Xan is a very expressive script, that was written with a brush on rough Japanese paper and then digitized taking care not to destroy that Japanese touch.

SPENGLER is a new inline font with over 180 GLYPHS, lots of Foreign Characters brand new and ready to be abused for a stupid price of $10.

Dogwood is suitable for captions, packaging, logos and the web. In 4 styles with a distinct authoritative character. There are a variety of ligatures and alternate glyphs.

Russel Dexter is a retro display font with a vintage style. Use it to add that special retro touch to any design idea you can think of!

Huet is a continuation of the work started with Versteeg. Where Versteeg was separated into individual circles, Huet connects these circles and adds a smooth geometric style.

Shepherd is a beautiful calligraphy font with an incredibly luxurious feel. It will add a romantic touch to any crafting project! Get inspired by its whimsical charm!

Giglio Rosso is a decorative typeface with a floral design. The font is named giglio rosso, “red lily,” because it is inspired by the symbol of Florence.

Midnight Signature is a handwritten signature script with a natural and stylish flow. This script is perfect for everything from personal branding, wedding invitations, advertising and more.

Solo Print mimics letters that had a close encounter with a slightly bad copy machine, The 5 different versions of each letter makes it even more realistic!

DB Post Master combines the vintage feel of history with a unique style. This DoodleBat makes great adornments to cards, letters, or just a fun scrapbook page.

HU Hikiki KR is a handwritten font that embodies the desire to become an adult as a child and imitate adults. It is a unique typeface with a large initial consonant and a sense of rhythm. This font contains Korean.

Himeka features a handwritten style with a revised, unique look. This font is suitable for a variety of uses including logos, clothing and anything that might compliment a feminine touch. It includes ligatures and multi-lingual support.

Zeogari is a classic style font that has a combination of serif and sans-serif forms, this font depicts a sense of love and loneliness, in addition, the Zeogari font has a bold shape with strong characters.

LiebeDoni is pure Italian art. A contemporary nod to Italian typographic heritage, LiebeDoni’s warm and friendly style is perfect for—literally—bold headlines and impressive invitations. Take a seat on LiebeDoni’s Vespa and enjoy the sweet curves of dolce far niente. But don’t let the relaxed hand-crafted appearance fool you: You’re dealing with a solid quality typeface that has received painstaking attention to detail. Round like the Colosseum, some lines are as colloquial as the Tower of Pisa—but all this with almost Teutonic obsession for technical perfection. Feature-wise, we went the full quattro stagioni: Variations and alternatives for many letters, swashy initials and swirly ligatures—plus language support that goes way beyond English and Italiano. Double-o ligature, anyone? Two different www ligatures? Check. (Please make sure your software supports OpenType if you wish to use the advanced features.) Get both the outline and the filled version and go crazy on creative layering and endless possibilities. Each font contains over 600 glyphs and both contain the full character set. Make a bold move to italy—treat yourself with this font. If you like LiebeDoni, you may also like its perfectly matching sisters LiebeErika and LiebeOrnaments—or any of our other 100% compatible LiebeFonts.

Camille was designed with exaggerated emphasis on letter vertical characteristic, by virtually eliminating the typical Arabic horizontal line look. This font glyph weights and look and feel are heavily influenced by early Kufic Quranic calligraphy style. Camille supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. This font family includes two letter spacing flavors: isolated for small text and overlapped for large or display text. The two spacing flavors have one weight each with a normal and a left-slanted Italic version. The script design of this font family follows the Arabetics Mutamathil Taqlidi style utilizing varying x-heights. The Mutamathil Taqlidi type style uses one glyph per every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter of the Arabic cursive text. Camille includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Soft-vowel diacritic marks (harakat) are selectively positioned with most of them appearing on similar high and low levels—top left corner—, to clearly distinguish them from the letters. Tatweel is a zero-width glyph.

