Toothpaste is a font based on the idea of a continuous line creating connected script, as if written by a squeezed tube of toothpaste. Every letter and number connects, and there are 48 contextual alternate characters and ligatures to make the script flow even more smoothly. There's also some swirls and curls included as ornaments. This is a fun, decorative font. It would look good on kids' websites, scrapbooks, or maybe it's the perfect font for a dentist's logo.

Billsville is a fun font that mixes the casual sassy flair of an old Flintstone cartoon with the upright legible nature of a classic serif font to create something entirely new. Although based primarily on straight lines and simple letterforms, Billsville has got softly rounded corners that make everything seem softer. A friendly, versatile display font named after Williamstown, MA, home of a website called Tripod who originally commissioned this font for their members in 1997.

Introducing: Megattor typeface! This font is beautifully made to look like natural hand writing. As you can see, the flow of the bold and thin lines creates a realistic hand lettering just by typing on your keyboard! It has many OpenType features like ligatures, stylistic alternate, and lots of Stylistic Set, also support many languages. This typeface is based on handwriting which is very suitable for any design needs you have especially for script logotype project.

The script typeface named Fineprint is based on its designer's own handwriting, or at least as Steve Matteson saw his handwriting on a really good day. Unlike many digitizations of handwriting, Fineprint maintains a consistent harmony and balance across its letters in a line of text. The Fineprint family includes a number of swash and alternate letterforms, which helps pull this quirky personal nature off. Use Fineprint whenever you want to make something appear personal, friendly, or informal!

The Hybi5 Finescript is intended for the more reputable applications. It’s fine and elegant look makes it great for invitations, menu and concert. The Hybi5 Finescript is technically based on my Hybi5 font family, but with a significantly different appearance. The font contains a lot of accents, ligatures and special characters. Please be sure to set kerning to “metric” and spacing to “zero” in your layout app and please allow ligatures for a more smooth look.

Periodical JNL is based on one the many stylized titles from the cover of the 1920s Spanish magazine "Nuevo Mundo" (New World). Each cover displayed a beautiful piece of period artwork along with the magazine's name in different lettering styles of the time (Art Nouveau and early Art Deco). The original design features an "engraved" look and now has an oblique counterpart. Also available are solid versions (without the inside lines) in both regular and oblique styles.

Lalalo is a casual, modern sans-serif font family based on hand-lettering. It's oval letter shapes provide soft and friendly appearance. Lalalo font is very legible with a warm touch perfectly suited for children books. Lalalo family consists of 6 weights ( Extra Light, Light, Regular, Semibold, Bold, ExtraBold). You can use it with normal fill or outlined. You can mix various colors and stroke widths to gain interesting results. There is also a set of nice frames available.

Italian type designer Alessio Leonardi created this display FontFont in 1993. The family contains 3 weights and is ideally suited for festive occasions and poster and billboards. FF Priska Serif provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with tabular lining and proportional oldstyle figures.

British type designer Neville Brody created this display FontFont in 1992. The family contains 2 weights is ideally suited for logo, branding and creative industries and poster and billboards. FF Pop provides advanced typographical support with features such as ligatures, case-sensitive forms, and stylistic alternates. It comes with proportional lining figures.

French type designer Albert Boton created this display FontFont in 2002. The font is ideally suited for advertising and packaging, music and nightlife as well as poster and billboards. FF Zan provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with proportional lining figures.

FF Dora Display is the Display version of FF Dora. It provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

British type designer John Critchley created this display FontFont in 1995. The family has 6 weights, and is ideally suited for festive occasions, film and tv as well as poster and billboards. FF Bull provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Canadian type designer Barbara Klunder created this display FontFont in 1994. The family contains 2 weights: Regular and Bold and is ideally suited for festive occasions and poster and billboards. FF Klunder Script provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Abelarde is a classic medieval gothic style font which combines traditional blackletter style lower case characters with more ornate and decorative capital letters with some nice swash features. We've done some simpler fonts in the same general vein like Cymbeline, Aneirin and Perigord, but Abelarde takes the style to a higher level.

Dutch type designer Roelof Mulder created this display FontFont in 1996. The family has 5 weights, ranging from Light to Bold and is ideally suited for poster and billboards. FF Offline provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle and proportional lining figures.

Dutch type designer Donald Beekman created this display FontFont in 1999. The family contains 2 weights: Regular and Italic and is ideally suited for film and tv and music and nightlife. FF Overdose provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

French type designer Albert Boton created this display FontFont in 2002. The font is ideally suited for advertising and packaging, music and nightlife as well as sports. FF Studio provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with proportional lining and proportional oldstyle figures.

Cal Neuland Shadow is the shadow version of Cal Neuland Bold. The font is ideal for comic headlines and other funny things. It contains all of the Latin, Cyrillic and Greek glyphs.

Mister Earl was designed for Bitstream in 1991 by Jennifer Maestre. A narrow decorative sans serif. Cyrillic version was developed in 2001 by Natalia Vasilyeva. For use in advertising and display typography.

