Coche is a different kind of work from Koziupa and Paul. It is a connected script with a strong corporate feeling that aims to fill a gap in modern product branding. Coche means automobile, and one can easily envision a car's logo set with this font. Coche comes loaded with alternates and a complete set of small caps that nicely complement the caps and lowercase. This is the font for the modern designer-as-jockey who loves mix-and-play typography. Coche covers all Latin-based languages.

Cowboy Western is based on an old woodtype font from the late 1800’s Saddle up boys and girls the new Cowboy Western is here, the perfect font for when you need to put a little giddy up in your chickabiddy. This 2013 updated version adds alternate letters, additional language support for eastern, central and western European countries. The glyph set includes Latin extended A, B and Latin extended additional for Vietnamese plus Pinyin support for Chinese transliteration, finally we've finished the set with some discretionary ligatures.

The design for Titulata was based on the need for a titles of extreme weight, dynamics and soft morphology. Strong and clear, it takes graceful form in the line and is legible even in small bodies. The script variable is softer and features some punch-line touches, providing another vision and incorporating traits of manual writing. One important feature is that both styles have the same rendering in text box, reason why signs can be combined without other alteration that the form of the printed word.

Tisdall Script is based upon the brush-drawn script lettering of Hans Tisdall, who was the designer of many distinctive lettered book jackets for Jonathan Cape in the 1950s. Michael Harvey, also a designer of lettered book jackets, long admired Tisdall’s style and so, with the blessing of his widow, designed this typographic tribute. The augmented Tisdall Script Plus version, has many alternative characters and ligatures, together with Opentype features, to enable their automatic substitution where the application in which they are used permits.

Trend , Trend Hand Made & Trend Rough is a font made of layers, taking as a basis a sans and a slab font. It is the result of observation, search and study of the last global trends. Trend tries to capture the aesthetics of fashion or even fashion itself, integrating elements of a very popular and current trend. It is a typeface designed to be used without need to add anything external to it, because it has all components required for this. Trend is trending.

The "Architect's Font" for Everyone! Having taught Mechanical Drawing - BC (before computers), I have always wanted to digitize my every day lettering as I have previously done with my calligraphic lettering. Based on my own daily lettering style, which in turn is modeled after the hand lettering of draftsmen and architects, Fran Hand comes with Regular and Italic versions each for the same low price. Use "Fran Hand" for writing letters, fax cover sheets, invoices, spec drawings, or for enjoying a change from the prosaic and commonplace.

Introducing Pixel Retro - Display Typeface Font Pixel Retro is a bitmap font base on the from Namco Arcade Games. This Font is Perfect for Movie, Game, Film, Logo Brand and T shirt Design FEATURES - Uppercase and Lowercase letters - Numbering and Punctuations and Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. **Note: All images on the demo is just for preview purpose only and not actually included on the files**

Mocha Mattari is a distressed font designed based on Bebas Neue released as a free font in 2010. The Original Bebas Neue has an inordinate level of popularity and it has often been used as a web font in recent years. This Mocha Mattari was made by damaging the original and tweaked by hand work. Basically, Mocha Mattari does not have lowercases but alternative Uppercases. Exceptionally “g, m, oz, fl, lb” for “gram, milli, ounce, fluid, pound” can be available by opentype dlig or salt features.

Quta Rounded "derivative typeface from Quta" is a sans serif typeface produced by FoDa foundry, that meets all the needs of professionals who search a family of clean rounded geometric font, very well suited for headlines, newspaper and many purposes. With a basic character set in Five weights with their italics. Quta Rounded covers many features like: -Five main weights (Light, Regular, Medium, Bold and Extra Bold) -Matching italics for all weights. -language support for many Latin-based scripts -Ligatures and many other OpenType features.

Brandon Printed is based on the famous Brandon Grotesque typeface. It has an eroded, printed look with variations of every letter by using different styles. With several different styles like a shadowed version, an inline version and a double printed version you can create a lot of lovely combinations. The Brandon Printed package also contains a set with 95 Extras like arrows, catchwords, stars, emblems numbers & lines. Brandon Printed has a high level of detail, so it may process more slowly in some applications.

