Postmark Display is a clean geometric display font with one basic and three special styles: Postmark Display Postmark Display Style 1 Postmark Display Style 2 Postmark Display Style 3 Special styles were created to complement the main font and to differentiate words or sentences. Postmark Display is ideal for headlines, headers, logos, labels, packaging, magazines, invitations, etc. FEATURES Basic latin alphabet A-Z Three special styles (each with 50 basic glyphs) 56 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures LANGUAGE SUPPORT Latin 1 + Latin 2 Western Europe and Americas: Afrikaans, Basque, Catalan, Danish, Dutch, English, Faroese, Finnish, French, Galician, German, Icelandic, Irish, Italian, Norwegian, Portuguese, Spanish and Swedish. Latin-written Slavic and Central European languages: Czech, German, Hungarian, Polish, Romanian, Croatian, Slovak, Slovene. Enjoy Postmark Display!

I became interested in designing Bodoni Classic because of a lazy graphic designer at Jacques Damase publishing house. He had to change a single letter on a bookcover about J. B. BODONI. The French call him Jean Baptiste instead of Giambattista! And that unknown graphic designer just took any old “J” from some newly cut Bodoni. All the new Bodoni cuts have square serifs, whereas the originals had rounded serifs and slightly concave feet. The single letter “J” with the squared off serif was for me like a road sign to start redesigning the entire Bodoni family. That’s exactly what I started in 1993 and a dozen years later I am finished. Okay, I am still adding new Bodoni Classics, but those are my personal additions. Yours very retro, Gert Wiescher

I became interested in designing Bodoni Classic because of a lazy graphic designer at Jacques Damase publishing house. He had to change a single letter on a bookcover about J. B. BODONI. The French call him Jean Baptiste instead of Giambattista! And that unknown graphic designer just took any old “J” from some newly cut Bodoni. All the new Bodoni cuts have square serifs, whereas the originals had rounded serifs and slightly concave feet. The single letter “J” with the squared off serif was for me like a road sign to start redesigning the entire Bodoni family. That’s exactly what I started in 1993 and a dozen years later I am finished. Okay, I am still adding new Bodoni Classics, but those are my personal additions. Yours very retro, Gert Wiescher

Branding, a modern typeface for modern needs! Branding, especially designed for meeting contemporary aesthetic and functional needs, is the interpretation of a modern typeface from the designer’s own perspective. This typeface encapsulates a wide range of nuances and combines, seemingly, opposite elements such as technology and friendly rounded shapes. In addition, alternative characters make Branding an ideal tool for both graphics designers and art directors. Branding is a sans-serif spurless typeface with a medium-large x-height, slightly wider horizontal proportions, straight curves and convex terminals. This font is well-suited for logotypes, isotypes, short text, etc. Branding comes in 7 weights—ranging from Thin to Black—with matching italics and includes a set of 544 characters that supports 128 different languages. European accents, old style numbers and multiple alternates are also included.

Dorriss girls were the dancing troop at the Moulin Rouge. I had the idea for this font while trying to come up with an alternative to beveling. I thought it would be interesting to create this sort of stepped effect as I've never really seen this treatment on a font before. Then my need to create chaos shows up again with Doriss Girls informal. A hand drawn take on the forms. This seemed like it would appear on an old art nouveau poster by the great Toulouse Lautrec, so there you have the genesis of this font. I've been somewhat compelled by the letterforms so I may expand and create a more normal version of this font someday with a range of weights. That would be the bees knees.

This type family is a revival of the old and famous Frank Rühl from 1924. With less contrast the 2 weights make it more readable and pleasant to the eye too. OpenType Pro Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holam Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: https://tinyurl.com/ybgdsxme Font files were re-generated to get better online screen display, as well as refined OpenType features as kerning glyph substitution. Please be aware of minor changes that might impact page layouts done with older fonts' versions. So be careful.

