Offense is an unyielding rectangular slab-serif face designed with consistently balanced letterforms and a refined finish. It’s extremely angular geometric form commands attention in display settings, yet is also legible in short text blocks. Numerous alternate character sets allow room for customization, while the expanded ligatures push letter combinations to the limit. Stylistically, Offense’s almost crude, sharp-cornered construction is balanced by it’s sophisticated finish and attention to detail, often unrealized in similar faces of this genre. The upright weights are complimented by pairings of true italics, completely rebuilt, slightly narrower in width with modified letterforms, increasing their contrast and flow. Features include: Precision kerning Standard Ligatures set including 'f' ligatures (fi, fl, ff, fh, fj, ffl, ffi, ffj) Discretionary Ligatures set including (ft, rt, ae, oe, st, ft, ct, oc, oo, ry, AE, OE, AL, TH, HE, AK, AN, TT, HD, AM, AP, AR, NF, NE, NH, NL, NB, FL, ND, FE, AB, OB, OD, OF, OG, OH, OK, OL, OM, ON, OO, OP, OQ, OR, OU, AH, UE, UF, UB, UD, UH, UK, UL, UM, UN, UP, UR, UU, MP, XY, YX, KY, WY, VY, AF, FF, FI) Alternate characters (O, o, S, s, a, h circumflex, @, ®, ¶, $, &, _, and various ligature alternates) Case forms (shifts various punctuation marks up to a position that works better with all-capital sequences) Capital Spacing (globally adjusts inter-glyph spacing for all-capital text) Slashed zero Full set of numerators/denominators Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

The WebType family was designed to be used on screen with web design applications.

This handwritten font was designed with Ashley Sanderson at Flying High In First Grade.

A rugged angular display typeface, with variations in the upper and lower case characters.

Adore Mono is a monospaced font with a split personality. Playful, yet slightly ominous.

Introducing steampunk classic look typeface "Letter Head". It's a vintage font with decorative elements.

A fresh font for juicy designs and psychedelic minds, seasoned with yummy opentype features!

A friendly monospaced typewriter font with slightly distorted outlines – not another “dirty typewriter font”!

A childlike freehand font amongst many others but with a more legible whimsical feel.

A splattery grunge font with ink blobs suitable for horror movies or Halloween use

Discorgasmique is a font take inspiration from the 1940' years with a futuristic mood.

Westkreep is based on wood type with characters extremely wide relative to their height.

Publio is small unusual and unique font family, characterized with sharp, triangular semi-serifs.

We destroyed our fonts and create a new collection with our best-sellers types.

This font was drawn with a round marker and is very bubbly and girly.

Bodoni Classic Fleurs is beautifully decorated with lots of alternate glyphs for many languages.

April font was initially designed with a different style compared to other Arabic typefaces

Sonica brush is our first script designed with a pentel brush on watercolor paper

DB Floragraphy is a collection of enjoyable floral designs with a spring themed feel.

This font enables users to spice up their seasonal greeting cards with Christmas symbols.

Broxa was designed with a flat brush and inspired by Roman Sans Serif Alphabet

A beautiful and high-quality script font with contextual and stylistic alternates and ligatures.

Perfect bomber is handwritten script font wet brush style, with vintage hand lettering style.

This is what happens when you try to write with a bottle of sauce...

This font was written with a calligraphic pen, loosely based on old-school calligraphy.

Font family designed for screen texts with eight variants and a variant of dingbats.

Introducing handcrafted "Rusted brushpen" font. It's a fancy brushpen script with rough grungy effect.

Font family designed for screen texts with twelve variants and a variant of dingbats.

Font family based in the russian constructivist with three variants, solid, inline and shadow.

Unique square letter design enhanced with round edges that make any signage stand out.

A special high contrast font with unique geometrical shapes for logos, titles, signage etc.

A mild grunge, a simple distressed gothic with just enough roughness to be cool.

A neat handwritten font in 2 styles- one with hearts and one without hearts.

BD Varicolor is a display font with a certain twist of Swing and Charleton.

Avimode is bold, sharp, and futuristic. An original CubicType design with a design inspired by the holes and tracks on printed circuit boards. Text set in Avimode fills almost all the space available to it, and has small details. CubicType therefore recommends using this type at large sizes and with processes that are faithful to its fine details. It would look great cut 2 metres high on the side of your galactic spaceship. Please be aware that some of the lettershapes have sharp pointy corners: HANDLE WITH CARE!

A playful, informal typeface, very suitable to make your design still neat and stylish. Carefully designed for body text or body copy on your office project. The letters made with solid strokes to keep it minimalist. Also, you can access the features to make an elegant playfully lettering with over than 390 glyphs inside. PUA Encoded. You need some application to access the OpenType features such as Adobe Illustrator CS, Adobe Indesign, CorelDraw X6 and etc. You can also simply access with 'character map' or 'font book' on Mac. Available in OTF format.

Font breeding is much like animal breeding, where stallion and mare, or bull and cow, or boar and sow are carefully matched in hopes of yielding a robust and useful offspring. When typefaces RoundUp with fat, rounded serifs and WyomingSpaghetti with fat, squarish serifs were chosen to be parents, it was clear that their offspring would inherit large serifs. But to discover exactly what the offspring would look like, the pairing needed to be consummated, which was done with the “Blend Fonts” commend in Fontographer. The two styles of RoundWhy are the result.