Boxed typography is a new and extensive 18 weight typeface, brightly conceived and designed to look good on small screen devices, but offering also enlightened looks on paper. The semi-modular geometric font shapes seek to be fully responsive to the grid of screen«s pixels to deliver a crisp, fluid reading rate. Due to its extensive range of weights and subtle difference in thickness, compensating for the stain of characters between different CSS styles is really easy. It offers an extensive set of Latin characters, even the Cyrillic.

Giulia is a sweet type family consisting of 12 Fonts. It was created by Hannes von Döhren and published by HvD Fonts. Besides a fancy curly version there is a second version with a more straight architecture, still owning the same soft and friendly character. Informal and easy going at first sight and perfect for display settings, however the straight architecture of Giulia Plain also makes it nice for shorter to medium texts. This contemporary type family is ideal for use in retail, packaging, games, food, kids applications and advertising.

Ciutadella Display is the extreme partner of the popular Ciutadella family for use in large sizes. The weight has been taken to the limit in both directions. It is available in Open Type format and includes Alternate Characters, Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. The type family consists of 12 styles, 6 weights (Thin, UltraLight, ExtraLight, ExtraBold, Black and UltraBlack) plus italics, creating an expanded and really flexible system. See also the original Ciutadella, Ciutadella Rounded and Ciutadella Slab.

Kondolarge is a slab serif typeface developed from our successful Kondolar in 2011. Based on a simple skeleton, straight sides, gently curved horizontals and sturdy serifs, Kondolarge is a bit more geometric than the prior. It is suitable for both text and display. With a well-built character set including small caps and several numeral styles. The font comes in 9 styles, ranging from a delicate Thin to Black, with matching italics, resulting in a total of 18 weights. Kondolarge contains a set of 800 characters that support over 200 Latin-based languages.

The Armanen runes (or Armanen Futharkh) are a series of 18 runes, closely based on the historical Younger Futhark, introduced by Austrian mysticist and Germanic revivalist Guido von List in his Das Geheimnis der Runen (English: "The Secret of the Runes"), published as a periodical article in 1906, and as a standalone publication in 1908. The name Armanen runes associates the runes with the postulated Armanen, whom von List saw as ancient Aryan priest-kings. The Armanen runes continue in use today in esotericism and in currents of Germanic neopaganism.

Dearest John is the first font in the Love Letters series from Outside the Line. It is a bouncy hand lettered font. If you type caps and lower case you get one look. If you type all caps you get another look. Kind of 2 fonts for the price of one. I prefer to type caps and lower case and then go back in and tweak the headline a little to get the look I want. Dearest John was seen in the 2011 Typodarium Page-A-Day Calendar on 12-9-2011.

Cooper Black The Cooper Black font should be used in display sizes only. Cooper Blacks serifs are rounded and the counters are small. Cooper Black was designed by Oswald B. Cooper for Barnhart Brothers & Spindler in 1921 for advertising and posters. The capital O and Q of the Cooper Black font are tilted back; in the lowercase, the dot on the I and j become elliptical. The extra bold Cooper Black font has a remarkable personality and reproduces well in sizes over 18 point in titles, subheadings and generally short sentences.

Linotype Tapeside is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. British designer Stephan B. Murphy created this typeface with light, regular and bold weights, each with its matching italic. Consciously awkward, the characters line themselves up and produce a young, lively image. Linotype Tapeside is best for headlines and shorter texts in point sizes of 12 and larger and its varying stroke strengths allow this font to be set more universally than others of its kind.

Barnic Slab is a modern geometric slab typeface tailored to elevate all your design projects, from UI and app design to web design, branding, posters, magazines, infographics, packaging, and beyond. With its sharp slab edges, Barnic Slab effortlessly radiates professionalism and trustworthiness. Boasting 12 font weight variations, Barnic Slab excels in delivering a multi-level content hierarchy in your design, ensuring your value is communicated clearly and easily. Key features: Extended language support Mathematical symbols Currency symbols Alternate stylish letters Directional arrows Fraction support Special ligatures Numerator and Denominator support

ZIGZAG is a funny font family whose letters have four varieties each in order to multiply expressions and attract the eye by breaking the rhythm of reading. There are two styles available Rounded and Not Rounded. The variations oscillate between a hand-drawn design and a geometric or imaginative drawing. Opentype’s function lets you choose between different variations of each glyph and contextual variables allow to mix the styles. Benoît Bodhuin designed ZIGZAG Rounded in 2011/12 for the theatre Vivat. In 2013 ZIGZAG Rounded was supplemented by ZIGZAG Not Rounded.

