Dearest John is the first font in the Love Letters series from Outside the Line. It is a bouncy hand lettered font. If you type caps and lower case you get one look. If you type all caps you get another look. Kind of 2 fonts for the price of one. I prefer to type caps and lower case and then go back in and tweak the headline a little to get the look I want. Dearest John was seen in the 2011 Typodarium Page-A-Day Calendar on 12-9-2011.

Mochaik - Psychedelic Display Font Here's a lettering style that just might be exactly on your wavelength. Add just the right dose of vintage freak-a-delia to your retro graphics with this original psychedelic-style design. Great for music posters, album graphics, book titles, etc. Evoke a warpy, wavy, whimsical vibe that harks back to the carefree 1960s or early 1970s era with Sixties Flashback; it's pure hippie, trippy fun! Whats Includes : - Mochaik Regular, Outline, Italic - Multilingual Support If you want any Question, let me know Have a wonderful Day, Saystudio

Cooper Black The Cooper Black font should be used in display sizes only. Cooper Blacks serifs are rounded and the counters are small. Cooper Black was designed by Oswald B. Cooper for Barnhart Brothers & Spindler in 1921 for advertising and posters. The capital O and Q of the Cooper Black font are tilted back; in the lowercase, the dot on the I and j become elliptical. The extra bold Cooper Black font has a remarkable personality and reproduces well in sizes over 18 point in titles, subheadings and generally short sentences.

Linotype Red Babe is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. With Red Babe, Austrian designer Moritz Majce produced an energetic typeface which gives an impression of movement and change. The letter forms seem to be composed of countless fragments which can’t sit still, fragments which make the original forms burst and then draw them back together with their own rhythm. Linotype Red Babe is best used for headlines in larger point sizes.

P22 Civilite is a historic font revival. The font is a non-connecting upright handwriting script based on 16th century sources with a lineage going back to Robert Granjon in France and from early Dutch type specimens from the Enschede and Sons Foundry. The P22 Civilite suite of fonts includes the 6 basic Dutch versions of Civilite in both "historical" and "modern" styles in basic OpenType format and Pro versions that combine the historical, modern & sorts into one OpenType font with alternates, expanded language coverage and pro features.

TWO LAYERED FONT: Be sure to get both the FRONT and the BACK! Maintaining simultaneous shades of whimsy and versatility is no simple feat, but the meticulously constructed Stately Gothic accomplishes just that, elegantly. Stately Gothic is a redrawn version of Grit Gothic. The strong vertical character of this stacking/layered typeface make it an ideal solution for use where legibility matters most: posters, logos, book and album covers, and so on. It is part of Grit History Series B along with Heirloom Artcraft, Worn Gothic, Grit Sans, and Grit Gothic.

Wood Type Calendar JNL is a set of components for making monthly calendar pages. Based on a set of vintage wood type numbers, the dates 1 through 31 are found on the "A-Z" and "a-e" keys; the 23/30 and 24/31 ligatures are on the "f" and "g" keys. On the "h" and "i" keys are blank outline and solid blocks for balancing the calendar layout. The "j" through "u" keys have the names of the months, and the "1" through "7" keys contain the days of the week.

Ampmosphere, a picture font, contains instruments and components from a 60's rock and roll band. After a friend's request to create a guitar graphic, I decided to start a set. Over time, more instruments were added along with amps, tubes, lights, etc. The glyphs are great to use individually or combined. 65 detailed glyphs in all... A - Z upper and lower case; 0 - 9; comma, period and forward slash. Upper case A, B, C and D are the separate strings for the stringed instruments a, b, c and d.

Slocals! Check out the action of our radical new font, PLEASURE POINT! It's Bananas, Totally Tubular, Stoked and ready to ride some waves. Back in his grom days, Comicraftsman John JG Roshell could be found down at Pleasure Point, waiting for The Big One, and this is IT! Don't be a criddler, paddle hard and rip this font to your motherboard to keep it real every time you gun, rail or tail. And if you get rag dolled, dude, don't blow out your squeaker. Pleasure Point will hang loose and chillax you to the max.

Attempting to marry the warm friendliness of the Cubano typeface with the versatility, functionality, and geometry of Eurostile has resulted in Cubenzis. After finishing the regular weight, I realized that it reminded me of old Soviet military hardware, something you might see on the outside of a tank or rocket, so i made the decision to include a full Cyrillic alphabet as well. It feels very sci-fi to me and i can imagine it being used as signage on a ship or as a warning label on machinery.

