Miss Donna - contemporary, powerful, versatile and casual. Curvy, sassy, fast-talking, and utterly useable, she takes you into the world of movie posters, decor ads, fashion posters and tags, greeting cards and invitations. Her lines are bold, clean and legible. The Miss Donna family comes in four styles: - REGULAR - clean good lines and generous curves - for decor ads, greeting cards, copy - NARROW - slim (more compact), and elegant with contained curves - for greeting cards, invitations, copy - BLACK - bold statement, round, generous curves - for movie posters, fashion posters - BLACK CAPS - especially designed for "all-caps" printed text. Use for headings & subheads. Miss Donna Black Caps contains capitals in two sizes and this gives you the ability to generate text of two types: - a correctly spaced and kerned upper case, OR - a TRUE Small Caps -- as opposed to the false Small Caps produced by a well-known word processing application. In a correctly proportioned Small Caps the stroke width should not be reduced in the same proportion as the letter height is reduced. The stroke width of the small capitals should rather be equal or close to the stroke width of the corresponding upper case characters. Note: When using script fonts it is NOT usually advisable to use text in ALL caps. The best effects for headings and subheads are obtained with an initial upper case letter followed by lower case characters. BUT, Miss Donna will still produce excellent results with all caps if you are using an application that supports kerning. If you are using upper and lower case then it is not necessary to use kerning, although it may make a slight difference on occasion. Miss Donna contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Master of Poster is an all caps OpenType family. Each style has over 450 ligatures.

Graduate Script is a contemporary calligraphic script. With over 825 glyphs Graduate Script can be dressed up or down, to enliven its style. You can add curls to beginning and end of any lowercase letter, or even in between them. Alternates for both upper and lowercase, as well as ligatures for double letters are included too. OpenType features such as five numeral styles, fractions and both standard and discretionary ligatures, make Graduate Script a well equipped font. Graduate Ornaments has over 300 glyphs and expands the design possibilities of Graduate Script even further. It offers additional ornaments and curls to add to lowercase letters, frames, automated borders that can be accessed by the keyboard and a lot more fun glyphs to work with. On top of that there are catchwords in different styles. Not finding the catchword you’re looking for? Just create your own! A full set of capitals, including roman accented caps, currency, numerals and punctuation is part of Graduate Ornaments. Designed to fit the same frames that are being used for the different catchword-styles, so you can easily integrate custom text with the existing catchwords. A detailed user guide is available in the gallery section.

Imagine words and letters, all caps, cut out of 35mm film. Then imagine Filmstrip BF —a font of film and movie-related catchphrases. They’re all ordered in more or less alphabetical order as seen in a glyph palette, beginning with “A”, which is accessible by typing a number (#) symbol. Numerals zero through nine, however, are mapped to their usual keyboard locations. For a better fit between numbers, be sure to enable the Ligature feature in an OpenType-capable application. All catchwords contained in this font are listed as shown, across the three posters in the slide carousel above. For future reference, you might select and copy all of the glyphs indicated below, paste into your application document, then convert them to Filmstrip BF. This would display all content. #$%&’()*+,./0123456789:;=>?@ABCDEFHIJKLNOPQRSTUVWXYZ[\]^_`abdefghijklmnopqrstuvwxyz{|}~ÄÅÇÉÑÖÜáàâäãåçéèêëíìîïñóòôöõúùûü†°¢£§•ß®©™´¨≠ÆØ∞±≤≥¥∂∑∏πªºæø¿¡¬√≈«»…ÀÃÕŒœ–—“”‘’÷ÿŸ⁄€‹›fifl‡·‚„‰ÂÊÁËÈÍÎÏÌÓÔÒÚÛÙıˆ˜¯˘˙˚¸˝˛ˇÐðŁ¹¼łŠš³¾² When used in a creative way, Filmstrip BF can be successfully incorporated into a variety of projects such as product packaging, logos, posters, signage, headlines and more.

Rifton is a heavy display typeface designed for use in large sizes. It is available as a regular and italic font or as one Variable Font with an italic axis. Installing the Variable Font offers users additional benefits because, in addition to the pre-defined “upright” and “italic” instances, the interpolations between them can be used. That allows you to have slanted text – but just a little less slanted than in the italic. Rifton is an all-caps design, but the letters mapped to the lowercase keyboard do not always have the same forms as the uppercase. That is most visible when it comes to the “s”, which takes a Star-Wars-style form (think of the Star Wars logo). The Rifton fonts also include OpenType features like ligatures – including some exciting discretionary ligatures – and super-wide alternate glyphs for several letters, including “B”, “E”, “F”, “H”, “L”, “N”, “P”, “R”, “T” and “Z”. Rifton is ideal for making a bold statement in headlines, poster designs, or logos. -

A collection of over 50 border patterns based on geometric motifs from various African tribes, including the Ashanti, Bushongo, and Zulu. Use for stationery, greeting cards, etc.

