Young Finesse is a light, two-weight, announcement face with a large x-height whose characters contain only a few straight lines. It is based on the titling font that I designed for the dust jacket of my book Fonts & Logos. Its inspiration comes from Hermann Zapf’s Optima, a serifless roman text face, based on Renaissance inscriptions.Young Finesse italic has a set of elaborate swash caps that reference 16th-century writing hands. Both Young Finesse and Home Run include Richard Isbell’s “interrabang,” appropriately used for statements that are both interrogative and exclamatory.

Introducing "Rock Attack," a bold and impactful serif font that commands attention and makes a powerful statement. With its strong and confident letterforms, this font is perfect for adding a touch of authority and professionalism to your designs. Whether you're working on editorial layouts, branding materials, or even YouTube thumbnails, Rock Attack is the ideal choice to captivate your audience and leave a lasting impression. Stand out from the crowd and elevate your designs with the striking elegance of Rock Attack, the font that combines strength and sophistication in perfect harmony.

Boondock is another Imre Reiner design resurrected from the ashes of hot metal type for digital use. This wild paint font is a revival of the fascinating Bazaar brush type from 1956. Boondock has some very unique characters that combine to form a statement of casual but loud strength, seriousness and raw primal emotion. Great for short sudden-impact spurts, like book cover titles, single sentence headers, movie posters and music sleeves. Redrawn from original specimen by Patrick Griffin, and expanded with some built-in extras too add to the convenience of this digital version.

Introducing Mikhael Handwritten, an authentic brush script font that brings a raw and energetic vibe to your designs. With its dynamic strokes and natural brush texture, this font is crafted to make a bold statement in logos, posters, packaging, and various design projects. Its striking appearance and smooth flow make it an ideal choice for conveying a strong and stylish impression. PUA encoding ensures effortless access to all the expressive glyphs. Elevate your projects with Mikhael Handwritten, a font that effortlessly infuses vigor and character into your creative endeavors.

Masio is a vibrant and captivating display font that embodies the essence of fun and excitement. Its bold and exaggerated letterforms command attention and make a powerful visual statement. With its playful curves and dynamic angles, Masio injects a sense of energy and liveliness into any design. The exaggerated serifs and unique character shapes add a touch of whimsy and personality, making Masio an ideal choice for headlines, logos, and eye-catching signage. Whether used in print or digital mediums, Masio captivates viewers with its exuberant charm and creates a memorable and enjoyable visual experience.

Introducing The Chatalestick - Font Duo is a new Strong Condensed Sans and Classy script font. Elegant and Best Quality script that is written casually and quickly with 65 ligature. The condensed Sans versions are solid and intentionally making strong statements even in small spaces. The Chatalestick also provides the script version which has Natural handwriting with Rough stroke and classy flow. It comes with various opentype 65 ligature to achieve the natural handwriting look. The Chatalestick is perfect for homeware designs,branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark.

Super Ultra Supra - Futuristic Font is a bold, rigid, and thick typeface that exudes a distinct sci-fi or futuristic vibe. Its ultra-modern appearance carries a powerful impact, making a bold statement in design. With three versatile font versions at your disposal, you can easily adapt this font to suit your specific design or thematic needs. Additionally, the inclusion of ligatures adds an extra layer of uniqueness and versatility to this font. Ideal for logos, branding, posters, titles, magazine layouts, sports-related designs, and any projects that demand a strong and modern font.

