Dekomia is a modern blackletter font that combines the traditional style of Gothic calligraphy with contemporary design elements. Its bold and sharp letterforms give it a strong and edgy appearance, making it perfect for branding, headlines, logos, and more. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the Open Type feature and the Glyphs panel such as Adobe applications or Corel Draw, so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Jazmín is inspired by "Globe Gothic" design yet features different proportions, curves, serif shapes and contrast, which give it a classy, playful and a more contemporary look. The family comes in two versions: an elegant font of 8 weights-ranging from Thin to Black-with matching italics, and an alternate, more playful counterpart with the same number of weights and italics. The whole Jazmín set contains 566 characters which support over 200 Latin-based languages. Jazmín is ideal for magazines, short text, logos, branding design, packaging and advertising.

Ah, so you've noticed a typo! Mayonnaise - the sauce, is written with double 'n'! I know. This font was named after a Smashing Pumpkins song that I like very much. Mayonaise is a bit of an ugly duckling. It is strange, open and messy, and might not be love at first sight. BUT, when you spend some time with Mayonaise and get to know her, you might actually fall in love. Just like that song I mentioned earlier. Go on then, give it a try! At this price, you can't go wrong!

Wee Todd is a well-connected script font in the rough style of a lefty. Several of my closest friends are lefties and I, over the years, have carefully observed their writing style. For the most part they have unique, interesting handwriting and Wee Todd is a reflection of that style. Notice how Wee Todd’s characters connect. I’ve designed additional ligatures and characters into the typeface so that characters are substituted as you type (in OpenType savvy applications), giving the appearance of natural, spontaneous handwriting. Try it and see!

Sticky Blood - Dripping Halloween Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Sticky Blood with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

"Triole 21" is the name of a gothic script font designed by Bertram Kaiser. The forms of this so called "Rotunda" script are based on the manuscripts of italian calligraphers of the late 14th century. Inspiration for this project also comes from the calligrapher Lisa Beck. The glyphs were first written with a broad-nib and then digitized. The Open-Type font is equiped with multilingual (Latin-based) alternates, ligatures and oldstyle figures for various typographical purposes. It can be used for headlines and also stays legible in smaller textsizes for longer textpassages.

Is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more). I really hope you enjoy it. Comments & likes are always welcome and accepted. More importantly, don’t hesitate to send a message if you have a problem or question.

Introducing Beauticella - Casual Signature Script is a Quality script that is written casually and quickly with 12 ligature. Letters are made with Sign on paper. Then scanned and carefully drawn into vector format. Beauticella is perfect for homeware designs,branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark.

Octagon Monogram is a perfect Octagon shaped monogram font consisting of 52 letters and 1 frame. Octagon Monogram Font comes with font files in OTF format. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase!

There is no bicameral Parity. It has been designed from scratch to be an exceptional unicase typeface, uncompromised by the priorities of mixed case or all-cap setting. Each glyph is shaped, proportioned and detailed for one purpose only: to optimize text set in the lining unicase format.

Bartkey is a modern sans serif display all caps font. The font is distributed in OpenType format including kerning and other features. Ideally suited for a space mood, future tech and innovative products great for big titles and small subtexts. Combine with images to really wow them humans.

Round Branch Monogram Font is a perfect shaped monogram font consisting of 52 letters. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Round Branch Monogram Font comes with font file in OTF format.

Tangled PW is suitable for display use for titles, etc. This font contains the basic characters. Uppercase, lowercase, numerals, and basic punctuation. See the character map for all of the included characters. Tangled PW is available in OpenType and TrueType format which are both included in the same package.

Blob Vole is a bolt font designed by Daily Studio. Specifically developed to be suitable for logos, headlines, titles, branding, visual identity, business cards, and posters. This typeface includes full lowercase, uppercase, numbers, punctuation, and standard multilingual letters. With more than 200 glyphs and file in OTF format.

Furriatt is a heavy weight bold all caps display typeface. It’s perfect for posters, logos, merch, covers and all stuff you want to print or display in larger format. Font also contain alternative characters set, you could match it with standard glyph to get the best rhythm of letters.

Philips Dutcher - Stylish Ligature Script is a Quality script that is written casually and quickly with 41 ligature. Letters are made with Sign on paper. Then scanned and carefully drawn into vector format. Philips Dutcher is perfect for homeware designs,branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark.