Oil Barrel JNL is roughly based on lettering spotted in an online auction of custom brass stencils made for marking different petroleum grades on oil company barrels.

The Depot Trapharet 2D is based on lettering of Lviv tram stands describing the city tram routes. The font is characterized by brutal simplicity bordering with primitivity.

GG Casual is based on a hand lettering style of Gerald Gallo. The family is casual and informal and is ideal for use in conveying these qualities.

XComputerBugs is a pictorial font of insects, mostly butterflies and moths. A few are based on actual species, but most are fanciful and meant only for decoration.

Arabic and English font, designed according to font standards, based on quarters and a half circles. The font will add a wonderful touch to your visual works.

Scriptofino is a very fine and elegant script with lots of contrast. It is based on traditional American letterforms of Jefferson's day. Your fine typedesigner, Gert Wiescher

Based on the typeface called either ‘Albert’ or ‘Select’ by Albert Augspurg, circa 1936, Amsterdam Foundry. Paul also designed the alternates not available on the original design.

Party Invite JNL is a thin, condensed Art Deco sans based on lettering from a letterpress holiday stock cut (the predecessor to clip art) from the 1940s.

Based on informal pen handwriting. A set of Western and Central European characters was added in 2011 by Gennady Fridman. For use in advertising and display typography.

Altra is a family based on a tracing of an old clip art font. I liked the gentle calligraphic look. Consider it a sans serif with style.

This simulated font is based on the characteristic Hindi calligraphy and includes upper and lower case alphabets, numerals, and a collection of Indian symbols and border components.

Jazzy serif based on swing jazz record album covers in the first half of the 20th century. This is very good for children’s picture book, package too.

George Gibson is based on handwriting samples dating back to mid-1800s England. The font features additional characters for foreign language support, as well as extra glyphs.

Rich curvilinear borders and corner pieces, based on organic forms, for use as individual ornaments or as repeat units in the creation of complex shapes and patterns.

Brochure Sans JNL is based on Sans Serif No.7 from the 1921 Miller & Richard type specimen book, and is available in both regular and oblique versions.

Hoochie is a display font family based on sans serif. It has 4 styles: regular, display, mono and rough. All european languages with special characters are included.

Based on the 36-point design of the Amsterdam Nobel Inline capitals (1931), Sans Serif Inline™ is designed specially to meet the requirements of today's technology.

Terrace JNL is a bold, sturdy Art Deco titling face based on hand lettering found on the cover of some 1940s-vintage sheet music for the organ.

Oven Plate JNL solidifies the outline lettering of Stove Plate JNL; based on the logo for Red Star Oil Stoves and found on an old letterpress cut.

Old Bodoni Wide JNL is based on examples of this classic Bodoni design and contains the quirks and imperfections one might find within a wood type font.

Alderman JNL is a wide slab serif typeface based on the classic wood type Antique Light Face Extended, and is available in both regular and oblique versions.

Garalde: the word itself sounds antique and arcane to anyone who isn’t fresh out of design school, but the sort of typeface it describes is actually quite familiar to all of us. Despite its age—born fairly early in printing’s history—the style has fared well; Garaldes are still the typefaces of choice for books and other long reading. And so we continue to see text set in old favorites—Garamond, Sabon®, and their Venetian predecessor, Bembo®. Yet many new books don’t feel as handsome and readable as older books printed in the original, metal type. The problem is that digital type revivals are typically facsimiles of their metal predecessors, merely duplicating the letterforms rather than capturing the impression—both physical and emotional—that the typefaces once left on the page. MVB Verdigris is a Garalde text face for the digital age. Inspired by the work of 16th-century punchcutters Robert Granjon (roman) and Pierre Haultin (italic), Verdigris celebrates tradition but is not beholden to it. Created specifically to deliver good typographic color as text, Mark van Bronkhorst’s design meets the needs of today’s designer using today’s paper and press. And now, as a full-featured OpenType release, it’s optimized for the latest typesetting technologies too. With MVB Verdigris Pro Text, Van Bronkhorst has revisited the family, adding small caps to all weights and styles, extensive language support, and other typographic refinements. Among the features: • Support for most Latin-based languages, including those of Central and Eastern Europe. • Precision spacing and kerning by type editor Linnea Lundquist. The fonts practically set beautiful text by themselves. • Proportional and tabular figure sets, each with oldstyle and lining forms with currency symbols to match. • Ligatures to maintain even spacing while accommodating Verdigris’ elegant, sweeping glyphs. • Numerators and denominators for automatic fractions of any denomination. • Useful, straightforward dingbats including arrows, checkboxes, and square and round bullets in three sizes. • Alternative ‘zero’ and ‘one’ oldstyle figures for those who prefer more contemporary versions over the traditional forms. • An alternative uppercase Q with a more reserved tail. • An optional, roman “Caps” font providing mid-caps, useful for titling settings, and for those situations when caps seem too big and small caps seem too small. __________ Sabon is a trademark of Linotype Corp. Bembo is a trademark of the Monotype Corporation.

