BB Strata™ (Pro) is the first font with only octagon angles (±45°), polyspacing (same width in every weight), optical shape and monoline variants for any type of use. The ideographic system was created for an exhibition in 2015 to visualize the process and results of scientific investigations in a historical and contemporary context. ● 9 Variants (incl. SS19, SS20) ● 37 Opentype-Features/Style ● 60 Stylistic Sets (20/Variant) ● 90 Styles (incl. SS19, SS20) ● 40 OT-Features/Style ● 97 Languages Support ● 31,920 Glyphs (1064/Style)

Melancholia is a subtle and beautiful sans-serif inspired by calligraphic letterforms. The name describes a feeling of deep sadness, an intense sensitivity to the world. The design of Melancholia is an attempt to introduce some of that wistfulness into the sans-serif form, a typographic classification that is often characterised by an austere functionality. Melancholia includes a set of true italics influenced by old-style serif italics, such as those found in Claude Garamond’s eponymous typeface, as well as a set of stylistic alternates and calligraphic-style swash characters.

Mak is a display font with a Ukrainian feeling inspired by Ukrainian music. This is a big update of the first free two styles of Mak (SemiBold High & Black High) that were created in 2019 and become widespread among free display fonts. The big update wasn't been only adding more weights and contrasts but also changing a lot of glyphs and adding new ones. Now Mak supports all Latin-based languages and European Cyrillic. Experiments with historical forms, contrasts, and daring shapes to create a new image of Ukrainian Cyrillic and Latin based on it.

Introducing a bold and uncompromising sans-serif font that refuses to bend or sway. Its angular curves and sharp corners give it an air of authority and strength, while its bold weight demands attention and respect. This font is perfect for designs that require an unyielding, no-nonsense attitude. With its right angles and minimal curves, it embodies a stark and severe aesthetic that leaves no room for ambiguity or indecision. Its austere personality is sure to make a lasting impression, making it the perfect choice for projects that demand an authoritative and uncompromising presence.

Destructive Decisions is a font based upon the inherent flaws of human nature—presented under the guise of complete legibility. At first impression this font is very readable, but upon closer examination you'll notice the edges are fuzzy and some of the lines are off-kilter. You can read it, but it is also a bit foggy. No matter how hard it strives for perfection. This font was originally designed for a cable tv show about substance abuse, but is now available for use in your web and print designs, too.

Introducing - Roxale Story. a new fresh & modern serif with smooth curves. It comes with elegant style, classy, and contrasts, with features and consist of regular, italic and calligraphy italic. Roxale Story is perfect for luxury logo and branding, classy editorial design, woman magazine, cosmetic brand, fashion promotional, art gallery branding, museum, historical of architectural, boutique branding, stationery design, blog design, modern advertising design, card invitation, art quote, home decor, book/cover title, special events and any more. Features : · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded

Space Mode is a multi-weighted typeface, sent back in time from the distant future. Forward-looking typeface designers often predict a reductive future where Latin letterforms have become increasingly modularized and simplified, or random bits have mysteriously gone missing. Thankfully, this is not the case, and typography has instead flourished and evolved. New forms have appeared, and some revived from historical references. A more complex drawing model has arisen that seems to add new curves in a effort to tame the strange diagonals that appear in the final quarter of the alphabet.

After long time no script, finally we released our new Chuck Noon Script. A clean and bold script fonts that offers you a natural hand-lettering experience. Handcrafted and digitally checked with high attention to the details, we're a sucker for clean lines and crispy edges too, just like you. Available in two styles; Script and Brush, their dynamic letterforms work like magic, whether you go all caps or using it normally as a script. Suits best for logotype, poster/t-shirt designs, food/beverage labels, hipster quotes, greeting cards, wedding invitations, and many more.

Basile is the conclusion of a process that began with the learning of italic handwriting in a roballos-Naab studio course. In this workshop I developed a variation of chancery handwriting which had a more pronounced wider than its historical model. While making the digitalization, the forms were modified to obtain a similar spirit to the one in the handwriting, but thinking about the text in small sizes. Also incorporating three sets of forms enlarged the family: italic, swash and extra swash. And the addition of initials and terminals sets.

