MIX TRIPPY TAROT is a witchy handwritten serif, sans serif AND a dingbat set. The perfect balance of cute and creep to complete any of your crafty woowoo, astrology, zodiac, mystic, spellbook, or magic projects. This family of fonts come with an abundance of glyphs, alternates and ligatures. The dingbat set is a collection of 36 doodles that perfectly go with the regular or serif Trippy Tarot font (or any other font, for that matter)! WHAT YOU'LL GET: Mix Trippy Tarot Regular Mix Trippy Tarot Little Sans Mix Trippy Tarot Dingbats Mix Trippy Tarot Regular comes with the following glyphs: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~♥❤•· ÷×+−±≈=≠≥≤[]:;’”,.|/?{}“”‘’-–—_… ©®™‹›«»°¹²³ªº¡¿₱¢€£¥½¼¾¶§№† ÁÀÂÄÃÅĂĀĄÆĆĈČÇÐĐÉÈÊËĖĒĘĜĤIÍÌÎÏĪĮĴŁŃÑŇ ÓÒÔÖÕŌŐØŒŔŘŚŜŠȘŤȚÚÙÛÜŮŰŬŪŲẂẀŴÝŶŸŹẐŽŻÞ áàâäãåăāąæćĉčçðđéèêëėēęĝĥıíìîïīįĵłńñň óòôöõōőøœŕřśŝšșťțúùûüůűŭūųẃẁŵýŷÿźẑžżþß Ligatures: ee ff fl ft ll mm nn ss tt Alternate: Q Mix Trippy Tarot Regular comes with the following glyphs: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~♥❤•· ×+−=[]<>:;’”,.\|/?{}“”‘’-–—_…©®™‹›«»°¹²³ªº¡¿₱¢€¥Þþß Fellow witches, enjoy!

Behance presentation https://www.behance.net/gallery/51305239/Geometrica Geometrica is a low contrast rounded geometric Sans with a mid 19th/early 20th century simplicity air yet modern and minimalist. The font was inspired by the idea of creating a typeface with uppercase/lowercase characters and small caps having the same proportion. The result is a font with a moderate width, generous x-height, and short ascenders and descenders, giving it a compact and clean look. Geometrica comes in 10 weights plus italics—each variant with 589 glyphs—and contains a number of OpenType features that allow you to create very ‘good looking’ designs. Geometrica provides a wide range of choices for any design project and it is especially recommended for UI/UX and app design, branding and corporate design, in 2017 it was selected as one of the 10 best Sans of the year by FontShop.

Introducing Acting! A robust slab typeface that effortlessly combines nostalgia with contemporary boldness. What sets Acting apart is its distinctive circular elements within each letter, adding a unique touch while maintaining clean and balanced shapes. With alternative glyphs, it truly comes to life. Acting offers versatility with three widths: Condensed, Normal, and Expanded, along with an oblique version, resulting in a total of six styles. Whether you're working on branding, titles, or headlines, Acting is your perfect choice for your project! What's included? Acting Main File Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software. Multilingual Supports: (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Come and say hello over on Instagram! https://www.instagram.com/dharmas.studio/

An isolated typeface design with a calligraphic flavor. The Nastarkib font family employs visual features from the Urdu Persian Nastaliq Calligraphy. Visual connectivity is accomplished by overlapping glyphs with downward slopes. This font family has four members including normal and bold weights with two styles each, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Nastarkib employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Nastarkib includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

An isolated letters typeface design with a comic feel. All letters start with a prominent circular dot. All final shape letters end with a smaller dot, in addition. The Nuqat (Arabic for dots) font family has four members which include two weights, normal and bold, and comes in regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. The Nuqat font family employs variable x-height values. Nuqat includes only Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Nuqat includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

A completely isolated letters typeface design with an overall Hebrew look and feel. Glyphs were designed with an emphasis on isolation and vertical feel with a visual connectivity measure to help easy reading. The Ibrani (Arabic for Hebraic) font family has two members, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Ibrani employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Ibrani includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

