkish / 1257 Windows Baltic / Macintosh Character Ser (US Roman) 1256 Latin 1: Afrikaans, Basque, Catalan, Danish, Dutch, English, Faeroese, Finnish, French, Galician, German, Icelandic, Irish, Italian, Norwegian, Portuguese, Scottish, Spanish, and Swedish. 1250 Latin 2: Eastern Europe / 1254 Turkish / 1257 Windows Baltic : Czech, Polish, Hungarian, Croatian, Romanian, Estonian, Latvian , Lithuanian, Turkish, Slovak and Slevenian -

The typeface DIVERSiTY Font is designed from 2022 for the font foundry Typo Graphic Design by Manuel Viergutz as a political statement #diversity #♥︎ 1 font-styles (Mix) with 245 glyphs incl. decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ♥︎ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (3 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Spe­ci­fi­ca­ti­ons ■ Font Name: DIVERSiTY Font ■ Font Styles: 1 (Mix) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Glyph Set: 245 glyphs incl. extras like icons (decorative extras like dingbats, emojis, symbols) ■ Design Date: 2022 ■ Type Desi­gner: Manuel Viergutz

Game over. Insert coin to continue. 1 coin, 1 play. Credits 00. Screener is the latest child of arcade alphabets. Not too trendy, not too retro, not too stand-out, yet clear and fresh. Although it boasts plenty of the traits of its origins (early screen technologies), it manages to maintain a balance between the elements of its 1980s origins and the mechanical yet transparent late 20th century techno/pop design. Precise and geometric, solid and strong, Screener looks great on screen as well as in print, in tracked small sizes as well as in teaser headlines. Screener comes in two widths and weights, with italics, and extra sets of symbols and numerals (enclosed, fractions, superiors, inferiors, etc.), as well as two weights of small caps. Screener is available in separate packages, or in a value package that contains all twelve fonts.

Waite Park JNL is based on the smallest of the die-cut letters and numbers contained in the Webway Sign Cabinet - once manufactured by the Holes-Webway Company of Minneapolis, Minnesota. The largest of the set's sizes (2 inch) was the model for Sign Kit JNL, the medium size (1-1/8 inch) was used to make Sign Production JNL and this font is a version from the 3/4 inch size. Each size of alphabet and numerals have their own unique characteristics, although they all follow the same basic font style, which is reminiscent of classic Art Deco-era sanserif typefaces. The name Waite Park JNL was derived from a division of Holes-Webway that (for some reason lost to time) distributed their sign kits under the name Waite Park Sign Company, located in the Minnesota city of the same name.

Mr Robot is a typeface designed for our next book for children. We wanted to have a colorful, dimensional and edgy looking letters for headlines. There are three ways to use Mr Robot. You can align three text frames with same text but with different colors and font styles (Regular, Shadow 1 or Shadow 3 and Shadow 2) or with ALLinONE font style but select a different OpenType Stylistic Sets (set 1 is like Shadow 1, set 2 like Shadow 2 and set 3 like Shadow 3). This works great but we don’t like to have unnecessary text frames in our layouts so we added a very cool Contextual Alternates OpenType feature. You just need Mr Robot ALLinONE style and only one text frame. First make sure that Contextual Alternates is off. Type every character three times (RRROOOBBBOOOTTT), select colors for each letter (first letter of every three is a side shadow, second is bottom shadow and third is a front of the dimensional letter). When everything is set just turn Contextual Alternates back on. Styles and alignment will be set automatically. Check out the Users Manual for a visual explanation. For web fonts it is better (at least for now) to use the first method (with font styles) as the OpenType features are not supported in older browsers.

The Wingdings™ 1 font was designed by Kris Holmes and Charles Bigelow in 1990 and 1991. Wingdings 1 originally named Lucida Icons, Arrows, and Stars to complement the Lucida text font family by the same designers. Renamed, reorganized, and released in 1992 as Microsoft Wingdings(TM), the three fonts provide a harmoniously designed set of icons representing the common components of personal computer systems and the elements of graphical user interfaces. There are icons for PC, monitor, keyboard, mouse, trackball, hard drive, diskette, tape cassette, printer, fax, etc., as well as icons for file folders, documents, mail, mailboxes, windows, clipboard, and wastebasket. In addition, Wingdings includes icons with both traditional and computer significance, such as writing tools and hands, reading glasses, clipping scissors, bell, bomb, check boxes, as well as more traditional images such as weather signs, religious symbols, astrological signs, encircled numerals, a selection of ampersands and interrobangs, plus elegant flowers and flourishes. Pointing and indicating are frequent functions in graphical interfaces, so in addition to a wide selection of pointing hands, the Wingdings fonts also offer arrows in careful gradations of weight and different directions and styles. For variety and impact as bullets, asterisks, and ornaments, Windings 1 also offers a varied set of geometric circles, squares, polygons, targets, and stars. Character Set: Picture/Symbol