Serofina is an adaptable and fluid connected script with plenty of alternate flourish options. From clean and flowing to cute and frilly, Serofina can do it. The Serofina family comes with four weights, including a unique hairline, which makes it a versatile investment for a wide range of design possibilities. All weights include the OpenType programming to automatically and seamlessly swap out the default characters for 45 alternate forms and 18 auto-replacing ligatures. These alternates can make the face appear to be more simplified, restrained or frilly. Serofina also includes seven ornaments and old-style numbers. Check out the sample images to see these features in action. Serofina is a highly versatile script family and its range of weights make it perfect for whenever you need an expressive and original typeface.

Anyone old enough to remember either the radio or television version of “The Adventures of Ozzie and Harriet” pictures Ozzie Nelson as the easygoing father figure who never seemed to have a real job – he was always hanging around the house. In truth, the handsome young Ozzie was a bandleader in the 1930s and 1940s and ended up marrying his ‘girl singer’, Harriet Hilliard. A piece of sheet music from 1933 for “You Have Taken My Heart” was one of the songs Nelson featured with his Columbia Broadcasting System Orchestra. The title was hand lettered in what can only be described as a slightly eccentric Art Deco Sans serif. Redrawn and cleaned up to reflect more uniform stroke weights, Bandshell JNL is now available in both regular and oblique versions.

The Killegar family is inspired by one of the great houses of Ireland...Killegar—which is on the grand Estate of Killegar. I lived there for many years. It is a quiet and peaceful place surrounded by lakes and trees and is inspirational in so many ways. All of my creative talents were boosted by this amazing two hundred year old building with all of it's secrets and heritage. Time stood still in Killegar....except for me and my modern day computers, cell phones and fax machines. This twist of fate, with me living both a rural and hi-tech life, living in an environment of the early 18th century, with the friendliest local people on the Earth, played it's part in the origin of the Killegar family of fonts. Tony Fahy

Forjada—designed by Raúl Israel—is a monolinear, rounded and condensed typeface, belonging to the slab serif classification, inspired by wrought iron window and door grills on facades of historic buildings in America and Europe. Forjada is a rigid yet softly curved font with exquisite ornaments and optimized for great legibility. Forjada Family comes in 3 weights—Light, Regular and Bold—with matching italics and includes alternate swash caps and ligatures plus Ornaments and Catchwords sets that provide a wide range of choices for creating the most beautiful designs. The font character set supports 212 languages. Forjada is well-suited for branding, packaging, food & drinks menus, wedding invitations, party invitations, guidebooks to old cities or any glamorous design you want to add a fresh and modern touch to!

This font is inspired by two typographic styles, incorporating (both) geometry and humanism. It combines the rhythm of such typefaces as Meta Pro and The Sans, as well as terminations and structures from fonts like Din and Futura. This results in a font that plays with condensation and a parallel rhythm, simple and functional. Fuse is perfectly equipped with Opentype, it contains alternative glyphs, fractions, modern and old numbers, superscripts and subscripts, ligatures and Small Caps. We always kept the idea of having Fuse be humanistic, rational and universal, which makes it ideal for graphic design, printed publications, web design, motion graphics, interaction design and branding. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Type Foundry On facebook W Type Foundry wtypefoundry.com

Magnetic Pro is a typeface inspired by typewriter characters with a mechanical aspect. Equipped for professional typography, this font family has many OpenType features such as small caps, case sensitive forms, tabular and old style figures, pro kerning, circled numerals, ligatures, and extra graphics. It comes in 8 weights with corresponding italics and it's suited for multiple purposes including display and editorial use, especially for advertising, long text, packaging and branding. Magnetic Pro has true italics with a 'mechanical script' aspect to give more style in long texts. It has also an extended character set to support Central and Eastern European as well as Western European languages. Magnetic Pro has also an extra graphics style for those who wants to add catchwords, special titles, arrows and geometric shapes to their creative projects.

