Avantgarde fonts Batory and Batoswash are monoline sansserifs designed by Bo Berndal. The futuristic Batory (think Bladerunner and Total Recall) and the spicier relative Batoswash come in three versions: Narrow, Middle and Wide. The font family is available in Truetype and Postscript for Mac and PC. Bo Berndal, born 1924, has been designing typefaces over 56 years, for Monotype, Linotype and other foundries. “Batory is a monoline reaction to my many calligraphic fonts”, says Bo Berndal. "That is also the reason I did several widths instead of weights. Batory has short stems and high x-height. Batoswash is a Batory gone wild!" The successful Batory has already been used for logotypes, vignettes in magazines and as headline type.

In 1916 the Prang company - still famous for their excellent pens and pencils - commissioned Thomas Woods Stevens to hire the best calligraphers of the era to hand letter sample pages with different Prang pens and in a variety of styles. The resulting book is a font maker's dream, a collection of period lettering samples perfect for making new fonts. One of the sample pages shows off the look of the Spoonbill pen with a set of classic art deco style letters by Charles Earley. This sample is the basis for our Spoonbill font, which includes a full character set, plus character variations for nesting and overlapping, and a small selection of decorative border characters in the art deco style.

TyfoonSans is a clear, modern, versatile font family of six weights plus matching italics, excellently suited for both display and text. It is designed by Fontforecast in 2013. A very complete character set supports a wide range of languages. OpenType features such as five numeral styles, fractions and both standard and discretionary ligatures, make TyfoonSans well equipped for professional typography. In addition to the design possibilities of TyfoonSans, there is TyfoonScript, a handwritten family of three weights built on the same metrics. When combining TyfoonSans and TyfoonScript, design possibilities become endless. Two font families that blend perfectly and are always found in successive order in your font list thanks to their family name.

Variable version of 'Glimp' font family Glimp Variable supports 3 axis flexibility across width, weight and italic in a single font. It also comes with the static styles available as options in the font style selection menu. It features rich set of opentype features such as stylistic sets, contextual alternates, case sensitive forms, superscripts, subscripts, fractions, and more. Glimp Variable is made to be your go-to choice for a wide range of projects, whether you're working on branding, web design, print materials, or presentations. It elevates your designs or brand effortlessly, embracing your creative vision. Variable Axis Ranges: Width - wdth - 75 to 100 Weight - wght - 100 to 900 Italic - ital - 0 to 1

You, me, sea, and Tropicola Handwritten font! This font is handcrafted with tropical palm trees and sunny vibes! Use this font on different projects, promotions, websites, banners, and even printed materials! Feel the tropical breeze with your audience, clients, or guests with this stylish font now! What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Ragwort - Display Sans Serif Font. Ragwort font makes for more fun, trendy and more lively. This font is inspired by the extra bold font style and well balanced curves.This font has a surprise from alternate that will make your work even more beautiful. This font is perfect for a professional touch which makes it even more unique and classic. But this font is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Introducing Hirokawa - A Japanese Font Konnichiwa! Hirokawa is a handcrafted, elegant font, containing the beautiful Japanese culture within. Use this font on your work, websites, social media, presentations, printed materials and many more! Inspire your audience, clients, or guests with this stylish Japanese font. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Elevate your design projects with Cooker Cake, a vibrant and playful sans serif display font. With its charismatic style and versatile nature, this font adds a touch of excitement and creativity to any typography-based endeavor. Whether you're designing logos, posters, headers, or website elements, Cooker Cake will captivate your audience and make your text pop. Cooker Cake features all capital letters, giving your designs a bold and impactful appearance. The font also includes a wide range of numbers and punctuation, ensuring that your compositions are complete and functional. Its multilingual support allows you to incorporate various languages seamlessly, making it ideal for global projects. One of the standout features of Cooker Cake is its PUA (Private Use Area) encoding. This means that you have access to additional special characters, glyphs, and ligatures, expanding your creative possibilities and enabling you to add unique flourishes to your designs. Let your imagination run wild as you explore the various alternates and stylistic options available in this font. With its sans-serif style, Cooker Cake strikes the perfect balance between modern aesthetics and a playful vibe. It works harmoniously in both digital and print formats, making it suitable for a wide range of applications. From branding and packaging to social media graphics and advertising campaigns, this font will bring a sense of joy and energy to your projects. Experience the versatility and captivating charm of Cooker Cake Sans Serif Display Font. Let its playful and dynamic personality infuse your typography with excitement.

