Years ago, I came across a vintage playbill and was struck by its lettering. The detailed floral pattern surrounded by thick outlines stayed in my mind even though the play's name and cast have faded. I finally tried to recreate the style from memory and Forgotten Playbill is the result. While all letters are actually capitals, the uppercase rotate slightly counterclockwise and the lowercase slightly clockwise. I suggest alternating between the two to reproduce my mystery inspiration.

The typeface was designed after seeing a photocopy of some News Gothic text where the ink had faded on the bottom of each character. As character recognition is generally based on the top half of a character, readability was never compromised. Rather like Antique Olive the characters have a top heavy look when viewed straight on, however, as most type is read at an angle with the top further away than the bottom this top heavy look is diminished.

A Bloomer is a crusty loaf of bread with rounded ends. I don’t know why I chose this name, but it may have to do with the fact that my wife signed up for a bread baking course. Bloomer is a rounded, hand made cartoon-ish font. It will look especially good on product packaging, but any design in need of some authenticity could do with a bit of Bloomer! Comes with ligatures and a light dusting of alternates.

ITC Woodland is the work of Japanese designer Akira Kobayashi. It is based on Kobayashi's hand lettering with a flat brush or square-edged pen. I wanted to design each weight to act its own part," says the designer. "The light version tends to look almost fading in small sizes, but the heavy weight is as black as Cooper Black." The cheerful ITC Woodland is ideal for graphics, greeting cards, correspondence, and other applications requiring a light touch.

Fancy Font Family is a font that I have been working on since 2012 and I have been trying to complete it for a long time. Thanks to its wide lines, you can use it easily in your paragraphs and poster designs. In fact, the purpose of using a font is entirely related to your imagination and your originality. The Fancy Font Family adapts to any design format you need and does not let you down.

Solina is an exciting typeface that is inspired by the future life which is full of robots, mechanics, speed races, automotive and life in space. References to this font are based on the science-fiction visual of the modern-futurism mindset, making it perfect for any project that requires a futuristic and technologically advanced design. This font is perfect for creating sci-fi movie posters, technology-based branding, packaging, event and festival materials, automotive designs, and many more.

Explore everyday is authentic display three style font. You can take advantage of these with any program that supports OTF features. These can also be accessed via the glyphs panel in some programs. NOTE: Because the nature of overlapping glyphs alternates must be selected manually in the Outlines version from the Glyphs panel. Kerning is extremely tight and best displayed at larger sizes.Use it for sport, movie, game, racing designs, or nearly anything related to speed and power

Coppint is a font formed with serenity and imagery in patterns that refer to warmth and harmony. Even so, this font also gives each letter an elegant and semi-modern impression. When this font was created, Ridwan Fadilah, the designer, said that this font must race in a contextual and basic fundamental hierarchy. Thus, this font also provides stylistic weight, from smallest to largest. So that it can become a unit that can be used in optical text.

Rustic Stamp presents gritty lettering produced by unknown and ancient mechanical means. Perhaps it was even meticulously hand-crafted. The effect is a near-magical quality laid over Rustic Stamp's jittery baseline, giving this font a unique character intensity. Great for a storybook, adding fantasy or nostalgic elements to the text, or if simply a faded worn look is required. Rustic Stamp is extended, containing West European diacritics and ligatures, making it suitable for multilingual environments and publications.

"Weekday Mornings" are the 2 first words from the song "Nancy" by Prefab Sprout. Just like the song, the font has a romantic theme and could be considered as "easy listening". Well, I've added 7 slightly different versions of each letter, enough to make the font look like the real handwriting which was the base of the font. Fun fact: I had this song on repeat when finishing the font. I still do love that song! :)

Crowd Funded fonts wasn’t really crowd funded… In fact, all of the funding came from me, as I had to buy paper and a new pen to get this font going! Crowd Funded is an all caps display font, which I based on a recent font of mine called Longreach. Crowd Funded is narrower and rounder than Longreach and, in a way, more delicate. It comes with a generous amount of diacritics and basic Cyrillic as well!

