Branden – Casual Sans Serif Font is a modern sans serif font family whose design refers us to the style of casual sans serif. The distinctive features of Branden – Casual Sans Serif Font are the relatively low contrast of strokes, the slightly squarish shapes of round characters and the emphasized business like simplicity.

Introducing Electric—a typeface that’s as distinctive as the legendary Gibson custom electric guitars of the 1960s. This unique typeface was sparked by the custom nameplates that were used to cover the bolt holes left behind when dealers swapped out standard stoptails for the Bigsby vibrato tailpiece. Crafted using an oddball zig-zag pattern font and engraved with a pantograph router, the original nameplates featured a pair of starburst symbols that were as striking as the guitars they adorned. Now, you can recreate these iconic symbols using the lozenge symbol ◊ and add a touch of vintage cool to your designs. Whether you’re creating an album cover, a concert poster, or a logo for your band, Electric is the perfect way to convey your message in a bold and distinctive manner. So why settle for a bland, generic font when you can have one that’s inspired by the most iconic guitars in music history? Plug into the Electric typeface today and take your designs to the next level. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Minicomputer is an exceptional typeface that pays homage to the antique look of computer fonts from the mid-20th century. It is a magnetic ink typeface, characterized by a versatile range of seven weights and italics, which is perfect for graphic design themes. Minicomputer also includes OpenType fractions and numeric ordinals, as well as an array of mathematical symbols that can add depth to any design. With its OpenType old-style numerals feature, Minicomputer enables users to evoke the original MICR E-13B numerals, the very numerals that were once used in bank checks. Back in the 1950s, the MICR E-13B numerals were printed in magnetic ink and were associated with the innovative technology of the time. But that didn’t stop Leo Maggs from creating Westminster, a typeface that emulated the look of the MICR E-13B. Soon after, dozens of magnetic typefaces appeared and quickly became fashionable. By the 1980s, home computers emerged, and the once fashionable magnetic typefaces became outdated. They were replaced with pixel fonts and dot matrix typefaces, which gave a fresh look to digital designs. However, designers today are reviving the magnetic typeface trend in a new context. Magnetic typefaces are now associated with a vintage look that has a unique and synthetic feel and an association with 1960s fashion trends. Despite the half-century since the first magnetic typefaces appeared, designers had limited choices when it came to using them, mainly having to rely on digitized versions of analog fonts from the 1990s. Minicomputer offers an exciting and modern take on the magnetic ink typeface and is a must-have for any designer or writer looking to add a touch of the past to their work. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Vintage Galore is a handmade blackletter font font with casual & classic feels. This font will bring you back to 90s feel.This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase, Numbers and punctuation, Alternates & Ligatures, Multilingual & PUA encoded

Yardbird, insinuating prison numerals, was lifted from a wooden block print poster press, that would have indeed besides providing dates for the local carnival would have just as easily ink-chucked them over the backs of those denim blues. Part of Market LTD, a collection of limited faces, mostly alpha-numeric and some just plain numeric, used primarily in retail and display situations and titling.

Take a trip back in time with our unique color font family Syom! The rounded and inflated shapes of the letters embody the atmosphere of decades of the last century, while remaining relevant in modern design. Features: - Real 3D effect - Extras - Multilingual - Ability to adapt 3D letters to other languages - Kerning IMPORTANT: - Check the glyphs in the font before buying! - SVG fonts contain raster letters.

Poster Casual JNL is based on the hand lettered title on the cover of the 1929 sheet music for the song "Give Yourself a Pat on the Back"; touted at the time as being "the cheer-up song of England". Available in both regular and oblique versions, the font is perfect for applications where a less-formal look is desired in headlines or brief text.

Here's a lettering style that just might be exactly on your wavelength. Add just the right dose of vintage freak-a-delia to your retro graphics with this original psychedelic-style design. Great for music posters, album graphics, book titles, etc. Evoke a warpy, wavy, whimsical vibe that harks back to the carefree 1960s or early 1970s era with Sixties Flashback; it's pure hippie, trippy fun!

