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  1. Might Makes Right Pro BB by Blambot, $9.00
    Might Makes Right Pro BB is an all-purpose comic book dialogue font inspired by Bronze Age comics. It’s designed to compliment a wide variety of art styles. The opentype version has autoligatures to swap out adjacent, identical letter pairs for a more organic look, and a wide variety of European characters are included. This Blambot classic comic book dialogue family has been updated with even more European characters, improved spacing and kerning, contextual alternate correction of errant serif-I, and a fourth weight, plain Bold.
  2. Hops And Barley by Fenotype, $25.00
    Hops And Barley - a Vintage Font Collection. Hops And Barley includes following: • 6 fonts - a textured and clean version of each • Catchwords, textured and clean version • Ornaments, textured and clean version Hops And Barleys’ core is four font styles. Fonts are designed in the same proportions and they have the same soft edges so that they work great together. Here’s a short introduction to the fonts • Hops And Barley 1 -A Connected Script with Contextual, Swash, Stylistic and Titling Alternates • Hops And Barley 1b -A Bold version of Script • Hops And Barley 2 -A Serif vernacular Swash, Stylistic and Titling Alternates • Hops And Barley 3 -A sturdy Sans Serif with a wide character. • Hops And Barley 3b -A Bold version of Sans Serif • Hops And Barley 4 -A Condensed Sans Serif • Hops And Barley 5 -A set of 61 Catchwords • Hops And Barley 6 -A set of 71 Pictograms Hops and Barley fonts have rugged outline and eroded texture inside the letters. Hops And Barley C stands for Clean - they are an identical set of the styles but they come with straight and clean outlines and softened edges. Hops and Barley fonts work great together or on their own. They’re a fantastic choice for any display use and when paired they can cover the whole display part in any project from website to packaging and from poster to logo.
  3. Exorts Compressed by Seventh Imperium, $15.00
    Exorts Compressed is a display font family. This square condensed sans is designed with an increased cap character and tight kerning to give the ability create the large and bold typography. It is made specifically for editorial design, headlines, posters, magazines, clothing and other purpose printed material. The family comes in weight from extra light to extra bold and have italic version of each weight. Features include: OpenType stylistic sets, ligature, and Multiple Language Support.
  4. The Only Exception - Personal use only
  5. The Only Exception by Kimberly Geswein, $5.00
    This font was inspired by my sister Emily's handwriting. She has neat, fluid cursive handwriting.
  6. Ff Moon - Personal use only
  7. NEON LED Light - Personal use only
  8. Ronduit Capitals Light - Personal use only
  9. ENYO Serif Light - Personal use only
  10. Kingthings Petrock Light - Unknown license
  11. LIGHT EMITTING DIODES - Personal use only
  12. id-Kaze2OT-Light - Personal use only
  13. Ignite the Light - Personal use only
  14. Upper Lane Light - Unknown license
  15. Lady Ice - Light - Unknown license
  16. Shadows Into Light - Personal use only
  17. SF Espionage Light - Unknown license
  18. id-kairyu1OT-Light - Personal use only
  19. Bionic Type Light - Unknown license
  20. Pandemonious Puffery Light - Unknown license
  21. Lady Ice - Light - Unknown license
  22. First Order Light - Unknown license
  23. SF Espionage Light - Unknown license
  24. Frigate Katakana - Light - Unknown license
  25. SF Arborcrest Light - Unknown license
  26. Xmas Lights BRK - Unknown license
  27. SF Arborcrest Light - Unknown license
  28. Lane Posh Light - Unknown license
  29. Fuzzy Xmas Lights - Personal use only
  30. Flying Leatherneck Light - Unknown license
  31. TM Tail Lights - Unknown license
  32. Title Gothic Light by BA Graphics, $45.00
    A very thin light line gothic, great headline face.
  33. Bombelli Light Hand by Wiescher Design, $39.50
    Bombelli is a font that looks like it has been handwritten by a meticulous architect in one of those hand-drawn blueprints of the old days. I chose the name to honor one of my ex-bosses -- a graphic designer-architect who taught me a lot of things when I was young and needed the money. One of the things he taught me – and probably the most important one – was to always be on time in the morning. He never said a word about me being late, but it worked. He taught me about being meticulous in detail and many other things I only appreciated much later. This clear and straightforward font deserves bearing his name. Your grateful type designer Gert Wiescher
  34. News Gothic Light by Wooden Type Fonts, $15.00
    A revival of one of the popular fonts of the early 20th century, suitable for light text.
  35. Theater Lights JNL by Jeff Levine, $29.00
    Vintage sheet music for the title song from the film "Forty Second Street" was the inspiration for Theater Lights JNL. While the idea of letters comprised of circles (to simulate bulbs) can be both vintage [as in marquee lights] or modern [simulating dot matrix printers], it is always a fun approach to a tried-and-true style.
  36. Ignite The Light by Kimberly Geswein, $5.00
    Painted using tempera paints and a paintbrush, these letters are messy and angular.
  37. Follow The Light by Hanoded, $15.00
    Follow The Light is a lovely, handcrafted serif font family. I made this for my cousin who passed away recently.
  38. Lights in Pairs by Bogstav, $18.00
    It's legible, it's handmade and it has a lot of personality...with a twist of organic freshness it is guaranteed to make that next project of yours stand out!
  39. Copperplate Classic Light by Wiescher Design, $88.00
    Copperplate was the classic nineteenth century engraver's typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy's cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally used for business cards and all that "serious" stuff. My Copperplate Classic is a completely new design, based on some old samples. To make it look more up-to-date and elegant, I gave it some extra swings here and there. The old fonts were all designed with clogging corners or points that can break off in the minds of its designers. Today we do not have those problems any longer, so I could give my Copperplate Classic real sharp pointed serifs. To give you more choice I now added this light cut in three variations, light, sans and rounded! Enjoy! Gert Wiescher
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