The Estrangelo Edessa was developed by The Syriac Computing Institute and Microsoft to support the Syriac script. Syriac is written from right to left, like Arabic and Hebrew. You computer system must be properly enabled with keyboard layout and text input services (IME) to use this font. The Syriac letter forms in Estrangelo Edessa were designed by Paul Nelson and George Kiraz. The design is based on types from an Ohioan press, probably designed after a 1954 Estrangelo Monotype font. The Monotype font was designed with the assistance of R. Draguet, and in turn is based on an 1851 type used in Estrangelo Talada. Some symbols, including numerical symbols are based on the monospaced Courier type design. The Estrangengelo Edessa font first appeared in Windows XP.

Carlony is a delicate, elegant, and flowing handwritten font. It has beautiful and well-balanced characters and as a result, it matches a wide pool of designs. Fall in love with its incredibly versatile style and use it to create spectacular designs. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even a long text letter, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

We, GalaStudio (Lilia & Galina) represent the SlimOne BESTIARY font from our MELTING FONTS collection. It is a decorative style version of the SlimOne font family, which we designed by playing with glyphs: we converted them into funny animals and thus created a "zoo". One can use the BESTIARY font for children's books and notebooks as well as for all kinds of funky advertising, social media, greeting cards and comics. INCLUDED: GS_SlimOne_Bestiary.otf GS_SlimOne_Bestiary.ttf Numbers, additional glyphs & basic punctuation are included. PERFECT FOR: using in books titles, textbooks, notebooks, different brochures and advertising, especially for kids, home-ware design, packaging design; magazines, posters and flyers titles; logos design, books design, fashion design, slogans etc. :) Multilingual support included for the languages based on Latin alphabet.

INDUSTRIAL-STRENGTH UTILITY. Designed for function. Cutmark fonts features common 45˚ chamfered corners, flattened ink traps and wide apex forms. Customize the look with alternates including an Angled Set, Straight Set, Beam I, single-story a, and hooked l. The OpenType version includes 10 weights in 3 widths with matching italics. Variable Font Cutmark Variable contains the full family of styles in a single file! Select variations along width, weight and slant axes. Test and explore at jfoundry.com. Cutmark Variable is included in the complete package at no additional cost. Use which ever font format you prefer! Please email hello@jfoundry.com for any questions. Variable Fonts require MacOS 10.14 or higher. For browser and software support visit: v-fonts.com/support

Euphoria Shades is a textured font designed to enhance your designs with its unique style, this font allowing you to choose the level of texture and intensity that best suits your project. The textured elements of the font add an eye-catching quality, making it stand out and capture attention. This font truly chic in a wide range of design applications. Whether you're working on branding projects, advertising materials, posters, or social media graphics, Euphoria Shades can effortlessly elevate your designs and engages the audience. Features : Uppercase & lowercase Numbers and punctuation Alternates Character Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

The Mandau Sans Serif Grotesk font is a typeface that has a modern and minimalist design. Inspired by typography styles that were popular in the 20th century, Mandau Sans Serif Grotesk has clean, bold lines, making it easy to read and perfect for a variety of graphic design purposes. Mandau Sans Serif Grotesk has distinctive characteristics, such as firm thin lines and strong thick lines, as well as very geometric letter shapes. The color of this font tends to be monochromatic, so it is suitable for use in minimalist and modern designs. Overall, Mandau Sans Serif Grotesk is a very flexible font suitable for a variety of design purposes. With a modern and minimalist design, this font can give your design a professional and elegant impression.

Eliyamoli Script a is modern script font, every single letters has been carefully crafted to make your text looks beautiful. With is modern script style this font will be perfect for many different projects. Examples: invitations, greeting cards, posters, name card, quotes, blog header, branding, logo, fashion, apparel, letter, stationery and more ! The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts) so that all the alternate characters can easily be accessed in full by a craftsman or designer.

