The Sports Headline font family was developed from design work creating captivating sports related typography for branding and logotype. The font characters are all capitalized and the two different font weight offer a variation that allows each weight to play off the other and work together well. Each font contains all Latin simple characters.

Calligrapher Beneventan Minuscule Font, is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written on traditional Beneventan Minuscule calligraphic stile. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. Font contains all the Latin glyphs and plenty of ligatures.

Based on the logotype font of the Saturday Evening Post from the 20s, Saturday Morning Toast is warm, cuddly and endearing in its quirky charm. All versions of this font contain the complete Unicode Latin A character complement, with support for the Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavan, Norwegian, Polish, Portuguese, Provençal, Rhaeto-Romanic, Romanian, Romany, Sámi, Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish and Welsh languages, as well as discretionary ligatures and extended fractions.

TA Kenisans is a combination of two fonts. You can create very good works with Geometric and Grotesque style. This typeface also equipped with useful OpenType features such as Ordinal, Superior, Stylistic Alternates, Proportional Figure, Fraction, Tabular Figure, Numerator & Denominator. Each font file covers Western & Eastern Europe Latin language, as well as other Latin based languages – over 200 languages supported! This is a new real multi-purpose typeface that will be perfect for logo, packaging, greeting cards, presentations, headlines, lettering, posters, branding, quotes, titles, magazines, headings, web layouts, mobile applications, art quote, typography, advertising, invitations, packaging design, books, book title, & nearly any other type of creative design you’re working on.

Jantur Type is a simple geometric sans family with charming curves and natural flow. variable font technology, and its axis weight range spreads from thin to black forms. Flexible and adaptable, it is 100% Latin Plus, Supporting 219 Latin-based languages, which are spoken in different 212 countries. This font is suitable for any project. Great for graphic design and any display use. It can easily work for web, signage, corporate as well as editorial designs. Jantur Type has 9 weights with a total of 9 styles. and legibility makes it suitable for any kind of text application, from brand design to extensive text layouts.

The advertising font Kometa(Komet) was released in 1907 by the typefoundry Benjamin Krebs Nachf., Frankfurt, M.,. The digital version was created in 2015 on the basis of stamp from the catalog "foundry and factory copper lines B.Krebs Successor" St. Petersburg and Frankfurt. In 2017 the font was modified.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

This font was reworked by request. It is another lovely handwritten font made by Kimberly Geswein - with its long e and c it gets a semi-connected look. Perfect for text with a personal touch. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Sqwared is a square sans serif type family... with flares! This typeface has a retro, hand-painted quality – the slight flaring of its verticals evoke the steady brush of a signwriter. Sqwared benefits from large, open counters and a generous x-height that aids clarity and legibility, while a wide footprint gives these fonts a degree of stature and an air of confidence. Each character was drawn while immersed in a late sixties/early seventies vibe, but there’s no reason why Sqwared can’t be used for your contemporary designs. There are 16 fonts altogether, ranging from Thin to Ultra weights in both roman and italic. It has a Latin character set that covers all Latin European languages. Sqwared will dazzle in headlines, add flair and distinction to your logo designs, bring flamboyance to your branding material, and your body text will most definitely be unique! Variable fonts are included in this family, so you can tune the weight of each font to your exact preference. Key features: 8 weights in Roman and Italic Old Style Figures included Full European character set (Latin only) 440 glyphs per font.

Bookseller Bk is a typeface designed for books and legible text at a small sizes, with an old book feeling. This typeface is the reinterpretation of a sample found in a French book, published between 1882 and 1893 and its author —Ernest Michel— lived between 1837 and 1896. This sample has influence from Didot, Scotch Roman and Clarendon (typefaces which were in use at that time). This reinterpretation expands the basic set for the contemporary era. Bookseller Bk includes small caps, old style figures, lining figures, fractions and basic Cyrillic alphabet. Everything in 3 different optical widths. You can save some lines with Reduced weight or fill some lines with Ample weight. All of them with italics, bold and bold italics. Bookseller Bk is also available in Caption size. 12 fonts for legibility at smaller sizes. Subhead & Title sizes are now in development. Finally this typeface was the result of the course Digital Reinterpretation of Classic Typography by Oscar Guerrero Cañizares at Domestika. Do you require additional glyphs? Please contact me to consider your request in order to expand Bookseller in further updates.

Bookseller Cp is a typeface designed for books and legible text at a smaller sizes, with an old book feeling. This typeface is the reinterpretation of a sample found in a French book, published between 1882 and 1893 and its author —Ernest Michel— lived between 1837 and 1896. This sample has influence from Didot, Scotch Roman and Clarendon (typefaces which were in use at that time). This reinterpretation expands the basic set for the contemporary era. Bookseller Cp includes small caps, old style figures, lining figures, fractions and basic Cyrillic alphabet. Everything in 3 different optical widths. You can save some lines with Reduced weight or fill some lines with Ample weight. All of them with italics, bold and bold italics. Bookseller Cp is also available in Book size. 12 fonts for legibility at small sizes. Subhead & Title sizes are now in development. Finally this typeface was the result of the course Digital Reinterpretation of Classic Typography by Oscar Guerrero Cañizares at Domestika. Do you require additional glyphs? Please contact me to consider your request in order to expand Bookseller in further updates.