Touch Tone introduces a condensed lowercase and oblique italics to the uppercase font inspired by the "Dr. Strangelove" movie titles – designed by Pablo Ferro. Touch Tone's naive hand-drawn strokes rely on a quirky variable width-brush. They are looser, more textured, tactile, more informal, with quirky nervous lines. A family of four fonts: it includes two weights, light and medium, and both with roman and italics. All the fonts include the same patterns and ornaments. However, many of the “medium” font weight ornaments are beefed up to visually match. Touch Tone utilizes OpenType features. It imitates handcrafted lettering by including 2 glyphs for each U&lc letter (4 sets) – all kerned with care. This medley avoids a repetitious appearance so each sentence looks original and hand-drawn. The uppercase includes two widths – extra condensed and extended. Add whimsy and eccentricity by mixing the extra condensed caps with extended caps and the lowercase alphabet. Use the Contextual Alternates, or Stylistic Alternates features panel, or select the alternates in the Glyphs palette. Touch Tone includes oldstyle numerals, a variety of retro patterns, dingbats, speech bubbles, icons, banners, graphic arrows and ornaments. Each font includes 403 glyphs. Suitable for display or text and many European alphabets. Purchase both weights, roman and oblique italics to emphasize words. Touch Tone combines cool graphics and patterns with OpenType. Generously apply Touch Tone for added warmth and a "Rat Pack" groovin' message.

Grotesques can answer a really wide variety of design problems and go from small sizes to large without missing a beat. Vinila is Flora de Carvalho's take on the genre. The family’s multi-purpose intention comes from having 4 widths - from compressed to extended, each with 6 weights and obliques. Rhythm and music played an important part in the design of this font, which started off as the lettering for a Brazilian Music album. Its distinctiveness comes from having powerful ink traps that go from elegant and supple in the lighter styles to commanding and impactful in the heavier styles. A distinct rhythm is achieved, making it a strong face for editorial design, branding projects and so much more. Vinila is the ideal companion to expressive display faces, where it serves a supporting role with a marked presence. We use Vinila every day in our own brand identity. We've had some of the best designers use it and test it in many different environments, printed, digital, mobile and more (they really like it!). Also in the package, Vinila Variable is an experimental version of Vinila, where you can have a virtually infinite mix of weights, widths and slant, all from a single font file. Available when you license the complete family. Vinila pairs happily with our cheerful Manteiga , elegantly with our organic didone Tenez and mechanically with our monospaced Odisseia . What other matches can you think of?

Mutable is as flamboyant and changeable as its name suggests. These characterful fonts were designed specifically for display purposes. It’s an exuberant type family that’s jam-packed with alternates and bestowed with a loud personality. This typeface is defined by its barbed serifs and elegantly curved terminals, or “foxtails” as they are sometimes known. An extremely large x-height amplifies the friendliness and buoyancy of the lowercase glyphs. These qualities give Mutable a unique aesthetic that will undoubtedly give your logotypes, headlines, and titles a distinctive appeal. Mutable has a strong Art Nouveau influence and was mainly inspired by Ed Benguiat’s Tiffany and the mysterious Pretorian typeface accredited to P.M. Shanks and Sons of London. Special OpenType features include 523 alternates that will make each word resonate beautifully when used in titling and branding situations. With so many alternates available, you may find it difficult to stop playing and settle on a selection... but that’s a good thing, right? Small Caps are also included (along with their matching diacritics and alternates) – these are designed to harmonise with regular lowercase forms making unicase-style typography a cinch. Mutable has a total glyph count of over 2,400 characters. There are 9 weights across 2 widths, ranging from a delicate and wispy Narrow Thin to a chunky and imposing Ultra. And... it’s variable! This allows you to select any width or weight in between, making Mutable even more... erm... mutable! This type family has an extensive character set that covers all Latin European languages. Finally, you can test drive Mutable immediately as the Regular weight is offered as a free download. Key features: 9 Weights 2 Widths Variable Small Caps 500+ Alternates Old Style Figures European Language Support (Latin) 2400+ Glyphs per font

The publication of this more mature design is the result of a previous 1-style project which was developed in 2010. Rita, the new design, has increased from one single style to a full font family, with a strong personality, ideal for short text for high impact designs. Rita is a slab serif typeface that offers a wide range of weights and widths—from a thin, ultra condensed font to a heavy variant for poster design. Its variety of weights and widths allows users to create a number of different compositions such as titles and text for impact or high impact graphics. Rita comes in 10 styles and includes a set of 400 characters that support over 200 languages. Rita was designed by Daniel Hernández with the collaboration of Rodrigo Fuenzalida.

