Liberteen is a display typeface combining contemporary sharpness of lettershapes and post-modern irony in details with historical roots. The typeface is based on slab-serif faces of the 19th century including famous Clarendon. Liberteen is not a revival but rather a free interpretation of traditional design. Its lightest and darkest styles work perfectly in extra large sizes and Regular is suitable for a short text setting. Liberteen is a proper typeface for putting together allusions to the 19th century type revolution and a contemporary layout. The typeface was designed by Alexander Lubovenko and released by ParaType in 2015.

Based on lettering with a sharp pen, Gangfield features a rather solid character and a measured rhythm. This is named after my nephew who has an optimistic and disciplined style. Gangfield is available in upright variants, with regular, italic and bold weights. Gangfield's bright and cheerful energy shines through either in the form of short blocks of text, or enhanced on display sizes with over 1,100 wildcards and swashes that vary in size and complexity. Gangfield includes 134 alternates with various variations plus several variants of ligatures which make it ideal for special dates such as weddings and parties.

Signage is not made up of grid-based dots. They are optical corrected and there is always the same distance between the dots, with the aim to create more harmonic letterforms. The dots also vary gradually in size to reflect the thickening and thinning of strokes, giving the letterforms a sophisticated overall look. Signage comes up with 3 weights and 3 italics and is perfectly suited for logos, brands, magazines and special for signage systems and mobile devices. The language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Introducing our latest exploration, the "Monoway Groovey" font! Inspired by the iconic pop art and design trends of the 70s, this font boasts a stunning shape based on curves, giving your designs a dynamic and lovely impression that is sure to catch the eye. Perfectly suited for themes ranging from retro to modern-vintage, Monoway Groovey is a versatile typeface that will elevate any design. Whether you're creating a t-shirt, poster, flyer, label, branding, logo, emblem, or quote, this font is the ideal choice. Supported by multilingual characters, add a touch of playfulness and nostalgia to your work with Monoway Groovey.

Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed version , ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.

Sun-tanned, smooth, and fluid. Suave Script is based on disconnected calligraphy originating from a how-to lettering book from the 1950s. The uppercase letters dance, and then dance some more - Samba, Tango, Mambo or Candombe - take your pick. The lowercase flows like honey waiting to be licked off the comb. A rare gem - depicting the sweet hustle and bustle of life of a history-rich urbanism. Suave Script is at once fashionable, human, and creative. For this new Pro version a number of endings, ligatures and an extensive range of languages were covered (Western and Eastern European, Baltic, Turkish, Maltese and Celtic)

Norman Variable contains all the weights in between Norman Regular and Norman Fat. Get to know Norman, elegant and fashion forward. This new condensed and high contrast serif font is based on expansion giving a sense of self confidence. The oblique ax was specially added to get a contemporary and innovative sense. Norman is young and idealist, he has a distinctive sense of style. A complete set of ligatures and stylistic alternates is included, this will help the designer to customize and give a special look to any layout. We recommend to use it for big title, magazine, editorial purposes and display.

»AlphaOne« is my newest addition to the experimental Alpha-font-collection. I just had to do this one! It is based on Paul Renners fonts, but has got nothing to do with them, I just took the widths and some basic forms. No – or hardly no – optical corrections were made to the glyphs. I wanted the pure geometric forms to come to life. This was a lot of fun to design, I especially like the »Q« with the negative tail. I did make four weights, but nothing is normal with this font, so weight doesn’t really mean anything. Have fun!

Kuunari is structured square sans type family of 42 fonts. It has three widths and 7 weights in both upright and italic versions. The base form is a round cornered rectangle and this form constructs the glyphs throughout the fonts. Kuunari is a straightforward sans serif. It doesn't make any fuss about itself, it just does the job proudly and with confidence. It is very versatile; it can be used for titles and logos to make a statement or more delicately for body text and lead paragraphs. All in all you can achieve diverse and rich typography with the Kuunari type family.

New York designers Ed Benguiat, Victor Caruso, and the staff at Photo Lettering, Inc. developed the ITC Korinna typeface family during the 1970s. ITC Korinna is based on an older German design that was originally cast at the beginning of the 20th century. That ITC Korinna was created speaks to the status that Art Nouveau had for designers during the 1960s and 70s. Thanks to their keen reviving of this ever-popular style, computer users can still use this type style today. ITC Korinna is perfect for display and advertising typography, as well as for headlines in newsletters and magazines.

