A triple condensed gothic based on the letter form of Franklin Gothic. Great for fitting a lot into a small space. With its condensed and extra bold appearance it makes a great headline face.

Gazardiel is a decorative new script font with elaborate flourishes on the upper case characters, interlocking lower case and calligraphic-style weighting which creates a very attractive overall look. The upper case characters are quite complex, but still readable. It's an excellent font for invitations or other formal designs.

Lower-case lettering is so-called because the characters that we know as lower-case were once kept in the bottom, shallow drawers of a type compositor's typecase. Not a lot of people know that, and we suspect superstar artist and FAIRYTALE FANTASIES Calendar creator, J Scott Campbell doesn't either because even though we looked high and low, in every single one of his drawers, we still could not find a single example of Scott EVER writing in lower case, but we begged him, we pleaded with him and, eventually we HYPNOTIZED him, and here's the font you'll find in J. SCOTT TIME CAPSULE from Image Comics! You're welcome. See the families related to J Scott Campbell Lower: J Scott Campbell & J Scott Campbell Sketchbook.

The Bruce Foundry in New York gave this Italian Clarendon the catchy name of Ornamented No. 1529. The original had a top right white shadow which we eliminated. Additionally we improved the color of several of the characters.

Batchelder Elements contains 26 images from legendary Pasadena tilemaker Ernest Batchelder's design books of the 1920s. From cats to ducks to flowers -- even a bear and a couple of rabbits -- there's a design for everyone and every purpose.

Jt Gilboys Inspired by bold and rounded typefaces.Very characterful, fat and rounded , it is the best choice for editorial, You can use glyphs to create a different appearance for your design. world name or brand design, charismatic shape,

A World War II training film had its opening title card “First Aid” hand lettered in a casual, Art Deco sans serif design. This is now available digitally as Film Title JNL, in both regular and oblique versions.

Introducing a new hand drawn font carefully crafted with a personal charm. It is a hot font, perfect for a design that stands out even if it’s a logo or simply a stylish text over a background image.

Boldieslab is a font width display type with slab contrast. bring if the old west and the 70s had a lovechild with not a unformal usage, it's the perfect typeface for adding sophisticated playfulness to any design project.

A record album entitled “Calypso” by the Talbot Brothers had a hand lettered cover with a free form style reminiscent of the early 1960s. This inspired Dance Records JNL, which is available in both regular and oblique versions.

Cheesegum is super legible even at very small sizes. If you use Cheesegum at larger sizes, you can see the delightful crucnhy edges! Kinda like roasted cheese! The crunchier, the lovelier! :) Just go ahead and eat some Cheesegum!!!

RMU Bison is my revival of Julius Kirns hot-metal font, which first was released by Weber in 1935. The versatile timeless brush font was extended as to cover the main Western and Central European languages plus Turkish.

Butterworth was designed to reflect the dying, degraded and worn, hand painted signs I had seen around the old Butterworth ferry terminal in Penang Malaysia. I plan for Butterworth to be the first of many Malaysia inspired typefaces.

Talloween is a bizarre typeface in which the letters have a fraktur form, but look as if they had been made of wax that has partially melted. It comes in four styles, regular, oblique, shadow, and oblique shadow.

Slowglass is a geometric semi-serif accompanied by geohumanist italics. Softly rounded edges lend it a friendly tone. The typeface includes two categories of stylistic alternates, available as font features as well as complementary font subfamilies. Text forms for increased legibility (Slowglass Text) and uncial-inspired unicase variants (Slowglass Alt). At over 1500 glyphs per weight, the fonts support 80+ Latin-based languages (incl. Vietnamese), 14 Cyrillic-based languages and polytonic Greek. OpenType features: Six sets of figures: proportional / tabular × oldstyle / lining / petite (ss20) Superscript and subscript figures Fractions, numerators, denominators Optional slashed zero Case-sensitive forms Glyph composition/decomposition (support for Navajo and Greek) Localization (Dutch, Marshallese, Bulgarian) Stylistic Sets: ss01 Roman: Two-story a, loopy α / Italic: Loopy α ss02 Roman: Simple g / Italic: Simple k ss03 Unicase r ss04 Alt f t г п т γ ss05 Descending η χ ss06 Unicase β ζ θ ξ ss07 Alt в г д ж з к п т ю ss08 Latinized ς, cursive и й ss09 Round Δ Λ Д д Л л Љ љ ss10 Full-stem a q ss11 Seriffed I ss12 Unicase A ss13 Unicase E Ω ss14 Descending F T Г П ss15 Descending G P Q Y ss16 Unicase M N И H Y ss17 Extending Φ Ψ ss20 Petite figures