Gusset is a simple modular font. It was created for headlines and posters. It creates a dense and interesting texture in the text set. Simple rounded curves contrast with "wedges". Gusset supportsBasic Latin, Cyrillic and more than 100 languages all together. The font was designed by Viktor Pesotsky.

Vrinda™ is an OpenType font for the Indic script Bengali. It is based on Unicode™, contains TrueType outlines and was designed by Raghunath Joshi (Type Director) Vinay Saynekar for use as a UI font. Copyright ™ 2004 Microsoft Corporation. All Rights Reserved. Character Set: Latin-1, Bengali

OTC Underground is a geometric condensed display font, presenting a compressed letterform structure with an even stroke contrast. Available with Latin, Cyrillic and Greek characters. The font is inspired by Gustav F. Schroeder's Othello from 1886 and the lettering on the 1967 album cover from The Velvet Underground & Nico.

Tunga™ is an OpenType font for the Indic script Kannada. It is based on Unicode, contains TrueType outlines and was designed by Raghunath Joshi (Type Director) and Vinay Saynekar for use as a UI font. Copyright ™ 2001 Microsoft Corporation. All rights reserved. Character Set: Latin-1, Kannada

Stereohead is a retro sans serif display typeface inspired by old eighties video cassette cover designs. This font would work perfectly in magazine headlines, t-shirt design, posters, packaging, advertising purposes. Uppercase and lowercase characters, numbers, punctuation and extended latin characters included. 2 font styles available, regular and italic.

A font with a strong graphical appeal, based on the logotype lettering for the comic magazine of the same name, designed by Dutch illustrator Joost Swarte. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Chicken Wings A playful display font,It's Perfect for logo, layout,headers, or oven large scale artwork What you get dear, you will get : Chiken Wings- A clean San serif font including Upper & Lowercase characters, Ligatures Character & Stylistic alternates Character Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

Shruti™ is an OpenType font for the Indic script Gujarati. It is based on Unicode, contains TrueType outlines and was designed by Raghunath Joshi (Type Director) Santosh Kshirsagar for use as a UI font. Copyright ™ 2001 Microsoft Corporation. All rights reserved. Character Set: Latin-1, Gujarati

The movable letters used on temporary road signs in the U.K. inspired this utilitarian typeface. Also included in the font are numerous other carriageway symbols and emblems. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

CALYMATI is a bold, vintage-style font that has beautiful curves. This font is basically a classic serif font that is thick and has a slightly beautiful feature because the strokes have beautiful bends so that even though it is sturdy it still has a beauty side, it is very suitable for vintage designs such as a brand logo badge, liquor label, but also can for more modern designs like magazine headlines. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

»AlphaOne« is my newest addition to the experimental Alpha-font-collection. I just had to do this one! It is based on Paul Renners fonts, but has got nothing to do with them, I just took the widths and some basic forms. No – or hardly no – optical corrections were made to the glyphs. I wanted the pure geometric forms to come to life. This was a lot of fun to design, I especially like the »Q« with the negative tail. I did make four weights, but nothing is normal with this font, so weight doesn’t really mean anything. Have fun!

This funny font was created inspired from a contract of sale for a field prepared by a French notary in the end of the year 1682 (December seventh). We have worked to transform the almost illegible original form into a contemporary usable typeface, but keeping the special "writhed" appearance. It is a "pro" font containing Western (including Celtic) Eastern and Central European, Icelandic, Baltic, and Turquish diacritics. The numerous OTF alternates and ligatures(about 5 different glyphs or ligatures for almost each basic lower case letter) made the font looking like a real various hand as closely as we can do it.

Hannes von Döhren created Love Potion. Three fonts (Regular/Bold/Ornaments) that include extravagant Ligatures, Swash Letters, Catchwords, Arrows, Borders and other little specials. The hand drawn serif type family is intended to be used in applications like: Food, Clothes, Living, Wedding stationery or basically everywhere where love is in the air… Love Potion is equipped for professional typography. As an exclusively OpenType release, these fonts have an extended character set to support Central and Eastern European as well as Western European languages. In addition to that the fonts contain Standard ligatures, Swash Letters, Catchwords, Arrows, Borders and much more.

Mixta Essential is a contemporary sans-serif typeface with characteristic and defined features. This font was inspired by the idea of mixing different types of terminals in order to give the font a singular appearance. Its design is composed of diverse styles such as Didone and classic typefaces as well as current font trends. This new essential version of Mixta does not include Cyrillic support, alternate styles or OpenType features. Mixta Essential, with a basic language support, has been adapted for optimal use on macOS and Windows environments. Mixta Essential was specially designed for branding, advertising, Tv and social media.