The original brief for Vox was a extensive monoline typeface that can be both precise and friendly, yet contain enough choice of seamlessly interchangeable variants for the user to be able to completely transform the personality of the typeface depending on the application. Basically, a sans serif with applications that range from clean and transparent information relay to sleek and angular branding. When the first version of Vox was released in 2007, it became an instant hit with interface designers, product packagers, sports channels, transport engineers and electronics manufacturers. This new version (2013) is the expanded treatment, which is even more dedicated to the original idea of abundant application flexibility. The family was expanded to five weights and two widths, with corresponding italics, for a total of 20 fonts. Each font contains 1240 glyphs. Localization includes Cyrillic and Greek, as well as extended Latin language support. Built-in OpenType features include small caps, caps to small caps, four completely interchangeable sytlistic alternates sets, automatic fractions, six types of figures, ordinals, and meticulous class-based kerning. This kind of typeface malleability is not an easy thing to come by these days. For additional versatility, take a look at Vox Round, the softer, but just as extensive, counterpart to this family.

Classic Celtic style of lettering with an alternative set of capitals and a few alternative lower case.

Clean high quality script font with multiple ligatures and alternate glyphs. Gives your project a creative touch.

Serenade JNL is an original design from Jeff Levine with a bit of an Art Nouveau feel.

Hamasa is a very cute font with lots of variation in it that make the atmosphere happy .

A creepy, blood-splattered horror font, made entirely with brushes and ink. Ideal for websites and halloween.

The full extended version of the popular 'Jenna Sue' font. A casual handwritten font, handmade with care.

Very versatile sans serif font, designed with a soft touch of elegance. Great for invitations and headlines

Drawn with a pointed brush, these have greater contrast and weight variation than the PR-Swirlies series.

Hans Bacher created a comic styled caps only font with the movement of his bold lettering stylus.

Backpacker is a playful display font with an incredibly cheerful theme. Perfect for any school-themed crafts!

Rosa Love is a laid back and legible handwritten font. Dedicated with love to my daughter, Rosa!

Banjo and Woodcut Banjo are whimsical fonts with a hand-crafted feel. Woodcut is the “underlined” version.

Angulatte is a sans serif font made up of characters that are drawn with only straight lines.

A slightly rustic font with horizontal shading, Building & Loan evokes hand-crafted solidity and hands-on reliability.

A new gothic with the look for today. Available in 3 weights, universal, works for all applications.

is an entertaining font with pointed endings, contains inline and many dingbats, besides having a free version!

Add a touch of class and bring back the elegance of the 1930s with Regal Suite JNL.

Golden Love is a modern, compact script with short ascenders and descenders but nevertheless very good readability.

Badinerie is a cursive font family with decorative variations. You can choose simplicity, swash, love or flowers.

Inspired by traditional old Biblical type, this font has a rich and unique style, with modern touch.

A source of hand signals. This alphabet is presented in two forms with one and two hands.

Tobacco came about from the drawing programs and the way they display a line with control points.

In my on-going quest for display fonts to be used with my books and on my book covers, I decided I need a squared sans serif. I started the build off of Fiscal, a font I designed back in 2006. I never liked the font, plus my tastes have changed. So, I opened it, made it narrower, increased the x-height, and various stuff like that. I made it much heavier—an ended up with Boxy. Then my brain slapped me and said, "Why don't you make a sorta modern version?" So, I did and decided to call that style Chic. But then I wanted a thin version also. Fiscal was always too heavy and ponderous for me. So, I made the Thin style. Finally, I felt I needed an italic of Chic. OpenType features didn't seem to work well with the family, so all I added was oldstyle figures. So, I ended up with another of my unique families—with two unmodulated fonts: Thin and Medium, and two modulated fonts: Chic and Chic Italic. But, I'm pleased with it. My hope is that you will like it also.

Runde Wien Pro, the rounded sans serif by Ekke Wolf. Typeface lovers looking for a modern, well-developed sans serif font with a touch of retro and warm, individual lettering will get excited about a new addition to the font market. The more than complete Runde Wien Pro front comes in three styles and four different weights. In addition to the upright Runde Wien Pro there is the Runde Wien Pro Oblique with a moderate 6° slant and the Runde Wien Pro Superoblique with an 18° slant. Available weights are light, regular, medium, bold and black. These fonts are equipped with extended Latin alphabet for Central and Eastern Europe and also Cyrillic and Greek alphabet. The set of characters includes nine different sets of numbers, plus its own set for the small caps, as well as alternative characters and groovy ligatures. In addition, all Runde Wien Pro styles are also available as unicase with upper case and lower case x-height alignment. The style, metrics and proportions of Runde Wien Pro combine perfectly with the Liebelei Pro and the script fonts of the Calafati Pro.