ZT Klotin is a serif display font characterized by a strong, Classic vibe, with straps, special alternate glyphs, and soft Curves. Perfect for branding, weddings, social media, product design, stationery, and advertising. ZT Klotin is flexible enough to add these classic elements to almost any project requiring a special class touch. ZT Klotin features over 178 unique ligature and alternatives, ZT Klotin is crafted to be Soft and interwoven to create a stunning display of its subtle hypnotic curves, making it the perfect choice for impactful editorial layouts and bold Bold creations. FEATURE — 644 Glyphs — Uppercase & lowercase letters, numbers — Old-style figure — 40 Discretionary Ligatures & Standard Ligatures, — 178 Alternatives (Uppercase & Lowercase) — Symbols, punctuation marks I hope you have fun using ZT Klotin Thanks for using this font ~ Khaiuns X zelowtype

Ankormati Is a font with a touch of classic Victorian era style with bold letters wrapped in small ornaments that add to the feel of the Victorian era, but here it makes the look of this font with a colorful retro feel, not really like the old Victorian era design. But this can be tailored to the desires of your design needs, This font fits perfectly with the retro vintage style which will add classic value to your designs. What's Included : Standard glyphs Ligature Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy with our font! Taznix

Hanleth family is a combination of script and all cap sans. This duo font was made and inspired by old vintage script and simple sans, polished with a little bit of modern style. This font family is a vintage, authentic and hand crafted piece of typeface. 1. Hanleth script : comes with clean and rough version. with some swash and alternates that make it looks unique and elegant. 2. Hanleth sans : comes with clean and vintage rustic version. a simple sans that generally good for tittle and body text. 3. Hanleth icon : comes with 52 vintage rustic icons is perfect to boost the vintage feel of this family. Hanleth family is perfect to make logotype, product packaging, tittle for poster or greeting card, promotional message, branding project and more.

Joost Schmidt?s (1893?1948) name is undoubtedly connected with monolinear condensed letters of geometric appearance ? his unfinished draft of a stencil alphabet, constructed on grid paper in 1930, is much lesser known. These modular shapes simply consist of half circles, quarter circles and square strokes with half-round terminals. From just six original letterforms (a, b, c, d, e, g), Flavia Zimbardi completed Schmidt?s draft and extended it to a full character set for contemporary use, adding upper case letters and different figure sets including old-style. Joschmi overcomes legibility issues usually associated with this stencil style, with special attention to the design of white space. Zimbardi lends the face even more character by carefully adding round terminals in subtle spots of the alphabet, accessible through stylistic sets.

Cacao is another one of my "found fonts". I found this one in an old advertising for a French cocoa drink. Since I am a vervent lover of cocoa, I will give you my recipe for a normal coffee mug full of delicious hot cocoa. Mix three heaped teaspoons of sugar with one and a half to two teaspoons of finest cocoa powder. Then add a little cold milk, stir, add a little cold milk, stir, and so on until you have a mushy creamy consistency. Now slowly add - always stirring - boiling hot water til the cup is almost full. Top with a little liquid cream and enjoy! If you have a package design job, use my Cacao font and stir in some creativity. Your sweet-tooth designer, Gert Wiescher.

In today's typographic landscape, few would still consider Bodoni to have a "modern" feel, but there was once a time when it's vertical axis and thinned horizontal strokes were considered radical. Volterra—inspired by the forms of Bodoni—finishes what Bodoni started and eliminates the horizontal stroke altogether, breathing an elegant new energy into a 200-year-old classic. Named for the artist hired to paint loincloths over Michelangelo's "Last Judgement" when nudity in religious art was condemned, Volterra acknowledges that it is no easy feat picking up where a master left off. Volterra takes what has grown to feel traditional and transforms it into a delicate mixture of classic and modern, with razor-edged serifs and ultra-sharp strokes. Strictly a display face, the larger Volterra is used, the better it looks.

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text. Baldufa Cyrillic Latin contains Cyrillic Extended and Latin.

