LOGX-30 is a geometric, all-caps, display typeface. As a brother of LOGX-10 and LOGX-20 , this is the most narrow version in a series of three related typefaces. LOGX-30 is designed, like other LOGX versions, for a wide range of graphic designs and visual identifications. I think that it works best in works with a technical, geometric style, and rather striving for minimalism. Both the normal and the italic version can be used together to compose graphics, photos, large and small text in an interesting way.

Meutas Soft is a sans serif font family which geometric and humanist make a blend. Make it more attractive and dynamic. Meutas Soft is designed for display and body text. Maximizes thickness while maintaining balance in each form. This makes it especially suitable for all kinds of creative projects. Meutas Soft is a rounded version of Meutas font. Meutas Soft comes with 10 weights and a matching oblique, making it 20 styles. Some alternative glyphs will be an attractive choice. Makes every project you work on easier, and will certainly be awesome!

Contane Text is the text optimized version of the Contane family. More solid, more robust, it repesents the down-home addition to the more subtle Contane family. Stronger hairlines, solid serifs, and slightly more comfortable proportions make it appropriate for bold headlines, as well as for small text sizes. 20 styles offer fine graduation of the weights. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows, and alternate characters.

Helnore is a sans serif font family with tapered accents in some of the letters giving it a modern and bold character, even being quite prominent in thin characters. This font aims to give an elegant impression and also looks so luxurious in short words for a letter-based title and logo. Helnore bring 20 style/Italic and support multi-languages, this font provides a wider range of exploration, which can be useful also for reading sentences and giving variety in each sentence by combining it with several sizes.

Order a platter of sizzling Pork Chop, a sans serif from Font Kitchen. Rounded squared contours and horizontal terminals give this serif typeface a futuristic feel, while still remaining readable at smaller sizes. 10 weights are available with obliques, weighing in at 20 styles, each fresh cut and farm-raised. This font family is served with sides of expansive ligatures, kerning pairs, stylistic alternates, proportional and tabular figures, and versatile fractions. Pork Chop is a great way to add a calculated, futuristic, yet still approachable feel to your next project.

Introducing, proudly present the newest and fresh product from the oven. The Lord Music font is a decorative serif font made with collaborating of beauty and elegant looks. This font made with a lot of alternate features that every letter has a minimal 3 alternates for change and mix with your style do you want. This font will to giving more valuable projects that outstanding and elegant. The Lord Music font is perfect for a title, headline, logo, branding, quote, tagline, and etc. The font also supports more than 20 languages.

Vododeo JNL is directly named for the free-form sheet music title lettering from Jack Yellen and Milton Ager's "Vo-Do-De-O". The term itself was a catchphrase made popular during the era known as the "Roaring 20s". Yellen and Ager were responsible for such hits as "Ain't She Sweet" (1927) and "Happy Days Are Here Again" (1930) along with countless others. During his career, Jack Yellen provided lyrics to over 200 songs. As a side note, Yellen was married to a distant cousin of type designer Jeff Levine's late mother.

Houstonville is the debut letterfrom of Veteran Type. Design by Abdul Rochman a.k.a Veteran Type. This font is inspired by ancient letters in the 19th century. This font is very suitable for designs with ancient concepts, such as print, logo design, and others. This consists of : 20 stylistic set 520 ± glyph count Multilingual support Support for multiple languages Math Symbol Numerals & Punctuation I am very grateful, to my friend and mentor, namely Spencerandsons a.k.a Gilang Purnama, for sharing their knowledge, time, and teaching me. Thank you again Spencer and Sons, always be great !!!

Introducing Carilo. Modern and classy serif that combines two types of typefaces, classic calligraphy and serif fonts. You will also get 20+ ligatures and several stylistic alternates that will make your work look more unique, luxurious and elegant. This font is perfect for to create logos, branding, stickers, shirts, signs, posters, quotes, instagram posts, procreate designs. book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. Features : · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded Hope you enjoy with our font!

