Named for his childhood neighborhood in Brooklyn, NY, Jeff Levine's Crown Heights JNL is a lightline all-caps titling font excellent for short words or phrases. Its inspiration is remotely based on the symmetry of earlier designs such as Beton and Stymie.

Named for a Manhattan neighborhood, Sutton Place JNL is based on a 1930s-era poster advertising training in the “Household Arts” that was produced by the Federal Art Project in Ohio; a segment of the larger Depression Era WPA (Works Progress Administration).

Bispo is a script typeface family made based on italic chancery calligraphy. After one year of it first launch, Bispo family now has another variant, a Bispo Pro version. The Pro version now contains more than 450 glyphs and new OpenType features, enjoy!

Stencil Press JNL was based on just a few existing sample punches from a 1920's stencil machine made by the Diagraph-Bradley company. Thanks to Neal Haynes at Diagraph for the samples and the ability to preserve this design in digital format.

The GEOMETRY Font is based on a specific grid. The grid is made of vertical, horizontal, diagonal lines and circles. Every single letter, number and symbol fits perfectly in the grid, no exception! The GEOMETRY Font includes uppercase, lowercase, numbers and punctuation symbols.

This family of fonts was created to resemble a hand written style. It is loosely based on several sources, including that of the designer. There are unique ligatures, readily found in Keystrokes on the Macintosh platform: fr, ff, ffl, ss, tr, Th.

Glamour was originally released by Lanston Monotype in 1948. It is based on Corvinus designed by Imre Reiner. P22 Designer Colin Kahn has added some unusual variants to this family illustrating that Glamour can be taken too far and have somewhat unglamorous results.

A Liebestraum, in German is a "dream of love" or "love dream". Based on the ornate sheet music title from a 1920s edition of Franz Liszt's composition, Liebestraum JNL captures and preserves the unique look and feel of this pen-on-paper lettering.

A fun design, useful for many informal applications. Based on hand-drawn letters. Due to the nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

Fleischer is a rough and playful display typeface good for headlines and posters. The face is based on historical letterforms combined with energetic 20th century pulp-style lettering. Fleischer comes with caps and small caps plus West, Central and East European language support.

Designal is a Félix Rufín design based on the DIN theme. The goal was to create a suitable unicase, an old dream of typographers. The icons collection —more than 400— is a result of Rufín’s obsession with label design. OpenType, 8 styles.

Designed in 2003 by Isay Slutsker and Irina Smirnova. Based on the calligraphic typeface of mid-1980 by Moscow type designer Isay Slutsker (1924-2002). There is a free variation of flat nib pen calligraphy. For use in advertising and display typography.

Brooklyn Samuels is a sans-serif family of fonts designed by Hans Samuelson. Based on geometrical shapes it is primarily intended for headline use but also offers excellent legibility in small sizes. Stylistic sets offer a more text-friendly alternative for some letters.

Linotype Not Painted is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This fun font from German designer Robert Bucan grabs attention immediately. The forms are made up of multiple layers. The upper case’ alphabet forms, numerals and punctuation are two different styles of the same character, one over the other, and the lower case’ letters are composed of the lower case and upper case of the same letter superimposed. Linotype Not Painted is particularly good as a headline font in larger point sizes.

Scrawny Cat is a bit of an unusual font: it was made with a brush and some China ink and has no real baseline. It is messy yet legible and in a strange way beautiful. The font is all caps, but upper and lower case differ and can be freely interchanged. Comes with a litter of diacritics and some cool end-ligatures to boot.

This is an American face designed by Lucian Bernhard for ATF in 1929. An extra light face with tall ascenders and stylized bars that extend off to the left. The lower-case sits on the baseline and the much-taller-than-normal capitals have an imaginary baseline that sits about two-thirds of the distance from the real baseline to the bottom of the EM.

Sansmatica is a clean and modern sans serif typeface. It has 28 fonts that work as a multi-purpose design solution. It consists of regular and condensed fonts that can be used for different cases: regular fonts are perfect for copy while Sansmatica condensed fonts are more specific - they make emotional associations and are perfect when you want your headlines or advertising to be noticeable. Also suite great for greeting cards, posters, branding, name card, stationary, design title, blog header, art quote, typography. Sansmatica has 7 weights with light looking more modern, fashionable and the bold giving a more rugged impression is perfect for headlines, logos, quotes, and more! It is interesting to use bold condensed fonts – both vertical lines and weight draw attention.

Trico Script is an attempt to create a script using a cut-out technique. Every basic glyph is made of three forms which gives the script a unique personality and a very distinctive appearance. In order to maintain an even script texture and to keep its character numerous advanced typographic features were created: contextual lowercase alternates, finial lowercase forms, two sets of uppercases, standard and discretionary ligatures etc. Trico Script can either be used as a regular script or as a typeface in three layers. Although the regular version is surprisingly legible in small sizes it’s distinctive character is suitable for the projects where a powerful wordmark is needed. This typically includes cases such as packaging, editorial design, digital use, social media and branding.

