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  1. Tant Britta by Cercurius, $19.95
    A bold condensed caps-only cross-stitch font, based on an embroidery pattern from the middle of the 20th century. Use it in large sizes for advertising, posters, greeting cards, etc.
  2. Tant Gertrud by Cercurius, $19.95
    A cross-stitch font based on a classical pattern, including capital and lower-case letters. It is suitable for posters, signs, ads and greeting cards in the Thanksgiving and Christmas season.
  3. Cherrywood JNL by Jeff Levine, $29.00
    Based on the classic “Columbian” from the William H. Page Wood Type Company (circa 1870), Cherrywood JNL is a bold slab serif type design available in both regular and oblique versions.
  4. Rundig Pencil by Ingrimayne Type, $9.95
    RundigPencil has a semi-informal but very neat and rigidly upright handwritten look. It comes in three weights, each with italics. The calligraphic typeface Rundigsburg is based on similar letter shapes.
  5. Moritz by Solotype, $19.95
    Loosely based on an early 20th century type from the Brussels foundry of Van Loey-Nouri. Many European foundries had fonts of this general design. Schelter & Gieseke of Germany had several.
  6. Carton Stencil JNL by Jeff Levine, $29.00
    Antique brass stencils hand-cut for shipping items during the early part of the 20th Century were for sale in an online auction; and are the basis for Carton Stencil JNL.
  7. Gumela by NamelaType, $17.00
    Gumela is a unique-sans family, based on rounded sans serif whose edges end with unique shapes. Gumela consist of 6 styles: Light, Light Italic, Regular, Italic, Bold and Bold Italic.
  8. Daresiel by Scriptorium, $18.00
    Daresiel is an elegant script font based on a sample of Edwardian period hand lettering. It has elaborate curls and embellishments and some other interesting features like the elongated 'f' character.
  9. Wurst Hassen by Ingrimayne Type, $9.95
    WurstHassen is an ugly, violent typeface, full of anger and rage. The two overlay styles can be used alone or layered with the base font to produce bi- or tricolored lettering.
  10. More Office Stamps JNL by Jeff Levine, $29.00
    More Office Stamps JNL is the companion font to Office Stamps JNL, and collects another twenty-six designs based on vintage 'stock' rubber stamps used in hundreds of offices for decades.
  11. Riley Wow by Etewut, $36.00
    Riley Wow typeface is rounded sans serif. It includes 3 font styles that can be used together to call glowing effect. The typeface supports all European languages based on Latin alphabet.
  12. Opz Popz JNL by Jeff Levine, $29.00
    Opz Popz JNL is a collection of fifty-two designs based on geometric designs and pop art (reminiscent of the 1960s). These images are perfect embellishments for retro-themed work projects.
  13. Bon Voyage by Great Lakes Lettering, $24.00
    Based on the handwriting of Taryn Sutherland of Twinkle and Toast. Great Lakes Lettering is thrilled to release Bon Voyage. Add a flair of elegance and whimsy to your DIY designs.
  14. Revers by GRIN3 (Nowak), $19.00
    Revers is a rough, grunge slab serif based on newspaper headlines from the 1950s. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.
  15. Cross Stitch Monogram by Gerald Gallo, $20.00
    Cross Stitch Monogram is based on upper case characters 15 stitches tall and contains the upper case characters A-Z, numbers 0-9, ampersand, and a selection of various simple ornaments.
  16. File Clerk JNL by Jeff Levine, $29.00
    File Clerk JNL was based on Cushing, a typeface found within the pages of the 1901-02 Pettingill & Co. (Boston) specimen book, and is available in both regular and oblique versions.
  17. Planta by Monotype, $25.00
    Planta is a bold sans serif with inverted contrast. It was inspired by brutalist architecture. One weight only, 4 widths and more than 350 glyphs. Planta supports most latin based languages.
  18. Shining Night by Gleb Guralnyk, $15.00
    Hi! Introducing a vintage style font Shining Night. This font has additional font file with round dots over the base glyphs, that immitates a lamp lights of a real cabaret signboard.
  19. Ranch Land JNL by Jeff Levine, $29.00
    Ranch Land JNL is based on a classic French Clarendon wood type, many of which were popular in the 1800s and are now associated with either Western motifs or circus events.
  20. Blue Orchid JNL by Jeff Levine, $29.00
    A piece of 1940s sheet music for the song "Blue Orchids" was the inspiration for both the type design (based on the hand lettered title) as well as the font's name.
  21. Fibula by Hurufatfont, $19.00
    "Fibula" has a surprising and lively effect? The design is based on the form of a safety-pin. Fibula display font offers designers creative alternatives to create brands, packaging and titles.
  22. Letterpress Embellishments JNL by Jeff Levine, $29.00
    Letterpress Embellishments JNL is another typographic collection of assorted stock advertising cuts, ornaments, cartoons and other miscellany found within the type drawers of letterpress printers and based on vintage source material.
  23. Sign Decal JNL by Jeff Levine, $29.00
    Sign Decal JNL is an outline version of Sheldrake JNL - lettering based on original water-applied decal transfers once made by the Duro Decal Company (now Duro Art Industries) of Chicago.
  24. Flax JY by JY&A, $39.00
    David Philpott was inspired by the flax growing on the side of the motorway out of Wellington, New Zealand, and crafted this very distinctive, natural typeface family based on the plants.
  25. KAH by MADType, $21.00
    KAH is a font which is based on a strict LCD-style grid. KAH is perfect for mocking up LCD screens or to create a technological/futuristic aesthetic in your design.