Introducing Antimage Retro, a charming and versatile Bold Retro Script Font that easily takes your designs back in time while adding a modern twist. This typeface exudes nostalgia and is perfect for a variety of creative projects, especially those with a vintage theme. Antimage Retro's timeless elegance and lots of alternative character make it a great choice for designers who want to infuse their work with a sense of the charm of the past. Feature A set of lowercase glyphs Numbers, symbols and punctuation Multilingual Support Alternatives & Ligatures

Wild Fat Font - playful handwriting experimental display typeface inspired by classic old cartoons. Wild Fat Font is available in 3 styles: outline, outline distorted, and regular. The regular style imitates writing with a fat marker. The Wild Fat Font works perfectly for bold titles, Festival posters, a graphic element for bright T-shit or hoodies, designs for Kids, graffiti concepts, modern aesthetics, fashion, any visual design project, and even backgrounds! This bulging and chunky font likes an experiment with spacing and different deformation. Please, don't hold back on your bold modern ideas!

Europa Grotesque is a condensed sans serif font family that was originally designed by Sam Ardell (TP) in the 1950’s for the Techni-Process Collection. Steve Jackaman (ITF) acquired the rights to the TP Collection in 1991 and produced Europa Grotesque in its digital form in 1994. Europa Grotesque has impressive impact at display and subhead sizes, and its geometric forms sustain that distinctiveness in both all-caps and lowercase. The family is flexible and freeform enough to support both a laid-back feel while still feeling tight and controlled.

Rough Riders, along with our Rough Riders Redux font, got its start from a small sample of letters used in the logo for the Beach Creek Railroad Co. dating back to the early 1860’s. I studied the design for one year before drawing the letters. Rough Riders and the Redux version are simply the most Wildest Western looking fonts you'll find. The Rough Riders fill font is not meant to be used as a stand alone black typeface, the fill font is designed to be layered behind the regular Rough Riders font.

Shirens is a font inspired by Emo/metal/harcore music scene and the hype street wear/apparel. It includes uppercase and lowercase, ligatures and alternate styles ,and also multi-lingual support, Shirens is fit for Band album covers, video tittles, stickers, clothing brand names, tshirt designs, badges designs, banner, flyer and more. Just look how it performs on the preview that I have provided, you will see its capabilities. But it will also work well with other themes. I can’t wait to see what you guys will come up with with using this font!

With Outbacker you're not just getting a typical a-z font. You're getting a font that has over 100 alternate glyphs, so that you can use the font to write phrases a ton of different ways. So, if you're looking for the perfect 'R', you have 6 additional options to choose from in addition to what's programmed for the default uppercase and lowercase characters. Choose more sharp characters if you're going for something more aggressive, or more rounded characters if you want something with more of a laid back flow.

Attic Antique by Three Islands Press. Flipping through a friend’s old hardbound collection of John Burroughs nature essays a while back, I thought it'd be fun to try to develop a typeface with the same uneven, imperfect look to it. I picked and chose among various printed characters, enlarged them somewhat with a photocopier, then hand-rendered each. Had to custom-make some of the accents and symbols, then added a couple goofy dingbats just for the heck of it. The result: an amazingly legible serif family akin to the Century faces.

Klagia is a font inspired by the advertising media back in 1970. The glory of printing and handpainted signs and visuals. Emphasizing the bold, loud, yet poppin' and modern retro vibes that will be stylish in any era. It makes Klagia a font that you need to have in your design arsenal. Contains a bunch of Ligatures and Stylistic Alternates to give a distinctive vibe in every message conveyed using Klagia font. Perfectly fit for logo, branding, advertising, poster, food and beverages, restaurant, book cover, album artwork, decoration, sign painting, and many more.

Saxo Grammaticus is a beautiful and friendly family that works great with family themes, elegant & classy material and professional settings. It's so versatile you'll find yourself coming back to it over and over for your projects, and that's whether you're looking to create logos, quotes, poster designs, brochures, packaging, anything with big letters like headlines, wedding invitations, holiday cards, advertisements, signs and on and on and on... There is a total of 107 ligatures and 76 alternates! That's plenty of options for any designer wanting to give those big letters a little extra wham bam!

Here’s a novelty font emulating the plastic pennant streamers that were popular in the 1950s and 1960s used to decorate a store parking lot or used car lot for a sales event. The typeface inside the individual pennants is Manufacturer JNL, which can be used for body copy associated with titles made by this font. Parking Lot Sale JNL is available in regular (black letters on white pennants) and black (with white letters). A blank pennant for word spacing or end caps is available on the backslash key.

Supaduper PB is a font inspired by some wonderfully funky hand-lettered greeting cards from the 1980's. The delightfully awkward and animated playfulness of this lettering style was maintained throughout the fleshing out from the original specimens - and I think you're going to have a lot of fun typing with this. Even if you haven't seen these old greeting cards, the lettering style has a familiar visual to it. Bring back a little nostalgia, add a little wonkiness, or just have fun typing with Supaduper PB today!