Seasons Greetings is intended to bring Christmas cheer. It has a very limited character set, with all the letters being lower-case. One set of letters is white on black Christmas balls, while the other is black on white Christmas balls. The lower-case letters can be layered on top of the upper-case letters to give bi-colored lettering. The letters on the Christmas ornaments are from the typeface Cuthbert.

Main Event is a revival of a very old Italian font that you may have seen in the past under the original name of Tuscan Ornate or Bracelet. Dating back to 1860 or earlier it has never been known to have a lower case set of letters. Previously only in upper case, this font comes alive again with the addition of a newly designed lower case set of letters.

Angelviews a sans serif font with over 80 variations in the lower case, including Latin and Central European diacritics. Alternates in the lower case can be involked in ONE FELL SWOOP with the the Contextual Alternate Opentype feature (calt), or by selecting each single Alternate (aalt). There are some faint differences in the lower case glyphs but enough to give the designer a creative choice in texts or small captions.

An elegant, stylish unicase font with alternative lower-case letter-forms designed to fit the capital’s X-height. The lower-case forms are available in many of the lower-case keystrokes, with even more available as “stylistic alternates” or a “stylistic set”, which can be activated in Adobe apps. Eye-catching, sophisticated and contemporary. Available in five weights. A more sober companion to the original op-art version of “Dazzle” .

Make the right statement with the elegant Sabler Titling. This showstopping font features an inherent grace combined with the classic style of the Art Deco period. The subtle beauty of its letters is highlighted by the typeface’s stems, which taper towards the baseline highlight--a feature that adds clear distinction to your design. Originally inspired by a WPA poster, this typeface has been expanded to include three equally elegant proportions. Sabler Titling includes more than 60 free alternative forms, including support for most Latin-based languages. Add a hint of seduction to your work with Sabler’s high-contrast letterforms--ideal for magazines, advertisements and books on fashion, fine arts, and luxury goods of all kinds.

We all love a good burger here at Vette Letters. We also love to prepare them ourselves. Grilling the patties, cutting the tomatoes and cucumber, nothing beats a home made hamburger. And the best and tastiest way to grill a burger is on a wood charcoal grill. So all in all we can safely say that burgers and wood are a pretty darn good combination. This made Donald Roos decide to design VLNL Woodburger, obviously based on 19th century American wood type alphabets. Donald decided to add cyrillic characters, as he strongly believed that Russians would be equally partial to home made burgers. VLNL Woodburger is not really polished font, it will give any design a rough sturdy edge.

Zarrow is a novelty or letterbat font made up of arrows and other items from archery. It is caps only, but some of the characters on the lower-case keys alternatives to those on the upper-case keys.

Around 1931, the Los Angeles Times (in partnership with the Richfield Oil Company) installed on its building a moving message board similar to the one at the New York Times in New York City which they dubbed an “electric newspaper”. The style of characters used on this electronic sign were the basis for the namesake font Electric Newspaper JNL, which is available in both regular and oblique versions. A blank space to place between words is available on both the solid bar and broken bar keystrokes.

German type designers Verena Gerlach and Ole Schäfer created this sans FontFont in 2000. The family has 5 weights, ranging from Regular to Bold and is ideally suited for editorial and publishing and poster and billboards. FF CST Berlin East provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional lining and tabular lining figures. This FontFont is a member of the FF creative industriesty Street Type super family, which also includes FF CST Berlin West.

Dutch type designer Evert Bloemsma created this serif FontFont in 2000. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for book text, editorial and publishing, small text as well as web and screen design. FF Avance provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

German type designer Verena Gerlach created this sans FontFont in 2008. The family has 8 weights, ranging from Regular to Black (including italics) and is ideally suited for festive occasions, editorial and publishing, logo, branding and creative industries as well as sports. FF Chambers Sans provides advanced typographical support with features such as swashes, ligatures, small capitals, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

The Raleigh Hotel at 18th Street and Collins Avenue on Miami Beach is an Art Deco landmark and part of the city's popular tourist district. A vintage matchbook from the hotel had its name hand lettered in what is now Beachfront Hotel JNL; available in both regular and oblique versions. The lower case letters have been made more traditional, eliminating the Deco-influenced "overhangs" present on the capital letters, and an alternate "E" from the original matchbook design is available on the bar and broken bar keys.

Myster is a truly random font — each lowercase letter has three alternatives, that interchange in the set. This makes Myster look alive, hand-crafted, painted for a special occasion, rather than a font selected from a regular type case… Of course, the mystical character of the font defines the scope of its usage — film, gaming and publishing industries. However Myster’s field of application goes beyond them. This font is able to create a desired atmosphere in packaging, children books, magazines, as well as in advertising.