Fatty Fatty Boombalatty PW is suitable for display use for titles, as well as short paragraphs of text. This font contains some alternates and ligatures for your creative pleasure. Fatty Fatty Boombalatty PW is available in OpenType and TrueType format which are both included in the same package.

Viva Moira is an experimental psychedelic display font inspired by the delicate and curled leaves of Monstera esqueleto. This font has an all-caps format with charmingly connected letters or ligatures, making it an ideal choice for posters, titles, and designs that require a distinctive and vibrant theme.

Blob, designed by Superfried, is available in two formats Round and Square. It is an experimental, sans-serif display typeface based on simple geometric shapes. Although unorthodox, care has been taken to ensure that it is completely legible. Blob has been featured on the Behance curated typographic gallery TypographyServed.com.

Introducing Signattimes - Stylish Signature Script is a Quality script that is written casually and quickly with 73 ligature. Letters are made with Sign on paper. Then scanned and carefully drawn into vector format. Signattimes is perfect for homeware designs,branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark.

The Fontazia Chateaux series features a unique assortment of characters inspired by some of the great castles and chateaus of Europe and beyond. These simple yet elegant symbols are delivered to you in both silhouette and outline format. For more in the Chateaux series, see also Fontazia Chateaux Deux.

Reso is an experimental geometric typeface built from a pointed arch module. Its minimal and contemporary letter shapes makes it well suited for logo design, headers and short texts. Five weights are available in OpenType format. The fonts include some standard OpenType features and support for most European languages.

This decorative, scalloped thick-and-thin Art Deco type design is one of the many inspirations found within the pages of the 1934 French lettering book “L'Art du Tracé Rationnel de la Lettre”. Now in digital format, Fancy Deco JNL is available in both regular and oblique versions.

Hubble font is being released to commemorate the Hubble Space Telescope's 30 years of viewing the wonders of space. Hubble is a strong, dynamic, and rhythmic display typeface with thorny serifs, of authentic appearance, which makes it suitable for typographic formatting of shorter texts as logotype design, headlines, etc.

Introducing, My Brand New font, Edinburgh! Edinburgh is handmade font that contains two another format. You can use these fonts for various purposes such as making realistic handwriting, for promotions, or other purposes that will make your design more real as handmade. This font also contain ligatures and alternates.

New York to London via Europe The hardworking FS Koopman is a crossbred workhorse which draws inspiration from Swiss and Germanic grotesks, American gothics and early British grotesques, but refuses to fit neatly into any of these categories. Its neither one nor the other, but all of the above. Fontsmith designers Andy Lethbridge and Stuart de Rozario decided to take the characteristics they admired from each category and distill them down into one functional family. Neo meets Neue FS Koopman aims to swim against the tide of Helvetica-ish derivatives by bringing some personality and soul to a genre that all too often ends up feeling bland and sterile. FS Koopman subtly embraces the quirkiness and charm often seen in early twentieth century designs but pairs this with the functionality of later pioneers of the genre. It’s a grotesque isn’t it? The term grotesque surfaced around the early 1800s and refers to the early sans serif designs that many initially believed were strange or ‘grotesque’ due to their lack of elegant serifs. Later variations became known as neo-grotesques and this moniker stuck around even after they gained mass popularity. Some American variants became known as gothics. FS Koopman takes cues from all three categories and blends them into one cohesive design.

In June of 2004, Canada Type released Crucifix, a condensed three-tiers typeface that tried to bridge the gap between traditional blackletter forms and the traditional European gothics. The main goal of Crucifix was to have as many as 4 different variations on each letter form, so the original release consisted of three fonts: a main font with a standard character set, a small caps set, and a unicase variation. Now Canada Type presents the next generation of this typeface: Crucifix 2.0 and Crucifix Pro. This new version takes advantage of both Unicode and OpenType technologies to make Crucifix as versatile as ever. The PostScript Type 1 and the True Type version boast extended Latin character set support, including Western, Eastern and Central European, Turkish and Baltic, as well as two non-Latin scripts: Cryillic and Greek. The OpenType version, Crucifix Pro, goes even further by including all of above in one font, along with proper automation to accommodate on-the-fly ligatures, small caps, numerators, denominators, some fractions and a ton of stylistic and contextual alternates - all programmed to work with the latest OpenType-enabled programs. Unique, stark, and with more than 900 characters, Crucifix has that clinical sharpness and special dramatic wonder to make it perfect for mystery, gothic, and horror design settings.

