One of the original nineteenth century designs, cut at Barnhart Brothers & Spindler in Chicago about 1880, passed on to us through ATF. Unlike most Circus types, the serifs of P.T. Barnum are bracketed.

Vreme (eng. Time) is simple, clean and elegant font. Design is based with simple straight lines and elegant curves with slightly rounded edges for nice look. It could be used for different purposes.

Show Card Sans JNL (available in both regular and oblique versions) is based on a chart showing the basic construction of sans serif lettering in the 1922 instruction book “Modern Show Card Writing”.

This unique font has been designed and is based on lip rouge on windscreen. But it inspires a different feeling for different people; e.g. Organic, mathematical or ancient. Rising Star on April 2008.

Oddly Nouveau JNL is a charming Art Nouveau design based on “Eccentric”, a metal typeface issued by American Type Founders (circa 1898). This digital version is available in both regular and oblique versions.

Handprint was inspired by a set of old metal alphabet stamps, with a few modifications. Stamped in a sketchy manner, these metal stamps made the basis for a very interesting alphabet and font.

Funny Notes is based on a recipe for a vanilla cake. And how is that? The reason is that Funny Notes is full of calories, vanilla and a spoonful of comic soft crumb!

Mirror Display is based on the condensed sans. Developed to 'double view' to give readers the same feeling they have when looking to a work of art they don't understand at first glance.

This is an idea to reproduce the masks of the Mexican wrestlers of the late 60s and 70s. The typography is based in keeping the shape of the face in the wrestler's masks.

Rococo Titling is a set of ornate titling caps based on work done by Jacques-Francois Rosart (1714-1777) and Pierre Simon Fournier (1712-1768) during the middle decades of the 18th century.

Designed at ParaType (ParaGraph) in 1995 by Tagir Safayev. Based on informal pen handwriting. For use in advertising and display typography. A set of Western characters was added in 2011 by Gennady Fridman.

The free-form geometric shapes of the lettering on a vintage piece of sheet music entitled "Four Pictures" is the basis for Park Slope JNL, named for a neighborhood in Brooklyn, New York.

Easy Stencil JNL is a simple sans serif stencil design [based on a hand lettered example] from the 1922 publication “Modern Show Card Writing” and is available in both regular and oblique versions.

Penumbra is a capitals only design. Based on inscriptional capitals, the style progresses from a sans serif to a serifed design. The Penumbra font family is useful for posters, book jackets and labels.

Penumbra is a capitals only design. Based on inscriptional capitals, the style progresses from a sans serif to a serifed design. The Penumbra font family is useful for posters, book jackets and labels.

Penumbra is a capitals only design. Based on inscriptional capitals, the style progresses from a sans serif to a serifed design. The Penumbra font family is useful for posters, book jackets and labels.

Minimal & squarish techno style type for your graphic design project. Designed based off a modified square for the small letters and developed to have the capital letters. Available in upright and oblique (italic).

Oil Painting JNL is a casual and condensed hand-lettered sans serif design based on a vintage WPA (Works Progress Administration) poster advertising an oil painting exhibition by renowned artists of the time.

Nana is a classic joining script with long ascenders and descenders, that is based on a set of unique but forgotten initials that were designed in the roaring 20s and 30s in Paris.

Non-alphabetic typeface based on Yana Kutyina drawings. It includes 82 images of human faces as well as several typical interjections. Designed by Yana Kutyina and Andrey Belonogov. Released by ParaType in 2008.

Gritstomper is a gritty, charcoaly, pencilly font. Quickly written, handcrafted and with sharpened edges. Comes with a full load of diacritics, double letter ligatures for the lower case and a boss-like attitude.

BoldPen is based on an ancestor of the German DIN-Schrift. The font was traced with a plastic template on transparent paper, scanned and worked over carefully to keep the handmade, authentic touch.

Strong Stencil JNL derives its name from its visual appeal. Strong, rugged, all-purpose; this type design (modeled from a set of brass stencils) can take on the toughest type chores and deliver.

Amusement Ride Stencil JNL is based on a hand-cut paper stencil advising the riders to "Hold Onto Your Hats - Don't Stand Up - Let's Go Again!" Available in both regular and oblique versions.

Condensed “modern” family based on the early 19th Century Walbaum typeface. A variety of treatments for use at sizes ranging from text to large display, where the micro-detailing comes into full effect.

Penumbra is a capitals only design. Based on inscriptional capitals, the style progresses from a sans serif to a serifed design. The Penumbra font family is useful for posters, book jackets and labels.

Hurstmonceux is a distressed, antique Victorian-esque typeface. The eroded style is based on the aged quality of printed books from the Victorian time. Capitals are ornately decorated, with lowercase set in small caps.

Lumberyard Stencil JNL was inspired by the image of an antique brass stencil that was probably used for marking various wood products by a lumber company. It's available in both regular and oblique versions.

This font is designed to create typographic textures. It's based on Ankara Display but not in the same family because of some of its different forms. Also, its angular forms give a digital impact.

Based on retro vinyl records in the middle of 20th century. There are three other fonts designed by in the same concept. -Word From Radio -African Elephant Trunk -Moon Star Soul -Rebel Train Goes

Longwood JNL is a condensed Roman typeface based on wood type examples. The nonconforming line and curves make this a unique font that can replace any of the "traditional" type designs used for titling.