MB Narrow is a very compressed display font that comes in three weights. with is full use of the 20 stylistic sets it gives the user a lot of scope to how it look. without using them it has a very rounded and geometric look but with alternates for the Capital A, M, N, V, W, X, Y and the lowercase a, f, g, v, w, x & y you can create a more traditional 'movie poster' look. with standard & discretional ligatures and oldstyle figures there are plenty of opentype features.

Hi! This is a new classic Celtic font. With spirals, knots and animals’ faces. СelticSpiral font is perfect for printing of graphic arts, posters, packaging and t-shirts. The font is presented in usual and color versions. Only uppercase letters from A to Z and numbers set (36 characters)

A piece of vintage British sheet music from 1941 entitled “That Lovely Week-End” featured the song’s name in a bold Art Deco sans serif with rounded edges. This lettering design is now the digital type face Weekend Plans JNL, which is available in both regular and oblique versions.

The common Slavic word Osnova means basis in English. This universal but still distinctive typeface can make a good foundation for any design project. There is the main Osnova version and separated faces Osnova Alt, Osnova Fancy and Osnova Small Caps for Western Latin, Greek and Cyrillic languages.

The Burin family of typefaces consists of Roman and Sans variations. Burin Roman has very distinct lowercase characters b, c, d, g and y with a quirky use of tapered strokes and hairlines. Burin Sans is a light display face with an extended tail on the lowercase y.

The Pacific Sans and the Pacific Serif originated from the Pacific Standard, a space effective type face, especially designed for poster lettering. The implementation of serif strokes in the Pacific Serif and the contrast in vertical and horizontal strokes in the Pacific Sans, gave these fonts a distinct elegance.

Bellissimo Display boasts an impressive range of handsome all caps ligatures that would make even Herb Lubalin jealous. Despite its iconic features, Bellissimo works surprisingly well as a text face as well. Small capitals, alternate glyphs and both lower and upper case figures are intrinsic in the design.

The Burin family of typefaces consists of Roman and Sans variations. Burin Roman has very distinct lowercase characters b, c, d, g and y with a quirky use of tapered strokes and hairlines. Burin Sans is a light display face with an extended tail on the lowercase y.

The Pacific Sans and the Pacific Serif originated from the Pacific Standard, a space effective type face, especially designed for poster lettering. The implementation of serif strokes in the Pacific Serif and the contrast in vertical and horizontal strokes in the Pacific Sans, gave these fonts a distinct elegance.

Sprint is a forward-leaning display face that was created by the noted Italian type designer Aldo Novarese. The font is a perfect match for 1970s era racecars, or 21st Century e-commerce start-ups. Get with the speed today, and try out Sprint in a headline or two.

Interweave is a square display face with rounded corners, inspired by beefy fonts from the 60s and 70s such as Bullion and Deutsch Black. An alternating criss-cross effect is borrowed from Hunyady Gothic, the opposing lowercase a, e and s providing a basket weave or parquet floor appearance.

PT Adonis™ was designed by Natalia Vasilyeva and licensed by ParaType in 2002. An original typeface, its characters have slightly oblong proportions, with rounded serifs and generally soft letterforms. The face is both space-saving and quite legible in small sizes. For use in text and display typography.

VTC Chocolate Chipped is a modern and minimalist homage to exaggerated woodblock typefaces of the past. It's the perfect little font collection for loud and in-your-face messaging, with 3 different weights in standard and oblique flavours. Adobe Latin 1 & Basic Cyrillic language support are also included.

Designed as a typewriter face for IBM, Courier was redrawn by Adrian Frutiger for the IBM Selectric series. Courier is a typical fixed pitch design, monotone in weight and slab serif in concept. The Courier font is used to emulate typewriter output for reports, tabular work and technical documentation.

Face Front, True Believers, here comes another Spectacular Smash Hit from the Comicraft House of Ideas! A worthy companion to our Monster Mash and Doohickey Masterworks, Framistat is an All-New, Truly Titanic Typeface designed to dutifully display cover copy as demanded by Collector's Item Classic comic book tradition!