Birthday Wish is a totally off-kilter sans-serif font inspired by a late 70's birthday greeting card. Much like a typographic drunken stumble, this font wonderfully and awkwardly fumbles across designs, surprising with each letter typed. With a pseudo unicase character set, and offbeat letter weighting, Birthday Wish is fun to typeset with, with a cluster of ligature combinations that add to the quirky playfulness. You’ll find this Birthday Wish is a typesetting ride of a font. Try typing standard, all caps, or all lowercase for even more visual variety.

Linotype Clascon is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest. Designed by the British artist Rachel Godfrey, the constructed forms of the capitals are reminiscent of sketches of many famous 16th century artists, Albrecht Dürer and Nicolas Jaugeon among them. This style emphasizes the mathematic construction of the letters, based on the circle, rectangle and triangle, but Clascon’s historical roots lie in Transitional and Modern Face styles. This font is particularly suited to very short texts, headlines and initials.

The Uncial alphabet is a majuscule script with unjoined letters which is found in European manuscripts of the 4th to 8th centuries and from which modern capital letters are derived. Potus Uncial is designed with lowercase letters reflecting the Uncial style while keeping them as close to the original majuscule script Uncials and making it a useful modern day font. I have found it to be appropriate for historic, medical and spatial topics and may be used in packaging designs, medical journals, declarations, greeting cards and prehistoric articles.

The inspiration for AlbertBetenbuch came from a typeface drawn by Albert Dürer and an interpretation of that face in Arthur Baker’s Historic Calligraphic Alphabets (Dover, 1980). It is not a recreation of either. The characteristic common to AlbertBetenbuch and the faces inspiring it is the decorative zig-zag with the upper-case letters. In late 2018 the inside of the shadowed style was separated out. It looks very much like the plain face but its spacing matches the shadowed version. It can be layered with the shadowed version to easily create two-colored letters.

In the DR Krapka Square typefamily, the pixel has a square shape. The font supports OpenType features and contains small capitals, ligatures, oldstyle figures, terminal forms, historical forms, stylistic sets. The dingbats, arrows, emoji are also present. For small texts, it is recommended to use DR Krapka Square-FontSize10px in the font size 10 px. DR Krapka Square typefamily supported European languages based on Latin, Cyrillic and Greek scripts. If you want to use fonts with a different shape of pixels, there are also typefaces from DR Krapka family: DR Krapka Round, DR Krapka Rhombus.

Libelle is a 21st century English Copperplate Script typeface. Created by Jovica Veljović, a designer with decades of experience as a calligrapher, typeface designer, and professor, Libelle differentiates itself from other Copperplates Scripts because its letterforms are less mechanical. The hand of the calligrapher shows through the forms, breathing new life into this historic genre. Libelle includes approximately 400 extra glyphs, including alternate forms of many letters and special forms for the beginnings and ends of words. The font includes several stylistic sets, as well as ligatures and ornaments.

Heinz is inspired by the poster design of Heinz Schulz-Neudamm for Fritz Lang’s famous silent movie Metropolis. Heinz Schulz-Neudamm did quite a lot of work for the German branches of big American movie companies like 20th Century Fox or MGM. His most famous work is probably the title lettering for the Metropolis movie. The original drawing for that poster sold in 2005 in London for 398.000 Pound Sterling (approx. US $ 600.000). I designed a completely new font in the feeling of Heinz’s lettering. Enjoy. Yours historically, Gert Wiescher

One of the most successful new ornament fonts is CalligraphiaLatina. It is part of a trend that's been quite popular lately: messed-up calligraphy. You can dirty up (or "deconstruct") gracious classic-looking curves in many ways: using a variety of software filters; by superimposition; or even by hand. Brazilian designer Paulo W has his own method, possibly involving a scanner and some auto-tracing. The result works well when you want that worn-down grungy look, combining CalligraphiaLatina ornaments with the equally wobbly Liam. Source : Rising Stars February 2008.

The Armanen runes (or Armanen Futharkh) are a series of 18 runes, closely based on the historical Younger Futhark, introduced by Austrian mysticist and Germanic revivalist Guido von List in his Das Geheimnis der Runen (English: "The Secret of the Runes"), published as a periodical article in 1906, and as a standalone publication in 1908. The name Armanen runes associates the runes with the postulated Armanen, whom von List saw as ancient Aryan priest-kings. The Armanen runes continue in use today in esotericism and in currents of Germanic neopaganism.