These letters were created directly by my wife's hand, then I processed it into a vector and turned it into an aesthetic font, i.e. Double Fresh handwritten font. Handwritten like a note, this font features all caps, with three variations of each letter, and lots of ligatures for a natural imperfect look. It's perfect for that hand-lettered social media quote, logos, or adding a handwritten touch to any project. Mix & match the stylistic alternate or ligature, so that you’ll have lots of different letters for that unique look & feel! What’s included: ALL CAPS LIGATURES STYLISTIC ALTERNATE MULTILINGUAL SUPPORT NUMBER & PUNCTUATION Have fun creating with this brush font and let me know if you’ve any wish, suggestion or feedback 🙂

Introducing the breathtaking Bomboniere that is set to elevate your designs to new heights! This font boasts tall and thin serifs that lend a sophisticated and elegant feel to any project. With its clean lines and sharp edges, this font is perfect for headlines, titles, and other attention-grabbing text. Designed with meticulous attention to detail, this font is both striking and versatile, making it the perfect choice for a wide range of design projects. Whether you're creating a logo, designing a poster, or crafting a social media post, this font is sure to make a lasting impression. So why settle for ordinary when you can add a touch of class and sophistication to your designs? Discover the power of elegance!

Introducing Grindale - Modern Classic Serif Font Grindale is a modern take on the classic serif font that combines timeless elegance with a contemporary edge. This font is perfect for creating elegant headlines, logos, and other design elements that demand attention. With its clean lines and classic serifs, Grindale is a versatile font that will add a touch of sophistication to any project. Its modern design makes it a great choice for a wide range of projects, from branding and advertising to editorial design and more. FEATURES - Stylistic Alternates - Ligatures - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

An Arabic font designed by a German living in Berlin’s Neukölln district, between Karl-Marx-Strasse and Sonnenallee. This is the Latin+Arabic version of poster/display font Pivnaya designed and published by Roman Type. Designer Roman Wilhelm finds himself constantly surrounded by Arabic type and hand-lettering in his neighborhood. With this font, he is trying to answer to all these linguistic, type-related, and cultural inspirations. It works for Afrikaans, all languages of the Arab World, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Farsi, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Romanian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Urdu, Vietnamese, Zulu. Equipped with a wide coverage of the International Phonetic Alphabet (IPA), the font is equipped for multi-purpose usage.

Mandalli is a fun and friendly display font. A little bit quirky, this font looks incredibly adept on a wide variety of contexts! It will look amazing in stationery, logos, social media post and any project that requires a unique look! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Font Features : • Regular version • Character set A-Z in uppercase and lowercase • Ligatures in lowercase • Numerals & Punctuation • Accented Characters • Multiple Languages Supported Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. If you have questions, just send me a message and I'm glad to help. Best Regards, Supersemar Letter

Axion is an original design by Alex Kaczun. It is a display font not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Axion is a futuristic, techno-looking and dynamic typeface with elements of machined-like parts containing sharp and rounded edges. This attractive display comes in roman with lower case and lining figures. The font is also available with true-drawn slant italics. Other design style variations include small capitals with old style figures. The large Pro font character set supports most Central European and many Eastern European languages.

Say hello Geraldyne Signature, a handwritten script-inspired font that flows with an aesthetic touch. Geraldyne Signature is flexible enough for web and print and can be used in a wide variety of projects such as stationery, packaging, apparel, wedding stationery, prints, quotes, social media graphics, planners, greeting cards, logos, branding, and more. This font includes a character set of uppercase, lowercase, numbers, symbols, multilingual, alternates, and ligatures. Make sure you enable OpenType Ligatures to see the magic as you type. Software requirements: No special software is required to type with standard font characters. To enable additional alternative letters and ligatures, you can use a design application that supports the Opentype Feature in Fonts, such as Photoshop, InDesign, Illustrator, etc.

Lucaria is a modern serif typeface that combines classic design with contemporary details. The most distinctive feature of Lucaria is its strong shape on the edges, which gives the font a bold and commanding presence. This design element is complemented by the wide characters, which provide ample space for legibility and readability. The combination of these features makes Lucaria a great choice for displays and headlines. This versatile font family is available in seven weights, including Light, Regular, Medium, Semibold, Bold, Extrabold, and Black, as well as a variable font for added flexibility. The variable font option allows designers to customize the weight makes Lucaria an ideal choice for a range of design projects, including branding, packaging, and editorial layouts.

