Decorative Panels JNL is a collection of twenty-six border design panels inspired by old decal and rubber stamp catalogs of the 1940s.

Retro was designed by Colin Brignall and Andrew Smith and comes in two weights, bold and bold condensed. They are all cap, slab serif typefaces which were inspired by a number of historical artistic movements: Constructivist, Bauhaus, Art Deco and Streamline. Retro has a strong graphic appearance, a number of alternate characters, and is suitable for a wide variety of promotional applications.

A Konditorei is a German Confectionery Shop. A good Konditorei offers a wide variety of pastries and often also serves as a café. This handmade script font is like the wares in a confectionery shop: full of calories, but sweet and delicious. Use it for your food blogs, your magazines and product packaging. Comes with heaps of diacritics and ligatures for double letters.

Commodore JNL and Commodore Oblique JNL are based somewhat on the Clarendon family of typefaces that were popular in the 1800s and used on many of the broadsides and notices printed with wood type. The extra-wide design of this font limits the amount of text that a headline can handle effectively, but when applied sparingly it commands attention and sells the message.

The Pictographs MT font was contains over 700 emoji icons (emoticons). These symbols, pictures and images cover a range of expressions and uses. Emoji were very popularized in Japan and have become widely adopted and integrated into the Unicode specification. The Pictographs MT font was created to support messaging applications, and to give designers and developers a robust set of emoticons.

Zing Sans Rust is a textured handmade typeface with wide and calm proportions perfect for short text in small sizes, but also pleasant enough to use as an isolated display headline. It has a distinctive geometric spirit, smoothed with handmade details such as a slightly slanted axis visible in the terminals. The combination of Zing Script TM and Zing Sans TM brings a balanced completeness. Zing Goodies As a dessert, we serve you Zing GoodiesTM that tops off the whole package, making it an extraordinary delicacy! It has 4 basic forms — Bakery, BBQ, Banners, and Words — with two styles each, which contain plenty of adorable icons for any food and taste, elaborate banners, ribbons, and ornaments, and even a beautiful selection of useful words to accentuate your design.

Fresh Blushes, a stunning modern script font that embodies clean lines and timeless sophistication, combines contemporary aesthetics with simplicity, making it a versatile option for a wide array of design applications. Its sleek lines and uncluttered letterforms convey a sense of modernity, Crafted with precision and a minimalist touch, Fresh Blushes is your go-to choice for contemporary design projects. Whether you're creating logos, branding materials, wedding invitations, or editorial layouts, Fresh Blushes seamlessly adapts to different design contexts, adding a touch of elegance to your projects, With comprehensive multilingual support, Fresh Blushes ensures your message can be conveyed seamlessly across languages and borders.

Aztek emerged as a custom face for an ethno-music festival, and gradually developed a more robust, geometric base. The original ethno roots can still be seen in some of the alternative caps, and the ease with which Aztek forms decorative elements and borders. There is also an alternative “Tall Caps” set, that goes alongside normal uppercase characters as if they were Small Caps. The font features Latin (extended to support German and Polish) and Сyrillic character sets. Though Aztek is an accidental face designed primarily for display work, it holds well at smaller sizes and can endure high ink gain printing found in letterpress and silk-screen processes.

Aw, aren't they sweet? This lettering is based on a 1950s note a husband wrote to his wife shortly after they were married. His beautifully controlled and strong handwriting knows no lowercase characters; he gets his point across in uppercase only. In today's world of email and internet writings, we know that uppercase means shouting and is considered quite rude, but he didn't know that when he wrote this letter to his lovely wife! Love Ya Honey is very legible and looks beautiful when used for headlines, titling or even long expanses of body copy. Perfect for scrapbooking too!

The earliest form of Ionic was brought out by Vincent Figgins in 1821 and was intended for display work. In 1863 a more refined version appeared which had more contrast between thick and thin strokes and the serifs were bracketed. Further developments were made, however the robustness of the Egyptian style was retained making the face suitable for newspaper text setting. With a large x-height and strong hairlines and serifs, the Ionic font family became widely used by the newspaper industry as a body type and provided a model for many twentieth century newspaper typefaces.

Round, firm, and bursting at the seams with good humor, ITC Mister Chuckles is based on the premise that barrel shapes have pleasant associations. Think: beer-barrel polkas, a barrel of fun, or a barrel of laughs, and you'll get the idea. Designer Nick Curtis has combined sans serif sturdiness, a hint of 1930s deco and a handful of giggles in this remarkably versatile all-cap face. If the typographic occasion calls for mirth and merriment, invite Mister Chuckles to the party. You'll have more fun than a barrel of monkeys!

Print Oddities JNL gathers various cartoons, embellishments, spot illustrations, border elements and arrows into one nostalgic collection; all re-drawn from vintage source material.