I became interested in designing Bodoni Classic because of a lazy graphic designer at Jacques Damase publishing house. He had to change a single letter on a bookcover about J. B. BODONI. The French call him Jean Baptiste instead of Giambattista! And that unknown graphic designer just took any old “J” from some newly cut Bodoni. All the new Bodoni cuts have square serifs, whereas the originals had rounded serifs and slightly concave feet. The single letter “J” with the squared off serif was for me like a road sign to start redesigning the entire Bodoni family. That’s exactly what I started in 1993 and a dozen years later I am finished. Okay, I am still adding new Bodoni Classics, but those are my personal additions. Yours very retro, Gert Wiescher

Carousel is a fat faces display type designed by Gary Gillot in 1966. Fat faces were offshoots of the modern, or Didone, typefaces that were de rigueur during the early 1800s. These fat faces were among the first typefaces to be used solely for advertising purposes. Naturally, they were always used in larger point sizes, in display functions. Carousel could be called an optimization of these old advertising typefaces. With high x-heights, ultra contrast between thick and thin strokes, and perfectly engineered drawing techniques, Carousel is a highly crafted typeface. Give it a spin in your next advertising campaign! Carousel's fine thin strokes are very graceful in their appearance, and lend a strong, yet soft, feminine feeling to anything they touch.If you like Carousel check out wearing Annlie, another fat face from 1966."

Saddle up and venture into uncharted typographic territory with Canyon Slab, a wild west-inspired serif slab typeface that beckons you to explore the untamed frontiers of design. Like the rugged canyons that have withstood the test of time, this font's bold serifs and sturdy letterforms exude a sense of strength and adventure. Canyon Slab captures the spirit of the old west, where legends were born and tales of grit and determination echoed through the canyons. As you wield this powerful typeface, you'll feel the dust of the trail beneath your feet, hear the echo of revolvers in the air, and taste the thrill of unbridled exploration. Channel the untamed spirit of the wild west with Canyon Slab, and let your designs ride into the sunset of creativity.

Outright slab serif inspired by sporty design, vintage style with a touch of classic style. There are 4 different styles that you can apply in your design projects. This font is built with solid foundations, strong visuals, old-school movement, and a modern minimalist style. Outright is perfect for , Jersey , athletic, poster, branding projects, Logo design, Clothing Branding, product packaging, for magazine titles. for something with the theme of sports, album title, etc Outright Features: · 4 Weights font (Regular,Italic,Bold,Outline) · Numerals & Punctuation · Accented characters · Multilingual Support · PUA Encoded While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day

Neubau is a condensed geometric display typeface, designed in 2009. The inspiration for this face came from Joost Schmidt lowercase letters developed during 1925-28 in Bauhaus Dessau. Schmidt was one of the proponents of New Typography – a movement advocating the use of only lowercase letters which were constructed strictly geometrically using only ruler and compass. Neubau Pro is the new edition of Neubau fonts. The new typeface is an upgraded version of an old fonts (2009), with careful refinements to glyph shapes, and the extension of glyph amounts which enabled support of more Latin languages as well as Greek and Cyrillic languages. Neubau Pro is released in six styles with small caps, and true italics, and contains OpenType features. This typeface can be used for editorials and print designs.

RARE BIRD SPECIMEN III Rare Bird Specimen III is a graceful hand by Karla Lim of Written Word Calligraphy. This all lowercase font feels both modern and feminine. While uppercase letters are still lowercase in shape, they are larger and read as caps. OBSERVATIONS Specimen III has a dancer-like form; supple and lithe. Willowy letters are nimble and lissome, content alone or paired with a stronger, more masculine specimen. DEFINING CHARACTERISTICS Opentype programming, formal title and preposition word art, 7 alternate lowercase t cross-strokes, Roman numerals, old-style numerals, seamlessly semi-connecting calligraphic letters, realistic double-letter ligatures, in and out-stroked letters at the beginning and end of words where appropriate, basic Latin encoding. POTENTIAL SIGHTINGS Bridal + baby shower stationery, logo design, gourmet food packaging, clothing labels.