Introducing Epic Story, the perfect typeface for your next big project. This fun, playful font is the right choice for creating bold headlines. With its unique character, Epic Story is sure to make a statement. And it's great for logotypes and branding too. So if you're looking to add some personality to your next project, look no further than Epic Story. Epic Story font includes : Standard Latin All Caps Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

Introducing Hi Morgane, a stunning brush script font that brings a touch of elegance and spontaneity to your designs. This font is perfect for adding a personal and artistic flair to branding projects, logo designs, invitations, and more. With its graceful brush strokes and versatile style, Hi Morgane captures attention and creates a lasting impression. The combination of uppercase and lowercase letters in Hi Morgane offers a harmonious balance and allows for creative typography exploration. Whether you're aiming for a bold and impactful statement or a delicate and refined touch, this font has the flexibility to deliver. Hi Morgane doesn't limit itself to a specific language; it embraces diversity with its multilingual support. Express your message in various languages, reaching audiences around the world and ensuring inclusivity in your designs. Unlock the full potential of Hi Morgane with its PUA encoding, enabling easy access to additional characters and glyphs. This feature empowers you to create unique and customized designs, adding a personal touch to every project. Embrace the artistic allure of brush script fonts with Hi Morgane, the perfect choice for designers seeking a blend of elegance and individuality. Let your creativity flow and make a statement that stands out from the crowd with this captivating font.

The origins of the font Versailles go back to the 19th century in France when, with the introduction of lithography, alphabets could contain freer forms. The basic forms are Modern Face with triangular serifs. The direct influence for Versailles was the writing on the back of the memorial to Charles Garnier, the architect of the Paris Opera. Versailles is a classic font for advertisements, perfect for shorter texts and titles/headlines and it makes an impression of elegance and strength.

Marco is a lively text face, with an informal touch, inspired by 15th century Italian letter-forms with strong calligraphic traces and intended to be used primarily in continuous and intensive reading conditions. Marco is full of features required for high-quality book typography, including: strong language-support in extended Latin, Cyrillic and polytonic Greek, a multitude of swashes in the italic styles of Latin and Cyrillic, stylistic alternates to obtain the best possible solutions and other typographic niceties. Inspiration for Marco goes back to Italian humanist typography such as those of Nicholas Jenson or Aldus Manutius, and general influences from calligraphy. As a result, Marco has matured into a personal and unique text face where its lively and somewhat informal style is an ideal counterpart to its careful and ingenious crafting. Toshi Omagari’s Marco features a huge set of over 1900 characters per style —and almost 2600 in the italics— and is available in Regular, SemiBold, Bold with matching Italics.

LOOK OUT! It's kinda creepy, we know, but we're convinced that this font does whatever a spider can -- in fact, we believe it can actually spin a web of pretty much any size, and even catch thieves as if they were bugs of some sort -- let's say flies. In fact we'd almost go so far as to say that, in the chill of night (perhaps at the scene of a crime) this font may just arrive like a streak of light in the nick of time. We're releasing this font now not for wealth or fame, we ignore those things, action is our reward. Here at Comicraft we think of life as a great big bang up, and whenever there's a hang up, you won't find us climbing -- or crawling -- the walls... well, not without STICKY FINGERS anyway. Find yourself a pair of webshooters and this font is the perfect complement to any Halloween costume.

Entrée is a versatile sans serif font that works well in a variety of sizes and applications. It has a friendly, laid back personality and comes in six weights.

Fifty Famous Fairy Tales was inspired by lettering on the cover of a children’s book of the same name published by Whitman Publishers back in the 50s or 60s.

A whimsical little serif transporting you back in time. Based on vintage hand scribed italics, Fairytale Serif is ready to charm it's beholder with its quaint inky edged letters.

Gold Diggin is an authentic hand-drawn original. It harkens back to posters from the Gold Rush Era. Add some humor and moonshine to your designs with Gold Diggin.

Atomica looks back to the dawn of the nuclear era when fall-out shelters were all the rage. This font contains 62 Atomic Age symbols and Civil Defense emblems.

King15 is a beautiful script font based on signatures dated back from hundreds of years. Its asymmetry and ink imperfections give it a strong and a truly unique character.

This is a squared sans serif font family developed out of a taller Bank Gothic model plus a true lower case with many OpenType features and over 600 characters: Caps, lower case, small caps, ligatures, discretionary ligatures, swashes, small cap figures, old style figures, numerators, denominators, accent characters (including CE), ordinal numbers (1st-infinity: lining and oldstyle), and so on. It is designed for text use in body copy. For display tighten the tracking.