Journalistic is one in a series of fonts designed for use in creating replica vintage newspapers. It is inspired by the nameplate of a New England newspaper from the 1920s. Its rough character is apparent at headline sizes, and it remains nicely legible at smaller sizes for diplomas and other formal documents. The OpenType font contains a variety of discretionary ligatures and contextual alternates, including the long s and other glyphs for classic German typography. Long s substitution can be achieved through either historical or titling alternate OpenType features.

Proudly Present, Melly Honney a Handdrawn Easter Calligraphy. Melly Honney is perfect for any tittles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Melly Honney come with lowercase beginning and ending bunny tail swash also Multi-Lingual Support. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Monasterka refers to the preservation of ancient traditions and the right orthodox faith. It is a bold, archaic typeface in two styles especially designed for printing purposes. It is a powerfull, expressive typeface inspired by old cyrillic writing and may do a great job for brochures and publications designs that has to do with religious or historical thematic, mostly as headlines and titles with great impact and personality. This family has an extended language coverage for many languages including latin, cyrillic and greek alphabets and comes in two styles.

In 1995, FontHaus came upon a rare opportunity to create a revival of Aries, a little known and previously unavailable typeface designed by the legendary Eric Gill in 1931. Discovering a lost typeface by one of the major designers of the 20th Century, was the discovery of a buried treasure, and being the first type company to release it in a digital format was an honor. Aries® is now in the fonts catalog of GroupType who owns the the registered trademark and has licensed this historical typeface exclusively to FontHaus as distributor.

Revans is a strong serif font with medium contrast. Inspired by the High Octane Rock genre and modern-classic fashion. Carefully designed with a short ascender to give a solid look, also the sharp serif makes the letters look more strong. Revans is a display-type which perfect for a headline, sub-headline, and short body text for a magazine, books, fashion, quotes, hipster t-shirt, signboard, logo, and etc . Available in 5 weights: Light, Normal - Medium - SemiBold and Bold, complete with the slant style. A great choice for a brave concept!

This family was created -- inspired from the engraved typeface (Two styles : Normal & Italic) used in the pack of 52 playing cards who was describing the 52 counties forming a small Atlas of England and Wales and depicting English roads for the first time, published by Sir Robert Morden in 1676. Our OTF and TTF versions are covering Western, Eastern and Central European languages (including Celtic), Baltic and Turkish, containing historical and standard ligatures plus specific Old English abbreviations. The MacTT Classic version is containing the basic standard 256 glyphs including some extra ligatures.

In 1995, FontHaus came upon a rare opportunity to create a revival of Aries, a little known and previously unavailable typeface designed by the legendary Eric Gill in 1931. Discovering a lost typeface by one of the major designers of the 20th Century, was like the discovery of buried treasure, and being the first type company to release it in a digital format was an honor. Aries® is now in the fonts catalog of GroupType who owns the the registered trademark and has licensed this historical typeface to FontHaus as distributor.

Distill draws its inspiration mainly from Theo van Doesburg's De Stijl era lettering. The type he designed for the Aubette Café, De Stijl Magazine, etc was used as a starting point and then expanded upon. While this typeface was inspired by historical references, it also has the ability to invoke a contemporary feel under the right conditions. Distill will work hard whether you are designing a neo-constructivist poster or a futuristic website. Distill is a family of 12 fonts: 4 weights, each containing condensed, regular, and expanded widths. It also features several alternate characters.

Academy was designed circa 1910 at the Berthold type foundry (St.-Petersburg). It was based on Sorbonne (H. Berthold, Berlin, 1905), which represented the American Type Founders rework Cheltenham of 1896 (designers Bertram G. Goodhue, Morris F. Benton) and Russian typefaces of the mid-18th century. A low-contrast text typeface with historical flavor. The modern digital version was designed at Poligrafmash type design bureau in 1989 by Lyubov Kuznetsova. Corrections and additions were done later in ParaType in early 2000th. Reworked version with Bold Italic style was released in 2009.