If you are looking for an expressive, witty and whimsical typeface, Dinzy Minzy will beckon to a change of pace for any designer looking to create space, time and lighthearted imagery. This typeface draws you into the message of the mind, lending fresh, new life to party, holiday and grand opening invitations. Whether it's a poster, a billboard, or the card in the mail, Dinzy Minzy will be sure to capture attention and turn on the senses.

Macis is a real-and-fake-retro-modern font-family containing five weights from thin to black. It is inspired by shop signs, packaging and typography from around the middle of 20th century. Though it is strictly geometrically constructed, it contains some hand-crafted influences as well as some irregularities. Some say, it dances on the baseline, ’cause the bowls and curves reach far out over the stems. Use it in big sizes, especially the extreme weights!

Salacious is my soft/rough all-caps font, inspired by both comics and grafitti. The weight and width of the letters varies a bit. Not in a disturbing way, but more in a lively and organic way. I've added 5 (slightly) different versions of each letter (which automatically cycles as you type!) The letter shapes are a bit rough, due to the fact that they are handmade, and all corners are rounded, which gives a nice soft look!

Hello, Are you looking for a bold serif font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Helvers a Strong Bold Serif Font Helvers a Strong Bold Serif Font, Inspiring from college typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, poster, packging, merchandise, logotype and much more.

"Gildeon" is a bold serif display typeface that commands attention with its powerful letterforms. Designed for impactful statements and strong visual presence, this font strikes the perfect balance between boldness and sophistication. Whether used for headlines, posters, or branding, "Gildeon" stands out with its commanding strokes and confident design, making it the ideal choice for projects that demand a bold and assertive typographic style. Features: - Uppercase & Lowercase - Numeral & Punctuation - PUA Encoded - Multilingual support - Simple Installation - Work both on Mac and Windows Thank you very much :)

Morton Taggity" is described as an impressive graffiti font. Fonts within this category often exhibit bold, dynamic, and expressive letterforms typical of graffiti art. Such fonts are commonly used in urban-themed designs, street art, posters, and various creative projects aiming for a bold and eye-catching typographic style. With "Morton Taggity," you can create designs that convey urban aesthetics and the energetic spirit associated with graffiti art. Its bold and expressive nature makes it suitable for projects where a vibrant and impactful typographic style is desired.

Glazed Glory is a Bold Handbrushed Font. This display font features bold, handbrushed strokes, giving it a unique and organic feel. Each letter is meticulously designed to convey a sense of craftsmanship and artistic flair. With its expressive strokes and bold character, this font is perfect for adding a charming and distinctive touch to a wide range of design projects, from posters and logos to invitations and social media graphics. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Morton Taggity” is described as an impressive graffiti font. Fonts within this category often exhibit bold, dynamic, and expressive letterforms typical of graffiti art. Such fonts are commonly used in urban-themed designs, street art, posters, and various creative projects aiming for a bold and eye-catching typographic style. With “Morton Taggity,” you can create designs that convey urban aesthetics and the energetic spirit associated with graffiti art. Its bold and expressive nature makes it suitable for projects where a vibrant and impactful typographic style is desired.

Are you tired of the same old fonts that everyone's using? Add a touch of nostalgia and personality to your designs with Sacharon, a retro pop font! Whether you're working on a vintage-themed project, designing a catchy poster, or simply want to stand out from the crowd, our fonts will give your work the groovy vibe it deserves. Sacharon takes inspiration from the bold and vibrant styles of the '60s and '70s, bringing back the essence of the good old days. From funky disco fonts to psychedelic lettering, we've got the perfect typefaces to transport your audience to an era of fun and excitement. Perfectly fit for logo, branding, advertising, poster, food and beverages, restaurant, book cover, album artwork, decoration, sign painting, and many more. Don't settle for ordinary typography—take a trip down memory lane with Sacharon! Browse our collection now and transform your designs into eye-catching works of art. Get ready to embrace the vibrant, nostalgic spirit of the past in a modern and trendy way. Get it now and let the grooviness begin!