Monospasz means mono-fun in English. It's spelled with 'sz' instead of 'ß' for all you english speaking folks out there who always mistake it with a 'B'. Monospaced fonts keep on drawing attention to them because their proportions stand out from the canon of common fonts. "Yuck. Look at the condensed little m. Isn't that ludicrous?" But Monospasz isn't copycatting traditional typewriters, the most popular of monospaced fonts. It's completely manually ink-written and hand crafted. Monospasz has been designed and first used for the third incarnation of our annual Weimar based typography symposium dubbed "TypograVieh lebt" in the summer 2006.

This is Avris, an exceptional and feminine stencil font. The base was designed in 2015. The word ‘avris’ derives from the latin rara avis, which means “rare bird”. Stencil fonts were initially designed for mass production and transportation companies. Unlike this one, Avris’ curvy and minimalistic design feels and looks like the wings of birds, flying above the quiet ocean. It also has a roman, calligraphic and cryptographic touch to it. It can be used for editorial (fashion) magazines and poster designs. Looks great in headlines! Also the numerals are a must see when you put it in use.

Gingo is a wild brush script. The typeface was drawn and created by Måns Grebäck between 2018 and 2020. Its thick strokes are inspired by mid-century advertising, is full of spirit and progressiveness. The handwritten family consists of three weights: Gingo Thin, Gingo Medium and Gingo Bold. Its multiple alternate alphabets gives the font a true handwritten feeling. Use it for a logotype, a greeting card or as a headline. The font contains all characters you'll ever need, including all punctuation and numbers. It has an extensive lingual support, covering all European Latin-based scripts.

Aurisha - Handwritten Font is an brush script font based on the expression of real handwriting, lets you transform type into an exciting and beautiful piece of work. Hand-lettered look adds a real human touch to things and comes along with a lot of loving details. Aurisha- Handwritten Font has lots of alternates that gives you possibility to build your text almost like handwriting with all the charming imperfections and variations that a real handwriting has. Aurisha will work perfectly for fashion, e-commerce brands, trend blogs, wedding boutiques or any business that wants to appear upscale

Human Sans is a humanist sans serif font created as an experiment. The goal, how much a simple substitution of a small set of characters could change a font's nature. In its base form, Human Sans is a humanist sans serif geared toward text. However, through stylistic sets, it can adopt a myriad of different visual styles. This includes geometric alternates, uncials alternates, contextual swash caps, and the high and low midlines, typically seen in Art Deco lettering. These features are combinable for whatever look you may need. Human Sans comes with a full set of diacritics, in 9 weights and corresponding Italics.

Pina is a typefaced based on Italian signage, incorporating simplified shapes for the letters and unique characters. The barebones S and the perfectly circular O are examples of the type of lettering you'd likely see on awnings. These letters have a thin footprint, and are quite condensed apart from certain letters like O and Q, which gives the font a unique bounce. It includes plenty of alternates, to letters like O, S, Q, R, K, and special ligatures for specific pairs. This font is named after my grandmother from Italy, Josephine, who was a wonderful figure in my life.

Get to know Norman Fat a new version of our best seller Norman, elegant and fashion forward. This new condensed high contrast and heavy weight serif font is based on expansion giving a sense of self confidence. The oblique ax was specially added to get a contemporary and innovative sense. Norman Fat is young and idealist, he has a distinctive sense of style. A complete set of ligatures and stylistic alternates is included, this will help the designer to customize and give a special look to any layout. We recommend to use it for big title, magazine, editorial purposes and display.

Monstice Family is an elegant, playful and decorative family which includes five separate styles. There is a base serif design that was expanded to Engraved, Inline, Hatched, and Emboss styles. There is also a set of decorative elements to assist in adding details and flourishes. The font is well suited for display typography for posters, book covers, packaging and many other uses where one might need a splash of detail. All fonts have OpenType features including swash, ligatures, and alternates. This font is easy to use and will allow the designer plenty of exploratory features to create their own combinations.

Linotype Vision is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. Created by German designer Dan-André Neimeyer, the font contains five weights. The characters look as though they are constructed of fragments fitted only loosely together. Just enough of each character is put onto paper so that the eye of the reader can complete the conventional form. Based loosely on sans serif forms, the font has a futuristic, mathematical feel. Linotype Vision is exclusively for headlines in point sizes of 18 and larger.