Celadon is a Modern Calligraphic Script Font based on letters written with a pointed pen. Celadon is an elegant font with high contrast between thick and thin lines. It has a slightly bouncy style butcan still be considered a balanced and classic font. The flourished alternate letters adds that little extra touch to your invitations and projects. All the letters, both uppercase and lowercase has one or more alternate letters. The alternate letters are available also for all the diacritics. Multilingual support for all European languages.

Architype Universal is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals underpin the design philosophies of the modernist movement in Europe. Their ‘universal’, ‘single alphabet’ theory limits the character sets. Architype Bayer was drawn from Bauhaus Archiv sketches for a minimal sans typeface that was created in 1925 by Herbert Bayer, based on his single-alphabet student thesis. This ‘universal’ alphabet was designed for exclusive Bauhaus use, but never cut as a typeface.

Mauren is a serif typeface inspired by the beauty of classic serif and calligraphic style, fused with modern appeal to blend with modern needs. Ranging from thin to black with italics, Mauren offers many possibilities to be applied in many graphic or editorial projects. The lighter weights are suitable for short paragraph, and the heavier weights are perfect for headlines, perfectly suitable for display purpose such as branding, editorial, book covers, and packaging. Mauren has extended latin character set that supports 200+ latin-based languages.

New Clear Era is part of a large ongoing project investigating classicism and legibility. The regular version is the base font. Numerous permutations will be performed on this underlying skeleton. Also investigated are the ideas of an extended type family, and trying to understand what makes a contemporary legible, serif typeface. The Mix versions combine characters from the Roman and Display to make quirky fonts that can be comfortably used for setting text. Mix One is the most quirky; Mix Three is the least.

Introducing, Shinemoon, a futuristic font by Scratch Design Shinemoon is a sans-based font with futuristic hi-tech lowercase & uppercase that will make your design look futuristic and modern. This font will be suitable for science-fiction movie posters, advertising, or projects that match with hi-tech, robots, space, future, planet or race. You can mix and match the uppercase and lowercase to make your design more stunning and stand out. This font is also included with ligatures, alternates and multi-language. Enjoy this futuristic font!

Cross Stitch Coarse is based on upper case characters 5 stitches tall and contains the upper case characters A-Z, numbers 0-9, ampersand, exclamation and question marks, comma, and period. Also, under the character set are all possible combinations of stitches 5 high from 1 through 5, which allows for the creation of custom glyphs. If the font is set at solid leading, lines following will align and mesh with stitches above. When setting lines of copy, extra leading is required to separate individual lines.

Modified Gothic is an art deco titling face developed by the Linotype Design Studio. This typeface includes the following features: letterforms drawn with a monoweight line, a relatively narrow character base, proportionally altered small caps" in lieu of a lower case, and a distinctly round feeling. Use Modified Gothic anytime you need to evoke the spirit of the roaring 20s! Modified Gothic looks great in headlines, as well as in short lengths of large body text. Modified Gothic is part of the TakeType 4 Library."

Kyber Ricon and Kyber Ricon Neu is a Monospaced sans serif family. Design with various width and weight that you can explore and combine creating rhythm and texture for comfortable reading. This font supports more than 400 Latin-based languages and has extensive Cyrillic and Greek support for languages like Russian, Bulgarian, Ukrainian, and many more. In variable version, it allows multiple options when designing, adapting to different composition solutions. Feature Uppercase & Lowercase Number & Symbol International Glyphs (Cyrillic & Greek) Multilingual support Hope you enjoy it.

Following rules, perhaps too closely. The first full font created by Ray Mullin who strongly believes a font need not be pretty to be valid. Each capital shares similar angles, as does each lowercase, making for a typeface only a mother could love. The rounded style was the true inspiration for the original, but logically it had to come second. Based entirely around Bong God but losing the harsh edges to become a usable futuristic type. Legible, but not readable, recommended in small doses.

The rainforest of Borneo which has a wealth of big trees and lush is the basis of inspiration of the Geegantic font. Therefore Geegantic has little difference with a similar font that usually appear in the feminine form. As you can see, Geegantic has the form of contrast stroke, a thick and casual. As display fonts, Geegantic aims to touch the needs of the general usage of displays, branding and advertising. However, under certain conditions, it is also possible to fill the text area.