‘Krul’ is a typographic interpretation of the lettering style created by Dutch letter painter Jan Willem Joseph Visser at the end of the 1940s, which decorated the traditional brown bars of Amsterdam. In the beginning, these letters were strongly associated with the pubs connected to the Amstel brewery, given that Visser was the company’s official painter. As the years passed, the style became increasingly popular, and various business owners in Amsterdam and other Dutch and Belgian cities also commissioned its use. In the 1970s and 1980s, Leo Beukeboom, another talented letter painter, continued and expanded this lettering tradition while employed under the Heineken brand. Much of his work can still be found in the Jordaan and De Pijp neighborhoods in Amsterdam. The Amsterdamse Krulletter, or Amsterdam’s curly letter, is strongly inspired by the calligraphic works of the 17th century Dutch writing masters, of which Jan van den Velde was a central figure. However, distinct characteristics of this style, for example, its unusual and beautiful ‘g’, originate from a model that was published by Johannes Heuvelman in 1659, which J. W. J. Visser referenced. Typographic circles have somehow overlooked the Amsterdamse Krulletter and its heritage. The Dutch calligraphic hands preceded and influenced the formal English penmanship which has inspired numerous typefaces in the Copperplate style. In contrast, the models from van den Velde, Heuvelman, and Jean de la Chambre, among others, are a missing chapter in Dutch typographic history, and had never been turned into typefaces until now. Conscious of the cultural and identity issues that arise in reviving a unique style, and concerned about the speed with which the lettering style was disappearing, Ramiro Espinoza focused the project of designing ‘Krul’ on digitally recreating the calligraphic complexity of these beautiful letters. Created through several years of research, ‘Krul’ is not a direct digitization of the Amsterdamse Krulletter, but instead, an interpretation that incorporates numerous alternative characters absent in the original model, and improves upon details where necessary, resulting in an optimal performance on the printed page. The typeface is presented in Open Type format, with an abundance of intricate ligatures, fleurons, and swashes, which permit the creation of numerous calligraphic effects. The very high contrast and rhythm of the strokes in this typeface make it especially suited for media applications conveying a sense of elegance and sophistication. Designers of feminine magazines, advertisements, and corporate identities within the fragrance and fashion industries will find in this typeface to be an extremely useful and appropriate resource.The great Amsterdamse Krulletter is finally back, and we are proud to make it available to you.

Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980’s, but automobile companies don't monopolize the style by any means. During the 80’s and 90’s, a lot of these logos leaned towards the geometric sans styles and the swiss styling of fonts like Handel Gothic, while playing with varying degrees of squared rounds and varying expanded widths per logotype. Mercurial has this flavor, but it wasn’t derived from logotypes. Instead, it began as a digitization of a film typeface from LetterGraphics in the early 70's known as "Sam". It visual ties to this genre of automotive logotypes and fonts like Handel Gothic lend a familiarity to it, yet it has an identity all its own. As with so many automotive logotypes, this singular style film typeface, lacked an expansive family which shows off all potential the logotypes have and what they "could" be and do. And that's where we come in. What originally began as this family’s Regular Width - Bold Style has been expanded into a collection of 3 Width Families, each containing 5 Weights. Here’s what’s included with the Mercurial Complete bundle: 396 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the final poster graphics for a preview of the characters included) 3 widths in the collection: Narrow, Regular, & Wide 5 weights in each width family: Light, Book, Regular, Medium & Bold. Here’s why the Mercurial Family is for you: - You’re in need of stylish sans font family with a range of widths and weights. - You’re love those 80’s automotive logos, but want more range of use. - You’re looking for an alternative to Handel Gothic. - You’re looking for a clean techno typeface for your rave poster designs. - You just like to collect quality fonts to add to your design arsenal.

Cotton Club remembers the fonts of the thirties of the last century and the Bodoni, but it does not present graces: it is a sans serif. It has 360 glyphs and is composed of two regular and italic styles. Cotton Club is characterized by a high contrast between thick and thin strokes. The emphasized signs give the font an essential, sharp and elegant look. The Italic style of the Cotton Club refers to handwriting and this is noticeable in the ligatures obtained with kerning. The name of the font, “Cotton Club,” refers to the famous Jazz Club in New York, in Harlem, active in the twenties and thirties, during and after Prohibition. At that time the Bodoni, in its many derivations, was widely used not only in lead composition, but also in neon signs, plaques, posters, as well as in many other applications. Redesigning a new font that brings back to those years wants to be, therefore, a tribute and a reinterpretation of the graphics of that period as well as, it is understood, to the glorious Bodoni. Supported Languages Bulgaro, Bosnian, Catalan, Czech, Danish, German, English, Spanish, Estonian, Finnish, French, Irish, Croatian, Hungarian, Icelandic, Italian, Lithuanian, Latvian, Maltese, Dutch, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Albanian, Serbian, Swedish, Turkish. Vincenzo Crisafulli font designer Vincenzo Crisafulli graduated from the Faculty of Architecture in Palermo and works as a graphic designer. He has been designing fonts since 1996 and has published with T26 (Type-Foundry, digital foundry in Chicago-California USA): Crisafulli, Chocolat, LST, Luminaria, and Stitching; with MyFonts: Rétrospectif, Bella Copy, Jasmin and Noahs Ark.