Whatzis JNL is a collection of over 85 decorative question marks gathered from the Jeff Levine font collection and assembled into one convenient file for use in specialty projects where ad copy is based on questions or curiosity. No need to search through dozens of fonts for your background images, as they're all here. Ads such as "Have a question about your insurance?," "What's New at Harper, Jones and Harper?" or "Ask Us! - We are the Experts!"... or signs saying "May We Help You?" benefit from some well placed display question marks - especially when printed in contrasting colors or screened-back in halftones.

Benton Modern was first prepared as a text face by Font Bureau for the Boston Globe and the Detroit Free Press. Design and proportions were taken from Morris Fuller Benton’s turn-of-the-century Century Expanded, drawn for ATF, faithfully reviving this epoch-making magazine and news text roman. The italic was based on Century Schoolbook. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

Download PGF Elyss specimen Document: https://peggofonts.com/download/PGF-Elyss_(Specimen-2022).pdf In the lapse of one and a half year, what's started as a simple font idea turned into a huge multi style project, that we present to you today. Inspired by Jean Larcher's calligraphic work. This adventure began with a classic Roman set, then we added a Lombardic, an Elegant Script, and finally a Catchwords and Ornaments set. All under the influence of Art Nouveau organic look, that makes PGF Elyss an ideal project for label, header and cover design, it can even handle over than +200 latin based languages.

The inspiration for Jeeves came from Leslie Carbarga's wonderful book LETTERHEADS, One Hundred Years of Great Design, 1850-1950. It was based on a secondary type usage for the letterhead for Sutherland in New York. The rest of the letterhead had features that were more typical of the Art Deco period, but this script added a touch of timeless elegance. And since at the time I was reading every scrap of P.G. Wodehouse I could get my hands on, the name Jeeves seemed like a perfect fit. The font is loaded with a plethora of extra glyphs, ligature characters and OpenType features.

Kurstiva is a narrow, sans serif typeface family available in ten weights ranging from a hairline, thin weight to a dark, black style. Conceived as a contemporary text face, this typeface aims to convey a strong personality while remaining very legible. Functional and compact in smaller sizes, Kurstiva reveals it’s finer details and character in larger sizes found in titles or logos. With an extended character set covering most Latin based languages, a wide range of monetary symbols and a complete arrow collection, this family was designed to adapt to a variety of a settings or tasks.

Elastica is a new handwritten type system created by Resistenza, it is based on humanistic sans serif fonts of early 20th century. Irregular handwritten strokes that gives a D.I.Y feeling perfect to get a close sense of communication. When using all caps, It features three different sets of capitals which combine together randomly, creating an elastic random effect with infinite combinations. OpenType features offers also the opportunity to use the three different capital sets separately. Its optimized legibility, simple structure and low contrast was made to perform excellently with e-books and mobile apps in mind. We recommend combining Elastica with ‘Beach Please’.

Mohr is a neutral, versatile and contemporary font based on some characteristics found in geometric sans-serif typefaces. Mohr’s features, together with its design characteristics, make it suitable for a wide range of applications, from display use to small text. The Mohr family comes in three versions: normal, alt and italic, each with 9 font weights, from Thin to Heavy, resulting in a total of 27 fonts. Mohr also includes initial and terminal swashes in most of the uppercase and lowercase characters. This gives the font a unique personality and provides a greater range of uses such as branding and packaging.

Sumply is a multi-layered type family based on geometric forms. A monospace display typeface which comes as a family of four. It is equipped with OpenType features and contextual alternatives to create a versatile and fresh output. Sumply initially was designed to be used in personalization processes in digital printing. By choosing the basic geometric cut (FOUR), patterns and various graphic elements can be created just by importing text variables into the indesign data merge. If combined with the other cuts the possibilities are sheer endless. Sumply was selected to be in the 2016 edition of Typodarium.

US Bill™ Sans A Humanist typefaces sans serif. US Bill Sans has 12 weights, ranging from Light to Extrabold (including italics) and is ideally suited for advertising and packaging, book text, logo, branding and creative industries, small text, wayfinding and signage as well as web and screen design. Provides with features such as ligatures, small capitals, alternate characters, fractions, and super—and subscript characters. It comes with a complete range of figure set options as well as Latin-based languages. Designed and produced by Firman Suci Ananda, Fajar Wahyu Pribadi & Irfan Ulya. Published under Unidaas® Std — Formatika Aksa IDN, 2018.

Mocer is Modern Serif fonts great for product logo, poster, headline, card logo, web, magazine, packaging, stationery and much more. Easily creates your own logo type with fonts. Mocer has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Mocer can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.