ITC Johnston is the result of the combined talents of Dave Farey and Richard Dawson, based on the work of Edward Johnston. In developing ITC Johnston, says London type designer Dave Farey, he did “lots of research on not only the face but the man.” Edward Johnston was something of an eccentric, “famous for sitting in a deck chair and carrying toast in his pockets.” (The deck chair was his preferred furniture in his own living room; the toast was so that he’d always have sustenance near at hand.) Johnston was also almost single-handedly responsible, early in this century, for the revival in Britain of the Renaissance calligraphic tradition of the chancery italic. His book Writing & Illuminating, & Lettering (with its peculiar extraneous comma in the title) is a classic on its subject, and his influence on his contemporaries was tremendous. He is perhaps best remembered, however, for the alphabet that he designed in 1916 for the London Underground Railway (now London Transport), which was based on his original “block letter” model. Johnston’s letters were constructed very carefully, based on his study of historical writing techniques at the British Museum. His capital letters took their form from the best classical Roman inscriptions. “He had serious rules for his sans serif style,” says Farey, “particularly the height-to-weight ratio of 1:7 for the construction of line weight, and therefore horizontals and verticals were to be the same thickness. Johnston’s O’s and C’s and G’s and even his S’s were constructions of perfect circles. This was a bit of a problem as far as text sizes were concerned, or in reality sizes smaller than half an inch. It also precluded any other weight but medium ‘ any weight lighter or heavier than his 1:7 relationship.” Johnston was famously slow at any project he undertook, says Farey. “He did eventually, under protest, create a bolder weight, in capitals only ‘ which took twenty years to complete.” Farey and his colleague Richard Dawson have based ITC Johnston on Edward Johnston’s original block letters, expanding them into a three-weight type family. Johnston himself never called his Underground lettering a typeface, according to Farey. It was an alphabet meant for signage and other display purposes, designed to be legible at a glance rather than readable in passages of text. Farey and Dawson’s adaptation retains the sparkling starkness of Johnston’s letters while combining comfortably into text. Johnston’s block letter bears an obvious resemblance to Gill Sans, the highly successful type family developed by Monotype in the 1920s. The young Eric Gill had studied under Johnston at the London College of Printing, worked on the Underground project with him, and followed many of the same principles in developing his own sans serif typeface. The Johnston letters gave a characteristic look to London’s transport system after the First World War, but it was Gill Sans that became the emblematic letter form of British graphic design for decades. (Johnston’s sans serif continued in use in the Underground until the early ‘80s, when a revised and modernized version, with a tighter fit and a larger x-height, was designed by the London design firm Banks and Miles.) Farey and Dawson, working from their studio in London’s Clerkenwell, wanted to create a type family that was neither a museum piece nor a bastardization, and that would “provide an alternative of the same school” to the omnipresent Gill Sans. “These alphabets,” says Farey, referring to the Johnston letters, “have never been developed as contemporary styles.” He and Dawson not only devised three weights of ITC Johnston but gave it a full set of small capitals in each weight ‘ something that neither the original Johnston face nor the Gill faces have ‘ as well as old-style figures and several alternate characters.

Mezitha is display font that has an ethnic view with modern style. It's suitable for branding, packaging, printing, poster designs, natural products etc. Mezitha Ornaments contains 3 groups of symbols. 1- Combining Ornaments 2- Repeating glyphs to create borders with finishes. 3- Single symbols. Most of the glyph has alternates and all of them has two version (thick and thin).

Qoodara is a Display sans serif typeface that suitable for strong and modern looks on your works. Qoodara is perfect for sport product, branding, logo, invitation, stationery, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Qoodara Font - Ligatures - Multilingual, US Roman, Latin 1 Support --- Hope you enjoy with our font! Attype Studio

Introducing, Briberra - Realistic Rough Bold Script! Briberra is hand lettering script font that contain stylistic alternate, swash, etc to create your own customized design. You can using this font for quotes, t-shirt design, or whatever you want. This font is support multi language. Support PUA. PS: Type underscore + number (from 1 to 5). Or copy Brib_3erra in preview bellow.. Thank You!

Qekruz is the perfect reflection of modernism’s classic elegance in a stunning serif font. With this theme, this font is an excellent solution for any kind of project that requires an elegant touch of classic modernism. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Refresh Screen contains 3 script weights (clean, rough, alternative) and 1 solid display weight. Give your new brand, wedding invitations, and quotes a fresh hand painted look with realistic texture. Refresh Screen was created to give a natural yet stylistic look to your next project! Works Great For: Logos Labels Signage Signature Logo Title Website Etsy Product Quotes Instagram Packaging Business Card & More