• Introduce you the first SVG font in Vintage Voyage collection. • Trendy all-caps cinematic sans in four styles. Inspired by 80s multimedia era typographic like your old VHS cassette package design in your mama's house attic. Perfect choice for your movie titles, party flyers, exhibition identity or action style advertisement. • Four styles: Clean, Roughen, Outline and SVG textured. SVG was made with Hand Made grunge texture. • Multilingual. • If you don't know how to use SVG fonts Jeremy from The Hustle Supply has a useful video about it here: https://youtu.be/Qed4f2UAChU Please, Pay Attention: Myfonts.com doesn’t support the heavy svg files. After purchase this family just send me your order number to contact@vintagevoyagedesign.com and i’ll send you the link to download the OTF SVG file within 24 hours.

Estragon is a vivid sans-serif text face with venetian influences, suitable especially for books. It is remarkable for: its light slant, to the right, for most of the verticals, its small sized uppercase letters making it suitable for languages where they are often used (for example German,) and its just lightly inclined true italics. For a wide language support, Estragon contains a lot of accented characters including the polish kreska. It is generously equipped with ligatures, special and alternate characters as well as various kinds of numbers: besides the standard old-style figures to be set as part of text copy there are small-cap and tabular numbers as well as a set of fraction figures. Estragon comes with two weights, uprights and true italics, each with small-caps.

Apium is a non-trivial serif typeface. Inspired by the lettering of an old advert, it aims to add fun to a serif with distinctive features. It comes in five weights with matching italics. The typeface performs well in display environment: headings, stand out text, packaging, posters and so on. The regular and medium weights work well as body text. The typeface is suitable for print and digital. Apium has Latin Extended A and Latin Plus Multi-Lingual support. OpenType features include: Small capitals, Discretionary ligatures, Standard ligatures, Lining figures, Oldstyle figures, Proportional figures, Tabular figures, Ordinals, Denominators, Numerators, Scientific inferiors, Subscript, Superscript and Fractions. The word apium is Latin for parsley. The original advert was for a vegetable margarine and that got me on the road of a food theme.

Tusker Grotesk is a headline typeface designed for robust and high-impact use. The initial inspiration for Tusker came from postwar typefaces like Haettenschweiler, Impact and Helvetica Inserat which use very high x-heights. Other influences in the condensed end of the Tusker family are old grotesques like Folio Extra Condensed and Stephenson Blake Elongated Sans No.1 with their flat terminals and closed-up apertures. Then as the widths in Tusker grow, the lettering takes some more inspiration from gothic style sans such as Inland Type's Title Gothic No.8, while maintaining the optical weight established in the narrow end of the family. Each width set is duplexed, stackable and is ideal for headlines, logos and bold attention-grabbing editorial design. Tusker has extended latin coverage ideal for western, central and eastern European languages.

Point™ Soft is more than the rounded edges version of Point™, it is a reinterpretation of what a geometric soft font should look like. Clean, simple, and above all: huggable. Point™ Soft conveys that warm and soft feeling. With 20 styles it gives you a lot of versatility (From Hairline to Black), plus it comes with two FREE styles for you to play with before commit yourself to buy it. It has Extended Latin and Cyrillic support, old style, lining and tabular figures and much more. It has a wide range of use possibilities. Since it is a very readable font in small font sizes and the details really pop out in display sizes. Be it on small or large font sizes, Point will make its point.

Matchbox Font Collections Inspired by a vintage book, old style design, a classic casual vintage look fonts. Minimal decoration on the fonts made it more casual look. The fonts are very versatile, even it works also on modern design but still keep the classic look. Created 6 Fonts that can be combined each other. Like on the Preview images, I've been created from the victorian style to the minimalist badges. It's still blend to each other. What's inside : Matchbox Linea - Bold, Sharp, Standout with inline cut. Matchbox Lettre - Popular Vintage Sign Style. Matchbox Deco - As it names, Art Deco Style. Matchbox Scriptura - Casual Script Fonts, Good for Pair or on a small details. Matchbox Ornato - The Only fonts with a touch of vintage decorations. Matchbox Graso - Little touch of a Fat, Fun and Casual.