AW Conqueror Sans was born out of this desire to fuse geometric and humanistic sans. It remains a typeface fundamentally influenced by both Bauhaus spirit — with its simplified geometric forms — and Jan Tschichold’s attempts to link this modular spirit to Eric Gill’s humanist sans serif. AW Conqueror Sans is a claimed French synthesis of Germanic Modernism and English classical tradition. Spheres of influence The core set of capitals are based on the proportions of the Roman capitals like Futura, Erbar, Nobel, Johnston, Gill Sans. During the 1930s, the Futura was a true success. Since then, Monotype offered a geometric version of the Gill Sans, and Linotype added Futura-like variants to WA Dwiggins’ Metro. AW Conqueror Sans is kind of a “fusion” of this approach. The lower case “b, d, p, q” are also directly influenced by Eric Gill’s, while the “y” is influenced by some of Jan Tschichold’s alphabets. In italics, drawn narrower, AW Conqueror Sans reinterprets Gill’s idea: a rigorous italic like a roman but which sometimes reveals some aspects of a Renaissance italic. AW Conqueror Sans and its extensions AW Conqueror Sans is the initial reference point for an extended family, including AW Conqueror Inline, Slab, Carved, Didot. The potential of these mixed families is powerful. Because AW Conqueror typefaces are based on an identical structure, and compatible proportions.

Hasan Alquds Unicode is an Arabic display typeface. It is useful for titles and graphic projects where a contemporary, streamlined look is desired. The font is based on the simple lines of Kufi calligraphy, and the uniform slope of its strokes gives it a structured, geometric feel. It supported all scripts that used Arabic glyphs compatible with Unicode 4.2. Hasan Alquds is the first released typeface of collaboration between Hasan Abu Afash and Mamoun Sakkal.

Baby Garland is a beautiful script font with a modern and elegant feel. It has a classy look that can be used for logos, branding, invitations, stationary, cards, wedding designs, social media posts, and any other design that requires a handwriting touch. This font is PUA encoded which means you can access all glyphs and swash easily! It features varied base lines, fine lines, beautiful flying machines and incredible alternatives. Thank you

Regnante was created with all of my heart. It has a luxury style, is stylish and lovely, and has a strong personality, so it will catch your attention. This font is ideal for a wide range of tasks including branding, logos, packaging, and more. Regnante includes 12 fonts, including 4 weight variations and Italic style. Regular and Alternate are come separately. You can make your selection based on your personal preferences and requirements.

Old Harbour is a font collection of 12 hand drawn fonts inspired by the vintage hand lettered signage, the old bottles’ labels and the aesthetic of my favourite old school tattoos. The fonts can work together in endless combinations, to create beautiful vintage designs for apparel, logos, labels, posters or any merchandise product you can imagine. All the fonts support Western European languages based on Latin script and delivered in OpenType and True Type format.

Along Sans font family has evolved to reflect geometry-based glyph design and modern typography trends. The appropriate transformation of the lowercase letters a, d, and u alleviates the tension of the grotesque temperament. All of the glyphs have been refined to focus more on balance and rhythm, making it a smart tool for designers. And, the standard ligatures of the previous version returned to discretionary ligatures to suit their original use. Thanks.

Static looks almost like it was stamped on paper: the black color is not evenly distributed and the background comes through the letters and consciously irregular forms reinforce the effect. The characters do not all have the same height, nor do they stand straight and regularly on the base line. Static is a robust font with bold, rounded serifs and is best used for headlines and short texts in point sizes of 12 and larger.

Octo is square bold/display font with italics. Letterform is bit quirky and square shaped, it can fill all kind of spaces. Octo has nice form that relate to industrial, machines and italics helps denoting speed. Octo is good for branding in fields of sports, automobile. It has full glyph set of numerals and signs. Octo is an excellent choice for headline-typesetting and logo design. Octo is developed by Gunjan Panchal based in India.