In Greek mythology, Argo was the ship on which Jason and the Argonauts sailed from Iolcos to Colchis to retrieve the Golden Fleece. The Argo Nova font is an adventure though geometric sans universe with a touch of humanistic feel, bringing a different look with curved vertical strokes and high contrast on thicker weights. Designed with OpenType features, it includes extended Latin support, fractions, tabular and old-style figures, ligatures and more. With no excess in mind, it came in 10 styles (5 uprights and is matching italics) and it is a font family ideal for text, branding, signage, editorial, print and web design creations. 5 weights: Thin, Light, Regular, Bold and Black Matching italics Lining and old-style figures with proportional and tabular spacing Ligatures on “f” Alternate characters for a, æ, g and ß Fractions Ordinals Extended language support, designed following the Underware Latin Plus character set, with 534 glyphs, supporting 219 Latin based languages (see https://underware.nl/latin_plus/languages/). * Some features require an application with OpenType support.

Bandar is a sans serif sans-serif font family comes in 5 weights; regular, italic, bold, bold italic and outline. Bandar works well in any graphic design project and purpose both as a display typeface and in smaller sizes. Bandar is perfect to use for any kind of design such as branding projects, logo, brochures, business card, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, brand company, stationery and any projects. Features: Regular style Bold Style Italic Style Bold Italic Style Outline Style Alternate Style Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word PUA Encoded Characters Fully accessible without additional design software. Multilingual Support

Glypster - Bold Aesthetic Serif Fonts is a font that has boldness in every line. This font's robust and bold style conveys a luxurious, elegant, retro, and aggressive feel. The serenity afforded by this font's blend of boldness and subtlety makes Glypster suitable for a wide variety of design choices. Apart from that, the strengths of Glypster are its ability to support multiple languages and additional features that can add interest to every design you make. In terms of marketing, Glypster is very suitable for purposes such as logos, posters, business cards, and many more, so you can explore the potential of this font for various designs. Glypster's simplicity, but still elegant and luxurious, makes it the right choice for all procedures.

Introducing this very simple sans serif font that is Hazelnut Milk Tea font. I created this font with the inspiration of simplicity and it is very friendly to look at, with four versions, namely regular, italic, bold, bold italic. Very suitable to be applied in various aspects of design, Also it’s perfect for logo, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web designs, etc. Features : Hazelnut Milk Tea Regular ( Uppercase, Lowercase ) Hazelnut Milk Tea Regular Italic ( Uppercase, Lowercase ) Hazelnut Milk Tea Bold ( Uppercase, Lowercase ) Hazelnut Milk Tea Bold Italic ( Uppercase, Lowercase ) Symbols multilingual support If you have any questions please don’t hesitate to contact me follow my Instagram: @fkryall Thank you

Looking for a modern and experimental font to make your designs stand out? Look no further than Banigar font family! Comes with 4 styles including regular, italic, rounded, and rounded italic. Also available in 7 Weights (Light, Regular, Medium, Semi-Bold, Bold, Extra-Bold, Black) and 3 Widths (Condensed, Normal, Expanded) on each style with total 84 fonts. Banigar is perfect for creating designs that are both modern and confident. With consistent letter width and a high contrast between thick and thin strokes, Banigar is sure to grab your audience's attention. Whether you're looking to create something fresh and bold or something experimental and daring, Banigar has got you covered. Don't settle for an ordinary font, upgrade to Banigar today! All Caps font.

Random But Perfect is Nice Bold Script Font - A stylish and quirky new bold script. Random But Perfect font was created to look as close to a readable bold script as possible by including over a lot ligatures, titling, and swash. This font is for those who want to show something strong and modern. You may use this font if you want to attract modern buyers. The font design seems to show that you have a passion in the business and give your love to the products and services you are offered to customers. Because it is an eye-catching bold script font, you can use it for a variety of purposes including design, branding, signature, logo, poster, and many more.