Militia is the face of well-orchestrated military coups, tanks and gun barrels, maps and covert plans, camouflage and war paint. It has no irony, patience, or give-and-take politic. It is strong, successful, swift and significantly in your face. Militia comes in all popular font formats, and offers a full range of Latin support, including Western, Eastern and Central European languages, as well as Baltic, Celtic/Welsh, Cyrillic, Esperanto, Greek, Maltese, Turkish, and Vietnamese. The Open Type font is entitled Militia Pro, and contains class-based kerning.

Kisik is a handwritten font. I got a request to put my handwriting into a font, so I decided to take the challenge and design a whole typeface with three different weights (light, regular, bold) and 638 glyphs to cover all 104 Latin languages. This is my first time making a font. Hope you'll enjoy it. I sure did making it. Check out the listing of glyphs if you can use this font in your work. Otherwise don’t hold back writing to tanjagawish@gmail.com and I’ll create them.

Remember back in the day when medals where for The Beatles and foreign dictators only? No more! Psychophante is a 64 pixel medal-building dingbat. Make fresh pixly medals (like the 'I Really Like Your 'fro medal' and the 'Best Hotel Booker medal') for yourself and/or for friends who deserve them. Each medal is made up of three interchangable parts: - Uppercase consonants are the top of the medal. - Vowels are the middle. - Lowercase consonants are the dangly bit. Numerals are special characters, to be followed by a lowercase consonant

Step Right Up, Step Right Up, the Font Circus is in town and ready to reveal our stupendous new tent-pole feature! Step inside for the best seat in the house. Ringmaster Roshell Beauregard dons his Big Top Hat especially for this occasion and promises us that Clowntime ain't over until the Bearded Lady takes a custard pie in the face. Our Big Top Bonanza performance begins with sideshow attractions and distractions, high-wire acrobats and low-cost rubber band guns. Can you smell the greasepaint and hear the roar of the crowd already...?

The roots of this font go back to 1967. A book title in trendy letters was created in a completely ingenuous way as a film prop for a Super 8 fun film. I drew the letters with felt-tip pen and poster paint without thinking too much about it. It wasn't until a good 50 years later that I realized, this was a first awkward typeface draft. The flower power vibe was captured here subconsciously. In 2019 I completed the few glyphs and created variants that I would not have thought of at the time.

Sportivo is a 5-speed font that runs blazing fast. With a choice of 5 slants and a wealth of OpenType features, Sportivo is the ideal display font for titles that ask for a modernist-retro flair. With multiple alternates and special ligatures, Sportivo will take your headlines straight to the winners’ podium. The unique back-slanted design translates to Italic with three intermediate styles to electrify your layouts. Fast and furious, Sportivo is also equipped for victory at any Grand Prix thanks to its high-octane language support and turbo-charged OpenType features.

Frakto is a two-weight family of calligraphic Fraktur-style typefaces designed by Julius de Goede. One of the main categories of Blackletter typefaces, Fraktur was developed around 1517, and was used throughout Germany and Northern Europe well into the 20th century. With Frakto, Julius de Goede has re-applied the written element of the script back into the Fraktur style, rejuvenating and reinvigorating it for 21st century display use. Frakto is the perfect fit for certificates and newsletter headlines. We recommended using it in point sizes from 12-pt on up.

Inspired from the letterpress achieve and printed media from the 19th century. We talk about headlines, labels, playing cards, postcards, book covers, signs, and many more. That's where the DECKPRESS has risen. An old vibes all-caps fonts, armored with the robust yet decorative ornamental slab-serif style. Double up the majestic, it comes with the layered style to give an amplification back to the vintage era. It is an inevitable partner for your classical heritage touch of visuals such as signage, logotype, sign painting, label, header, ornamental typographic design, you name it, old sports.

Retrouvailles is a French word, which means ‘the feeling one gets after reuniting after a long time’. This script font was based on a couple of handwritten letters and postcards and my own imagination. I used a drawing tablet for the ligatures and the connecting strokes. Retrouvailles comes in 3 distinct styles: the slightly slanted regular style, an Italic style and a back slanted style. Retrouvailles has an abundance of goodies under the hood: it comes with a lot of ligatures and all the diacritics you could poke a stick at.