Tobi Next is the improved version of Tobi pro, which in the extended version contains 213 ligatures, contains Greek and Cyrillic, as well as contains its basic version at a lower cost

Meksa is sleek, minimal & very clean. This wide typeface is perfect for bold headers, impact text, or logo design. Meksa is multilingual, appropriate for international publications. Includes Cyrillic, West European diacritics & ligatures.

This Typeface family include 6 Uprights and 6 Italics. This font family can be used as Display as well as text font. The font family includes Armenian, Cyrillic and Latin alphabet systems.

Sina is a strong, sturdy and self-confident serif accented face. Distinct ascenders and descenders in classical proportions ensure pleasant reading. Robust but assertively warm, it recalls and references the virtues of early classical printing types but presents a distinctly contemporary look. With its even text flow it works very well for long texts. It is also great for headlines and in larger styles. An extended, fine-tuned range of weights renders it suitable for almost every application. Sina comes in 12 styles and in OpenType format. All styles contain standard and discretionary ligatures, small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fractions, and scientific numerals. Sina supports West European, Central and East European languages.

This font was designed to create unique typography in graphic design. It consists of one style and only capital letters. It is deliberately complicated by the addition of styles and lines that are not traditional for the latin or cyrillic alphabet, which adds zest, makes you look closely. The uniqueness of this font also lies in the fact that it is made in a geometric style using only square angles or perfect rounding in glyphs. This font will add futurism to your project, the unusual font always looks stylish and memorable. I am sure that the font will come in handy for those who want to add something new, modern and unique to their work.

The Alamia type family is a sans serif in 20 weights, ranging from Hair Line to Black with matching italics. Each style contains more than 900 glyphs. Alamia comes with an extended coverage of the Latin and Cyrillic Script. All weights of this family are equipped for complex, professional typography with OpenType Features including: Small Caps, Ligatures, Discretionary Ligatures, Superscript, Subscript, Tabular Figures, Old-Style Figures, Circled Figures, Arrows, Matching currency symbols and fraction.The construction of the characters combines clean grotesque style with modern, that gives the font an organic, warm and friendly touch. The Alamia font family is a perfect choice for body text, branding design, web design, editorial design and more.

Deca Serif New is a significantly revised version of Deca Serif. It is a pure low contrast serif face with squarish oval shapes and quite narrow proportions. The typeface is nicely readable in small sizes and can be recommended for scientific, legal, official and business documents. Deca Serif New's distinctions from the original Deca Serif are: slight corrections of the letterforms, extended character set (now including Greek and Extended Cyrillic) and a number of styles. Now there are 8 faces: four upright styles of different weight and corresponding italics. Deca Serif New as well as Deca Serif is an ideal companion face for Deca Sans. The typeface was designed by Natalia Vasilyeva and released by Paratype in 2017.

Arista Pro is the definitive version of the successful Arista typeface, designed by Francesco Canovaro, first released in 2007 as Arista Z and then reissued as Arista 2.0 in 2010. The pro version of Arista features the geometric and soft approach of the original typeface but comes in a full range of weights and two alternate versions (Arista Pro Regular and Arista Pro alternate version). The typeface has been expanded with the inclusion of Greek and Cyrillic alphabets as well as an extended range of latin characters. A companion icon typeface, Arista Pro Icon, has been developed, allowing for variable-width monoline icons that can be used to faultlessly match the typeface line width, up to semibold weight.

Ford's Folly is a lively yet sophisticated handwriting font designed by Ascender's Jim Ford. It captures the look and spirit of the designer's handwriting using a using a Sharpie™ Extra Fine felt pen. This casual script font evokes an energetic feeling, and has very legible letterforms without quirky distractions. Jim Ford took his hand global by creating a massive multilingual character set. The font features the WGL Pan-European character set (Eastern Europe, Cyrillic, Greek and Turkish) and advanced typographic features for use with OpenType-savvy applications. The font is a fun and attractive handwriting font that is great for greeting cards, menus, advertisements, scrapbooking and many other projects that can benefit a personal appearance.

New Comer Sans is a combination of two ideas. First is my speed writing with flat acrylic marker on boards. And second is to make new bold font something like puffy «comic sans» font. Unstable stems (vertical main lines) give it some playful unserious character. The result is cute funny font. You can use it in short text blocks in huge and medium sizes. For example, for comic books or kids applications. NewComerSans includes: uppercase lowercase more than 480 glyphs which support Latin, Western European, Central European languages (Cyrillic is also included) Hope you are enjoying using New Comer Sans. Please do not hesitate to ask me any questions about the product. (c) Photo credit - Unsplash

The minimal character of this typeface with its direct reference to Bauhaus, manages to keep the balance between strict geometric structure and elegance. It strays from monotonous repetitions and works equally well with Latin and Greek, while it really hits home with Cyrillic. Now, in its 3rd major upgrade comes equipped with all that’s needed for an international career. In total 602 characters offer support for all European languages in six different variations. Finally, five special OpenType features offer typographic solutions which includes a stylistic alternate set for Greek and Cyrillic.