Cowhand is a display typeface designed by Toshi Omagari to keep words at one specific width. Words of one letter will have one very wide character, words of two letters will have characters of half that width and so forth. At the maximum of 20-letter words, characters become very tightly compressed. The design of the Cowhand typeface is inspired by western style block printing with reverse stress that is characterised by chunky slab serifs. This Lite version of the typeface was designed as part of a font marathon over the course of 3.5 days in Monotype’s NY office. Please Note: these "Lite" fonts are offered with a limited character set. Monotype is proud to support Room to Read’s work in literacy and girls’ education through our font marathon initiative.

Hicken Witch This pair was inspired by vintage flyer that i saw few weeks ago, it was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. Opentype features Hicken Witch font has 209 character set included. This font is very good for design logo, labels, packaging product, invitations, advertising and others. This font will make your design authentic, unique and good looking with modern calligraphy style. If you're looking for unique serif decorative font, this item is a great choice to make your design looks great and unique. This fonts works with following languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

The Adelle Sans font family by José Scaglione and Veronika Burian provides a more clean and spirited take on the traditional grotesque sans. As is typical with TypeTogether typefaces, the most demanding editorial design problems were taken into consideration during its creation. The combination of lively character and unobtrusive appearance inherent to grotesque sans serifs make it an utterly versatile tool for every imaginable situation. Whether for global branding, screens, signage and advertising, or UI, the keyword behind Adelle Sans’s use is flexibility. To save space and keep legibility high, Adelle Sans is available in eight weights with matching italics and includes a condensed width of seven weights with their matching italics. Each of these 30 styles hits the perfect tone as a headline punch or subdued background hum, and the condensed widths are adept at setting short texts while retaining the expected personality. Rooted in the belief that broad language support is crucial to modern global type design, the Latin-matching variants are yet another push in TypeTogether’s ongoing multilingual efforts. The Latin script may have been first, but Adelle Sans has thus far been expanded into an exhaustive nine script family with extensive language support. Careful research and close collaboration with type experts yielded typographic consistency, legibility, and cultural awareness among all scripts, as well as filling the need for quality editorial typefaces in Arabic, Armenian, Chinese, Cyrillic, Devanagari, Latin Extended, Greek, and Thai, with more planned for the future. In addition to the 30 Latin styles, all other scripts have between seven and fourteen styles, each of which has been engineered to optically match the proportions of its counterparts. And each script comes bundled with the Latin script to ensure an harmonious fit amongst any two or more Adelle Sans families in the same block of text. The full Adelle Sans family delivers consistent, flexible, and personable results in multilingual documents, in apps, and multicultural branding worldwide. Its wide character set includes typographic niceties, small caps, several sets of figures, icons, and support for over 245 Latin-based languages. Be sure to check out the companions for Adelle Sans: Adelle, for a versatile and authoritative slab serif with no shortage of personality; and Adelle Mono, a two-width family flexible enough for developers and graphic designers alike.

The concepts of Spencerian Palmer Penmanship PRO come from the Palmer’s Penmanship guides and calligraphy manuals from XIX century. This enhanced OpenType version has complete set in Latin alphabet with Central European, Vietnamese, Baltic and Turkish complete resources with all diacritic signs and punctuation marks plus extra characters belonging this ranges. Spencerian Palmer Penmanship PRO presents you with extra sets of stylistic alternates, swashes, ornaments, tails (to artistic increase any letter of this font) and plus over of 120 contextual alternates solutions - ligatures providing a lot of letterform variations that make this type family looks like a real handwriting on a page or the exact fancy text you wish. Over 500 glyphs which you have total access using software such as InDesign, Illustrator, QuarkXpress and others.

Allotropes are different structural forms of the same element and can exhibit quite different physical properties and chemical behaviors. The change between allotropic forms is triggered by the same forces that affect other structures – pressure, light, and temperature. From Wikipedia the Free Encyclopedia With ten weights in five widths plus Italics, this family comes to a total of 100 fonts. The large number of styles was made with the intent to cover most cases UI designers have to tackle, with one type family. Stylistic alternates were made to follow the same logic, so there is an optional single-story g, serifed capital I, and dotted zero – all available through the OpenType feature. The character set supports Western and Central European languages, as well as Turkish.

Boxed, the best seller of the Tipo Pèpel foundry has been expanded with variable font technology to multiply its creative possibilities, from now on and with a single file, it is possible to control its appearance thanks to three axes with which to modify the weight, the rounding and the the width of the characters. Offering more options to customize the appearance of the text and personalize the headlines. Boxed typography is brightly conceived and designed to look good on small screen devices, but offering also enlightened looks on paper. The semi-modular geometric font shapes seek to be fully responsive to the grid of screen«s pixels to deliver a crisp, fluid reading rate. It offers an extensive set of Latin characters, even the Cyrillic.

