A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, curved serifs, a very useful design for display.

JH Mars is a modern style typeface; it is designed based on old Koufi, Maghribi & Diwani scripts, typical for corporate identity, headlines, branding & signage...

Poster Plain JNL and its oblique counterpart offer the simple, hand-lettered look of home-made poster board projects with a bold, friendly typeface.

Biotech is hand painted typeface with a messy, rough and strong feel, perfectly suited for any design occasions. Get inspired by its bold charm!

Case Closed JNL is a bold, slab serif stencil font inspired by a set of brass stencils spotted for sale in an internet auction.

In 1951 Alessandro Butti cut a fontfamily for Nebiolo which he called Fluidum. Both weights, light and bold, were now revived and named Butti.

One of the classic old German large x-height Grotesques revised and still in use, identifiable by the rounded form of certain diagonal strokes.

Corn font is handwritten with a casual impression, this font has two styles, namely regular and bold, suitable for use in casual themed designs.

Bold yet distinctive, Capstan is a stand out slab serif ideal for signage, headlines, branding and other applications intended to convey strength and character

Crosstown JNL is a serif treatment of Midtown JNL, an Art Deco typeface displayed in the pages of an old 'how to' lettering book.

Sans-serif reversed capitals in outlined circles, resembling old-fashioned typewriter keys. Intended for logos and signs, and for enhancement in lists and maps.

OpenAir is a display typeface unlike standard Stencil Fonts. Great for logos, short titles and comes with Old Style numerals as well some ligatures.

Dephiana is an elegant and bold stylish script font. Great for logos, wordmarks & signboard. Has several stylistic alternates that can be used as needed.

Fleuron Ornaments was inspired by old world designs and patterns. There is an assortment of 47 ornaments all located under the character set keys.

Great Western is an engraved roman font that reminds you of the old railroad days when steam locomotives made their way across the countryside.

Redrawn from an old wood type we picked up in London. The original manufacturer is unknown. We added the lowercase to increase is usefulness.

I've 2 grand children, the youngest is just 3 years old. Her name is Sarah and see is Bella. And so we have Sarabella.....

Designed by Aldo Novarese and released in 1955, the Ritmo Bold font has broad, tapered strokes that have been drawn with a square nib.

Rettaya is a cool, bold display font. It will elevate a wide range of crafting ideas, from cards, to branding, labels and much more.

Sini is a warm and delicious hand-lettered fontface in two styles: bold and ornaments. Sini is recommended for use as a display typeface.

A classy and elegant serif from DooleyType. Valfieris includes a number of advanced OpenType features, including alternates, ligatures, small caps and old style figures.

A classic sans grotesk wood type design, Final Edition JNL was modeled from actual headlines found in online examples of an old daily newspaper.

LTC Spire with alternate caps was designed by Lanston’s type director Sol Hess in 1937. Spire Roman was designed without lowercase. But it includes alternate rounded caps which transform this extra condensed “fat face” into more of an art deco titling face. Spire Roman has been used within department store logos, luxury hotel signage, perfumes, etc, etc.

Angie Lou is a contemporary clean informal face. More formal than most handwritten faces, it surprises the eye with its clean rhythm. It gives that "marker on paper" or "dry erase board" feel. But the thin nature of Angie Lou sets it apart from most marker style fonts. Angie Lou offers two variants: regular and italic.

Corvone is a heavy bullnosed display family, inspired by the post war era's ideas of modernity. Two faces are offered, plain—a solid black face, and regular—which employs a three-dimensional pipeline effect to add real emphasis. Use Corvone to give work a retro feel, and/or where you want to really drive your point home.

Limehouse Script is the work of British designer Alan Meeks, a display face with a wide variety of applications. It is a script face with capitals meant to be used with the lowercase letters and strokes to join many characters. Limehouse Script is a striking, informal upright script which reveals a combination of brush letter and handwriting influence.

This family of faces take their inspiration from the standard faces used by the Leroy® Automatic Lettering Machine, a mainstay for architects and draftsmen in Ye Olden Days of t-squares and triangles. Crisp, clean and retro-techno. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Law Italic was designed as an imitation of a formal style of penmanship used in legal documents. It has a more pronounced angle than standard italics. It is intended to be used by itself but can be combined with other faces to suit a designer's inclination. Historically, this face was once used by Bruce Rogers strictly for headings.

A playful Art Deco face from master penman Samuel Welo is combined with design elements used in 1930s signage to create this architectural face. End caps are created with {brackets} and spaces with the design elements are _underscores. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Service Men JNL is a collection of twenty-six service industry-related messages carried by a courier. Each image is offered facing left and facing right. A blank message panel is available on both the period and comma keys for adding special text. The classic 1940s-era artwork adds a nostalgic touch to these simple reminders.