Trend , Trend Hand Made & Trend Rough is a font made of layers, taking as a basis a sans and a slab font. It is the result of observation, search and study of the last global trends. Trend tries to capture the aesthetics of fashion or even fashion itself, integrating elements of a very popular and current trend. It is a typeface designed to be used without need to add anything external to it, because it has all components required for this. Trend is trending.

Gladiora Sans serif font family with tapered accents in some of the letters gives it a modern and bold character, even being quite prominent in thin characters. This font aims to give an elegant impression and also looks so luxurious in short wording for a letter-based title and logo. With 20 types and support for multi-languages, this font provides a wider range of exploration, which can be useful also for reading sentences and giving variety to each sentence by combining it with several sizes.

Hello Girly is the perfect font for all your fun designs. The main font file is equipped with ordinary characters (A-Z, a-z, 0-9, ligature), as well as more than 300+ glyphs to support most Latin-based languages. So you can be sure they will work well together with other fonts! It is suitable for you to use in making t-shirt designs, quotes, labels, packaging, logo type, or long writing. Because we have compiled kerning and matrices that are tailored to your needs.

"Dulya" is a weird, funny and irrational font. The design of the letters is based on the handwriting which is usually taught in school but the letters' graphics are geometrically transformed to make them interesting. The font has many alternative characters, so you can very freely control the texture of the text. Dulya supports Basic Latin and Extended Latin, Cyrillic — in total about 90 languages are supported. The font has one Regular weight, alternative characters, Uppercase and lowercase. Dulya font was designed by Viktor Pesotsky.

Alter Aves type is the first part of AlterType project – the serie of small display typefaces based on letterings, left-off types and altered foundry typefaces. Alter Aves is display condensed sans-serif typeface with couple of geometric-round letters, serif-styled elements and flat brush strokes. It supports Latin Extended-A (Western, Central Europe, Baltic, Turkish) and Cyrillic encoding languages and minimal opentype features – oldstyle digits, case sensitive punctuation, small-numeric forms and scripted fractions. Fully functional Demo style is distributed free for non-commercial using.

The Seasons is an elegant classic serif font family consisting of a high contrast serif fonts with a vintage chic look, with corresponding calligraphic cursive italics that are based on a number of humanist italic scripts and written with a Pilot Parallel Pen. Both upright and italic fonts (6 in total) share same style soft terminals with a sharp cut and are enhanced by OpenType features such as ligatures and stylistic alternates. The Seasons can be used in high-end branding, logo designs, magazines, product packaging & invitations.

Rilke, is the lettering used by Gustav Klimt on the 1st Vienna Secession poster in 1898 and is named for Klimt’s contemporary the poet Rainer Maria Rilke. The Vienna Secession was a group of artists whose motto was "to every age its art and to art its freedom." Their goal was to create a new style not based upon any historical influence. Its subtle curving strokes and the idiosyncratic set of the various characters create an elegant lightness which lends itself well to poetry, inscription

Rotunda blends the best of three worlds: it’s geometric, humanist and grotesque. But, far from being a tasteless hybrid, it has a strong personality and British undertones that turn it into a stylish and sober classic font face. Thanks to its ample character set and many variables, it stands as a versatile, all-terrain font. Strong and elegant, modern and classic, firm and humanistic. It truly is a 21st Century classic. It includes a very thorough coverage for a wide variety of Latin alphabet-based language families.

In the beginning of his typographic design work, Jeff Levine produced a large number of freeware dingbat fonts utilizing very rudimentary font creation software. Although popular in the world of home crafts, there were many issues inherent with those early font files. Jeff has chosen to clean up and update some of these fonts and make them commercially available. PLEASE NOTE: Refer to the license agreement regarding use of Jeff Levine's art-based fonts. Logos and derivative works made from these fonts are not allowed.

Beautinela Script is a beautiful mono-line font, perfect for logo design, branding, clothing design, signature, posters, wedding invitations and so much more! My goal with this font was to create an easily legible script font which would work for a wide variety of purposes. This font retains my personality within the characters as they were initially based off my own handwriting and later tidied up to create a set of consistent characters. Having that handmade feel and personal touch certainly gives it a hint of authenticity.

