If there is ever a need for a heptagonal font, that is, a font based on a seven-sided polygon, Heptagroan may fit the bill, unless the need is also for true lower-case letters. Heptagroan is caps only, though some of the caps on the lower-case keys differ from those on the upper-case keys. Heptagroan is monospaced and is available in two weights.

HU NoodleKR is a stencil-type font designed for drawing with one brush and writing in stroke order. It is composed of large grapheme for good visibility, and fine curves are added to the shape based on straight lines to create a soft feel. In particular, it is a full-bodied square font where personality is felt in double consonants. HU NoodleKR includes Korean.

Louisville Script is an informal script font based loosely on the handwriting of its designer, Steve Matteson. It was named for the town of Louisville, Colorado (pronounced "Lewis-ville"). Louisville Script is a youthful, casual handwriting script font. It is ideal for casual correspondence including cards, scrapbooks, menus and flyers. Louisville Script is also great for educational materials including the school newsletter or yearbook!

Vulgary is a script family that includes 4 fonts. They match each other but can be used separately as well. It supports all euro languages based on Latin alphabet. To use swashes you have to open glyphs panel in menu Window. The font is compatible on both Windows and Mac. You can use it in all popular apps like Adobe, Corel Draw, Microsoft, Final Cut etc.

This whimsical typeface is based on an untitled work by William Hugh Gordon in his 1931 book, Lettering for Commercial Purposes. If you are looking for a font to add warmth and quirky charm to a project, this is the one. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Moonlight Sonata is a casual script font based on a manual calligraphy brush. It includes hundreds of beautiful glyphs with many OpenType features such as ligatures. This font is unique, personal, and friendly to use. Moonlight Sonata is very versatile, where you can use it for various purposes such as greeting cards, invitations, logo type, posters and various merchandise where you want more personalized look.

Arethusa is a versatile font after the 'transitional' style – a style that has been evolving for 250 years. The balanced design of familiar letter forms blends form with function to create highly readable text. Twelve fonts organised in three sub-families provide a range of weights and styles. The standard character set covers many roman-based languages. For extended language support, see Arethusa Pro.

No mystery here: this typeface is based on the not-often-seen Cooper Black Swash Italic, designed by Oswald Bruce Cooper. Swash variants are the norm with this font, but enabling Contextual Alternates will prevent collisions between the swash “tails” and letters with descenders. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

There’s nothing stinky about this font, don’t worry! But what’s is up with Stink Buster is a whole lot of serifs gone bad! Each letter is loosely based upon the classic slab serif style, but influence by grafitti and comics just made them crooked and off the grid. But despite that, the font works great if you have a message that you want shouted out loud!

Willy is a typeface with a wink. This display font is based on existing piquant form from the immediate vicinity. It is sexy, if you have an eye for. But it also should not be taken too seriously, especially because it has a humorous slant. The font has its origins in an art project. It is now made available for design around festifals, parties, invitations, etc.

Ademo is a classic, shaded and perspective looking display font. The design is based on two typefaces designed by Carl Albert Fahrenwaldt and published between 1931– 1932 by the German Schriftguss AG type foundry. pdf specimen Ademos special Fill fonts can be used for building multi colored text or for special finishing needs like blind imaging, embossing, stamping, partial UV coating and laser cutting.

Skyline Hotel is a brand new hand painted font from Dathan Boardman of Open Window. It utilizes Art Deco structures but is greatly amplified by organic paint brush strokes. The font would be best used in designs that require an organic degraded look and feel. Skyline Hotel… optimal for back alley graffiti mural or a poster to begin a political revolution. Geometric essentials betrayed by fluid expression.

This delightful dervish is based on handlettering from a 1928 poster for a steamship line by renowned British artist Austin Cooper. It’s essentially a monocase font, with the exception of the letter A, which twirls in one direction in uppercase, and the opposite direction in lowercase. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Cherry Bell is the perfect font for all your fun designs. The main font file is equipped with ordinary characters, as well as more than 350 glyphs to support most Latin-based languages. It is suitable for you to use in making t-shirt designs, quotes, labels, packaging, logo types, or long writing because we have compiled kerning and matrices that are tailored to your needs.

Popty Ping is Welsh slang for microwave oven. It literally means ‘oven that goes ping’. Popty Ping was sort of based on an older font of mine called Jambo. It is a very happy cartoon font, ideal for children’s book covers, ice cream packaging and microwave popcorn (preferably the non GM kind). Comes in two great styles and more diacritics than you can pop in an oven!