The British Telegraph font family was inspired by classic headers of Britain newspapers from the middle of XX century. Classic look with three width – Light, Regular and Bold. Great for headers, signs or logos. Also, working well for text blocks. - The British Telegraph Light: Use it for text blocks, or for gently light header typographic. Try to make more wide tracking with capitals, it looks good. - The British Telegraph Regular: Great for simple message, quotes, subheaders (If the header is Bold) or advert slogans. - The British Telegraph Bold: Is a killing title buddy. Massive, strong, bold and in the same time – very gentle. Perfectly for main words, headers, signs or logo's. The British Telegraph has full glyph set with standard and discretionary ligatures (Open Type Features).

Camber is the last in a personal series of squarish sans. It is a noiseless typeface with a geometric base, it has a synthetic and clean design, but with a human sensitivity where the geometry fails. It tries to be more versatile and simpler than its predecessors, with a pragmatic approach, having less visual noise and virtually removing the disturbing elements. The family is generous in width meeting a certain shortage of wider fonts. Camber works well in both display and text, it is a multipurpose font suited for magazine, branding and web. The type family consists of 14 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics and it’s available in Open Type format. For more details please see the Camber PDF.

Sagara is a beautiful, minimalist, elegant and modern vintage font with a regular and italic styles and comes with multilingual support. Sagara is perfect for branding projects, logo, wedding designs, social media posts, advertisements, quoted text, coffee shop, product packaging, product designs, label, photography, watermark, invitation, stationery, fashion, boutique, furniture, and any projects, it makes with a high level of legibility. It's also a perfect fit for a beauty-themed - or a stylish text overlay to any background image. Main Features: Uppercase & Lowercase letters Numbering and Punctuation Regular and Italic Accented characters Wish you enjoy our font and please don't hesitate to drop me a message if you have any issues or queries. Thank you for visiting our item. Hope you like it! :) Best.

Hennigar is a Neo Grotesque sans serif especially useful for display text and headlines. Many of the rounded letters are based on the appearance of the letter O with very little variation in width. Because of it's condensed nature the apertures are narrow with extenders that dip well below the base line. Similarly many of the lowercase characters are based on the lowercase o. Terminals and tails always point east/west giving the entire alphabet a very uniform appearance. Basic Latin, extended Latin, diacritics, punctuation, math symbols, symbols,Greek, Cyrillic, ligatures, fractions, alternates, and kerning are included. Kerning support for Macedonian and Serbian is included via alternate substitutions along with proper italics for Russian. Use Hennigar for a poster, web graphics, or book title.

New Old English was prompted by two Victorian coins, the mid nineteenth century gothic crown and gothic florin, which featured a gothic script lowercase with quite modern looking, short ascenders and descenders enabling it to fit snugly around the queen’s head or heraldic motif. With thicker hairline strokes than normal Old English, a less sharp, warmer feel than lettering scripted with a pen, and circular instead of rhombic punctuation, this font is an attempt to capture the round-cornered softness of the die-struck lowercase blackletter. To increase harmony and homogeneity between the cases, the uppercase is narrower and simpler than is customary, without the excessive width or antiquated flamboyance of the traditional blackletter. It might even allow text set in capitals to look acceptable.

Charming is a classy font and decorative font for brand and logo design. Inspired by the name, we try to develop some functional font with classy touch and decorative in one package. Based on our experience as a graphic designer who works for a lot of companies, we often are requested to design any graphics with a classy style and decorative. So, we try to brainstorming and create this font to make the idea is going out. This is perfect for BRANDING and LOGO DESIGN. You will get classy, elegant, and certainly unique logos with this font. Charming font is also included full set of: uppercase and lowercase letters multilingual symbols numerals punctuation 2 Style Font Wish you enjoy our font. :)