Brode is a display slab serif font with 2 style clean and rough ,looks bold and wide also comes with alternative characters that created for adding a altivative uppercase decor of the letters. and it looks right on every character's we've made. Stylistic alternates allows versatile design options and works. Perfect for headline, logo, branding, emblem, enamel, for a adventure tone, posters, packaging, t shirt, presentationn and much more Features: - Uppercase & lowercase - Numerals & Punctuation - Stylistic Alternate Characters uppercase - Multilingual Supports Find out more ways to use this font by taking a look at the font preview. Hopefully you enjoy your experience in using our font. Feel free to contact us for further product information or trouble complaints. Thank you and happy designing.

Retro Couture - Vintage Bold Font. Retro Couture inspired by vintage poster design, Retro Couture is a family script font designed with carefully handcrafted, Retro Couture is a bold font perfect for your home decor and craft designs Retro Couture is a vintage font that is perfect for story books, illustrations, comic books, t-shirts, posters, greeting cards, logos, branding, stickers, svg, crafting and all for display purposes. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. Retro Couture is also support multi language.

Rukishy font is the most appropriate choice to enhance the visual appeal of your branding projects. With an attractive Script font style, this font presents an impressive design touch, creating an unforgettable charm. What makes Rukishy so unique is its wide range of features. With a complete family that includes regular, shadow, slant, and shadow slant, you have everything you need to express your creativity optimally. Not only that but some ligatures and alternates add a unique touch to each character, helping you create truly original designs. The ability to support multiple languages makes Rukishy a universal choice that allows you to reach a global audience. With its ease of use and flexibility, this font becomes a valuable asset in your design world.

Introducing Ivory Coast font is modern and elegant handwritten with a quick stroke pen effect. Comes with regular and italic. With built in Opentype features, this script comes to life as if you were writing it yourself. This font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation, watermark, advertisements, product designs, stationery, wedding designs,label, product packaging, social media, movie titles, books titles, a short text even a long text letter and good for your secondary text font with sans or serif. And also for special events or anything that need handwritting taste. Don't hesitate if you have any questions. Thanks for checking out this font. I hope you enjoy it! AminMario

A comprehensive and faithful rendition of Rudolf Koch’s first release, usually referred to as “Fette Deutsche Schrift” or "Koch-Schrift". In addition to the regular character set, the font includes a large number of alternates and ligatures, plus two sets of ornamental initials (Initialen mit Zierstrichen und Punkten zur Koch-Schrift, and Initialen zur halbfetten deutschen Schrift von Rudolf Koch). The main sources used during the font design process were a sample page from Hendlmeier, W. (1994), Kunstwerke der Schrift, Hannover: Bund für Deutsche Schrift und Sprache (p. 164), and several specimen sheets from the Gebrüder Klingspor Type Foundry for Koch’s “Deutsche Schrift” type family. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Deutsche Schrift” Font Page.

The Azbuka™ typeface family has its roots in a fairly pedestrian source. “The idea came in part from an old sign in London that read ‘SPRINKLER STOP VALVE’,” says Dave Farey, designer of the typeface. Like all good sign spotters, Farey took a photograph of the sign and filed it away for possible use in a lettering or typeface design project. In Prague a number of years later, the street signs reminded Farey of the London signage - and his camera came out again. Comparing the two back in his studio, he realized that the signs from London and Prague were not as similar as he initially thought. However, they were enough alike to serve as the foundation for a no-frills, 21st century sans serif typeface family. “I wanted to draw a wide range of weights, italic and condensed designs all in one go,” recalls Farey, “rather than add on to the family later.” His goal was to create a family that could be used for text and display copy, with sufficient weights to provide a broad typographic palette. Indeed, the completed design, created in collaboration with fellow type designer Richard Dawson, consists of twenty typefaces in eight weights ranging from extra light to extra black. The five mid-range designs have complementary italics. Seven condensed designs round out the family. Azbuka’s lighter weights perform remarkably well in blocks of text composition. “They’re clean and legible - and perhaps a little boring,” says Farey, “but they are perfect for copy with a down-to-earth, yet contemporary flavor.” The heavier weights are equally well suited for a variety of display uses. The designs are authoritative but not overbearing and will readily make a strong statement without calling attention to themselves. The condensed weights of Azbuka are ideal for those instances where you have a lot to say - and not much room to say it. The name Azbuka? It’s Russian for “alphabet.” And what more appropriate name could there be for this utilitarian, industrial-strength type family than alphabet? The Azbuka family is available as a suite of OpenType Pro fonts. Graphic communicators can now work with this versatile design while taking advantage of OpenType’s capabilities. The Azbuka Pro fonts also offer an extended character set that supports most Central European and many Eastern European languages