Stencil Extras JNL contains twenty-six stencil borders, frames, arrows, pointing hands, plants, wildlife and decorative embellishments all re-drawn from vintage source material.

Decorative border, spacer and ornamental elements comprise the bulk of Print Enhancers JNL, with a few extra goodies included to round out the collection.

Napolitanka is an elegant high contrasted font family. Contains a set of ligatures and swashes in each weight and borders as separate OTF file.

Cogeen is a fun display typeface that may be used for a variety of projects. This typeface is meant to be as distinctive as possible in order to generate a unique and memorable impression, making your project appear powerful and charismatic. Of course, this typeface is appropriate for a wide range of creative applications, including game covers, titles, book covers, outdoor events, posters, banners, promotional material, movie titles, YouTube covers and thumbnails, children’s games, cartoon projects, and other unique projects.

Astonice is a beautiful calligraphy font family with 3 weight variants: Regular, Semibold and Bold. Astonice has more than 1100 glyphs each, has opentype feature such as stylistic sets, stylistic alternatives, and old number form. Astonice supports a wide range language: Latin plus Greek and Cyrillic. Astonice is suitable for most typing and design such as cards, logos, banner, posters and others as you intended. Beautiful glyphs, OpenType features and 3 weight, Astonice provide you the right choice for your best design.

Prolexia is designed to make the font friendly towards those with dyslexia. All the characters are unique with no rotation or mirroring, this makes it harder for the mind to mix up similar glyphs. The characters are made with the illusion of perspective: this helps orient characters in the correct direction to make mental reorientation harder. Finally the o shape is somewhat flattened, this also helps to counteract mental rotation of characters.

Remember party banners made out of string and letters on cutout card shapes? Well, Valentine's letters is the typeface equivalent of these joyful banners. Valentine's Letters will let you string heart shapes, each bearing an individual character across the page, making a romance filled banner. Have fun!

Hombre™ is a sure-fire attention-getter for projects requiring a straight out of the old west flavor. Authentic, weather-beaten, time-ravaged, and a bit haphazard, it’s also a sure-fire attention-getter. Drawn by Thomas Oldfield and loosely based on popular typefaces of the 19th century, Hombre offers all the gun-slinging swagger and rugged style of Jesse James and his crew of outlaws. But don’t typecast this design. The Hombre typefaces are equally at home in ads, banners, headlines and subheads – in both hard copy and digital environments. Add to this, a large character set supporting most Western European and many Eastern European languages, including Cyrillic and Greek, and you can bring a rustic and timeworn look to a passel of applications.

Cal Roman Modern is one more font from PKG “Cal” (Calligraphic) group. This time for calligraphic sketches we used a wide brush instead of the iron pen. Instead of minuscule letters, there are Small Caps (which are the same weight as capitals). Because there is no difference in the stroke thickness of capital letters and lowercase capital letters the difference in height is only one pen width, because of that, it is possible to use small capitals together with capital letters without noticing a difference in the thickness of the letters. Cal Roman Modern font is rhythmic, informal elegant, bright and light. As such, this font is widely used in the typographic creation of shorter text forms: magazine, catalogs and book titles, logos, posters, movie spots, banners...

Christmas Dingbats 1 and Christmas Dingbats 2 are two Christmas fonts with different styles. Each font contains more than 90 Christmas icons, borders and ornaments.

Christmas Dingbats 1 and Christmas Dingbats 2 are two Christmas fonts with different styles. Each font contains more than 90 Christmas icons, borders and ornaments.

Crepe Paper JNL is an alphabet-only novelty font that creates a wavy ribbon headline with a vintage wood type alphabet that somewhat resembles an unfurled stretch of crepe paper. The upper case A-Z keys will produce a white ribbon banner with black letters, while the lower case a-z keys are white letters on a black background. The end caps for the white banner are on the left and right parenthesis keys, while the end caps for the black banner are on the bracket keys. A blank space is located on the period key for the white banner and on the comma key for the black banner. This will allow for a continuous text banner without an open break due to using the space key.

Just in time for the Holiday Season, here's a FREE font with word art, clip art and border elements to dress up your next project. Enjoy!

Caora is a font with strong lines with a sweet and versatile border, this font has a minimalist theme and is perfect for clean design needs.

Printers Dingbats JNL gathers another assortment of classic cartoons, borders, embellishments, sales helpers and whatnots into one digital file; all re-drawn from vintage source material.

Letterpress Helpers JNL continues a series of vintage cartoons, border and corner elements, stock designs, sales helpers and other embellishments re-drawn from vintage source material.