Introducing, Raksana. A retro bold script which will bring you back to 60s feel. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Why Baka Expert? There’s actually a simple answer. The original Baka was done as an experiment of sorts. I wanted to quickly capture a rough, frenetic handwriting style that broke normal conventions. Commercially, it was successful, received some accolades ... but I wasn’t completely satisfied, so I went back to the master art and the lettering explorations and produced Baka Too. This addressed some of the line items I wanted to refine in Baka. I liked it. Each font has been out for a few years now, and I have seen them in use. I’m very critical of my work, and I could still see things—modulations of strokes, angle of the nib, ink swell, and so on—that I wanted to change, refine, and reorder. For me, it is typographic indulgence, but I wanted to take this handwriting ‘font’ and turn it into a robust ‘typeface.’ So I did just that and a bit more by adding back more of my initial flourish concepts; attaining tighter, consistent control of the modulation; optimizing points; adding titling options; and expanding the character language set. Baka and Baka Too had to exist to produce this entirely new re-envisioning of an old friend ... and they all play well together :)

Introducing Telidon Ink, the dot-matrix typeface that takes you back in time to the glory days of retro computing. With its upright and legible structure, Telidon Ink boasts a distinctive textured ink impression that will transport you back to the age of the dot-matrix printer. Not only does Telidon Ink look retro, but it also has a fast and easy vibe that adds a sense of momentum to your phrases. And with its versatile range of widths, weights, and italics, you have the flexibility to create a unique and dynamic look for your designs. But that’s not all—Telidon Ink also has a clean and straight-laced companion, Telidon, which complements its retro style perfectly. Together, these typefaces will give your designs a classic and timeless look that is sure to impress. So if you’re looking to add a touch of vintage charm to your graphic design projects, Telidon Ink is the perfect choice. Let it transport you back in time to the golden age of computing and bring a touch of nostalgia to your designs. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Hello Aluyeaholics! Mother Bakery, a handwriting inspired by the warm and fussy nature of a mother baking cakes for her children and grandchildren. Coming with 100+ stunning and super easy to use alternates and ligatures. Super Easy to Use alternates - You can easily call alternates using special combination like a.2 k.3 b.4 th cc etc. To get results like the preview just type Mother.2 Bak.7ery.2

OCR A and OCR B are standardized, monospaced fonts designed for Optical Character Recognition" on electronic devices. OCR A was developed to meet the standards set by the American National Standards Institute in 1966 for the processing of documents by banks, credit card companies and similar businesses. This font was intended to be "read" by scanning devices, and not necessarily by humans. However, because of its "techno" look, it has been re-discovered for advertising and display graphics. OCR B was designed in 1968 by Adrian Frutiger to meet the standards of the European Computer Manufacturer's Association. It was intended for use on products that were to be scanned by electronic devices as well as read by humans. OCR B was made a world standard in 1973, and is more legible to human eyes than most other OCR fonts. Though less appealingly geeky than OCR A, the OCR B version also has a distinctive technical appearance that makes it a hit with graphic designers.

OCR A and OCR B are standardized, monospaced fonts designed for Optical Character Recognition" on electronic devices. OCR A was developed to meet the standards set by the American National Standards Institute in 1966 for the processing of documents by banks, credit card companies and similar businesses. This font was intended to be "read" by scanning devices, and not necessarily by humans. However, because of its "techno" look, it has been re-discovered for advertising and display graphics. OCR B was designed in 1968 by Adrian Frutiger to meet the standards of the European Computer Manufacturer's Association. It was intended for use on products that were to be scanned by electronic devices as well as read by humans. OCR B was made a world standard in 1973, and is more legible to human eyes than most other OCR fonts. Though less appealingly geeky than OCR A, the OCR B version also has a distinctive technical appearance that makes it a hit with graphic designers.

Dumm DUM. Dumm DUM. Duh dum duh dum duh dum DUMMMM... Just when you thought it was safe to get back in the water, this font surfaces to take one last bite out of your summer vacation skinnydip! Scream and scream again — it won’t do you any good, SHARKSNACK is rough and ready to EAT YOU ALIVE! It’s too late to close the beaches, Chief Brody, this particular set of saw tooth letters has already consumed Dracula, the Werewolf, the Frankenstein Monster and any number of 70s comic book characters foolish enough to dip a toe in its maw!

Randolph is a popular font family from Jukebox done in an old fashioned copperplate etching style that harkens back to the days of old leather-bound shop ledgers and hand painted window signs. The large and wide letterforms of Randolph make a bold statement that will add solidity and impact to any design. Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

Local Brewery is back with a new vintage inspired font collection that includes a script, two sans serif fonts, icons and extras. The sans serif fonts and the script include regular, semi-bold and bold weights. The script is monoline with smooth edges. The sans serif fonts have a smooth edge with all caps letters. Local Brewery Script comes with caps and lowercase alternates. These alternates will give your designs an extra flair and uniqueness. The script and sans serif fonts work exceptionally well together. Use Local Brewery for packaging, products, websites, marketing and beer branding.

Teenage Gonabe – Groovy Display Font By Teenage Foundry Introducing our latest font creation – a groovy typeface that’s sure to transport you back to the funky, psychedelic era of the 60s and 70s! With its bold, playful style and unique character, this font is perfect for adding a retro feel to your design projects. This font is incredibly versatile and can be used for a range of design projects, including posters, album covers, branding, and more. Its groovy style gives it a unique character that’s sure to make an impact. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual. For any questions please contact me 🙂 Thanks!