Introducing Linefeed, the retro-inspired monospaced typeface that transports you back to the 1960s and 1970s era of computer band printers. Drawing inspiration from the revolutionary technology of the time, Linefeed captures the essence of the clunky yet iconic machines that were responsible for producing some of the most important documents of the time. Imagine a row of hammers, one for each column, smacking the paper against the ribbon and raised characters embossed on a constantly revolving steel band. This is the heart of the Linefeed font, paying homage to the technology that paved the way for the digital age. Most band printers of the time were restricted to uppercase, digits, and a little punctuation to ensure maximum efficiency, but Linefeed brings this beloved typeface to life with added lowercase letters, extra punctuation, and accents. Linefeed was once one of the most widely used computer fonts during the 1960s and 1970s. It could be found on a plethora of documents, including driver’s licenses, magazine subscription labels, report cards, invoices, and auto dealership window stickers, among other things. In a world where sleek and modern designs dominate, Linefeed offers a refreshing throwback to the golden age of computing. Its technical design, inspired by the machines of yesteryear, is a testament to the ingenuity and creativity of early computer designers. With its monospaced layout and vintage charm, Linefeed is sure to bring a touch of nostalgia to any design project. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Now even more design possibilities with the popular DIN Next. With its technical and neutral character, DIN Next has earned a permanent place in contemporary typography. Now, DIN Next Slab expands the font family further, offering new design potential. Now comes the next step, DIN Next Slab, also produced under the direction of Akira Kobayashi. On a team with Sandra Winter and Tom Grace, Kobayashi is creating the new font variant based on the optimized shapes of DIN Next. The expansion will make the popular font all the more flexible and versatile. Apart from that, the geometric slab serifs underline the technical and formal nature of the font and emphasize a central design element of DIN Next. However, the team did have some challenges to overcome. While it is relatively easy to imagine DIN Next Light with slab serifs, the amount of available space quickly disappears when it comes to the Black styles. Winter explains that many tests and trials were necessary to find a compromise between space, letters and the serif shapes. Experiments with modified contrast in the weight or only one-sided serifs were quickly abandoned. The central, technical and powerful character of the font changed too much. Nevertheless, it was necessary to simplify slightly the shape of some letters, such as the ‘k’ or ‘x’, for example. These changes, first developed in the Black styles, were applied to all weights in order to lend the font a consistent appearance. Like DIN Next, DIN Next Slab also has seven weights, which cover the range from Ultralight to Black, each with matching italic. There are various character sets in all of the styles and the four middle weights have small capitals available. DIN Next Slab harmonizes perfectly with the styles of DIN Next: the basic letterforms and weights are identical. Both versions of the font can work together perfectly, not just in headlines and body text, but also within a text; they complement each other very well as design variations. With the new DIN Next Slab, Monotype expands the DIN Next super family consistently. With DIN Next Slab, you can underscore the technical and formal nature of the understated font not only in headlines, but in texts, as well. In this way, you have new and diverse potential for application, thanks to the way the different styles of DIN Next combine perfectly.