Belgato is a vintage-inspired typeface with delicate details. It comes in six weights – plus italics! – for a total of 12 fonts, making it a highly versatile display face. The variable font version allows for ultimateweight and slant customization in print and web. Belgato has Latin, Greek, and Cyrillic alphabets, and supports dozens of languages, making it ideal for multilingual branding, publications, ads, social media, and more! I had so much fun designing this typeface, playing with classic serif letterforms to create an elegant, mid-century modern vibe. Belgato Light is fresh, airy, and delicate – perfect for feminine branding. By contrast, Belgato Black boasts fat curves with thin details, perfectly-suited to bold layouts and retro branding projects. Each Belgato font has 665 glyphs, encompassing: - the Latin alphabet (including hundreds of accented characters) - the Modern Greek alphabet - the Cyrillic alphabet (for Russian, Ukrainian, Bulgarian, and Serbo-Croatian) - discretionary ligatures - stylistic and alternate glyphs - numerals (lining and old style), small figures, and fractions - extensive punctuation, symbols, and diacritical markings Software: No special software is required to use Belgato fonts. You can even use these fonts with Canva! To access Belgato’s variable font features, ligatures, and stylistic alternates, it is best to use software that supports these functions (Adobe programs, Corel Draw, Sketch, etc). Languages: Belgato supports dozens of languages which use the Latin, Greek, and Cyrillic alphabets. Among the most common languages it supports are: English, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, Filipino, Finnish, Flemish, French, German, Modern Greek, Hungarian, Icelandic, Indonesian, Italian, Luxembourgish, Maltese, Norwegian, Polish, Portuguese, Russian, Serbo-Croatian, Spanish, Swedish, Swiss German, Turkish, and Ukrainian.

Fishmonger originated from a commission of two fonts for the corporate identity of a fishmonger shop. When sketching the elementary principles for the lettering, the idea for a modern, extensive font family with a large number of styles was born. The first step consisted of defining the range of widths and weights. Then the master design Medium Regular was completed. The next step was adjusting the Extra Condensed Thin, the Extra Condensed Bold, The Extra Extended Thin and the Extra Extended Bold weights, as they are the vertices of an imaginary square map of the face. This meant that, in order to achieve a harmonious result, the x and y axis needed to be defined. From top to bottom, from the widest to the most condensed cut, the proportions are linear. However, from light to black, the line curves gently, allowing lesser difference between the light cuts, and a dramatic one between the heavier cuts. To ensure the original parameters were respected each position on the vertex was checked against the Medium Regular. After sorting out the ideal set-up, the remaining characters of each of the weights were drawn, and the remaining cuts were interpolated according to the principles above. Fishmonger is a functional, clean design, free of any buoyant, ornamental shapes, almost minimalist. Maybe this is what lends the type family its unique appearance.

Fracture is a broken font -- broken into many pieces -- yet it still conveys a powerful and modern message. It is a funky, in-your-face font that has strong overtones of modern rap and hip-hop culture. Its fragmented look brings to mind graffiti, contemporary youth culture, kids-on-the-move. Fracture is a must for movie posters, event posters, CD & DVD covers, clothing ads & swing tags, funky magazines, in fact, any product aimed at the young, trendy market. The font is letterspaced and kerned and has a complete character set (all upper and lower case, numerals and mathematical symbols and a complete set of accented and special characters).

It occurred to me years ago that the graphic arts community might find useful a digital typeface that mimicked the classic look of nineteenth-century handwriting. Conveniently, my mother then still volunteered at the Center for American History at the University of Texas at Austin, my hometown. She made copies of the letters of a few famous Texans -- Houston, Austin, Travis, Burnet, Rusk. Thomas J. Rusk’s penmanship caught my eye as the most accessible of the bunch. I hadn't realized at the time what a challenge it'd be to render a realistic-looking script face, but the result has, in fact, filled a niche.

The official terseness and grey of Neo-Classical type faces will stand out when we narrow them. The consistently vertical shading of the letters suppresses one's desire for eccentricity, just like tea with bromine. It would, however, be wrong to consider Bodoni as the originator of this - vertically shaded - trend in type face production. In his Manual we can also find type faces with a slanted axis of shade, picturesque italics and a number of normal, more human type faces. It remains a mystery why his name is connected only with one of his many works. Genre's basic design is fairly light in colour, which is why it looks good in illustrated magazines and short texts and directly calls for graphically striking, contrasting headings. It shows off beautifully next to photographs, on diplomas and on printed materials connected with a person's death.

Gliker was designer in the early 2019 and published in June 2020. Gliker is inspired by the characteristics of Hobo Typefaces. All corners of this typeface is founded, giving a more dynamic and vintage feel. Gliker is available in 4 Weights (Regular, Semi Bold, Bold, Black) and 7 Widths (Extra Condensed, Condensed, Semi Condensed, Normal, Semi Expanded, Expanded, Extra Expanded) with a total 28 Styles. Also includes support for 75+ Latin (Extended) Languages.

Graffiti Bomerang is a bold display font that captures the rebellious spirit of street art. Its thick, uppercase letters feature jagged edges and unique embellishments that evoke the look of spray-painted graffiti. This font is perfect for creating eye-catching titles and headlines for urban-inspired designs, music posters, and other projects that require an edgy and daring style. The font’s bold and unapologetic personality is sure to make a statement.

Palestra - a modern sans serif font in four style : Regular, Italic, Bold and Bold italic. In this font, I can see many alternatives for the lowercase and most common ligatures that fit perfectly with this font style. This font can look more classic without serifs and more expressive with alternative substitutes, try to play with them and you will get the uniqueness in your project. All characters in this font are PUA-encoded.

Looking for a big, bold, black typeface? Meet the fat solid curves of Blonk! This type is based on hand-drawn letterforms with basic curves and angles, so it still retains softness and has a handcrafted feel. Yet, its boldness suits poster design, packaging, and other uses that needs to draw attention, in an quirky yet distinctive way. All glyphs are handcrafted by illustrative designer Zeptonn. Prepare to make a Blonk statement!