Meet Revla Serif, an unashamedly spirited font, with a spring in its step and a lust for life. Loosely based on a few letterforms from a mid century poster, it takes the feel of Madison Avenue print ads and runs with it. OpenType acrobatics ensure letters don't repeat monotonously, using the contextual alternates feature. Also included for your viewing pleasure - automatic fractions, case sensitive forms and one solitary stylistic alternate, an alternative ampersand. And that's it! Put the fun back into your text with Revla Serif.

Hi! Introducing a vintage layered typeface set named "Pirates Rum". This is an experiment of combining pirate motives with a touch of Gothic. It is a multi-layered decorative font containing a base layer, a layer with internal decorative elements, a layer with a shadow, and a separate aged font. It contains basic uppercase and lowercase glyphs, punctuation, numbers as well as multilingual characters for all kinds of layers. Pirates font, great for labels, logos, headers, and illustrations. Thank you & have a great day!

Tarocco is a typical book face with good readability and rather tall x-height. The origin for this typeface is found in Nordisk Antikva. A typeface especially constructed with attention for the Swedish language. Waldemar Zachrisson was determined to realize his ideas and in 1906 he began to cooperate with the foundry Genzsch & Heyse, based in Hamburg. Some influences of Jugendt can be found and the typeface were released in 1910. It became rather popular until around 1930. The MRF version includes 7 weights all together.

It was a series of three different forts on various spots on the New River built during the Second Seminole War [in Florida] named for Major William Lauderdale. It was launched as the college students' spring break destination for many years thanks to the film "Where the Boys Are". It's the major city 23 miles North of Miami. But wait! There's more! Now it's an eclectic Art Deco-inspired typeface. Lauderdale JNL is based on vintage source material with many unusual letter shapes and angles.

Introducing Holakia, a monoline script font based on the condensed style that is trendy, elegant and stylish. Supported by many OpenType features such as discretionary ligatures, swashes, contextual alternates etc. It has the potential to create interesting, beautiful and eye-catching typography combinations. Halokia is available in upright and italic versions. This font is perfect for use on packaging designs, quote prints, wedding invitations or personal logos. It is ideal for displaying something that is old-fashioned to make it look more modern and bold.

Meet Tilson, a versatile workhorse family for both texts and headlines based on a geometric and straight-lined design. It will give your apps, websites, logos, posters and so much more a techy and masculine look and feel. However, some friendly rounded details, such as the i-dot, add a rather pleasant personality to this family. With more than 200 languages covered, many opentype features on board, obliques, and weights ranging from Thin to Black, Tilson is a truly versatile companion for your next design project.

The Lo-Res family of fonts is a synthesis of pixelated designs, including Emigre's earlier coarse resolution fonts, as well as bitmap representations of Base 9. It replaces the preexisting Emigre, Emperor, Oakland and Universal families and groups these related bitmap designs under one family name in the font menu, thereby simplifying their naming. The Lo-Res fonts also offer technical improvements, including a more complete character set, more consistent character shapes among styles and weights, as well as improved alignment among the various resolutions.

The P22 Platten font family has been revisited and expanded by designer Colin Kahn. Platten is based on lettering found in German fountain pen practice books from the 1920s (you may have seen the similar Speedball books in the US). This round tip pen lettering is comparable to the basic forms used in grammar school teaching alphabets, but with a few original characteristics. The Italic version has even more of these unusual features. Geometric and simple yet casual and timeless. Perfect for many uses.

The Chrysler Building's decorative motif acted as the formal language that inspired the Linotype Spitz typeface. Linotype Spitz is a combination of pointed and semicircular elements that develop their own aesthetic value in their interplay. Neither the Chrysler Building nor the Linotype Spitz is designed on the basis of geometric rules; they both take account of optical phenomena in their design. Linotype Spitz is characterized by its elegant appearance, due to its exceptionally fine and pointed design. The font is ideal for posters and advertising.

ITC Zinzinnati is based on a font called Ohio, released in 1924 by Die Schriftguss A.G. Typical of the Plakatstil letterforms of the time, the original font had a rough outline, as if drawn with a brush. Nick Curtis has smoothed the rough edges, which enhances the design's playful curves and engaging charm. As for the name: it's the punchline to an old vaudeville routine that starts with the question, Name a city in Ohio that begins with a 'Z.'" Pie in the face, comin' atcha!"