Heavy Rain is a decorative roman typeface. Drawn and created by Mans Greback during 2020 and 2021, this medieval serif font has a distinct classic style and a historical character. It gives antiquity to any graphic project, and with its ornamental capitals it accentuates your message. In addition to the decorated uppercase, it is provided in a regular, simplified text style. Heavy Rain is built with guaranteed top-notch quality. It has extensive lingual support, covering all Latin-based languages. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Nurom is a contemporary sans-serif typeface influenced by the early grotesque style which is neutral and legible in purpose with a fresh personality. The goal wasn't about historic revival; it was to make a new Grotesk that could compete in an overcrowded market while offering strength, clarity and function across a vast array of applications. Details include six weights (bold free), a regular italic, and over 400 characters per style. Opentype features include decimal figures, fractions, case sensitive punctuation and language support for Western, South, and Central Europe.

Proudly present Brooklyn Pirates - Street Type, created by ikiiko. A hipster typeface using handwriting in street and urban style, with a large selection of swashes that you can wear however you like. This type is very suitable for making a brand logo, poster design, magazine header, sleeve cover, flyer, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Alternates & Stylistic Multilingual Support Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Taxon is a straightlined Sans with a clean, fresh and unsentimental look. Related to classical faces like Optima and Imago, it appears more contemporary and merges the austere linearity of the Grotesk with the elegance of the Antiqua. The Taxon family consists of 12 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Sir Richard Henry Bonnycastle (1791–1847) was an English officer and military engineer who served in the War of 1812 and ultimately settled in Canada. I stumbled upon copies of some of his charts and maps, became infatuated with the hand-lettered titles—and the result is the eponymous Bonnycastle. The font has a bold weight and an italic style but is intended as an eye-catching standalone, evocative of its period in history. Use as a titling face on branding materials, event posters, book covers, presentation graphics, historical illustrations, and the like.

Cat Burglar is another off-kilter sans-serif font by Pink Broccoli, this time inspired by the titling of a 1961 Looney Tunes cartoon called "The Pied Piper of Guadalupe". As with some of my previous type designs, it is a typographic drunken stumble, wonderfully and awkwardly stumbling across designs, surprising with each letter typed. With an extensive character set, and offbeat letter weighting, Cat Burglar is fun to typeset with, with a collection of double letter ligatures, as well as discretionary ligature combinations that add to the quirky playfulness.

Gutenberg Gotisch is a redesign of an inhouse font released by Bauer in 1885, and it is a predecessor of Princess Engraved. So both fonts make a perfect match. The long s can be reached by typing the integral sign or turning the round s into the long s by using the historical OT feature. In this font, you have the possibility to turn I, V, X, L, C, D, and M into Roman numerals by activating the salt feature. Finally I recommend to use both ligature features.

This family was inspired mainly (Normal and Italic style ) by a Didot pattern font used in Rennes (France, Britanny) by Cousin-Danelle, printers, for Antiquités historiques et monumentales ‡ visiter de Montfort ‡ Corseul, par Dinan... Saint Malo... etc. an historic guidebook for a journey through a part of (French) Brittany in 1820, and many other books. The present version contains 1820 Modern Normal and Italic, 1820 Modern Large Normal and 1820 Modern Narrow Normal, each style with small caps. This font may be used together with 1906 French News and/or 1906 Titrage.

Angel Lemona Is An Ordinary Display Character Inspired By Hipster and Cheek Style. SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

One of my favorite blackletter fonts - Schwabacher - redrawn and redesigned, whereby I took care to stick to the original forms as close as possible. This font which has its roots in the 15th century represents at the most the uprising humanism in this period. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures. By using the OT feature Stylistic Alternatives you get the historical German umlauts which are small e above a, o, u, A, O, and U. This font contais also oldstyle figures.

Art Nouveau typeface "Gaisma" ("Light" in Latvian) contains characters for all the European languages, Cyrillic and modern Greek as well as a huge set of contextual and stylistic alternates and historical characters to replicate the texts of the era. It draws inspiration from Vienna Secession movement and Nordic National Romanticism. The work on the design started as drawings of several characters for the graphic standard for the Jugendstil museum in Riga. To use it more effectively and to get acquainted with the possible stylistic sets download the Gaisma specimen in pdf format.

Amaral is a family of 12 fonts with a contemporary design style, based on different historical models. The calligraphic influences are subtle, best noticed in italics. The result is a set of fonts that look more "constructed" than "written". Available in six weights of the Roman and Italic types, Amaral has a wide palette of glyphs. In addition to offering extensive support for Latin sets, among many OpenType resources, each font contains small caps and contextual ligatures, totaling more than 728 glyphs. Amaral is an option for editorial design projects and other related applications.