Linotype CMC-7 is a MICR barcode font. It contains machine-readable numbers, letters, and punctuation. These characters are used on checks and for other banking needs in several countries. Linotype CMC-7 can also be used like any other font in visual graphic work; like the Universal MICR Pi or OCR A and B typefaces, this is a real" computer fonts, carrying all of the connotations of the days of early technology."

If there was an American Typeface Hall of Fame, Bank Gothic, designed by the great Morris Fuller Benton would hold a place of special distinction considering this design has survived so many trends in typographic fashion since being introduced in 1930. It's just as desirable today as it was over eighty years ago; arguably more. Today, Bank Gothic is a very popular choice as a titling face for science fiction books, posters and countless television and movie titles. It is also a popular typeface for use in computer games and digital graphics. GroupType’s 2010 revival of this American classic is true to the design, the period, and Benton’s aesthetic. GroupType worked with some of the most talented and experienced type designers that were historically grounded and sensitive to this design project. Fortunately, Mr. Benton has left us a large selection of other great typefaces for insight and guidance. GroupType’s new revival includes the original three weights in regular and condensed style but also a new small cap and lowercase in each font necessary for 21st century typography.

Designed by Andrew Smith this bouncy and playful headline font does not take itself seriously. Perfect for headlines, children's books or on the web.

Go back in time by downloading this calligraphy style script font. The elegant letters are charming additions to any lettering project that needs calls for fancy, stylish, and graceful embellishments.

Honua means “Earth” in Hawaiian. Honua is a decorative typeface inspired by nature, and gives back to it by planting trees and corals around the world for every font sold.

The bold hand lettered title on the 1940 sheet music for the band piece "Drexel Marching Song" was the inspiration for Drexel JNL; available in both regular and oblique versions.

BC Away is a display typeface. It has emerged from the idea of drawing letterforms with a single-line path. Thanks to this idea, the characters are designed out of standard and conventional forms. Character designs are a combination of sharp corners and smooth curves, at the same time keeping readability. Some parts have been left blank in accordance with the letter forms. The name 'Away' represents these blanks. Also, the word 'a way' refers to the design of letterforms using a single-way.

Shaking hands is quite a complicated process: do it too lightly and you appear weak, grab too hard and you’re too eager. There are also those with a ‘Guerrilla Handshake’ - grabbing your hand unexpectedly, shaking it vigorously and yanking it toward them. Guerrilla Handshake font was actually made by hand, using Chinese ink and a brush. I did use the brush vigorously, but I made sure not to shake or yank it too much! Guerrilla Handshake comes in a slightly backslanted ‘regular’ version and an italic version.

Some typefaces need time to ripen; Burian and Scaglione made the first sketches for Ebony back in 2008, but it took a few years of maturing in a drawer to be developed into a multi-functional type family. While keeping in tune with TypeTogether’s focus on complex typographic structures needed for magazine, newspapers and books —whether printed or digital—, Ebony goes far beyond editorial use and promises great performance in branding and advertising. The range of dark weights with taut and powerful curves can boost any headline, while the lighter styles create an approachable and clean feel in blocks of continuous text. Ebony does not fall short on aiding legibility either; letterforms have a distinct direction of ductus and features like the top serif on ‘l’ help making them clearly distinguishable from each other. It is a type family that cleverly seeks a balance between the openness and legibility of humanist sans serifs and the striking and more regularised character of grotesques. The letter-shapes feature generous counters and open terminals with crisp angles, and daringly grow both in colour and width as the fonts get bolder. Infused with this strength, Ebony also shows a quirky side in some of her shapes; the vertical fractions, the at-symbol, the old-style numbers, … The predominantly slanted style of the italics is broken up in some letterforms, such as ‘a e f l’, that are more in line with a classic cursive appearance. This, together with a forceful italic angle, ensure a change in texture within a block of text, despite sharing the same letter weight and width with the uprights. With 18 styles, tending towards the heavier part of the weight-spectrum, this face has a powerful quality!