Fauna is a stylish font inspired by hi-fi elements combined with square forms and straight lines. It also has the features of Constructivism, including solidity, emphasis on geometric shapes, and austerity. Bold futuristic characters make this font an ideal option for the development of a minimalistic and recognizable design, necessary for any modern project. It’s perfect for the creation of logos, titles, social media posts, posters, and ads. Due to the clear and eye-catching design of the characters, the font will surely attract your audience. It includes all basic symbols and characters. Plus, Fauna features proper kerning and supports several languages.

MERLOVAZ is a bold, vintage-style font that has beautiful curves. This font is basically a classic serif font that is thick and has a slightly beautiful feature because the strokes have beautiful bends so that even though it is sturdy it still has a beauty side, it is very suitable for vintage designs such as a brand logo badge, liquor label, but also can for more modern designs like magazine headlines. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

Wade Sans Light was designed by Paul Hickson and Key Characters and appeared in the ITC library in 1990. The basic forms of the font are those of a constructed sans serif, as seen in the circular O and triangular A. The low x-height of the lower case letters make this font particularly reserved and graceful and the high ascenders give it a certain elegance. The high, wide capitals need a lot of space and dominate the overall look of this font. Wade Sans Light is reminiscent of the elegant cabarets of the 1920s and 30s.

Pial fonts Family includes: Pial Regular that is totally hand-designed, casual and youthful, with lines that sometimes swell extremely, contain 546 glyphs with many stylistic variations, swashes and ligatures. Pial Sans Regular and Expanded, also hand-designed, and Pial Serif Regular and Condensed to add a little seriousness. We have added also, a font of ornaments, extras and catchwords in the family. Using this font you will achieve a very elegant and warm work. Pial Family is very versatile and ideal for logotype design, magazines and book covers, children's material, fashion, headlines, cards, posters, websites, packaging and, basically, anywhere you want.

Deicide Remain Font is a cool alternative for you to easily create your Underground band logo or whatever. Using alternative fonts and ornaments will liven up the font and will look cooler and fiercer. It comes with a basic character set and a small group of symbols and signs frequently used in the extreme music sector - Death- and Blackmetal classics such as pentagram drops, roots, wings and more. Features : - All Caps - numbers & punctuation - Alternate & Ligature - Multilingual - Symbol Ornament - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

It could be you’ve never heard of Bergie Seltzer - and neither had I. Basically, Bergie Seltzer is the fizzing sound an iceberg makes when it melts. We are having a bit of a heat wave right now, so I needed to give this font a ‘cool’ name! Bergie Seltzer font is a cool, all caps display font. It has a slightly eroded look (like a melting iceberg if you will) and a laid back attitude. Use it for your summer magazines, your ultra-cool websites and your bottles of fizzy drink! Just don’t melt the polar cap!

Fiest Font Duo is a handwritten font containing 3 font styles: script and sans serif plus matching slanted. OpenType features make the design more natural and attractive. It's perfect for signature, logotype, wedding invites, posters, brochures or any display use. OpenType Features : Ligatures Stylistic Alternates Ordinals Initial Form Fraction Extended Latin support

Calligrapher Expressive is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written in Expressive calligraphic style with nibs made of cans. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. The font contains all the Latin glyphs.

Latha™ is a font for the Indic script Tamil. Latha was designed by Raghunath Joshi (Type Director) and Vikram Gaikwad for use as a UI font. Tamil is an OpenType font, based on Unicode and contains TrueType outlines. Copyright ™ 2001 Microsoft Corporation. All rights reserved. Latha Character Set: Latin-1, Tamil

Churchward Maori is the second of a series of eight Maori style typefaces designed by New Zealand type designer Joseph Churchward, and released by BluHead Studio, LLC. Churchward Maori infuses standard Latin glyph forms with traditional Maori decorative elements to create a wildly organic design. BluHead Studio expanded the character set to support standard Latin character sets. BluHead previously released Churchward Ta Tiki.

Introducing "Morvifun" - a captivating font that combines the elegance of Victorian aesthetics with ornamental details. This classic serif typeface showcases the timeless charm of Gothic styles, resulting in a visually stunning and versatile product. With a total of 717 meticulously crafted glyphs, Morvifun offers an extensive character set that enables you to express your creativity and bring your designs to life. From uppercase and lowercase letters to numerals, punctuation marks, and special symbols, this font provides a comprehensive range of options to suit your design needs. The Morvifun font's classic serif style adds a touch of sophistication and refinement to any project. The carefully designed letterforms exude an air of elegance, making it ideal for invitations, formal correspondence, branding materials, book covers, signage, and more. Whether you're aiming for a vintage-inspired design or a contemporary piece with a hint of nostalgia, Morvifun is a reliable choice. Unlock the enchanting world of Victorian aesthetics with Morvifun. Its fusion of ornamental intricacy, extensive glyph set, PUA Unicode support, and classic serif style make it a versatile font that captures the essence of Gothic beauty. Let Morvifun elevate your designs and transport viewers to a bygone era of grace and allure. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

The unusual hand lettering found on a piece of 1940s sheet music forms the basis for Pencil Pusher JNL.