This modern script font based from brush lettering with unique flow that make outstanding. Adhipati come with 139 alternate glyphs and 10 swash glyphs. Active opentype features and try Stylistic set, ligature, swash to custom your design, with PUA included. This fonts are perfect to design such us logotype, quote, apparel design, Poster design, greeting card, invitation design and other design that you need.

Tachyon font family combines design simplicity of modern sans serifs with a futuristic feel based on a condensed character concept. Its clean lines can bring unusual spark to logo designs, headlines, magazine designs, quotes, documentaries, advertisements or similar projects. This font will find its use also in larger text blocks where simplicity, clean lines and well applied kerning are a must. Create something spectacular with Tachyon.

Designed by Morice Kastoun Sentic Display, s a san-serif font based on geometric patterns with humanist elements. Sentic Display incorporates rounded intersecting forms. The font exploits the common affective patterns associated with natural language, and the patterns associated with text and speech. The name sentic was instigated and named by Austrian neuroscientist Manfred Clynes. Which is the study of waveforms of touch, emotion, and music.

Reloaded - Military Serif Font, first conceptualize was inspired by the classic vintage military stencil design . I wanted a typeface that could be a solid base for any military inspired project Reloaded Fonts can be used for wallpaper, pattern fills, web page background, surface textures. Perfect for making army posters , scrapbooking,invitation cards, stationary, gift wrap, packaging, buttons, pendants, holiday gifts, print on fabrics and so much more.

Developed by Adrian Frutiger for Bauer in 1966, Serifa is a slabserif based on the principles that led to the success of Frutiger’s 1956 sanserif, Univers. Glypha, designed by Frutiger for Stempel in 1979, is a version of Serifa with a moderately larger x-height; Stempel has paid royalties on Glypha to Neufville since 1984. Serifa® font field guide including best practices, font pairings and alternatives.

Originally presented as an alphabet suitable for movie title cards, this font is based on a 1920 work by showcard artist E. C. Matthews, and named after the eponymous 1940s radio show about a local saloon and its never-present owner. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Garnet as a modern font kit inspired by fonts and calligraphy of XX centure. It includes Capitals (6 Styles) and Script so you can combine them as you like. Geometric Sans + Handwritten Script is a modern and fresh looking combination which can be used for many tasks. Garnet is good for headlines, posters, packaging, book covers, cards and as a starting point for logotypes.

SK Brushwood is an experimental geometric font based on chaotic lines. It is inspired by the Greek stone script, but nevertheless it is modern. The main component of the letter shape is straight and sloping lines ending in straight corners, which makes it look like brushwood. This is why the font gets its name. SK Brushwood is perfect for headlines, posters, print work, and the Internet.

Algoria is a functional sans serif that includes open character openings, a uniform distribution of white and black, and excellent readability. The general neutrality of the font patterns is not without elegance, and all the details of the typeface are crafted with mathematical precision and love. Typographic designs are developed for the widest possible range of tasks that any quality corporate font must accomplish.

Bernhard Blackletter can be compared to a tuba, adding its deep bass sound to the orchestra of blackletter fonts. This font contains a bunch of useful ligatures, and to access all, it is recommended to activate both Standard and Discretionary Ligatures. You find the round s on the # key, and typing the combination N-o-period and activating the OT feature Ordinals gets you the numero sign.

FF Good is a straight-sided sans serif in the American Gothic tradition, designed by Warsaw-based Łukasz Dziedzic. Despite having something of an “old-fashioned” heritage, FF Good feels new. Many customers agree: the sturdy, legible forms of FF Good have been put to good use in the Polish-language magazine ‘Komputer Swiat,’ the German and Russian edition of the celebrity tabloid OK!, and the new corporate design for the Associated Press. Although initially released as a family of modest size, the typeface was fully overhauled in 2010, increasing it from nine styles to 30 styles, with an additional 30-style sibling for larger sizes, FF Good Headline. In 2014, the type system underwent additional expansion to become FontFont’s largest family ever with an incredible 196 total styles. This includes seven weights ranging from Light to Ultra, and an astonishing seven widths from Compressed to Extended for both FF Good and FF Good Headline, all with companion italics and small caps in both roman and italic. With its subtle weight and width graduation, it is the perfect companion for interface, editorial, and web designers. This allows the typographer to pick the style best suited to their layout. As a contemporary competitor to classic American Gothic style typefaces—like Franklin Gothic, News Gothic, or Trade Gothic—it was necessary that an expanded FF Good also offers customers both Text and Display versions. The base FF Good fonts are mastered for text use, while FF Good Headline aims for maximum compactness. Its low cap height together with trimmed ascenders and descenders give punch to headlines and larger-sized copy in publications such as newspapers, magazines, and blogs.