Edith is a handmade serif typeface that can be used for long texts. To make it even better suitable, it is equipped with all the major features you’d expect from a traditional text-font, such as case sensitive forms, old style figures (lining figures are accessible via an opentype feature), fractions and good kerning. To keep up the handwritten appearance, two versions of each letter (A-Z & a-z with diacritics) and number are available and substituted automatically if the same ones meet. Edith is also nice to look at in larger sizes and therefore a great fit for any packaging, advertisement or headline. Edith is for you, if you plan on doing childish things, DIY things, traditional things, illustrated things, nautical things, grungy things or any handmade related things.

Jiho Soft Family is a modern & soft sans-serif typeface that is clean, simple and highly readable. It is the rounded version of Jiho Family. Letters in this type family are designed with minimal & modern shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Jiho Soft is versatile type family of 18 fonts. Jiho Soft family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions, old style-figures and case features. We highly recommend it for use in signage, books, web pages, screen displays, and so on.

Meringue, a transitional serif face, is designed specially for modern glossy magazines. It is ideal for fashion photography, fashion publications and mag covers, and can be used for headings and captions, as well as for body copy. The italic version, with its wave-like vertical strokes, creates yet more stylishly expressive feel. Text set in Meringue has an elegant weightless look, and the strongest effect can be achieved with high-quality printing. The typeface includes old style figures, ligatures, and alternative characters that allow creating truly versatile design by means of typography. Designers may also find Meringue perfect for beautiful presentations, invitations and other special occasion papers. Meringue was designed during the Type and Typography course at the British Higher School of Art and Design, supervised by Ilya Ruderman.

S P O I L E R A L E R T ! We don't want to be a drag, a wet blanket or a spoilsport, but we're here to tell you that everything before “but” is bulls*it! Yep, if you're a merrymaker, a carouser, a jester, a reveler or a live wire, we're here to poop your party with our latest knicker-twister, KILLJOY! Call us cynics, call us crabs, grouches, grumpy old men, sourpusses or bores, but we're the kind of Killjoys who just have to make some noise... sound effects (sic) everybody, so listen up even if you can't handle the truth... and here’s OUR truth; Keep Calm and be a Fabulous Killjoy! Yes, it’s easy to be mean -- but why should anybody else have all the fun? Or all the fonts?

Storica is a display typeface with roman style serifs that create a sense of history and culture. The Storica family has 7 weights as well as a Heavy Rough and Heavy Hand version that give you an option for a more rustic or hand style approach to you projects. The character set is expansive and has a wide range of language support. Storica has a great selection of Stylistic alternates, ligatures, small-caps, old-style numbers and more packed into the opentype features. This typeface is an excellent choice for branding, particularly in the beverage industry, it is also perfect for typographic layouts for magazines, poster, books etc. Storica has been designed to make it easy for a designer to create beautiful typography with creative flair quickly and easily.

Liebling (in English: Sweetheart) was developed according to the sans serif font Mein Schatz with the purpose of having two typefaces which match perfectly. The contrast between thicks and thins was set very low. Just enough to contrast with same-weight Mein Schatz. One of the typeface’s characteristic features, also like its partner, is the availability of ligatures within an expert set. Liebling offers the characters sh, sp, st, ty among others and alternative letters for v and w. The majuscules of the expert set have curved elements allowing the designer to put the typeface to a highly individualistic use for displays and headlines. Another feature of the typeface are two different figure systems. In addition to the old style figures for use in continuous text, Liebling offers regular table figures within the expert set.

Ready for the designs of today, the Sancoale superfamily takes a softer turn with a rounded slab serif. Crafted from Sancoale’s simple geometry, new softened slab serifs provide a lively typeface that conveniently enhances its cousins: Sancoale Softened--a sans with blunted terminals; Sancoale Slab; and, certainly, the first Sancoale. The weights of each and every member are balanced diligently to be compatible with one another. When used alongside one another, the combination makes for robust and tight design. With weights starting with the slender thin ranging to the juicy black, Slab Soft opens the doorway to the vary of uses. Its design is legible and neutral enough for bodies of copy--both in print and on your website. The web font also stands out perfectly as a headline or a display face. Slab Soft carefully places a foot ahead, and doesn't overpower like many slabs. This font’s the choice to seize the day and get the job done. All insigne™ fonts are absolutely loaded with OpenType options. Sancoale Slab is geared up for pro typography, together with alternates with stems, compact caps and lots of alts, together with “normalized” capitals and lowercase letters. The font features many numeral sets, with fractions, old-style and lining figures with superiors and inferiors. OpenType-capable programs like Quark or the Adobe suite allow you to quickly change ligatures and alternates. You can see these options shown in the .pdf brochure. Bundled are compact caps, fractions, old-style and lining quantities, scientific superior/inferior figures, entire ordinal and inferior alphabet. The Sancoale superfamily also features the glyphs to aid a variety of languages, together with Central, Eastern and Western European languages. In all, Sancoale Slab supports around forty languages that utilize the Latin script, earning Sancoale the pick for for multi-lingual publications and packaging.