Fungis is a somewhat �brother� of Fungia. These two typefaces were conceived simultaneously as an experiment on designing typeface based on natural shapes. In both cases it was mushrooms. Of course the main theme of these typefaces is not mushrooms itself (it was just a start point) but the interaction between form and counterform. In spite of unquestioning individuality the font has some associations with wood typefaces from wild west, typefaces from circus posters of 19th century and even slight feeling of gothic. The font can be useful in different cases: posters, titles, book covers, billboards, street signs, magazine spreads and all situations that demand expressive typography.

Bernandes is a new modern script font with an irregular base line. Trendy and feminine style. Bernandes looks beautiful in wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, and more. Perfect for use in ink or watercolors. Includes initial and terminal letters, alternatives and support for many languages. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. There are additional ways to access alternatives / swashes, using Character Maps (Windows), Nexus Fonts (Windows), Font Books (Mac) or software programs such as PopChar (for Windows and Mac).

Songlines is based upon a pen-drawn script drawn by Michael Harvey to illustrate a poem by Johannes Thurman. The expressive and rough-edged letterforms of Songlines do not have any lowercase characters. Instead, alternative uppercase characters occupy their positions. By using a mixture of upper-case and lowercase characters, text can be given a very lively and vigorous character. For example, the two versions of L are designed to overlap and interact whichever way round they are used. The augmented Songlines Plus version, has many alternative characters and ligatures added together with Opentype features to enable their automatic substitution where the application in which they are used permits.

During development of Colophon 30, the base font of the typeface family, two requirements emerged; namely that it should demonstrate good legibility and robustness when used for text composition, and where individual characters become more apparent, as in much larger sizes, these should appear well formed. Colophon 60 and 90 progressively increase in x-height to allow the counters to retain openness. The italics lean towards informality, this being apparent in the descender tails. On account of its neutrality there are few instances where the use of Colophon would be inappropriate; a quality that can also be attributed to Roy Cole's other typeface families: Lina, Zeta and Coleface.

As an ingredient of the large family of display typefaces "Moho", John Moore Type Foundry presents another variation of fonts consisting of two components: a main font Moho Sport based on a thick outline overlapping and Moho Sport Top, a counterblocks as shape or inside filler. Both typographic forms, Open Type, empty and filled complement one another to create interesting layering headlines for announcements, posters, marks or logo design, labels etc. This combination of both typefaces can still gain more interest if the forms are colored using graphic patterns, drawings or photographs. A nonoverlapping version is also available in Moho Sport Fat and your partner Moho Sport Fattop.

Textworthy Serif is a simple serif typeface with a human character. It is based on writing with a classic pen. Serif form we know as the trustworthy type style. Similar shapes we’ve been reading about since the 15th century when letterpress began. And antique can be developed after blackletter type. Textworthy Serif was created because we still believe in serif type for over 500 years. And we still need to use serif types in today’s world for comfortable and rational acceptance of text information. Italic styles are in production. We wanted to offer these 5 styles for those purposes where the number of styles is enough.

Monterey Pop oozes 1960s freedom and optimism, and is based on Tom Wilkes’s poster lettering for the Monterey International Pop Festival in June 1967, the event which heralded the legendary Summer of Love. The fonts include a newly-designed lowercase and a full complement of Latin Extended-A characters. In addition to the normal font, Outline and Thinline versions with matching spacing and kerning are supplied for use separately or overlapped with the regular font for bicolor effects. The Outline font is best for darker lines, and the Thinline font is designed for white and tinted outlines which can tend to halo and appear slightly bolder.

Gravia is an elegant sans-serif display font, a modern font with a touch of classy elements. Gravia is neutral, flexible, and contemporary, based on several characteristics found in humanist typography. Gravia's features - along with its design characteristics - are suitable for a variety of applications. Perfect for branding, weddings, social media, packaging, greeting cards, clothes, mugs and more! Use previews as your inspiration. There's a lot you can do! Can't wait to see what you produce! Gravia features: - OpenType - Multi-lingual support - Uppercase and lowercase letters - Accent characters and marks If you have questions, let me know in the comments section or DM or send me an email at picatypestudio@gmail.com