Calendar Blocks JNL was inspired by old-fashioned wood type used to assemble calendar pages in the days of letterpress printing. The A-Z keystrokes contain the dates 1-26. The lower case a-z keystrokes have the remaining dates 27-31, along with the split dates 23/30 and 24/31 and blank boxes. The days of the week are located on the 1-7 keys.

Pixel Pants is my wanna-be 1980-ies pixelfont. Well, it really looks like a pixel font, but it's kid of fake - at larger sizes you will notice the wacky and uneven lines, but it sure do bring back memories of the 80-ies! I've made 5 different versions of each letter - just to break the monotony of the usual pixel font! Insert coin and enjoy!

Although less prevalent today, a cover charge was added to better class night clubs of the 1930s and 1940s to discourage patronage by people of questionable social graces. The general idea was that the lower strata of society (meaning the "average Joe" or "hoi polloi") would balk at paying an extra fee just for entrance to a place of good entertainment and fine dining.

A long-set aside Art Deco typeface design begun (but not completed) may or not have been from a vintage source, but its roots go well back into Art Deco lettering. Taking the existing letters and thickening their weights, removing the counters and ending up with a completely new, solid alphabet design resulted in Deco Redux JNL, which is available in both regular and oblique versions.

An ad spotted in a 1960 issue of Billboard magazine promoting a 45 rpm release by Randy Lee doing the old song "Did You Ever See A Dream Walking?" featured the song title in a casual, brush lettered style. While the ad made a perfect model for a digital font design, the record itself tanked. Quick Titling JNL is available in both regular and oblique versions.

Perigord has mixed origins. It was inspired by Gutenberg’s capitals and by lettering developed by German designer Ernst Bentele, but its calligraphic antecedents go back to French initials of the Carolingian period. The result of this is a formal, attractive and antique look which we hope you'll like. The full version includes alternate forms for many of the letters, as well as numbers and punctuation.

Magedon Font is a cool alternative for you to easily create a logo for your Underground band or whatever. Using alternate front and ending letters brings the font to life, It comes with a basic character set and a small group of symbols and signs often used in the extreme music sector – the classics of Death- and Blackmetal like pentagram drops, roots, spikes and more.

The inspiration source for Arteaga Borders Three is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders Three Guidebook” if you would like to learn a little more.

Brighton Vintage is a stylish font that is both retro and bold font. Its thick curves give a 70s groovy vibe with the serifs bringing it slightly back to traditional. This font is perfectly made to be applied especially in logos, and other various formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, makeup, stationery, novels, labels, or any advertising purpose.

Reverie is a cheerful band of letters that bounce across the page and get together to create words in three weights. Generous spacing and a modest x-height project an airy typeface that's open but not frail. Quirky without being too whimsical. Use the regular weight for surprisingly readable text or put the light and bold weights to use for decorative headlines and titles.

Gibswing born based on the reference of old fancy lettering, vintage illustration, and victorian calligraphy. The Gibswing decorative style make it as an instant time machine to the era from 1800-1900 victorian visual style of the products, printed advertising, and signs back in the day. It will be a perfect companion of your classic visual direction for decorative sign, labels, branding, logotype, you name it.

Skyline Hotel is a brand new hand painted font from Dathan Boardman of Open Window. It utilizes Art Deco structures but is greatly amplified by organic paint brush strokes. The font would be best used in designs that require an organic degraded look and feel. Skyline Hotel… optimal for back alley graffiti mural or a poster to begin a political revolution. Geometric essentials betrayed by fluid expression.

Song Publisher JNL features a design based on the 1945 Art Deco-era hand lettered sheet music title "When the Old Gang's back on the Corner (Singin' Sweet Adeline Again)". It's a good thing sheet music wasn't sold by the word count found in song titles, because this twelve word example would have been more costly than titles such as "Nola", "Tenderly" or "Ciribiribin".