This is a new font script with a unique and thin style. Not only unique, the font is made in detail also has an elegant style, sweet, simple and firm character. With a unique style that dancing, this font can make your design more alive. When you use this font sometimes you do not need to use other fonts pairing, this font can be used in single, but still as you wish! If you are curious, please try it! With a style like this, this font will be suitable in use for logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Ginkgo is Modern Classy Serif Font Family Created to answer for any person who needs Classy Modern Serif to leverage designer or product owner that need solutions to make their design look more classy and elegance. And specially for Ginkgo, We just released 4 weights, any ligatures, and any alternate characters to help you create unlimited variations for creative needs. Ginkgo font family ready with: 4 weights: Light, Regular, Bold, Black Hundred options to get creative variations (combination of Alternate, Ligature, Weight) Preview as a sample what can you do with Ginkgo font-family Ready with Lowercase and Uppercase characters Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help :)

“Redzone” is a versatile display family developed as the workhorse typeface for the “Ultimate Football League”, a fictional football league passion project. With a strong focus on the sports branding industry, “Redzone” has a voice that is competitive and sophisticated, its letterforms featuring angled terminals and sharp serifs across 5 weights and widths. Its generous x-height and overall build makes it especially capable for headlines, thought it serves well for shortened body type as well. The “Redzone” name was debuted in October of 2017 as a titlecase font (later refined and renamed “Redzone Classic”), redesigned in November of 2018 with sheared and stenciled styles, and is now presented in the most streamlined version yet with the same charming fearlessness still present. Enjoy!

MURQAS by Holyline is a Retro serif and width variable typeface, have 5 style condensed to expanded . It's very unique, elegant, bold and have beautiful shapes from each character . MURQAS perfect for headline, custom logo, merchandise, packaging, wedding designs, invitations, watermark,social media posts, label, and anything for your creativity and MURQAS is perfect typeface if you want something new with your project. And you can play and choose the width axis, for make your project more awesome! Happy creating!

Regular Joe was first delivered to the font world by Ron and Joe. Yes, the same Ron and Joe of the ArtParts fame. A few years of being so regular, Regular Joe became, well, just bored. Regular Joe needed company. He wished for a family. After all, most of his font friends had big families. His wishes were granted by FontHaus. So Skinny and Husky were created to be with Regular and all together, they became Family Joe. All is well.

Breaking Road is a Modern handwritten script font with casual and organic look, thick uneven strokes that vary in width. Perfect for wedding invitations, greeting cards, and posters to add a sense of informality and warmth. Also can be used in branding and marketing materials to give a brand a more approachable, friendly feel.

One of the examples in the 1916 publication “Baker’s Showcard Book” [an early 20th Century instructional book on sign lettering] was simply called “Plain Poster”. Somewhat Art Nouveau in style, but with many ‘nonconforming’ character shapes and widths, this novelty design is available digitally as Free Form Showcard JNL in both regular and oblique versions.

Introducing the new Sans Serif Font Family with 13 Weight and 5 Width variables. This font is available in two separate font types for your convenience to find the desired variant, Regular Variable and Italic Variable. Choose a font according to your needs to create Magazines, Brochures, Posters, Articles, Books, Logos or other Templates.

A versatile stencil type family with lowercase characters and a extensive character set. Bunker has four styles, and all of them are interchangeable, which means that a character occupies the same space (advance-width) in all of the fonts. It also has four styles of figures: tabular-lining, tabular-oldstyle, proportional-lining and proportional-oldstyle.

MS UI Gothic™ features plain strokes similar to sans serif designs with proportional width Latin characters. It was modified for the display requirement of User Interfaces. This font file is 4.4 MB in size. MS Gothic is a trademark of Microsoft Corporation. MS UIGothic font Character Set: Latin-1, Japanese (Code Page 932)

Tithua is a modern font with strokes clear and well marked, easy to read and simple design. The curved shape on the slab terminations give a harmonious and pleasant smoothing which removes stiffness and enriches the design. For now comes in five different widths and includes Latin extended-A characters and some OpenType features.

Ascender Serif was designed by Steve Matteson as an originative, unique serif design that is metrically compatible with Times New Roman. Ascender Serif offers refined on-screen readability characteristics and the pan-European WGL character set and solves the needs of developers searching for width-compatible fonts to address document portability across various platforms.

TOCinRings has letters in circles. The letters are from a typewriter font called TiredOfCourier. The typeface contains characters that can add color to letters. There are two ways to do this. One uses layers and the other a combination of characters, some with zero width. This pdf file explains the how this can be done.

This font contains the Slavic version of the Runic script. Slavic runic script contains 18 characters. This font can be used with both latin keyboards and cyrillic based keyboards. In the development of this font, I used internet resources and could not find a written source. I wish you to use it in good work.