Tabarnak started out as an assessment and correction of an old concept by George Wilkens. The original idea was for a bold upright alphabet reminiscent of Oz Cooper’s work, but ornamented with some shocard/signage traits. That idea was radically redrawn and reinvented to become a simple 21st century font made to turn heads and induce a friendly rush. Tabarnouche is Tabarnak’s “jittery” incarnation. Just as great for packaging as they are for ads, posters, book and magazine covers, both Tabarnak and Tabarnouche come with about 600 characters, including tons of alternates, and support for the majority of Latin-based languages.

This group of icons has graffiti as central theme, based on the most representative images and styles of the artists; Guache, Toxicomano and DjLu. In addition, the 26th Street corridor (also known as El Dorado Avenue) was taken as the main reference because it brings together the work of many important exponents in this type of art; at least locally and nationally. Some icons are characterized by have a similar appearance with the Stencil technique or by have a loose stroke with high contrast. This font can be used in projects and works related to street art.

Introducing, Rimeland Script - A beautiful modern calligraphy script based on manual hand writing. The natural flow with the swashes make this font looks even more prettier. This type of font perfectly made to be applied especially in wedding invitation, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual swash and ligature alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Nacinth is a wild calligraphy script. The typeface was drawn and created by Måns Grebäck between 2018 and 2020. Its open shapes are inspired by mid-century advertising, is full of life and emits liberty and optimism. The handwritten family consists of three weights: Nacinth Thin, Nacinth Medium and Nacinth Bold. Its multiple alternate alphabets gives the font a true handwritten feeling. Use it for a logotype, a greeting card or as a headline. The font contains all characters you'll ever need, including all punctuation and numbers. It has an extensive lingual support, covering all European Latin-based scripts.

Veronika Luxurious is a Glamour Luxury typeface. with beautiful letters and a touch of elegant appearance. plant it firmly in a modern design. It is a careful collaboration between beauty and function. Designed specifically for logo-themed projects, the font itself features many alternative and binding options, perfect for creating elegant, chic lifestyle designs, such as logos, titles, branding, web design and book designs. Veronika Luxurious displays both uppercase and lowercase letters, supports Latin-based languages. It holds two weights, Regular and Bold. each offers something different and they are all made to work together in harmony.

Introducing, A NEW RETRO BOLD FONTS WITH STYLISH AND ICON ALTERNATES, Psyche lover! Psyche lover is a retro font serif based that contains stylish alternates! You can make a unique branding retro and psychedelic designs with this fonts. This stylish bold fonts also included extrude and outline style that will compliments the regular style for more retro looks! This fonts suitable to use for poster, branding, merchandise, and any retro style! The "Love" shape also included in this font as an alternates for character "o". You can see all the alternates from preview above!! Also support multilingual and already PUA Encoded! Thank You!

Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed version, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.

Introducing, Captivate Script - A beautiful modern calligraphy script based on manual hand writing. The natural flow with the swashes make this font looks even more prettier. This type of font perfectly made to be applied especially in wedding invitation, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual swash and ligature alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Kubo Sans is a Typefamily based on square geometric shapes and subtle as possible. It is designed to be as thick and strong as possible following its basic shape as well as being versatile. Equipped with 10 weights ranging from Thin to Extra Black, making Kubo sans very suitable for use on the body and even perfectly applied to headlines / titles, giving a bold and strong impression to the design. With a complete weight, Kubo sans will be very integrated for design needs such as, Poster, Cover, Magazine, Web Ui, social media posts, advertisements, books, quotes, movie screens, thumbnails, and many more.

Origen is a typeface inspired by the illuminated manuscripts whereby the text is accompanied by a decorative capital letter at the start of the text. The family is formed by three different weights (light, regular, bold) and an additional decorative set of capital letters. Each of the four styles has characters to write in all Latin-based languages. It is an Open Type font. The Origen family is a hybrid between Textura and Rotunda fonts, characterized by a dynamic calligraphic flow. Origen is also playful as it can be use in editorial, advertising and packaging designs to capture viewers' attention through refined details.

Stradivari is a romantic, classic and elegant serif. It was created based on the decorative forms of the Stradivarius “General Dupont” violin. During the Baroque era, this type of shape with a gouty ending was common. It can be found in many areas like architecture, sculpture, and even in the design of contemporary lyrics. This typeface can be applied to editorial design, branding, product packaging, magazine headers, or simply as a text overlay to any background image. It is advisable to use this typeface in display proportions (+24pt). It supports multilingual texts, such as English, Italian, Norwegian, Swedish, German, French, Danish, and Portuguese.