NuevoLitho is my first successful font design. It was designed for use in the heads and subheads of my first book, “Printing in a Digital World” back in 1994. It’s a very loosened play on Lithos, Carol Twombly’s fashionable font of the period. However, I added a complete lowercase set, several special characters, and all the other fun stuff I do with my fonts.

You've seen them all around -- on alarm clocks, tote boards, scoreboards and in many other venues we take for granted in our daily lives -- displays with letters and numbers that flip down to reveal other letters or numbers. Flipboard JNL is a digital recreation of these mechanical sign displays. There is a limited character set, and a blank panel is located on the equal sign keystroke.

Mataö is a bold and gorgeous and is great for headlines and elegant designs with a vintage and classic flair. Mataö's contrasting lines and curved terminals give a sleek, elegant look to logos, holiday cards, wedding invitations, quotes, advertisements, and more. Mataö is a versatile typeface that's full of character and one you'll come back to time and again. Make your awesome design layout with Mataö.

Sheldrake JNL is the second in a series of display fonts modeled from actual water-applied decals that were manufactured by the Duro Decal Company of Chicago (now Duro Art Industries). The font's name derives from the actual phone exchange for Duro, back in the days when a telephone listing had a name-number assignment for recognition. In this case, their number began as "SH(eldrake)-3".

Inspired by mosaic lettering by Heins & LaFarge, architects of the IRT (Interborough Rapid Transit) in New York City. Bedford hints at the station names on platform walls which date back to 1904 but modernize it through a rigid grid system and rounded corners. The family consists of two styles, Bitmap for web usage with a perfect pixel snap, and Rounded for a softer and bolder look.

Another addition to the Whiz-Bang Woodtype series, this offering is patterned after a typeface issued by the old Boston firm of Baker & Greele in 1826. Named after a small town in Texas just a hop, skip and a jump from the Red River and Arkansas. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

The inspiration source for Arteaga Borders One is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders One Guidebook” if you would like to learn a little more.

Augustea was designed by Alessandro Butti and Aldo Novarese and is one of the most popular classical, monumental letterforms featureing a stone cut effect. This font is based on the classic proportions of Capitalis, which dates back to the first century AD during the reign of Augustus. It should be set with a widely spaced bias. Augustea is distinguished by its balanced, classic and majestic image.

The inspiration source for Arteaga Borders Two is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders Two Guidebook” if you would like to learn a little more.

Based on the outline of each character, Divert works by re-directing each outline as a single meandering stroke that moves back and forth to create a quirky yet clean typeface. The typeface contains an uppercase character set plus two lowercase character sets (one standard and one alternate) and two sets of numerals. Plus all punctuation and basic latin European accents. See glyphs for full character set.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Dime Box is bold and boxy, and creates an interesting visual flow with its notched serifs. Named after a small town in Texas. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

The idea for Cambalache was conceived back in 2008 and was to create a geometrical font based on tangential modules into structure. The serif would be arranged, looking to approach to the lettering shapes. The creative concept has a feel from the mid-30s of last century, reaching a taste of retro and vintage style. Includes oldstyle numbers, slashed zero, standard and discretional ligatures.

This font is the byproduct of a T-shirt line for a punk/hardcore band I did a while ago. The guys like it skatestyle, so I scribbled their bandname and tagline with fat edding markers, which was so much fun that I decided to make it into a whole font. PiS Wallride features ligatures and OpenType alternates for an even grittier and more authentic feel.

Persimmon is elegant and semi-formal with some very unusual letter shapes. Calligraphic in nature, Persimmon can be used where you want a distinctive and unique lettering style.

A very heavy yet elegant small serif font, powerful but very legible. Great for punching up your ads. Can be used in numerous ways from magazines to paperbacks.

Cruisader II is a cool, fresh and bold display font. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs.

Introducing Spooky Bluest by Forberas, yet playful but still serious. You can use this as decorative material for your upcoming project. Your review and response are most welcome.