Sydonia Atramentiqua is a strange creation. The inspiration was the first releases of "Malleus Maleficarum" (actually the typography used there). I decided I wanted something strange, so Sydonia came into being. Like a blood of all witches who were being hunted down by Malleus Maleficarum's "fans" for their skills and beliefs. Why Sydonia? Sydonia von Borck was a witch from my area. It was probably the last woman executed for witchcraft. The genesis of the name. Sydonia was THE WITCH, and by the name I added "Atramentiqua". It is a combination of the words "Ink" (polish "ATRAMENT") + "Antiqua". The idea of ​​spilling a font is historical. The former Zecer composition was not perfectly sharp. As it was a "wet job", there were always light exits behind the lines. Who supported me? The GENEALOGIA project has been carried out for several years in cooperation with the Academy of Art in Szczecin and the National Museum in Szczecin. The project's supervisors are prof. Waldemar Wojciechowski and MA Patrycja Makarewicz, who runs the Visual Communication Studio. Some information: Sydonia was like that! This is not an everyday font. It is a stylized font, used to imitate old prints made by Zecer. The first version of Sydonia Atramentiqua was created in 2018 for the purposes of the exhibition at the National Museum in Szczecin. Base inspiration: Malleus Maleficarum & Caslon.

Unarmed began life as a series of rectangles in Fireworks. The task was designing my own business card for the first time in years, and the perfect lettering couldn't be found in either free or commercial fonts. While there were some good choices, none of them really communicated who I was. Initially only the lowercase letters in my name were created, with each being designed around a 7 x 4 grid of squares. I liked the result so much that I wanted to use the same typeface in different projects - and to save time in future, I decided to create this font. In creating DM Unarmed, the intention was to avoid diagonal lines, and to keep all the lines horizontal, vertical and grid-like. This made creating some of the characters - particularly the rounded ones and the letters X and Z - challenging. Coming from both worlds, I wanted to achieve a blend of technicality and creativeness, without trying to pretend one was the other. For best results this font should be used for large and prominent text, although it works at smaller sizes up to 12pt. I've spent a lot of time trying to hint a few characters that wouldn't play ball, such as 2, 7 and 8. In case you're wondering: DM Unarmed got its name from my philosophy of facing challenges without reliance on tools and weapons.

Malow - Display Font Malow is a stunning display font that will bring elegance and sophistication to any project. This font was designed with a contemporary style that still maintains a classic look, making it perfect for a wide range of applications. The idea behind the creation of Malow was to develop a font that combines a modern aesthetic with a touch of timeless elegance. The result is a typeface that looks fantastic on branding projects, logos, packaging designs, posters, and more. Malow is a versatile font that can be used in a variety of design contexts, whether it's for print or digital projects. Its clean lines and bold appearance make it an excellent choice for headlines and titles, while its legibility also makes it ideal for body text. This font comes with a range of features that make it even more appealing. It includes uppercase and lowercase letters, opentype alternates and ligatures, and full multilingual support, ensuring that it can be used for projects in any language. In the font package, you will find three different file formats, including OTF, TTF, and WOFF. This makes it easy to use the font across a range of design software, including Adobe Illustrator, Photoshop, InDesign, and more. If you're looking to add a touch of sophistication to your design project, then Malow is an excellent choice. Its clean lines and elegant style make it a versatile font that will elevate any design. In summary, Malow is an elegant display font that combines modern and timeless styles, making it a great choice for a wide range of design projects. Its features include multilingual support, opentype alternates and ligatures, and three file formats in the package. This font is perfect for anyone looking to add a touch of sophistication to their project.

There are times when a typeface is used so consistently that it becomes somewhat synonymous with the subject it's used in. The opening and end titles for the ABC-TV series "Naked City" (1958-1963) were set in a bold version of a popular font emulating the look of calligraphic hand lettering. Arcaro JNL is a somewhat lighter and slightly modified version of this typeface and is offered in both regular and oblique versions. The name Arcaro comes from one of the regular characters in this superbly-written police drama, Detective Frank Arcaro.

PT Octava™ was designed at ParaType in 2001 by Vladimir Yefimov. The first (Cyrillic only) version named Scriptura Russica (1996) consisting of three styles (book, italic, bold) was commissioned by the Russian Bible Society. Lately the Latin letters and bold italic were added. Inspired by Lectura, 1969, by Dick Dooijes and Stone Print, 1991, by Sumner Stone. In spite of large x-height the typeface is both space saving and quite legible at small sizes. Expert fonts including small caps (book) and old style figures are available.