Handcrafted typeface with a friendly character. Two weights in three styles. Weights: Regular and Oblique. Styles: normal, rough1, rough2. Weight and shape of the letters allows using the font to solve any graphical problems. Package design for food or cosmetic products. Posters or music cover. Logos. Prints on sweatshirts or t-shirts. Children’s books or comics. Barbariska could be used in all sorts of projects. Features: ligatures, contextual alternates, old style numbers, fina and init for capitals letters. Support: cyrillic, cyrillic extended, latin, latin extended (Western European, Central European, South-East).

Leksa is an oldstyle, even a bit old-fashioned text family in 12 faces, including six upright and six italic ones, from Light to Black, with both oldstyle and tabular digits and true small caps. The typeface works best in the books of classical style, and looks good in both small and large point sizes. One of the main features of the typeface is its professionally-designed Cyrillic which (together with sans-serif companion Leksa Sans) was awarded for excellence in type design at Modern Cyrillic competition in Superfamilies category.

Strelka Ultra is a space age, in-your-face headliner, perfect for your fledgling space tourism business or sentient robot army’s corporate identity. What’s included in Strelka Ultra then? Here goes... For that authentic space age look, a Cyrillic alphabet was a must. This is Eclectotype’s first font to include a Cyrillic character set. Small Caps are included for Latin glyphs, including numerals, and stylistic alternates are SS01 - alternative A and E, and SS02 - alternative y. Lastly, automatic fractions are there for all your (g)astronomic cookbook needs.

Unione by TOMO FONTS is a clean and modern sans-serif type family with a geometric touch. Available in six weights (sharp and rounded) and with their corresponding obliques. A family of 28 members, with more than 1000 glyphs per font! The family has a wide range of language support, including Latin Plus & Cyrillic. Check out the interesting stylistic alternates Unione has for you. Geometric and modern Sans-Serif 28 styles 1000 glyphs per font. Latin Plus support, Extended Latin Cyrillic support, Basic & Extended Fractions Circled Numerals & Letters Lots of Stylistic Alternates

Monasterka refers to the preservation of ancient traditions and the right orthodox faith. It is a bold, archaic typeface in two styles especially designed for printing purposes. It is a powerfull, expressive typeface inspired by old cyrillic writing and may do a great job for brochures and publications designs that has to do with religious or historical thematic, mostly as headlines and titles with great impact and personality. This family has an extended language coverage for many languages including latin, cyrillic and greek alphabets and comes in two styles.

Almoni is a precise, neutral multi-lingual sans typeface and is one of the most popular fonts in Israel. It contains many glyphs and fully supports 230 Latin and Cyrillic languages - which makes it an ideal font for the side-by-side use of Latin and Hebrew characters. Many fonts are characterized by their unique character and language, and yet Almoni sheds almost all elements of uniqueness; as such, it will not overshadow your entire design. Every designer needs this functional font in their arsenal. Cyrillic design by Anna Khorash.

Leksa Sans is a humanist sans-serif face with some contrast. The family consists of 14 faces (upright & true italic in seven weights from Extralight to Black). Designed as a sans-serif companion for Leksa, Leksa Sans works perfectly either with it or alone. It is suitable both for text setting and for short inscriptions. One of the main features of the typeface is its professionally-designed Cyrillic which (together with serif companion Leksa) was awarded for excellence in type design at Modern Cyrillic competition in Superfamilies category.

Alaya Roza supports both Cyrillic and Latin layout. You can write an attractive invitation or issue menu. It is of a classic style that will fit perfectly into any project. Шрифт поддерживает как кириллическую так и латинскую раскладку. Вы можете писать привлекательные приглашения или оформлять меню. Классическое начертание идеально впишется в любой проект :) Test it out below to see how it could look for your next project! Includes: Regular Script Latin languages support Cyrillic languages support Uppercase and lowercase Numbers and punctuation Ligatures Check out my blog: https://www.instagram.com/di.zigner pinterest.com/dmitriychirkov7 Enjoy

P22 Curwen was originally designed by an unknown designer. This version was created by Colin Kahn. P22 Curwen Poster is a digitized version of a rare wood type used by the Curwen Press in England in the early 20th Century for poster work. The font was known to have been cut in 6 sizes—from 3-line (3/4 inch) to 16-line (3 inch) in height. The font was based from impressions made of the 6-line type. P22 Curwen Maxima is a hyper-stylized re-interpretation of Curwen Poster by Colin Kahn. As a post-modern poster type, it evokes an organic nature within a novel maximalist framework. It is reminiscent of early phototype display faces with an illogical three-dimensionality which serves to give the font continuity. The capitals are buried beneath stylistic wood shavings complementing the sculpture like quality of the lowercase. Perfect for (almost) any project.