Put together from a collection of old bits and pieces, RM Scrapheap is a distinctive display face with many uses. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

This typeface expands Herbert Bayer's 1931 experimental, all-lowercase "universal modern face," Architype Bayer-Type, by adding an uppercase and adding an architectural inline treatment. Sleek, modern and sophisticated, it's the perfect choice for elegant headlines. Both versions of the font contain characters to support all major European languages.

GrindelGrove is a spooky display face that suggests deep dark woods, long-lost treasure maps, and cautionary fables. Its bark-like texture and v-shaped letterforms lends an air of eerie mystery, a perfect complement for scary novels, haunted houses, and strange happenings. See what’s included! http://bit.ly/2bIDfOf

Airwave is suitable for display and logo work. It comes in three faces and would work well for technical designs or for giving a fresh, modern look. It is an all cap font with a few (A, E, N, R) lower cap alternates and contains West European diacritics.

Rebel, Energy, Punk, Power... Ramones, jagged interlock letter with bold line. This font will bring that IN YOUR FACE attitude in your design. No more soft side. It's all about the energy ! Either choosing the auto-generate interlocking letters, or keep it original, Ramones still brings you the power.

Derived from Valibuk, Britva is designed like from broken glass for eye-catching headlines. It's a heavy, condensed face with a high x-height and tight spacing. While Valibuk can write it loud, Britva literally shouts it out even louder. The unbroken glyphs are accessible through OpenType contextual alternates.

Designed by Dave West and released in 1960, the name Barnum associates this face with the famous nineteenth-century traveling American circus and showman P.T. Barnum. The wood-cut influence of the letter makes the PL Barnum Block font ideal for posters, signage and creative titling and packaging.

Designed as a typewriter face for IBM, Courier was redrawn by Adrian Frutiger for the IBM Selectric series. Courier is a typical fixed pitch design, monotone in weight and slab serif in concept. The Courier font is used to emulate typewriter output for reports, tabular work and technical documentation.

This original display family was designed by Vladlen Erium in 2000 for advertising and display typography, especially for advertising of teenage goods and services. The caps-only face has modern letterforms, dynamic slanted styles, and stable upright ones. It is very useful for creating a memorable product image.

PL Benguiat Frisky is a script face designed by Ed Benguiat in 1960. It has an irregular x-height adding to its informal appeal. The PL Benguiat Frisky font is useful for books and posters and invitations for fun or informal events and also works well for packaging.

Greyton Script is the work of South African designer Gerhard Schwekendiek, who is known for his script lettering and logos. This copperplate script face looks almost ribbon-like, a feeling accentuated by the letters' fine inline. Greyton Script is perfect for eye-catching headlines or personal invitations and greetings.

The idea for Gummed Letters JNL came from an online auction of some foil-embossed gummed letters from the 1940s and 1950s. One particular set was of a sans serif face that hadn't been produced in decades, and Jeff Levine felt it was worthy of a digital treatment.

Uppsala is a new and original uncial typeface designed by Paul Shaw in collaboration with Garrett Boge in 1998. Its strongly chiseled shapes were inspired by historical northern European manuscript lettering. The face is appropriate for short text or display settings. Uppsala is part of the LetterPerfect Swedish Set

After its period of exclusivity expired, the corporate typeface of the Saubermacher recycling company was revised and expanded. Now it is available for everyone! Whether on fresh buttermilk, a Honolulu surfer bar, or a hotel on the Arlberg, this preppy script face is versatile and full of character.

AndrewAndyCollege is an outlined font derived from the Ingrimayne font AndrewAndreas, a san-serif face. In 2018 the inside and the middle ring were separated out and made independent fonts. They can be used alone, or layered with the original to produce letters with two or three colors.

This typeface gets its inspiration from a face designed by Vincent Pacella for PLINC named Bingham, and is evocative of steam locomotives and the Old West. Both versions of this font include the Unicode Latin 1252 and 1250 Central European character sets, with localization for Moldovan and Romanian.