Extatica is an eclectic geometric display sans-serif typeface with narrow capitals. It comes in 8 weights with corresponding italics, enriched with several stylistic alternates and OpenType features. The glyph set includes all European Latin-based languages, as well as major languages that use Cyrillic script. Despite being created as a display font family, Extatica also works well in small text sizes, which makes it perfect for stylized captions and subhead paragraphs.

Quidic is an unusual display typeface. The upper-case letters are strongly vertical, condensed, and bold. Used by themselves, they make headlines and titles that stand out. The lower case letters do not have serifs similar to those on the upper-case letters, but rather have the serif shapes one expects from an italic style. The lower-case is also quite short compared to the upper-case letters. The italic styles of the family are unusual because the lower-case letters keep their shapes and the upper-case letters and numbers change. The family has three styles that differ more by width rather than by weight. Although some Bauhaus fonts have several letter shapes that are similar, there is no other typeface quite like Quidic. The family can be used for many things, but not for text. For a "normalized" version of this typeface, see Qwatick.

Stratic Script is an elegant family of seven fonts, all based on handwriting. The main idea was to create a script font with almost no contrast, easy to use and quite legible. The design is flawless, every letter is carefuly connected to another, in all fonts. The 6 weights, which are very close to each other, allow the designer to choose precisely the weight he needs. It’s an ideal font for fashion magazines, posters, book covers, etc… This family contains OpenType features, such as Proportional Figure, Tabular Figures, Standard & Discretional ligatures.

Zosimo is a neo-grotesque typeface created by designer Ron Gilad (Delicious Type) in cooperation with renowned typographer Oded Ezer based on his ubiquitous Alchemist typeface. Carefully drawn curves, robust shapes and a range of OpenType features make Zosimo a great choice for designing logotypes, signage, titling, texts and more. Zosimo now comes in three families: Standard (full Latin support), Cyrillic (basic Latin and Cyrillic) and Pro (all included). Totalling in 9 weights, roman and italic, Zosimo can accommodate all your type-related design needs in one big happy family.

Alathena was inspired by the French art decade between art nouveau to art deco, comes with 2 style, Alternative swash and Modern deco, with some modified ligatures. Available with 6 Weights, Thin, Extra Light, Light, Regular, Bold, Extra Bold with support 75+ language (Latin Pro), and contains OpenType features. - Matching small caps for all weights. - Old Style Figure. - Full "f" Ligature set. - 20+ Optional (discretionary) ligatures. - Over 400+ Swash Characters. - Automatic Fractions. - Automatic Ordinals. - Extended language support for most Latin-based Western and Central European languages, including all the swash and alternate characters.

Zosimo is a neo-grotesque typeface created by designer Ron Gilad (Delicious Type) in cooperation with renowned typographer Oded Ezer based on his ubiquitous Alchemist typeface. Carefully drawn curves, robust shapes and a range of OpenType features make Zosimo a great choice for designing logotypes, signage, titling, texts and more. Zosimo now comes in three families: Standard (full Latin support), Cyrillic (basic Latin and Cyrillic) and Pro (all included). Totalling in 9 weights, roman and italic, Zosimo can accommodate all your type-related design needs in one big happy family.

Fiorina is a modern Didone-style serif typeface of 72 fonts. It comes in 4 optical sizes, ranging from Text with moderate contrast to super-contrasted Grande. Each cut comes in 9 weights with corresponding sophisticated italics. The overall variety of styles makes Fiorina the ultimate magazine typeface. The glyph set supports all European Latin-based languages, as well as all major languages that use Cyrillic script. The type family also suppors numerous OpenType features, including 6 sets of digits, small caps, fractions, superscript and subscripts, ordinals, and more.

Zosimo is a neo-grotesque typeface created by designer Ron Gilad (Delicious Type) in cooperation with renowned typographer Oded Ezer based on his ubiquitous Alchemist typeface. Carefully drawn curves, robust shapes and a range of OpenType features make Zosimo a great choice for designing logotypes, signage, titling, texts and more. Zosimo now comes in three families: Standard (full Latin support), Cyrillic (basic Latin and Cyrillic) and Pro (all included). Totalling in 9 weights, roman and italic, Zosimo can accommodate all your type-related design needs in one big happy family.

Anne's Hand is a custom handwriting font of Anne Hubbard, who tragically lost her battle with anorexia nervosa this past January. Anne loved to write, so her brother Richard designed a custom font of her handwriting as a tribute to her memory. All proceeds from its sale will go to the National Eating Disorders Association to support programs and services like the NEDA Navigators and Loss Support Network, programs that many families count on for support.