Reminiscent of circuitry and wrought iron, Anachrony constructs the forms of an Old English Blackletter with the strokes of a Modern Geometric Sans, and lands in the vicinity of Art Deco. For such an unusual chimera, the Anachrony family is legible and versatile. Its glyphs cover pan-European Latin, Greek, and a wealth of symbols including arrows, zodiac, planets, chess, suits, and circled numbers. It is also packed with Opentype features: Small Capitals: Of similar proportions to the default numerals, tall enough to be a suitable choice in place of regular capitals. All Caps Forms: In addition to the four usual types of numerals, there are numerals and currency symbols that match the capitals. Swash: A leading curly swash on capitals, and fancy looped ascenders in the lowercase that are handled by over a hundred standard ligatures where they would collide. Style Set 01: Romanized forms. Especially recommended for all caps. Plainer A/M/T/V/W/Y, J/Q reined in to the baseline, and alternate g. Style Set 02: Masthead forms. Old-fashioned capitals with descenders and that lower left dealy. Also f/x/z/ß in a more traditional fraktur mode. Style Set 03: Mild embellishments. Tall bifurcated ascenders and descenders. Style Set 04: Extravagant swash descenders. Style Set 05: Final swashes for the end of a word. Style Set 06: Converts capital letters into the corresponding connected Roman numerals. Seemed like it could be useful sometime. Easy swooshes: Standard ligatures allow you to type two to seven commas in a row to append an assortment of sweeping or ending swashes. Catchwords: In Anachrony Royale, turn on Discretionary Ligatures for a variety of decorative articles and prepositions.

Ice Creamery is a new variation of our Saloon Girl font family complete with italics and fill fonts which may be used to layer different colors into the open parts of each glyph. We don’t recommend using the fill fonts for Ice Creamery as stand alone solid fonts, Ice Creamery Chocolate was designed as a the stand alone solid font for this font family. Fill fonts go back to the 1850's where they would design matched sets of printing blocks and the layering of colors took place on the printing press, they would print a page in black then on a second printing they would print a solid letter in red or blue over the letters with open spaces to fill them in. Most of the time the second printing didn't line up exactly to the open faced font and it created a misprinted look. With the fill fonts in Ice Creamery and other FontMesa fonts you have the option to perfectly align the fill fonts with the open faced fonts or shift it a little to create a misprinted look which looks pretty cool in some projects such as t-shirt designs. I have some ice cream making history in my family, my Grandfather Fred Hagemann was the manager of the ice cream plant for thirty years at Cock Robin Ice Cream and Burgers in Naperville IL. In the images above I've included an old 1960's photo of the Cock Robin Naperville location, the ice cream plant was behind the restaurant as seen by the chimney stack which was part of the plant. If you were to travel 2000 feet directly behind the Cock Robin sign in the photo, that's where I started the FontMesa type foundry at my home in Naperville. My favorite ice cream flavor was their green pistachio ice cream with black cherries, they called it Spumoni even though it wasn't a true Spumoni recipe. Their butter pecan ice cream was also incredibly good, the pecans were super fresh, their Tin Roof Sundae ice cream was chocolate fudge, caramel and peanuts swirled into vanilla ice cream. One unique thing about Cock Robin and Prince Castle was they used a square ice cream scoop for their sundaes.