Etrusco Now is the revival of a lead typeface originally cast in lead by Italian foundry Nebiolo in the early 1920s. Heavily inspired by the design of the Medium weight of Schelter & Giesecke's Grotesk, Etrusco was, like Cairoli, an early precursor of the modernist grotesque superfamilies: a solid, multi-purpose "work-horse" typeface family that could solve a wide range of design problems with its range of widths and weights. When designing the new incarnation of Nebiolo's Etrusco, the Italiantype team directed by Cosimo Lorenzo Pancini and Mario de Libero decided to extend the original weight and width range to keep this "superfamily" approach. Etrusco Now has twenty-one styles widths in three widths of seven weights each, with matching italics; the original weights for the typeface have been collected in the Etrusco Classic subfamily. Etrusco Now new widths allowed the team to include in the design many nods and homages to other vintage classics of Nebiolo. The lighter weights of the normal width have been heavily influenced by the modernist look of Recta, while the heavy condensed and compressed widths refer to the black vertical texture of Aldo Novarese's Metropol. This infuses the typeface with a slightly vintage mood, making Etrusco at the same time warmly familiar and unexpected to eyes accustomed to the formal and cold look of late modernist grotesques like Helvetica. Contemporary but rich in slight historical quirks, Etrusco Now is perfect for any editorial and branding project that aims to be different in a subtle way. Etrusco Now's deviations from the norm are small enough to give it personality without affecting readability, while its wide range of open type features (alternates, stylistic sets, positional numbers) and language coverage make it a problem solver for any situation. Like its cousin Cairoli, Etrusco is born out of love for lost letterforms and stands like its lead ancestor from a century ago, at the crossroads between artsy craftsmanship and industrial needs.

Thin, Ultra Condensed, Burned. Bonewire is distressed, shaky, rough, hand drawn. Title with it. Create graphics with it. Create patterns with it. Backgrounds. Frontgrounds. Double page spreadgrounds with it. Design with it. Headline with it. Text copy with it… no. Let it disappear like a signal at small sizes with Bonewire Burned (some call that Thin, or Ultra Condensed?) Bonewire Regular is the heavy version and Burned is the vampire thin version.

PF Bague Sans Pro is a versatile monoline typeface with a distinct and eye-catching personality. Despite its inspiration from early 20th century geometrics, it diverts from the mechanical rigidity of those typefaces by incorporating humanist characteristics, such as subtle variations in stroke width and open counter shapes with vertical endings. This is a very clean and legible typeface with a warm and well-balanced texture which is ideal for intense editorial use in magazines and newspapers. Bague Sans’ most remarkable feature is its vast array of uppercase alternates and ligatures which truly shine when set at display sizes. This typeface is automatically transformed into a flexible, charming and stylish typeface with strong modern aesthetics. From classic to modern, from excessive to neutral. Bague Sans Pro is a multipurpose typeface which offers enormous possibilities and variations for editorial design, branding and corporate identity. Bague Sans Pro signifies freedom and personal style. This superfamily includes 18 weights from Hairline to Ultra Black with a consistent and well-refined structure. Each style consists of 1063 glyphs with more that 330 alternates and ligatures and an extended set of characters which support simultaneously Latin, Cyrillic and Greek. Download the complehensive PDF Specimen Manual to explore the unlimited text variations of Bague Sans Pro.

JUST Sans is a highly versatile sans serif typeface with endearing, modernist warmth, geometric legibility, and a distinctive friendly bite. Designed as a professional modern geometric sans serif, JUST Sans is both serious and friendly, neutral but warmly expressive, technical but not overt, and familiar but unique enough to stand on its own. With open-airy characters and a generous width, JUST Sans has an elegant contemporary feel, with sharp angled terminals that give it grip and make it so expressively endearing. With a clean, simple, and minimal aesthetic, JUST Sans is a functional workhorse with 7 weights, complete Latin extended language support, precise hand-adjusted kerning, and a variable version for maximum versatility. JUST Sans includes hand-hinted web fonts optimized for clear, legible text on screens making JUST Sans perfect for the web as well as logos, branding, headlines, paragraph text, UI, signage, packaging, posters, and industries rooted in technology, new media, architecture, fashion & design. With its universal functionality & characteristic bite, the JUST Sans family is an essential addition to your type arsenal, even if just for those beautiful stylistic numbers. For lovers of modern sans serif fonts who are looking for something a tad more warm, open & expressive, JUST Sans is for you.