Samuel Welo was a sign painter who had published in the 1920s and again in 1960 his “Studio Handbook – Letter and Design for Artists and Advertisers”, prolifically hand lettering all of the type style examples within the pages of the publication. In 1930 Welo also published “Lettering - Practical and Foreign”. From this book comes a thick-and-thin hand lettered Art Deco alphabet – now available digitally as Sightseeing Tour JNL in both regular and oblique versions.

Atze, a handwriting script font, was designed by Ralph M. Unger for the profonts Library. Inspired by frowned-upon Comic Sans, Atze is much more pleasing, much milder and more natural. It cannot and should not only be used for Comics and children?s books but for literally all situations where a friendly, soft, casual and relaxed atmosphere is required. However: Especially for Comic books, Unger created a set of very funny Atze Bats: AAAAH ? BOOOM ? BRRRR!

It Had to Happen! Here Comes The World's Greatest Comic Book Font! It's A Collector's Item Classic! It's One of Comicraft's Greatest! You Wanted Our Silver Age Style Font -- last seen in the Pulse Pounding Pages of DC's SUPERBOY and Marvel's FLASHBACK titles -- and Now You've Got It! Three Thrilling Feature-Length Fonts! They're the Strangest Sans Serif Fonts of All! Proof Yet Again That This is Indeed the Comicraft Age of Comics! Etcetera, etcetera, etcetera, Blah Blah Blah...

Rackem PB started as a digitization of a film typeface known as "Eightball" by LetterGraphics, not to be confused with Eightball that was released by other film type companies of a totally different look. This crazy typestyle had all the flavor it needed to make regular appearances in 70's sticker body modification ads for Chevrolet cars and trucks side panels. Loaded with hooptie appeal, it's something you really need to take for a ride to appreciate its novelty.

Western Americana is a unique collection of signatures of 72 famous American frontiersmen, gunslingers, Wild West personalities, outlaws, and Indians in a high-quality font. A must-have for autograph collectors, desktop publishers, lovers of history, or anyone who has ever dreamed of sending a letter, card, or e-mail "signed" as if by one of these famous Western celebrities. This font includes signatures from the following American West personalities: William Frederick Cody ("Buffalo Bill"), George Armstrong Custer, Meriwether Lewis, William Clark, Kit Carson, Joseph Brant, David Crockett, Wyatt Earp, Geronimo, James Bowie, Daniel Boone, Sam Houston, Calamity Jane, Sitting Bull, William H. Bonney ("Billy the Kid"), Cole Younger, Bob Younger, Jim Younger, Pat Floyd Garrett, James Butler "Wild Bill" Hickok, Squire Boone, Samuel Colt, Gordon William Lillie ("Pawnee Bill"), Annie Oakley, William Barret Travis, Allan Pinkerton, Jose de Galvez, George Rogers Clark, George Crook, John Charles Fremont, George Croghan, Simon Kenton, Maj. Frederick Benteen, James Wilkinson, Nelson Appleton Miles, Philip Kearny, Chief G.H.M. Johnson, William George Fargo, William Barclay "Bat" Masterson, King Philip, Frank James, Eleazer Williams, Henry Wells, Junipero Serra, John Sevier, John Ross, Joseph Virgo, Chief Joseph, Red Jacket, Manuel Lisa, Julian Dubuque, John Augustus Sutter, Manuel Lisa, Jesse James, Jesse James alias Thomas Howard, Manasseh Cutler, Robert Newton Ford, Emmett Dalton, Henry McCarty alias Greenville Mellen Dodge, Edward Zane Carroll Judson ("Ned Buntline"), Rain-in-the-Face, James Robertson, Zebulon Pike, Chief Two Guns White Calf, Pierre Chouteau Jr., Frank Butler, Isaac Shelby, Moses Austin, Moses Cleveland, Rufus Putnam, Pierre Chouteau Sr., Father Pierre Jean De Smet, and Auguste Chouteau. This font behaves exactly like any other font. Each signature is mapped to a regular character on your keyboard. Open any Windows application, select the installed font, and type a letter, and the signature will appear at that point on the page. Painstaking craftsmanship and an incredible collection of hard-to-find signatures go into this one-of-a-kind font. Comes with a character map.