Let’s be creative and have fun at the same time! With the new Itchy Handwriting, you will make your friends smile and your foes shake.

Helgis Black is a hand crafted font, inspired by album covers of progressive and psychedelic rock bands of 70's. It is perfectly suited for covers (books, albums), posters and games.

The opening movie titles from the 1940 musical comedy “Strike up the Band” (starring Judy Garland and Mickey Rooney) inspired Bandmaster JNL, which is available in both regular and oblique versions.

A modern all caps font with alternative characters. Looks best in large display text, but also legible in small sizes. Ideal for rock bands, graphic novels, action films and video games.

Schwarz is a Black Letter typeface inspired by all that is black. Jagged edges and sharp diagonals make Schwarz a head banging font. Some stylistic alternates and ligatures are also available.

Introducing Telidon Ink, the dot-matrix typeface that takes you back in time to the glory days of retro computing. With its upright and legible structure, Telidon Ink boasts a distinctive textured ink impression that will transport you back to the age of the dot-matrix printer. Not only does Telidon Ink look retro, but it also has a fast and easy vibe that adds a sense of momentum to your phrases. And with its versatile range of widths, weights, and italics, you have the flexibility to create a unique and dynamic look for your designs. But that’s not all—Telidon Ink also has a clean and straight-laced companion, Telidon, which complements its retro style perfectly. Together, these typefaces will give your designs a classic and timeless look that is sure to impress. So if you’re looking to add a touch of vintage charm to your graphic design projects, Telidon Ink is the perfect choice. Let it transport you back in time to the golden age of computing and bring a touch of nostalgia to your designs. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Cute Panda is an uppercase font by Zagach Letters. It’s a handwritten brush script which could be described as soft, fluffy and cute. Cute Panda has a variety of coded features to create unique text designs, stylistic alternates from A to Z and alternative numerals from 0 to 9 which makes your designs to look more natural, AE OE ligatures, currency symbols and punctuation. It is perfect for titles, headlines, greeting cards, stationery design, packaging, magazines, posters and more. Multilingual support. Extended Latin character base that covers most European languages.

Introducing La Coffee Font, a sleek, cool and professional handmade font that is perfect for adding a unique touch to your branding, logos, or your instagram quotes. It includes uppercase, lowercase, numbers, symbols and with Latin extended character support, it is versatile for a variety of creative endeavors, while exuding a rustic charm. La Coffee will look great on invitations, packaging, slideshows, logos, headlines, lettering, posters, branding, inspirational quotes, headlines, magazine layouts, website designs, advertising, invitations, packaging designs, book covers and any other creative endeavour. What's Inside the Product? - Weight of the Font: Regular The Font Kit comes packed with: - Big Letters (Uppercase) - Small Letters (Lowercase) - Numbers & Symbols - Multilingual Support Here's a sneak peek at the characters supported: - All the letters from A-Z (uppercase and lowercase) - All the numbers from 0-9 - All these special characters - !"#$%&'()*+,-./:;=?@[]^_`{|}~ ¡¢£¤¥§¨©ª«­®°±²³´¶¸¹º»¿ˆˇ˜–—‘’‚‛“”„†‡•…‰‹›⁄€™− - And a range of international characters like ­á â à ä å ã æ ç é ê è ë í î ì ï ı ñ ó ô ò ö õ ø œ š ß ú û ù ü ý ÿ ž  À Ä Å Ã Æ Ç É Ê È Ë Í Î Ì Ï Ñ Ó Ô Ò Ö Õ Ø Œ Š Û Ù Ü Ý Ÿ

Based on some examples of a Clarendon-inspired wood type design, Clarenwood JNL is a bold and effective titling font which harkens back to old times and advertising on a grander scale.

It's sharp and pointy! This font is anything but minimal, it has an edgy personality with asymmetrical qualities. This edgy font is perfect to use for a band or an edgy poster.