The original version of Salloon was what has become Salloon-Wide. It was designed a year or two before 1990. The narrower version, which is now the regular version of the face, was constructed a few years later. There never has been a true lower-case set of letters for these fonts, but the narrower version introduced a second set of caps by removing the side bumps from the letters. Although Salloon may look like an old font, no historic font closely resembles it. Fonts with bold, thick stems such as Salloon invite interior decoration. The five striped versions and the shattered version of the font were produced a year or two after the construction of the narrower Salloon when the arrival of a font distortion program made it easy to cracked and stripe fonts. In 2019 an outline style and two highlighter styles were added to be used in layers with the Salloon-Regular and one highlighter style was added to be used with Salloon-Wide.

The Depot Trapharet 2D is based on lettering of Lviv tram stands describing the city tram routes. The font is characterized by brutal simplicity bordering with primitivity.

This font was inspired by lettering found on old stock certificate on the 19th century and comes with two guilloche borders, which makes national currency very useful.

This simulated font is based on the characteristic Hindi calligraphy and includes upper and lower case alphabets, numerals, and a collection of Indian symbols and border components.

Rich curvilinear borders and corner pieces, based on organic forms, for use as individual ornaments or as repeat units in the creation of complex shapes and patterns.

Borders, embellishments, spot illustrations and a miscellany of other dingbats are gathered in Print Art JNL as another collective of nostalgic imagery for print and web projects.

Bradley Jermaine is a modern handwritten script font with an elegant touch. This font is perfect use for fashion-related design. Bradley Jermaine font is also usable in a wide range of works such as website banner, greeting cards, wedding stationery, modern logo/personal branding, social media quotes, and much more! Feature : - Alternate and Ligature Set - Multilingual Language - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word. Thank you! Grezline Studio - Akhmad Reza Fauzi

The Urfa font family comes in nine weights of Normal and Italic. In addition, all weights contain small caps in both italic and normal. With the Urfa font family, you can create beautiful works for the web, including logos, banners, body copy, and presentations. Urfa typeface also works nicely in print formats such as posters, T-shirts, magazines, and affiches. Because of its eye-pleasing style, this font is both effective and versatile. It supports a wide range of languages, including Extended Latin and Cyrillic.

Gotta tell ya: think out of the box and this font is addictingly fun to use! Introducing Historic Warehouse, a substantial, yet elegant family, invoking advertising fonts of the early 20th century. Why the name? When asked to design a banner for Tucson’s Historic Warehouse District, I couldn’t find the look I wanted from any known fonts. After drawing what I wanted in Illustrator, there were three (and in the process, four) fonts just waiting to be realized. Happy to oblige. Here’s Historic Warehouse Regular, setting the stage. It’s sturdy, bold, and plays curves against rounded angular shapes. To its left is Historic Warehouse Condensed, trim, elegant and at its best at very large sizes; to the right is Historic Warehouse Wide, with charming style and presence. Finally, there’s Historic Warehouse Extended, extravagant in its proportions, with a beautifully-crafted form like a fine carriage. As the song says, “Everything Old Is New Again,” and this family looks as fresh and clean at the beginning of this century as it might have at the beginning of the last.

Visine FF is a typeface that aims to question the geographical borders that in so many ways can define people's lives. It was developed with the experience of advertising and commercial use in mind. The name Visine can be translated most simply as HEIGHTS. Visine FF was developed out of the necessity to make the most of the space on the visual format. With the tall arches and narrow bodies with exceptional, easy-to-read features, Visine FF aims to complement visual languages in many linguistic regions. Visine FF was developed in the Balkans, where Cyrillic, Latin and Glagolitic were the three historical writing systems used in the former Yugoslavia to denote cultural, ethnic, religious and political identities. Today, the languages of the Western Balkans are so similar that they can easily be called dialects, although they are written in different scripts. This is the result of their coexistence and parallel evolutions, which gave a rise to the common traits. This font family celebrates all the languages and scripts of the Western Balkans and is a labour of love. Love of design, love of language and the human need to communicate across borders, cultures and identities.

Since the 1800s, many patents were issued for methods to hold papers together. The two most popular and enduring tools still in use today are the stapler and the paper clip. In recent times a number of clips in novelty shapes have been available in just about every size, shape and color imaginable. Back in the beginning there were many variations as well, but the purpose of these design variants was to try and command the majority of sales in the fledgling market of bent wire clips by offering a unique and hopefully better product. Fastenating JNL contains twenty-five images based on those early clip designs as well as one classic paper fastener (on the Z and z keys). The standard gem clip has been the most enduring design and is well over one hundred years old.

Another collection of various stock cuts, cartoons, embellishments, sales helpers, decorations and borders comprise Print Shop Sorts JNL, with all of the images re-drawn from vintage sources.