This font is a late work of the famous Berlin font artist Martin Wilke. Presented by Linotype AG in 1988, Wilke is a lively font with eccentric, playful forms. Wilke was influenced in part by the letters of the Irish handwriting in the Book of Kells, written in the late 8th century, while the pronounced contrast in strokes goes back to the styles of the 18th century. the font’s uniqueness is particularly emphasized when used in larger point sizes.

Rickslord is an uppercase display font that transports you back in the early 20th century. Some characters show high contrast between thick and thin strokes, creating a dramatic visual impact, while others maintain a more consistent weight for a balanced appearance. This blend of contrasts adds an unexpected dynamic quality to the text, making every word a work of art. Beautiful ornaments are included as a bonus. Rickslord fits in headlines, logos, branding materials, and many more.

Drumonz is a death metal font made with a touch of darkness, featuring a heavy and death metal feel to compliment your design. Drumonz is very easy to use in any variation or writing combination, also perfect for metal band logos, merchandise, clothing, apparel, or anything else that calls for a metal feel. Here is tutorial how to use it : https://youtu.be/a0uHeXSmsCo Recomended Software to use: Corel Draw Adobe Photoshop Adobe Illustrator Clip Studio Paint

Nockwell font - Psychedelic liquid decorative font, which works perfectly for bold titles, Festival posters, as a graphic element for bright T-shirt or hoodies, or even backgrounds! This weird and ugly font likes an experiment with spacing and different deformation. Please, don't hold back on your bold modern ideas! Features : - Lowercase & Uppercase ( All Caps ) - numbers and punctuation - Ligature - multilingual - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

This family is based on an offering in Barnhart Brothers & Spindler’s Type Specimen Catalog No. 9, issued around 1910, originally named "Grant". It makes a handsome addition to the Whiz-Bang Woodtype series, and is available in both a Rustic and Refined version. Named for a town in Texas, which the locals pronounce "Reh-FURRY-o". Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

E-Lie is based on the logo for the Portland band E-Lie. Jon Lincicum designed the logo, and then the basic shapes of the principal letters and numbers. He then gave these designs to Shaun Kennedy, who expanded the design, adding punctuation, accented letters, and math symbols. Shaun then compiled the designs into an OpenType font, adding kerning and ligature information. The design is a distinctive, stylistic font excellent for use when you need to grab someone's attention.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Ouachita Way is an ultrabold and boxy caps and small caps font, especially well-suited for commadning headlines. Based on nineteenth-century “Grecian” fonts, the name comes from a forest and a river in Arkansas. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

We've gathered the old characters together, and added a bunch of young new hotshots, to create the long-anticipated sequel to our STORMTROOPER font! The digitally remastered Special Edition STORMTROOPER is now a trilogy, with two new weights -- outlined ARMOR and inlined BLASTER -- each containing more than 100 autoconnecting letter combos*. Yes, you'd have to be crazy to attempt a font like this; our man JG certainly has courage... * Hutts, dewbacks and point blank misfired laser shots not included

The roundness of fresh Dewey leaves, the bending branches of canopy trees and the curvy luscious greens of dense forests; are all the things that inspire this clean display font. Its effortless and natural aesthetic makes it perfect for organic and luxurious brands. The strokes have a great contrast to give it a beautiful end to a long journey. The easy and elegant flow of the font brings one back right into the comforting arms of nature.

BRIGNELL BIG is a two font family designed by Ian Brignell. Bold and honest, it approaches like a dare: Go Big no regrets. A bold, personable sans serif headline font characterized by a stylized and geometric structure. Creatively, Brignell Big was born in 2011 and was inspired by lettering designs Ian was working on for CO Bigelow packaging that harkened back to early 20th century modern sans serifs. Recommended for headline use especially on packaging. Extended Latin set.