The British Telegraph font family was inspired by classic headers of Britain newspapers from the middle of XX century. Classic look with three width – Light, Regular and Bold. Great for headers, signs or logos. Also, working well for text blocks. - The British Telegraph Light: Use it for text blocks, or for gently light header typographic. Try to make more wide tracking with capitals, it looks good. - The British Telegraph Regular: Great for simple message, quotes, subheaders (If the header is Bold) or advert slogans. - The British Telegraph Bold: Is a killing title buddy. Massive, strong, bold and in the same time – very gentle. Perfectly for main words, headers, signs or logo's. The British Telegraph has full glyph set with standard and discretionary ligatures (Open Type Features).

proudly presents Royale Imogen the bold romantic vintage font. Royale Imogen is an elegant and magical serif font. Fall in love with its incredibly versatile style and use it to create gorgeous wedding invitations, beautiful stationery art, eye-catching social media posts, Cover, Magazine, Sticker, Clothes, Quotes and more! Royale imogen has 4 different weights from Thin, Regular, Bold, and Ultra Bold. which makes this font very suitable for any design, apart from being given a different size Royale imogen is also equipped with beautiful alternates and ligatures which are very suitable for a design with a romantic feel, if you want a bold design you just need to turn off the opentype feature. Royale Imogen features: standard capital and lowercase alternate decorations beautiful ligature international character

Celestial Planet, a truly stylized and minimalist font. Perfect placements of glyphs and ascenders/descenders. This font includes all characters and glyph alternates (Included) to bring more charm and style into your designs. The idea of generating this font was for storytelling purposes, each character brings an individual impact in a story & posts. The complete font bucket includes; Regular, Italic, Light, Light Italic, Bold, Bold Italic, Ultra Bold & Ultra Bold Italic which will confidently bring a chic style touch to your designs and websites, the font is designed so easily be read & bring the minimalist effect to any kind of design. Kufic Studio is a platform that provides professional and high-quality designs & fonts to fill the gap that has been missing in the market.

Pompeian Cursive is a calligraphically-inspired display typeface featuring a limited number of alternate characters and a handful of graceful ligatures. A lively set of non-lining numerals accompanies, as well as a few calligraphically-inspired flourishes for ornament. The history of this typeface: Oswald Cooper’s relationship with the Barnhart Brothers & Spindler foundry was one instigated under the auspices of creating new styles of type in lieu of following stylistic trends. In 1927, BB&S requested that Cooper create a script-like cursive typeface design in step with Lucien Bernhard’s Schoenschrift and ATF’s similarly-styled Liberty typeface. In response to BB&S’s desire to emulate instead of innovate, Cooper wrote to Mcarthur, “I am desolated to see Barnhart’s hoist the black flag. Your own efforts through the years to boost the foundry into a place in the sun as an originator seem wasted.” Still, Cooper took up the task at hand, creating a delicate, sophisticated type design which he named Pompeian Cursive. The typeface featured a limited number of alternate characters and a handful of graceful ligatures. A lively set of non-lining numerals accompanied, as well as a few calligraphically-inspired flourishes for ornamenting the end of lines of type accompanied the typeface, as well. By reviewing the few remaining original drawings for the type, as well as copious samples of Pompeian Cursive from both Cooper & BB&S' proofing process and period-specific type specimens, Wordshape presents the first digital version of this classic hybrid script/sans typeface, complete with all original alternate characters and ornaments. Pompeian Cursive has been intensively spaced and kerned for the finest setting for weddings, announcements, and general display work. - What was the inspiration for designing the font? While researching a biographic essay for Japan’s IDEA Magazine, I came across the original proofs and drawings for Pompeian Cursive. While a number of foundries have released interpretations of Cooper’s assorted typefaces, they stray from the original rather dramatically in parts. Cooper is without a doubt my favorite type and lettering designer, and to bring a refined return to his original intentions is an immense gift. - What are its main characteristics and features? Pompeian Cursive is a typeface which functions as both a display face and a limited text face. It features classy, thoughtful, and delicate swash capitals and rugged lowercase characters with a low x-height and gracefully long ascenders and descenders. - Usage recommendations: Display type or text-setting. Perfect for newspaper work, editorial design, materials intended to invoke an "old-timey" flavor, or just about anything in need of personality.