Starlikes - classic duo typeface with stencil serif and regular typeface, which can be adapted to your needs and desires Starlikes is a beautiful, nostalgic lowercase and uppercase typeface that works best as focus display text (think logos, headers, pretty quotes, calls to action, etc.) think logos, headers, pretty quotes, calls to action, etc.). Upper and lower case give it great versatility, but I honestly can't get over all the crumpled uppercase letters. This is too good. Including: Numbers & punctuation Foreign language support Have a wonderful day SayStudio :-)

Canadian type designer Nick Shinn created this serif FontFont in 1999. The family has 6 weights, ranging from Regular to Black (including italics) and is ideally suited for advertising and packaging, book text, festive occasions, film and tv as well as poster and billboards. FF Oneleigh provides advanced typographical support with features such as swashes, ligatures, small capitals, alternate characters, case-sensitive forms, and fractions. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Mauritz Caps is a brush script typeface. A lively uppercase graffiti-style lettering fonts, Mauritz Caps was drawn and created by Mans Greback in 2021 to be the ultimate set of wild-style handwritings for logotypes and branding. This calligraphy family consists of five high-quality fonts in a variety of weights: Mauritz Caps Thin, Light, Regular and Bold. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Earlier this year, my eyes fell upon a discarded wedding invitation on the sidewalk. A closer look at it revealed that it had at one point been victimized by rain. Some of the fancy script letters were not quite broken, but sort of melted and run-down, while the rest were still somewhat intact. That's how Scroll was conceived, as an idea for a script where thicks and thins blend to produce a wet appearance. Unlike most available broken scripts, the Scroll script was originally drawn in its own juiced context, and not based on any existing script. This font is great for atmospheric antiquity, deep natural poetry, still life captioning, gothic music posters and collateral, or horror literature and poetry covers.

Meet Proda Sans, a humanist typeface with geometric construction inspired by the humanist-style sans serif faces that were popular in the mid 20th-century. Its calligraphic influenced letterforms have been adjusted to have geometric’s low-stroke-contrast for better legibility. The medium x-height give it a warm and delicate appearance, and keep your page bright. It's a family of nine weights plus matching italics. The thin and the black weights are great for display purposes. The light, book and regular weights are well suited for longer paragraphs and smaller texts.​​​​​​​ Proda Sans is developed for advanced typography needs. The OpenType fonts have an extended character set to support 200+ latin-based languages. For full presentation please visit my Behance post.

Our chef Martin Lorenz likes to mix cool and fresh cocktails - shaken, not stirred! You have to taste his awesome Martini or mix it yourself! To make matters more easy, cocktail master Martin reveals his special recipe: “The TpMartini refers esthetically to typefaces drawn with a pointed nib as the Bodoni or Didot, but with the clear distinction that it is obviously constructed by modules. The visual system for the TpMartin is based on a square 5x9-unit grid and three different basic forms with which the font and other elements are designed. The basic forms consist of a straight line and circles of two different sizes. The line can be extended, but the circles retain their related proportions.” One piece of advice: Don’t drink and type!

Forward Serif is a rough and classic typeface. This light serif font with an expressive movement gives any project the attention it deserves. Use it for a vintage logotype or headline to give your work that genuinely traditional look. The Forward Serif family consists of four high-quality fonts: Regular, Upright, Bold and Upright Bold The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Opake™ is an experimental typeface design that steps away from regular design conventions. Instead of basing the design on a calligraphic tool or geometric shapes, Opake™ is the result of the exercise of creating letters with a single continuous loop line. This unseen technique makes the overall design very unique. Though unconventional, the design resonates with some familiarity because of its calligraphic stroke terminations and some shape decisions that might resemble Cooper Black. In the end Opake™ is a cutting edge non-connecting script font, with a warm and happy feeling. Ideal for large headlines and general display use, but also branding, posters and apparel. If you like unconventional solutions and edgy design, Opake is the font to go for.

Atlan—a Latin ‘spin-off’ of classic geometric sans typefaces. Remembering typefaces like ‘Kabel’ by Rudolf Koch, while paying attention to current design needs, was the starting point for ‘Atlan’—a simple, elegant and appealing font. This typeface is based on highly expressive sans-serif geometric fonts of the 1920s. We challenged ourselves to reinterpret these characteristics, without losing expressiveness, in order to create a functional and versatile design. This process resulted in a font with display features, well-suited for light, uniform-coloured texts. The family offers a variety of styles from the elegant Thin weight—ideal for publishing and corporate websites—to the Heavy variant (perfect for logotypes and packaging), which reveals the stylistic elements of the typeface.