Antique Vintage - Script font is a type of font that features thick and prominent strokes, giving it a bold and impactful appearance. The letters are usually interconnected, creating a flowing and handwritten look. The boldness of the font makes it stand out and grabs attention, making it a popular choice for headlines, titles, and logo designs. It exudes confidence, strength, and creativity, making it suitable for various design projects that require a strong visual impact.

Walbert is a bold and bold new display font. This blocky font creates a brave and strong style. It is suitable to meet your various design needs that are currently trending. With a style like this, this font will be suitable in use for comic, logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Proudly presenting the newest handwritten font called Sans Andreas. These font made by handwritten style, so all shape looks unique and natural. Sans Andreas is a family font, with 4 styles regular, italic, bold, bold italic. Sans Andreas is also perfect for all your project that has sense fun, playful, art, and .etc If you have any questions or technical support don't hesitate to comment, message or contact java.indonesian@yahoo.com. Have a nice day.

Introducing, Chenile Deluxe bold font duo. Chenile Deluxe is a handwritten pair of bold font that designed to complete each other. this font is perfect for branding, packaging, logotype, quotes, headline, etc. Features : uppercase & lowercase numbers and punctuation multilingual alternates and ligatures swash PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Beking is a brand new bold font, it looks tough and sharp edges. the font is fun and created with unique style through lines. Beking is a perfect for any project from posters or flyer designs, logo tagline to t-shirts and packaging, Bold Condensed look will give your designs outstanding look and make your creative work look great. Features : Beking Standard glyphs Numeral and Punctuations Multilingual Support Thankyou for Choosing This Font, Regard. Grontype

Olimpos is a Display sans font that is absolutely perfect for editorial headlines. Her large, bold and slender figure is perfect for posters, t-shirts, and magazine covers. Reserved for capital letters only, this calm and bold typeface is a content creator's best friend. font files Uppercase, Numbers, Punctuation & Symbols. Diacritic for Multilingual Support This Olimpos is a modern sans-serif font that includes 4 weights of the normal style and the Italic style.

The font family Univers? is one of the greatest typographic achievements of the second half of the 20th century. The family has the advantage of having a variety of weights and styles, which, even when combined, give an impression of steadiness and homogeneity. The clear, objective forms of Univers make this a legible font suitable for almost any typographic need. In 1954 the French type foundry Deberny & Peignot wanted to add a linear sans serif type in several weights to the range of the Lumitype fonts. Adrian Frutiger, the foundry's art director, suggested refraining from adapting an existing alphabet. He wanted to instead make a new font that would, above all, be suitable for the typesetting of longer texts - quite an exciting challenge for a sans-serif font at that time. Starting with his old sketches from his student days at the School for the Applied Arts in Zurich, he created the Univers type family. In 1957, the family was released by Deberny & Piegnot, and afterwards, it was produced by Linotype. The Deberny & Peignot type library was acquired in 1972 by Haas, and the Haas'sche Schriftgiesserei (Haas Type Foundry) was folded into the D. Stempel AG/Linotype collection in 1985/1989. Adrian Frutiger continues to do design work with Linotype right up to the present day. In 1997, Frutiger and the design staff at Linotype completed a large joint project of completely re-designing and updating the Univers family. The result: Univers Next - available with 59 weights and 4 Linotype Univers Typewriter weights. With its sturdy, clean forms Univers can facilitate an expression of cool elegance and rational competence. Univers has the uncanny ability to combine well with fonts of many different styles and origins: Old style fonts such as: Janson Text, Meridien, Sabon, Wilke. Modern-stressed fonts such as: Linotype Centennial, Walbaum. Slab serif fonts such as Egyptienne F, Serifa. Script and brush fonts such as: Brush Script, Mistral, Ruling Script. Blackletter fonts such as: Duc De Berry, Grace, San Marco. Even fun fonts such as F2F OCRAlexczyk, Linotype Red Babe, Linotype Seven."

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. Barock 1720 is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. Albrecht Duerer Fraktur Pro is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Innsbruck Initials” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Wilde Fraktur Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Meladiya is my new elegant serif font that will give your projects a touch of luxury and style. It’s perfect for logotypes, branding, monograms and wedding invitations, blog headlines, and more. Browse through all the previews and get as inspired as I was when creating this font. Files included: 3 Type Font Supported Languages: Armenian, Baltic, Central/Eastern Europe, Cyrillic, Elymaic, English, Ethiopic, Georgian, Old Hungarian, Romanian, Southeast Asia, Western Europe Please contact us if you have any questions, we are happy to help you!

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. ‘‘Renaissance Fraktur Pro’’ is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Walbaum Fraktur No2 Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.