Inspired by the type elements of 17th century Dutch mapmaking, Boncaire Titling provides you with a historic yet adventurous look for your library. This addition from insigne found its muse in a map of Curacao by Dutch cartographer Gerard Van Keulen, a member of the prosperous Van Keulen family from Amsterdam, who were engaged in the manufacture of maps for seafaring. Much thanks on this project goes to The Norman B. Leventhal Map Center, housed at the Boston Public Library. Through the centers kindness, I was able to view a number of period maps in person and to meet with curators, who explained more about the Van Keulen family and the way maps of the period were created. While I studied the maps, I narrowed in on some of the original types unique idiosyncrasies. For instance, the long, exaggerated serifs, which give the forms a sense of stability, aid in the faces legibility--largely a byproduct of the engraving method that was used to create the metal plates for manufacturing these maps. In creating Boncaire Titling, I decided to capture these unique idiosyncrasies, embracing the character of the engravings rather than removing them entirely through over-refining the forms. The result is an elegant family with far more than seafaring potential. This font has a full range of six weights, from thin to black. It also includes a wide variety of OpenType alternates. All insigne fonts are fully loaded with OpenType features. Boncaire Titling is also equipped for complex professional typography, including alternates, smaller titling caps and plenty of alts, including normalized capitals and lowercase letters. There are over 30 autoreplacing ligatures, and the face includes a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. Boncaire Titling also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Boncaire Titling supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging. Maps are fascinating; they come with the promise of treasure to be uncovered. Examining the map itself, too, you can find great wealth in the details so artfully condensed to that single piece of paper--details carried over into this new insigne font. For your next project, explore the imagination potential in Boncaire Titling.

Heller Sans JNL is based on the main letterforms of an experimental alphabet designed by Steven Heller; noted author of over 170 books on design and visual culture. Some modifications were made in turning his design into a digital font. In his own words, here is the background to this typeface: “I recently recovered this from the junk heap. It is a yellowing photostat of my first and only typeface design (1969-70). Total folly! At the time I was smitten by Art Moderne lettering. I called it “Klaus Boobala Bold” because I liked the K and B. I’ve lost the letters S through Z, which were made. The letters were drawn with compass, Techno pen (that frequently clogged). as well as a triangle and T-square. The inline and outline made no real logical sense. I based the design, in part, on Kabel, Avant Garde and it was a product of whatever I could accomplish with those tools. The caps-only alphabet was photographed and produced as a film negative that was cut in foot-long strips and spliced to fit on a Typositor reel. Sadly, the negatives made for the font were too brittle and the splice snapped apart in the Typositor. I worked on it for well over a month and used the face only once. I realized with this attempt, like so many other times I attempted different challenges, that type design — indeed mechanical drawing — was not my strong suit.” Heller Sans JNL is available in both regular and oblique versions.

Designed by Malou Verlomme of the Monotype Studio, Macklin is a superfamily, which brings together several attention-grabbing styles. Macklin is an elegant, high contrast typeface that demands its own attention and has been designed purposely to enable brands to appeal more emotionally to modern consumers. Macklin comprises four sub-families —Sans, Slab, Text and Display— as well as a variable. The full superfamily includes 54 fonts with 9 weights ranging from hairline to black. The concept for Macklin began with research on historical material from Britain and Europe in the beginning of the 19th century, specifically the work of Vincent Figgins. This was a period of intense social change--the beginning of the industrial revolution. A time when manufacturers and advertisers were suddenly replacing traditional handwriting or calligraphy models and demanding bold, attention-grabbing typography. Typographers experimented with innovative new styles, like fat faces and Italians, and developed many styles that brands and designers continue to use today, such as slabs, serifs, and sans serifs. Verlomme pays respect to Figgins’s work with Macklin, but pushes the family to a more contemporary place. Each sub family has been designed from the same skeleton, giving designers a broad palette for visual representation and the ability to create with contrast without worrying about awkward pairings. With Macklin, Verlomme shows us it’s possible to create a superfamily that allows for complete visual expression without compromising fluidity. Macklin™ font field guide including best practices, font pairings and alternatives. Featured in: Best Fonts for Websites