  26. Bloc by ParaType, $30.00
    Designed at ParaType in 1997 by Tagir Safayev for advertising and display typography. Based on Block of H. Berthold, 1908 by Heinz Hoffmann. A bold sans of a typical German pattern.
  27. SG Munke by Studio Gulden, $20.00
    SG Munke is a groovy display font with a curvy base shape. Very suitable for you who want to make both vintage and modern pop designs. Include multilingual, uppercase, and lowercase.
  28. Vampire by Otto Maurer, $17.00
    Inspired by a famous vampire movie. This font is based on the character shapes of Free Serif, a sample font bundled with FontLab applications; it is quite similar to Times Roman.
  29. Lithos by Adobe, $35.00
    Old Greek inscriptions were Carol Twombly's inspiration when she created Lithos, which appeared with Adobe in 1990. The alphabet is composed exclusively of capital letters, which can also be used as initials combined with other fonts, such as Caslon.
  30. Terazza Tiling by Greater Albion Typefounders, $8.95
    Terazza Tiling was brought to mind by old-fashioned tiled fireplace surrounds. It's a system of geometric tiles intended for constructing page borders and rules. Their geometric nature makes them adaptable for any sort of period or modern look.
  31. Fd Hallway by Fortunes Co, $15.00
    Hallway inspired from vintage script combined with modern style, suite for adventure or classic feeling sport, sign painting, labeling, suitable for logo, product names packages, labels, old fashioned coffee shops, bars and everything with specific characteristics of past times.
  32. Hell's Letters by FM Fonts, $15.00
    Basically my inspiration to create this font was located in the designs of old-school tattoo associated with wildlife Rockabilly and 70’s and 80’s. This font is perfectly applicable to typesetting for headlines, posters and art designs.
  33. Kubikajiri by Hanoded, $15.00
    Kubikajiri is a scary, scratchy font, hand-made using India ink and a sharp, old-fashioned pen. You can use it for a variety of projects, like ads, posters and websites. Just be careful you don't lose your head...
  34. Giro by Suomi, $25.00
    I saw an old logo for Giro d'Italia on telly, and was just smitten by the truly ugly type: just ruler and compass work, no intakes or optical corrections whatsoever. I just had to turn that into a font.
  35. Miscellany JNL by Jeff Levine, $29.00
    Miscellany JNL collects numerous images of various genres into one dingbat font. There are vintage stencil patterns, old-time ad cuts and decorations, line spacers [number keys 1 through 7], conversation balloons, parking lot symbols and other assorted goodies.
  36. Walk Da Walk Two - Personal use only
  37. Valerius - Personal use only
  38. Imagine a font that tiptoed into a masquerade ball, wearing a disguise so charming and playful that every word it whispered seemed to dance off the page. That, my dear friends, is the essence of King...
  39. Caslon #540 by ITC, $29.00
    The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch sources, so Caslon was influenced by the characteristics of Dutch types. He did, however, achieve a level of craft that enabled his recognition as the first great English punchcutter. Caslon's roman became so popular that it was known as the script of kings, although on the other side of the political spectrum (and the ocean), the Americans used it for their Declaration of Independence in 1776. The original Caslon specimen sheets and punches have long provided a fertile source for the range of types bearing his name. Identifying characteristics of most Caslons include a cap A with a scooped-out apex; a cap C with two full serifs; and in the italic, a swashed lowercase v and w. Caslon's types have achieved legendary status among printers and typographers, and are considered safe, solid, and dependable. A few of the many interpretations from the early twentieth century were true to the source, as well as strong enough to last into the digital era. These include two from the American Type Founders Company, Caslon 540 and the slightly heavier Caslon #3. Both fonts are relatively wide, and come complete with small caps, Old style Figures, and italics. Caslon Open Face first appeared in 1915 from the Barnhart Bros & Spindler Foundry, and is not anything like the true Caslon types despite the name. It is intended exclusively for titles, headlines and initials, and looks elegant whether used with the more authentic Caslon types or by itself.
  40. Belgato by Molly Suber Thorpe, $9.00
    Belgato is a vintage-inspired typeface with delicate details. It comes in six weights – plus italics! – for a total of 12 fonts, making it a highly versatile display face. The variable font version allows for ultimateweight and slant customization in print and web. Belgato has Latin, Greek, and Cyrillic alphabets, and supports dozens of languages, making it ideal for multilingual branding, publications, ads, social media, and more! I had so much fun designing this typeface, playing with classic serif letterforms to create an elegant, mid-century modern vibe. Belgato Light is fresh, airy, and delicate – perfect for feminine branding. By contrast, Belgato Black boasts fat curves with thin details, perfectly-suited to bold layouts and retro branding projects. Each Belgato font has 665 glyphs, encompassing: - the Latin alphabet (including hundreds of accented characters) - the Modern Greek alphabet - the Cyrillic alphabet (for Russian, Ukrainian, Bulgarian, and Serbo-Croatian) - discretionary ligatures - stylistic and alternate glyphs - numerals (lining and old style), small figures, and fractions - extensive punctuation, symbols, and diacritical markings Software: No special software is required to use Belgato fonts. You can even use these fonts with Canva! To access Belgato’s variable font features, ligatures, and stylistic alternates, it is best to use software that supports these functions (Adobe programs, Corel Draw, Sketch, etc). Languages: Belgato supports dozens of languages which use the Latin, Greek, and Cyrillic alphabets. Among the most common languages it supports are: English, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, Filipino, Finnish, Flemish, French, German, Modern Greek, Hungarian, Icelandic, Indonesian, Italian, Luxembourgish, Maltese, Norwegian, Polish, Portuguese, Russian, Serbo-Croatian, Spanish, Swedish, Swiss German, Turkish, and Ukrainian.
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