Haido is a new contemporary grotesk typeface influenced by post-modernism style. This typeface is has very neutral look, thus making this new typefaces has versatility for use in all kinds of modern design. Haido comes with 18 Styles including 9 Weight, italic and variables font. The small detail of inktrap in this typeface, making Haido is has high legibility in small size and very useful especially for printing needs. And last but not least, Haido has several alternates characters, ligatures and covered more than 100 languages including 2 script latin and cryllic.

The calligraphy font Banner was designed by Martin Wait in 1986 and mixes the character of the 1940s with that of the 1980s in its forms. The round and somewhat reserved lower case letters make a balanced basis for the generous capitals. Black outer contours surround a white inner area and are heavier on the right side of the figures, making the characters look as though they have shadows. Banner should be used in point sizes of 18 and larger and is meant for lighthearted short texts or headlines.

Crackers Brusher is a carefully crafted brush script and full of imagination and rough textures that are typical of this font. It includes two regular and slant styles and OpenType and 28 ligature features (in uppercase) as well as a swash weight. This font is perfect for challenging jobs, titles, t-shirts, websites, hoodies, and various print and digital media with energy. With extra attention to quick strokes and sharp details, Crackers Brusher is ideal for logos, apparel, quotes, product packaging, or anything which needs a typographic turbo-boost.

Frakto is a two-weight family of calligraphic Fraktur-style typefaces designed by Julius de Goede. One of the main categories of Blackletter typefaces, Fraktur was developed around 1517, and was used throughout Germany and Northern Europe well into the 20th century. With Frakto, Julius de Goede has re-applied the written element of the script back into the Fraktur style, rejuvenating and reinvigorating it for 21st century display use. Frakto is the perfect fit for certificates and newsletter headlines. We recommended using it in point sizes from 12-pt on up.

Civita is a new 'Modern Type' with a high stroke contrast, distinct formal features, and a strong personality. It has a fluid ductus but nonetheless a solid structure. Civita is well equipped with many OpenType features which make it especially suitable for ambitious typography. The Civita family consists of 12 styles, comes in OpenType format with extended language support for more than 40 languages. All weights contain small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.

Proza Display is the eye-catching counterpart of Proza, consisting of 12 styles (6 weights + italics). Together, Proza and Proza Display form a large family of 24 styles, which are all equipped with plenty of language support and opentype features. Proza Display was made to function especially well at large sizes, drawing the reader's attention with its beautiful and slightly eccentric shapes. Its large character set (support for 200+ languages) and opentype features make sure that Proza Display doesn't let you down, while its classy design helps you to make a visual impact.

ntroducing Spooky Hollow by Forberas, yet playful but still serious. You can use this as decorative material for your upcoming project.

Brawnie is a very bold, contemporary, sans serif font. It is ideal for headlines, titles, branding, and small blocks of text.

It is an Alternative version of "Paihuen Pro" containing 3 styles that can be combined and all in a rough style.

Canapa it a simple humanistic sans serif font family. Canapa's 10 styles are good for friendly oriented package design layouts. Try!

A revival of one of the popular sans serif wooden type fonts of the 19th century, narrow, short ascenders and descenders.

Bagunsa is a multilayer fun party play sans font. It intend to be an ongoing family with maybe infinite possible styles.

Luxerie is an elegant display sans with unique letter shapes to complete any design, especially in fashion, branding, and for logos.

Introducing Pumpkin Hunter by Forberas, yet playful but still serious. You can use this as decorative material for your upcoming project.

Geometric stencil with a variety of weights. It is so orthodox and simple that you can use it in various creations.

PyeMan is a rounded block typeface influenced by home computer games from the 1980s. Examples include Asteroids, Defender and Pac-Man.

Wine Stoney font is inspiration from simple cloud. This font can use for comic style , cartoon, and serious like horror themes.

ItzKarl is a unique hybrid typeface with serif and sans serif features that is suitable for headline, logo and poster use.

Simple Elevation is a progression of architectural-inspired fonts. The glyphs as font-bats designed as buildings that can be read.

Excess Baggage JNL is a clean sans serif typeface, and one of a number of stencil fonts offered by Jeff Levine.

A bold sans serif typeface influenced by Ed Benguiat 's work for the 1968 movie poster for Planet of the Apes .

Illustrious is an all caps, bold, sans serif font. It is ideal for headlines, titles, branding, and small blocks of text.

An imperfect mix between a Roman and a Modern font, Marc Anthony can be used easily for display or body text.

High legibility at small sizes. An extended sans serif typeface with rounded endings that provides unique softness appearance without losing legibility.

A legible sans serif, with bouncy edges. A little loose but not too jumpy! Comes with a fi and fl ligature.

Nighthawk JNL is a clean, bold headline sans serif with a slight touch of Art Deco added for a nostalgic look.

Crazy sans for happy, fun time. There are two other fonts designed by in the same concept. -Deluta Black -Xesy -Ekistra